Rig Rundown: All That Remains' Mike Martin & Jason Richardson [2022]
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- Опубликовано: 8 июн 2024
- Full Rig Details: bit.ly/AllThatRemainsRig
A lot of bands are lucky enough to carve a career with one big hit. If they’re even luckier, they’ll ride the wave of an impactful album for decades. But for melodic metalcore heavyweights All That Remains, who are honoring their game-changing The Fall of Ideals with a full album play, it’s not even their most-popular record. Following on the energy and success of that influential 2006 album, they released five straight albums that landed in the top 10 of Billboard’s U.S. Rock chart.
The coal fueling All That Remains’ locomotive is their propulsive guitar work. The original firepower was supplied by cofounding shredmeister Oli Herbert who was originally flanked by Chris Bartlett. Current rhythm rifleman Mike Martin replaced Bartlett in 2004 and provided the classically trained Herbert a solid substratum to dance all over. That duo defined ATR’s harmonious heaviness, Gothenburg groove, and aggressive attitude for almost 15 years before Herbert’s untimely passing in October 2018 just weeks before releasing their ninth trouncing album, Victim of the New Disease. Since then, the band has continued with blazing flamethrower Jason Richardson (Born of Osiris and Chelsea Grin).
Before All That Remains’ May 10th headlining show at Nashville’s Basement East, PG’s Perry Bean had to pick his jaw off the floor and re-screw his skullcap on after seeing the amazing instruments both guitarists Mike Martin and Jason Richardson brought on tour. Martin detailed his beautiful PRS Custom 24s while Richardson offered a sneak peek at his second batch of signature Ernie Ball Music Man Cutlass models.
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[Brought to you by D’Addario XS Electric Strings: www.daddario.com/XSERR]
00:00 - D’Addario XS Electric Strings
00:15 - Intro
00:35 - Mike Martin Intro
00:54 - Touring The Fall of Ideals Anniversary
02:05 - Mike Martin's PRS Custom 24s
07:02 - All That Remains Tunings
08:28 - Fractal Audio Axe-Fx III
11:49 - Jason Richardson Intro
12:11 - Ernie Ball Music Man Jason Richardson Artist Series Cutlass (Majora purple)
14:57 - Ernie Ball Music Man Jason Richardson Artist Series Cutlass (empress white)
16:15 - Ernie Ball Music Man Jason Richardson Artist Series Cutlass (Rorschach red)
16:33 - Ernie Ball Music Man Jason Richardson Artist Series Cutlass (Buckeye Burl)
17:22 - Dunlop Jason Richardson picks
19:02 - Fractal Audio Axe-Fx III
21:10 - Using Pro Tools live
23:36 - Jason Richardson's Strings of Choice
#rigrundown #allthatremains #jasonrichardson 
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Full Rig Details: bit.ly/AllThatRemainsRig
Win Guitar Gear: bit.ly/GiveawaysPG
Subscribe to PG's Channel: bit.ly/SubscribePGRUclips
Don't Miss a Rundown: bit.ly/RIgRundownENL
Merch & Magazines: shop.premierguitar.com
I'll always love these videos, but if touring bands are going to continue pushing into the modeling territory, it really requires a patch breakdown. It wouldn't have to be the most in-depth, but it would make it much more interesting than the entire amp section of these videos being Kemper, Axe FX, or Helix.
Nail, meet head.
I want to say they used to do that back in The day when AXEFX was a thing that was new... I don't know why they stopped.
@@ooferrellSeems like it goes against the mystique when essentially you're describing 0's and 1's. If you want to know the patches, just buy them from the artist. I also just realized that patches have retail value, so they probably don't want to share those for free on RUclips.
@@9unslin9erhow is this different from showing each pedal and amp setting fam? They should just do it. The magic is in the playing, not the knobs
@@viceversa7245 It's a "rig rundown" not a playing rundown. If I want to watch Jason's playing, I'll watch his playing.
This band deserves more love. The Fall Of Ideals and Overcome are great albums
💯!
'Forever Albums' as I like to say 🤘🏻
Complete agree on the Custom 24 with a TOM or stop tail... PRS would sell a billion +1... id buy that
This darkened heart is one of the greatest albums of all time.
thats the fall of ideals
Mike...a man of my own heart with the prs's
What a beautiful guitars you have!
Such a sick interview/RR
I use the Ernie ball primo set which is 9.5-12-16-24-34-44. The turbo set is 9.5-12-16-26-36-46.
Fun Fact. PRS strings are actually D'addario strings in PRS packaging.
Stop tail custom 24 would sell a lot.
I just got that Majora❤❤❤ insane top...really comfortable to play...neck is smooth and beautiful!
That times of grace shirt 🖤👌
I had a great conversation with Oli before he was taken from us after a pro session he did at a friends guitar store.
He was using the Kemper Profiler and talking with him convinced me to get one and I love the versatility and the accuracy of the tones.
