My cousin did not like his GIO guitar, cuz he thought it was unplayable. He said you cannot play good songs....This proves it all wrong...Amazing vid \m/
I love this album man and you do it some serious justice with this track! Always a great day when you upload man, and thanks for the work put into the tab too!
Interesting that you've chosen Drop B for this string set, I've been playing in C# Standard with the same set and it feels "just right". Inspiring playing as always!
This record slaps ass indeed. And so does your cover! By the way you should get an Instagram page for some shorter and behind the scenes insight. I think everybody playing guitar would be interested in your routine, warmups, writing processes,... So that could be a perfect complement to this channel. Plus, you'd easily get a big followers base in no time and that would in turn help your visibility. But that's just a random fan's suggestion :D Cheersss
@@SylverANGL I answered that before. (I think in the gear demo rough draft video). I deactived my instagram account, as I don't really like it as a platform. I created an account exactly for those short videos, but I never really went through with it. Another thing I haven't said is that what I like about youtube is that it's less a social media platform. On instagram and facebook I always feel like I'm annoying the people with too many guitar videos. Here it's more like I upload a video and people are free to watch it. It feels less intrusive. (I know, actually it's mostly the same, but for me it feels different) And I'm still on the fence about my ambitions as a musician, so why trying to push "instagram fame" when it's not my career and I don't plan on? We'll see, it's not the first instagram request.
I totally feel you when it comes to the "down phase". It happens to me every time I try writing a whole song or if I'm forcing myself to try being creative. If I were to just play songs practice scales and noodle mindlessly, i usually end up practicing more. Just my two cents, it may or may not be the case for you
Great cover, great song. I'll definitely be checking out the full album. If you ever want to challenge yourself consider covering some Viraemia songs. I haven't seen a single good cover of one of their songs. Can't wait to hear some of your original music!
Definitiv. War richtig überrascht. Irgendein Song war letztens in so ner Deathcore Playlist, halt fürs Autofahren, von Bands, die mich eigentlich nicht über ein ganzes Album begeistern. Musste dann mal in das Album reinhören und von vorn bis hinten, konstant gute Songs. War mal ne schöne Überraschung haha :)
I think it's about strings gauge, action and tuning. I guess on this guitar he's got the right specs for this specific tuning. But I'm indeed curious to know if that's the reason or if like the others say, it's about showing that skills>gear.
Because Ibanez makes killer guitars and if you set them up right even the cheap ones play wonderfully. I have owned 12 guitars in my lifetime of various quality and costs. I have a Keisel Zeus now and it’s the best guitar app around I’ve ever had. However the next best guitar in terms of playability and sound was an RG200 I bought for $200 from guitar center in 2004. I played that over my more premium guitars that I just sold them and saved up for more expensive guitars but none played as nice as my cheap ass Ibanez until my Kiesel. Just my experience.
TL,DR: The GIO is the only guitar I have for the tuning of this song. All other guitars are setup to specific tunings (That are not Drop B). I think I've answered this a few times before. It solely started out as necessity. I sold most of my gear, went into a break and barely played the guitar. When I got back 3 years later I only had my GIO and Washburn left. The Washburn has dead spots on the fretboard, which is why I don't play it anymore (Also active pickups). And since I had a show planned with Defeated Sanity and only enough money for a new amp (which ended up being the Axe Fx) I made it work with the GIO. That's the whole story. I still own that 7 string Iron Label Ibanez, the RGIX7FDLB, which I guess is a premium Ibanez (or one below that). But I don't really play it anymore as 7 strings don't do it for me. I also get wrist pain from the neck profile, which is weird. I wanted to sell it anyway. So the premium guitars you mean are probably all those guitars I sold. All guitars I have are those in the guitar stand you can see in every video. Which actually makes the GIO the only guitar I have for this song. The 7 string is set up for B Standard, the RG350 for D Standard, so I only have the GIO for variable tunings. And lastly, no the GIO is just a GIO. No specific specs that work for me either. Don't really like the pickups I installed. Action is pretty high as the frets are worn out. But you know what? It still works. So why complain. The most important thing is I still like playing it (Also the build quality of that GIO beats every new sub 1000€ Ibanez I've seen. Those Ibanez from 10 years ago are just something else. Same with my RG350. Awesome build quality)
Hey Kevin at 1:07 are you alternate picking or economy picking? I seriously cannot get this up to speed and I'm wondering if the choice of economy picking is what’s messing me up.
Strict alternate picking there! Economic picking doesn't make sense to me in this part, as it's all even groupings. So all string skips come after an even number of notes, which means you can stay with down-up-down-up without any problems like getting stuck between a string or something, because every note after a string change still starts with a down-stroke. So let's say you have groupings of 3, like a three note per string scale run. That's where economic picking makes sense. With three notes per string and strict alternate picking every note after a string change will start with a different stroke, so one string has a down-stroke, the other starts with an upstroke and so on. That makes things a lot more difficult. In those parts you could circumvent that with economic, so that every string change has a starting down-stroke. Anyway, I think I already over-complicated it. It's a relatively simple part where I wouldn't even know how to apply economic picking, because that would make it way more difficult than just plain alternate picking. Stay with alternate picking and practice it that way, if you have difficulties. I hope that it still helps!
@@KevinHeiderich This definitely help a ton. I was able to bring up my bpm by 10 but I still gotta practice a lot to get it to match the songs tempo. Im not particularly good with alternate picking at high speeds but it’ll def be a skill to add to my arsenal after this. Thanks again man!
I downloaded the tabs and it said "open with plague Inc" but thank you so much for linking the tabs I can't find them anywhere without it being removed in my country on songsterr or payed for with premium
It's a guitar pro file. If your computer wants to open the file the file with another program (in this case plague inc) then you manually need to open it with guitar pro after saving it to your hard drive (fastest way to explain it without overcomplicating it)
Nice!!!! Keep rocking man lml. Im new in axe fx and not sure hoe to use that cab pack, do you have a video or any info you can provide? Not able to get a decent guitar tone so far :(
Sorry, I don't really do requests. I'm only doing cover videos when I feel like it. It's pretty spontaneous these days, so usually it's either when I'm the mood of filming something or when I have a song I want to play, which doesn't happen to often anymore. Last one was a Gorod song that I still have to film somehow. So yeah, I'm really bad at planning ahead or predicting any new cover videos right now :D
Man, no one has commented on my electronic music production equipment in all that time, and now you are the second person that mentions the Neutron in this week. Awesome!!! I love (electronic) music production and I actually don't use that synth for anything remotely related to guitars. It's more a sound design device for me, because of those semi-modular patching capabilites (always wanted to have a modular system...but I'm not like, rich, you know). With two Oscillators you can also do some light Frequency Modulation which is kind of important to me. What I really love on this machine is patching the lfo to the osc gate so it triggers a note and then just "play" the synth like that. So no external note input. Just me turning the knobs. Or using sample and hold for triggering the note works equally good. Or just the vca bias. That's something I underestimated, like, using it without midi input. Definitely a killer for that price! I still don't know what synth to get next, in a similiar price-range. I had the Arturia Micro-Freak but didn't really like the menu diving you had to do. If I want menu diving and if I want to make presets I just use Serum. So the Microfreak was not really for me. The new Korg Minilogue looked good, or a Behringer Deep-Mind.....or the Modal Electronics Argon8, for wavetable stuff. But you guys still haven't commented on my other favourite device! My Ableton Push on my desk :D
Long text ahead!!!! So avoiding noise on tapping is a two part process for me. It's the tapping itself and more importantly, getting into the tapping position. So again, the two steps where most noise will occur are 1.when getting into the position and 2.when you actually tap. I'm only explaining this more thoroughly because I assume you have issues with that getting into position, and that's something people often neglect, and they are not aware that noiseless playing most of the times comes from a good setup* *(With setup I mean getting into position, or in other techniques setting up your hands and the wrist position before you start playing. If you don't understand what I'm trying to explain, then just forget this part. It's just a bit of general advice regarding a "setup", but I don't think this is a widely known and discussed topic, so it's definitely okay if you don't know where I'm going here). The tapping in this song