But one thing I've struggled with is maintaining volume discipline when moving frtom profile to profile.
I have the Kemper Rack and use a Crown Macrotech 9000i to power my four Marshall 1960 cabs equipped with the Celestion Kemper Kone 12's for big shows and for more sane venues I use just a Crown XTi2002 for power and one Marshall 1960A with the Kones.
For some reason though I'll set all my volumes at sound check for all the profiles I'll use for the gig but they all go haywire if I have to adjust the power amp volume at all in mid show. No 2 profiles give me the same volume level once I change the power amp volumes so I'm constantly working my volume pedal or my volume pots on the axes when I switch profiles.
I experimented with the Kemprer for half a year and after a lot of pain and embarrassment, I went back to just using my JVM 410 heads in half stacks with the gold Celestion 50's. I use the Kemper in the studio and in controlled environments still but no longer for live shows. I have friends that swear by the Axe FX and I've been thinking that maybe I should give it a shot.
Mike’s voice is so manly
Please try and get more detail into what patches these bands are using on kemper/axefx etc.
Mark Martin!!!
I have those picks. They're crazy good
I've got an honest question for Premier Guitar: What determines whether or not you include the bass player in these rig rundowns? Do you always ask everyone to participate, or do you generally approach the guitar players and then if there's time you do one for the bass player as well? Been wondering about it for a while, since it seems so arbitrary whether or not the bass players get included or not. Hope to see even more of the low-end guys going forward :)
We always try to include the bassist during our Rig Rundown shoots. Typically two things happen that omit the low-end coverage: (1st) The bassist politely declines-either because they're camera shy or feel their simple setups are not "worthy" of a Rundown. (2nd) We run out of time (only so much wiggle room to fit set up and soundchecks for 2, 3, and sometimes 4 bands, so we do prioritize guitar setups in a time-crunch situation. Thanks for understanding and reaching out with a reasonable question and not fingerpointing that we HATE bass. Appreciate the love and support. We got a few coming up featuring bass (Mammoth WVH and The War on Drugs) -PG
Its a shame so many bass players feel their gear isn't worthy. Any gear talk is interesting, even a boring P bass into a rental ampeg can have a story
@@premierguitar if someone hates bass players, does that make them a bassist?
@@get_me_the_bonesaw3029 maybe they had bassist parents and were just brought up in the wrong environment. No one is born hating bass players 👬🫶🏻😂
It depends if they are passed out from the 🌙 before.
Really wish PRS would offer the Custom 24 in a hardtail. 6:06 is the TRUTH.
The holcomb se is basically a custom 24 with a hardtail
@@stonedome93 Yeah but it’s also a different scale length and 20in radius. It’s specific to Marks spec. I like the standard spec on the custom 24 just wish they offered it in a hardtail.
@@cshades8026 have you tried blocking the trem? You could probably achieve a similar result
@@stonedome93 Yeah it’s just not the same though. I use to own a 2016 custom 24 but I’m just not a fan of trems. Years ago they use to offer it in a stoptail. Hasn’t been since the 90’s though. They have offered the custom 22 as a stoptail but only briefly I believe in 2013.
@@cshades8026 thanks for the info, hopefully they make your wish come true sooner than later!
Please do a Frozen Soul rig rundown
This man knows how to take care of a guitar gah dam!
Cu24 with an adjustable stoptail 🤤
26:34 Jason : ....
Just PISSED he cut him off..... lol
How do you put EMG's in a PRS?
Answer: well first you take the strings off...
André Nieri is a beast !!
ATR gonna be playing in drop A? Holyyyyyyyy MOTHER…
Possum stew is always on Jason's rider.
Learned more about the interviewer than Mike.. Didn't come here for that
Mike says he's been with PRS since 09 but in the early 2010's he was playing the Charvel's 🤔
Guess you’d know better than him
Paul has different deals depending on the guitarist. Some are allowed to still play other brands. Some just pay cost on a USA Core Model(which is super cheap. Less than an SE in most cases). He looks like he has a few Private Stocks in there.
John Frusciante next :)
Jason is so tiny in front of Mike😁
Holcomb burst, but nice shoutout to Mark
The guy who cheated on his wife with Yvette young and lied to both of them? Yeah, I wouldn’t be shouting that out lmao.
She's cute
The choice for the white pups was a bad one...does not look good
Uh uh uh uh
sparkle is for girls, flake is for men...;D
Man, I love these rundowns. I'm pretty sure I've seen every single one. But..... I seriously don't want to see any more that have axe fx, or helix, etc. They are getting so boring with artists that use modelers. I'll watch the guitar section, then once they get to the "amps" , and it's an axe fx, I lose all interest. Sorry, it's just boring as hell
I understand where you're coming from but that's the nature of good live gear. Sometimes it's just boring!
Remoob ykao
Perry, you talk too much about yourself. And how much you know about gear. Dial it back brother.
Always will laugh at this hillbillie band