relies heavily on a good and noiseless positioning because you're only tapping for a brief moment, and that on a very low part of the fretboard. Which means your tapping arm has to cover a lot of distance to get into that tapping position, and that can introduce a lot of noise. If your arm touches the strings without dampening them, you'll get scratchy noises, just like a pick scrape. Or you accidentally touch a string in a way that it vibrates freely. In both cases, that noise will propably overshadow the brief tapping. Once you have that noise, it's very hard to make it stop, especially in the middle of tapping. So the best thing to work on, is to not have any noise in the first place. It's a bit hard giving specific advice for this remotely and without seeing your playing. I can only give you vague instructions, but to these should be enough for you to figure it out on your own. So, next time you practice, work on getting your arm into that tapping position without noise (or with less noise). One way would be to move your arm above the fretboard, so you don't have any contact to the strings, and only lower it onto the strings when you are in the tapping the position. (Or not lower it onto the strings at all, let your wrist "float" above the fretboard. But this will definitely feel awkward at first). That way you will not get any scraping noises. That's one way to do it. But feel free to experiment and find your own way. There's no definitive way. What's important is just getting into the position without too much noise. And to find out if it's the positioning or the tapping, here's the tapping part of the song looped in a way, that you basically only have to get into position once, and then only have to worry about the tapping for the rest of the loops. drive.google.com/file/d/13hxLOV4LzcP3524IgVkvGNzaxvRTG6iq/view?usp=sharing Do you have lots of noise there when you play this in this kind of loop? If yes, then I suspect it's the slided tapping. Two issues often occur here: 1. You move your arm too much when you sliding, so you get scraping and scratching noises. Solution: Don't move your arm too much. Get the movement from the wrist or tapping finger. 2. You don't have enough pressure on your tapping finger when doing the slide. It's a bit awkward at first, sliding with your tapping finger, because we're usually used to only use it as a sort of percussive hammer with a little bit of a pull-off, but not as a "full-fretting" finger. And slided tapping has a lot more in common with regular fretting than just tapping. It does change the mechanics a bit. So the important thing is to have constant pressure on your tapping finger across the slide, so you'll have consistent contact to the string on all three notes. Not doing this, or not doing this consistently will lead to weak sounding notes, or even to a dead stop on one of those. While this is not a noise issue itself, it will still lead to better playing. And there's still a connection to noise: If you have strong sounding notes, then small amounts of noise will have a hard time coming through. On the contrary, if you have weak sounding notes, then a small amount of noise will already overshadow those. I hope that helps, and excuse me for writing this huge text for such a seemingly small issue :D
@@KevinHeiderich Thanks, I love how you use a Gio Ibanez and showcase your talent with a budget axe! I only say this because I have never understood the elite gear players that underestimate players with entry level gear and think they are superior in every way. I mean, you use an Axe Fx but that is beyond the point, that constitutes your tone. Would be interesting though like a try out video with a combo amp and just a distortion pedal... Good lesson, nice to see a superb guitar player being honest and down to Earth. Thank you for showcasing your talent, Kevin!
I'm sorry, I can't really help there. For me it's working fine. Just tried it in incognito mode, to see how others download it, and it works. What version of guitar pro are you using? For the next videos, where I'll share tabs, I'll definitely make pdf versions available!
@@KevinHeiderich If you are talking about the app then no I don't have it. I was thinking about buying it but the reviews kinda sucked on it as of late so I decided to wait on it. It would be awesome though if I could have this in a PDF.
@@ImmortalMarz yeah that's the problem. You need guitar pro to open it. I thought every guitarist has it haha. Sorry about that. I've added a link for a PDF version to the description, have fun with it :)
You have to save it to your harddrive and open it manually with guitar pro, if it always wants to open a different program. (Or you have to manually say open with a certain program). I think I'll just upload pdf versions of the tabs in the future as well, should be way easier to open.
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
Added a PDF Tab to the description for those who have trouble downloading the guitar pro version.
LEGEND.
Instablaster...
Thanks for tabs :)
unbelievable fill at 3:30
That shit you played at 3:31 sounds so fucking good. That was nuts.
Regardless of equipment dude fucking shreds with precision
You're the perfect example of "gear doesn't matter" very cool bro 🙌
It's a great cover, but Imean, he's playing through a Axe Fx so it's not like he has shit gear either.
Amps and everything else > guitar quality. An axefx or kemper can make literally any guitar sound good
This is probably the tightest cover I've seen of any metal core song. Seriously amazing dude
He is a legend because he added the fucking tabs
My cousin did not like his GIO guitar, cuz he thought it was unplayable. He said you cannot play good songs....This proves it all wrong...Amazing vid \m/
Duuude was ein Brett! Hat mega Bock gemacht zuzusehen! Und 3:32 hat noch das i-Tüpfelchen draufgelegt :D
holy shit dude that was CLEAN! very very nice playing, props to you
man ur picking technique is so insane and very precise Good Video :D
I love this album man and you do it some serious justice with this track!
Always a great day when you upload man, and thanks for the work put into the tab too!
thanks for the tab and amazing cover. using both to help learn this song.
Thanks for tab. Greate cover👍
awesome cover!
thanks for the tabs
youre a monster bro, INSANE cover
insane playing, this is really tight
Interesting that you've chosen Drop B for this string set, I've been playing in C# Standard with the same set and it feels "just right".
Inspiring playing as always!
Dope. Cheers for the tabs man!
finally some tabs for his song im trying to learn it by ear for 6 month now f*ck
My GIO looking at me right now: "Don't you even dare trying that" Shit slaps man!!!
This record slaps ass indeed. And so does your cover!
By the way you should get an Instagram page for some shorter and behind the scenes insight. I think everybody playing guitar would be interested in your routine, warmups, writing processes,...
So that could be a perfect complement to this channel.
Plus, you'd easily get a big followers base in no time and that would in turn help your visibility.
But that's just a random fan's suggestion :D
Cheersss
+1 on the IG account
@@SylverANGL I answered that before. (I think in the gear demo rough draft video). I deactived my instagram account, as I don't really like it as a platform. I created an account exactly for those short videos, but I never really went through with it. Another thing I haven't said is that what I like about youtube is that it's less a social media platform. On instagram and facebook I always feel like I'm annoying the people with too many guitar videos. Here it's more like I upload a video and people are free to watch it. It feels less intrusive. (I know, actually it's mostly the same, but for me it feels different)
And I'm still on the fence about my ambitions as a musician, so why trying to push "instagram fame" when it's not my career and I don't plan on? We'll see, it's not the first instagram request.
Kevin Heiderich thank you for all the content you put out! You’re the best guitarist on RUclips dude
I love your covers and reading descriptions. much love
Well done bro well done!! I like your own lead flavor you added before the outro!
Great cover as always. Amazed by your technique everytime
what a banger, amazing cover dude, thanks for th tab :)
really great cover! thanks
I totally feel you when it comes to the "down phase". It happens to me every time I try writing a whole song or if I'm forcing myself to try being creative. If I were to just play songs practice scales and noodle mindlessly, i usually end up practicing more. Just my two cents, it may or may not be the case for you
Hey man, great job on the tab and the play thru. Its appreciated even if it doesn't give more clicks.
Very awesome, man!
Great cover, great song. I'll definitely be checking out the full album. If you ever want to challenge yourself consider covering some Viraemia songs. I haven't seen a single good cover of one of their songs. Can't wait to hear some of your original music!
You're so, so good! As if you needed to be told that 😆
Thx for tab man and gr8 cover as always
Wie immer sehr geil!
Dude, the fiĺl at 3:30 was fucking siiiiìcckk my guy!
Sick tone🤘🏻
Die Platte ist richtig geil!
Definitiv. War richtig überrascht. Irgendein Song war letztens in so ner Deathcore Playlist, halt fürs Autofahren, von Bands, die mich eigentlich nicht über ein ganzes Album begeistern. Musste dann mal in das Album reinhören und von vorn bis hinten, konstant gute Songs. War mal ne schöne Überraschung haha :)
great work
rlly appriciat the free tabs
Great cover, as always. Btw, why do you play a GIO? I know you have more premium guitars. Am I missing something with the GIO?
Apparently skill matters more than gear choices
@@XYGOGYX yeah I think that is what he wants to show us
I think it's about strings gauge, action and tuning. I guess on this guitar he's got the right specs for this specific tuning. But I'm indeed curious to know if that's the reason or if like the others say, it's about showing that skills>gear.
Because Ibanez makes killer guitars and if you set them up right even the cheap ones play wonderfully. I have owned 12 guitars in my lifetime of various quality and costs. I have a Keisel Zeus now and it’s the best guitar app around I’ve ever had. However the next best guitar in terms of playability and sound was an RG200 I bought for $200 from guitar center in 2004. I played that over my more premium guitars that I just sold them and saved up for more expensive guitars but none played as nice as my cheap ass Ibanez until my Kiesel. Just my experience.
TL,DR: The GIO is the only guitar I have for the tuning of this song. All other guitars are setup to specific tunings (That are not Drop B).
I think I've answered this a few times before. It solely started out as necessity. I sold most of my gear, went into a break and barely played the guitar. When I got back 3 years later I only had my GIO and Washburn left. The Washburn has dead spots on the fretboard, which is why I don't play it anymore (Also active pickups). And since I had a show planned with Defeated Sanity and only enough money for a new amp (which ended up being the Axe Fx) I made it work with the GIO. That's the whole story.
I still own that 7 string Iron Label Ibanez, the RGIX7FDLB, which I guess is a premium Ibanez (or one below that). But I don't really play it anymore as 7 strings don't do it for me. I also get wrist pain from the neck profile, which is weird. I wanted to sell it anyway.
So the premium guitars you mean are probably all those guitars I sold. All guitars I have are those in the guitar stand you can see in every video. Which actually makes the GIO the only guitar I have for this song. The 7 string is set up for B Standard, the RG350 for D Standard, so I only have the GIO for variable tunings.
And lastly, no the GIO is just a GIO. No specific specs that work for me either. Don't really like the pickups I installed. Action is pretty high as the frets are worn out. But you know what? It still works. So why complain. The most important thing is I still like playing it (Also the build quality of that GIO beats every new sub 1000€ Ibanez I've seen. Those Ibanez from 10 years ago are just something else. Same with my RG350. Awesome build quality)
Thank you for a new fav song and cd, this fucking kills
You're welcome. That album was a surprise for me as well. Didn't expect a song/album from a random spotify deathcore playlist to be thaaaat good :D
the best
awesome
Sick !
Holy fucking shit you are good. Effortless and flawless technique
Love it 🔥
Nice 🤘
Hey Kevin at 1:07 are you alternate picking or economy picking? I seriously cannot get this up to speed and I'm wondering if the choice of economy picking is what’s messing me up.
Strict alternate picking there! Economic picking doesn't make sense to me in this part, as it's all even groupings. So all string skips come after an even number of notes, which means you can stay with down-up-down-up without any problems like getting stuck between a string or something, because every note after a string change still starts with a down-stroke. So let's say you have groupings of 3, like a three note per string scale run. That's where economic picking makes sense. With three notes per string and strict alternate picking every note after a string change will start with a different stroke, so one string has a down-stroke, the other starts with an upstroke and so on. That makes things a lot more difficult. In those parts you could circumvent that with economic, so that every string change has a starting down-stroke. Anyway, I think I already over-complicated it. It's a relatively simple part where I wouldn't even know how to apply economic picking, because that would make it way more difficult than just plain alternate picking. Stay with alternate picking and practice it that way, if you have difficulties. I hope that it still helps!
@@KevinHeiderich This definitely help a ton. I was able to bring up my bpm by 10 but I still gotta practice a lot to get it to match the songs tempo. Im not particularly good with alternate picking at high speeds but it’ll def be a skill to add to my arsenal after this. Thanks again man!
I downloaded the tabs and it said "open with plague Inc" but thank you so much for linking the tabs I can't find them anywhere without it being removed in my country on songsterr or payed for with premium
It's a guitar pro file. If your computer wants to open the file the file with another program (in this case plague inc) then you manually need to open it with guitar pro after saving it to your hard drive (fastest way to explain it without overcomplicating it)
Played the fuck outta that gio, loved it. Ibanez makes the best budget guitars imo hands down, I got a cheap RG and it's super fucking solid.
Fucking ace ! Very impressive 🤘🏻
Nice!!!! Keep rocking man lml. Im new in axe fx and not sure hoe to use that cab pack, do you have a video or any info you can provide? Not able to get a decent guitar tone so far :(
Amazing cover!
god
Wirklich richtig gut! Es würde mich wirklich extrem interessieren wie Songs/Ideen von mir klingen, wenn du Sie einspielen würdest.
@Kevin Heiderich, do you reckon you'd like to make a Desecravity cover?
Sorry, I don't really do requests. I'm only doing cover videos when I feel like it. It's pretty spontaneous these days, so usually it's either when I'm the mood of filming something or when I have a song I want to play, which doesn't happen to often anymore. Last one was a Gorod song that I still have to film somehow. So yeah, I'm really bad at planning ahead or predicting any new cover videos right now :D
But that Neutron though! I have Pro-1, you can do some mad pairing with guitars and synths.
Man, no one has commented on my electronic music production equipment in all that time, and now you are the second person that mentions the Neutron in this week. Awesome!!! I love (electronic) music production and I actually don't use that synth for anything remotely related to guitars. It's more a sound design device for me, because of those semi-modular patching capabilites (always wanted to have a modular system...but I'm not like, rich, you know). With two Oscillators you can also do some light Frequency Modulation which is kind of important to me. What I really love on this machine is patching the lfo to the osc gate so it triggers a note and then just "play" the synth like that. So no external note input. Just me turning the knobs. Or using sample and hold for triggering the note works equally good. Or just the vca bias. That's something I underestimated, like, using it without midi input. Definitely a killer for that price! I still don't know what synth to get next, in a similiar price-range. I had the Arturia Micro-Freak but didn't really like the menu diving you had to do. If I want menu diving and if I want to make presets I just use Serum. So the Microfreak was not really for me. The new Korg Minilogue looked good, or a Behringer Deep-Mind.....or the Modal Electronics Argon8, for wavetable stuff.
But you guys still haven't commented on my other favourite device! My Ableton Push on my desk :D
nice cover :) what model guitar is that?
How do you stop the guitar noise from going wild during the tapping part?
Long text ahead!!!!
So avoiding noise on tapping is a two part process for me. It's the tapping itself and more importantly, getting into the tapping position. So again, the two steps where most noise will occur are 1.when getting into the position and 2.when you actually tap.
I'm only explaining this more thoroughly because I assume you have issues with that getting into position, and that's something people often neglect, and they are not aware that noiseless playing most of the times comes from a good setup*
*(With setup I mean getting into position, or in other techniques setting up your hands and the wrist position before you start playing. If you don't understand what I'm trying to explain, then just forget this part. It's just a bit of general advice regarding a "setup", but I don't think this is a widely known and discussed topic, so it's definitely okay if you don't know where I'm going here).
The tapping in this song relies heavily on a good and noiseless positioning because you're only tapping for a brief moment, and that on a very low part of the fretboard. Which means your tapping arm has to cover a lot of distance to get into that tapping position, and that can introduce a lot of noise. If your arm touches the strings without dampening them, you'll get scratchy noises, just like a pick scrape. Or you accidentally touch a string in a way that it vibrates freely. In both cases, that noise will propably overshadow the brief tapping. Once you have that noise, it's very hard to make it stop, especially in the middle of tapping. So the best thing to work on, is to not have any noise in the first place.
It's a bit hard giving specific advice for this remotely and without seeing your playing. I can only give you vague instructions, but to these should be enough for you to figure it out on your own. So, next time you practice, work on getting your arm into that tapping position without noise (or with less noise). One way would be to move your arm above the fretboard, so you don't have any contact to the strings, and only lower it onto the strings when you are in the tapping the position. (Or not lower it onto the strings at all, let your wrist "float" above the fretboard. But this will definitely feel awkward at first). That way you will not get any scraping noises. That's one way to do it. But feel free to experiment and find your own way. There's no definitive way. What's important is just getting into the position without too much noise.
And to find out if it's the positioning or the tapping, here's the tapping part of the song looped in a way, that you basically only have to get into position once, and then only have to worry about the tapping for the rest of the loops.
drive.google.com/file/d/13hxLOV4LzcP3524IgVkvGNzaxvRTG6iq/view?usp=sharing
Do you have lots of noise there when you play this in this kind of loop? If yes, then I suspect it's the slided tapping. Two issues often occur here:
1. You move your arm too much when you sliding, so you get scraping and scratching noises. Solution: Don't move your arm too much. Get the movement from the wrist or tapping finger.
2. You don't have enough pressure on your tapping finger when doing the slide. It's a bit awkward at first, sliding with your tapping finger, because we're usually used to only use it as a sort of percussive hammer with a little bit of a pull-off, but not as a "full-fretting" finger. And slided tapping has a lot more in common with regular fretting than just tapping. It does change the mechanics a bit. So the important thing is to have constant pressure on your tapping finger across the slide, so you'll have consistent contact to the string on all three notes. Not doing this, or not doing this consistently will lead to weak sounding notes, or even to a dead stop on one of those.
While this is not a noise issue itself, it will still lead to better playing. And there's still a connection to noise: If you have strong sounding notes, then small amounts of noise will have a hard time coming through. On the contrary, if you have weak sounding notes, then a small amount of noise will already overshadow those.
I hope that helps, and excuse me for writing this huge text for such a seemingly small issue :D
Do you know what did the lead guitarist used for the song
What pedal are you using for that tone. It sounds amazing
I used an Axe Fx standard for this one :)
Thanks
Heh, we have the same monitors.
Hey, @Kevin Heiderich, which GIO Ibanez model do you play?
It's a GRG170DX. Around 10 years old now
@@KevinHeiderich Thanks, I love how you use a Gio Ibanez and showcase your talent with a budget axe! I only say this because I have never understood the elite gear players that underestimate players with entry level gear and think they are superior in every way. I mean, you use an Axe Fx but that is beyond the point, that constitutes your tone. Would be interesting though like a try out video with a combo amp and just a distortion pedal... Good lesson, nice to see a superb guitar player being honest and down to Earth. Thank you for showcasing your talent, Kevin!
Awesome cover! When I tried to download the tabs it said it was corrupt and it didn't let me pull them up.
I'm sorry, I can't really help there. For me it's working fine. Just tried it in incognito mode, to see how others download it, and it works. What version of guitar pro are you using? For the next videos, where I'll share tabs, I'll definitely make pdf versions available!
@@KevinHeiderich If you are talking about the app then no I don't have it. I was thinking about buying it but the reviews kinda sucked on it as of late so I decided to wait on it. It would be awesome though if I could have this in a PDF.
@@ImmortalMarz yeah that's the problem. You need guitar pro to open it. I thought every guitarist has it haha. Sorry about that. I've added a link for a PDF version to the description, have fun with it :)
@@KevinHeiderich ok thank you!
@@KevinHeiderich do you also have tabs for Into Nothing off of the same album?
Do a Disentomb cover
Awesome cover man but your link for the tabs isn't working.
It opens plague Inc for me, if you found out a fix it would be amazing if you could help.
You have to save it to your harddrive and open it manually with guitar pro, if it always wants to open a different program. (Or you have to manually say open with a certain program). I think I'll just upload pdf versions of the tabs in the future as well, should be way easier to open.
This description tho
All American guy
It just opens plague Inc :/
really great cover! thanks