Here's a tip that I use a lot in my practicing for awkward passages, especially arpeggios. It can be applied to any tough passage, and is something that we haven't discussed a lot on this channel. I hope it helps you in your studies! Have a great week of practicing.
Another really good tip that helped me to connect the cross and make it smoother was to think in groups of 4 as you play the arpeggio rather than 3. You can count out 1 2 3 4 as you go every octave. 4 octaves up and down has the perfect count. It really made the cross a lot easier. Thank you for this tip!
Actually, I struggled to play the B♭minor arpeggio. But now Josh, you have cleared my doubts. Your techniques actually work! Keep up your good work! 🙏🏻🙏🏻🙏🏻 Regards from India 🇮🇳
I do love how you break technique down and especially how to incorporate relaxation as part of the practice. It would be nice occasionally to have a camera view looking down onto your keys from above. I was having trouble seeing where your crossings were and how your hand and wrist were positioned during the cross. Thanks for your great videos!
I am not a pianist Josh but a lot of what you say hits home. I take your advice in my own practice and it works. I am a harpist. So thanks for a very clear and fresh approach to finger technique. Trust me it's works beautifully on the harp Strings. Appreciate you much.
Thank you so so much !!!! Fantastic time !!! Adorable Dr Wright From your explanation how to play those difficulties became much more easy and simple!!! Simplest is the best !!! The same wishes here !!! Stay safe and sound!!! Kind regards 🎋☘️
That's a great tip ! I found fast arpeggios really diffcult before, mostly because of the legato. Most teachers explain legato to beginners as an actual physical phenomenon : one key releasing after and only after another key is pressed. If you live by this rule, and you think you play legato like this, you'll have a hard time trying to play fast. I figured only much later that actual legato is more of a feeling, the way you phrase things and sing intervalls, and the way you transfer the "weight" from one key to another. As i understood that, i began practising differently and i found that fast, precise, legato arpeggios were possible. Anyway thanks Josh for your great videos ! Nice content as usual.
Interesting point. I play guitar also, and 'legato' by never breaking contact is impossible, plus there isn't a pedal. Legato on guitar is an impression I try to create with every opportunity to keep contact, so that the impression isn't lost to the listener when the hands have to break contact, as in chord switches.
The point you made about how tou have to plant your feet a bit more open is so good! I had never thought about it but i definitely struggle with arpeggios as they move far away from the central register so this could really help :o I'll keep that in mind when I practice tomorrow
I found this really useful, I am struggling a bit with the left hand in the Chopin Revolutionary study. This advice will help me a lot, I'm sure. Thanks Josh.
Really helpful, you've given me lots to think about as I''d been struggling with some Debussy arpeggios. I'm looking forward to practising tomorrow. and feeling hopeful!
I too was looking specifically for the BFlat minor arpeggio...I knew Josh had such a vid...2 mins in we're talking abt his custom bench....Beggars dont chose. Thanks man.
Do you have any tips for all-black arpeggios like f# major or Eb minor? I've always felt like these arpeggios need a special approach to practicing them because of the unique hand position and extreme finger precision required to not slip off the keys
I usually just brace the gap, it seems unavoidable, but it can help with a higher bench position because you have more room for that rotation from C# to F#
Henry Zhang Actually, B♭ minor arpeggio is more difficult than a G♭ major or E♭ minor arpeggios because the Bb arpeggio has two close notes Bb and Db and then, I think where we struggle is from Db to F and F to Bb.
@@JaySuryavanshiMusic You're right - That is a tricky spot in the arpeggio. But for me, Eb minor is a killer because it ALSO includes two close notes (Eb and Gb) after a gap (Bb to Eb).
Hi from Spain! Thank you so much for your videos, I find it very instructive. I am an intermediet level I think. Im playing Czerny studys for finger dextricity and I have problems with rigid wrist, usually with left hand, and fast passages or doble notes. Could you make a video explaining doble notes with left hand. And how Get to sound clean and fast without eack? Thank you! Wish understand my english😊
I once had a real problem with rigid wrists. What helped me was watching a VJS tapes bv by Barbara Lister Sink called “Freeing the Caged Bird.” Now they’re on RUclips. Here’s the playlist: ruclips.net/p/PLPp_Is9dOPCYGiRMaca2CAH-B663uEbkQ&si=f7x4k4YCtNeq4IQd
During each practice session, how much time or percentage of practice session would you suggest to practice techniques such as this one to become proficient?
Hey josh great video but I actually have a question I was hoping you could answer. I was actually recently struggling with a pretty big chords on the left and right hand. These chords range from 10ths to as far as 12ths. I’m a piano player that has relatively small hands but I could always find away around the big stretches but for these kinds of chords I really can’t. I was just wondering if you had some tips, thanks again.
if you can't arpeggiate it, exclude the fifths too make it easier. if not then its probably too risky to play that piece without injury. If you want to play it, rewrite the chords into a similar voicing that gives the same effect.
What I do is quickly roll (arpeggiate) the chords or play them in a way that fits my hands. Sometimes I have to play adjacent notes with one finger, or use the other hand to cross over and play the note(s) I can’t reach. It all depends on the piece.
I'm glad that you're giving lessons on RUclips, but I don't need them. My professor is all I need. I'm tired of your ads. I came here specifically to tell you how annoying your ads are. They are in every other video I watch. Sometimes twice. Some ads are okay. Others, like yours, make me want to break my skull. Take this as you will.
For someone who's a classical performance artist you need a few lessons in sound mixing and paying attention recording .levels. I give up cranking up my speakers to 80% just to hear you speak. It's a shame because you really do give some great advice, but if nobody hears you it's all just a waste of time. Consider me unsubscribed.
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
This is such an oddly specific video that surprisingly I was just looking for. Thank you as always
Dude same here!
Same !
Lol I'm learning Chopin op 25 no 12 and this video just randomly came into my recommendations it was just what I was looking for 🤣
Here's a tip that I use a lot in my practicing for awkward passages, especially arpeggios. It can be applied to any tough passage, and is something that we haven't discussed a lot on this channel. I hope it helps you in your studies! Have a great week of practicing.
Another really good tip that helped me to connect the cross and make it smoother was to think in groups of 4 as you play the arpeggio rather than 3. You can count out 1 2 3 4 as you go every octave. 4 octaves up and down has the perfect count. It really made the cross a lot easier. Thank you for this tip!
@@elijahshumate3909 That’s fine if you aren’t playing triplets.
Anticipation/tension. Isolate the spot. Analyze the glitch. Repeat very slowly. RELAX, flow through it. Genius. Thanks, Josh!
Actually, I struggled to play the B♭minor arpeggio. But now Josh, you have cleared my doubts. Your techniques actually work!
Keep up your good work! 🙏🏻🙏🏻🙏🏻
Regards from India
🇮🇳
I do love how you break technique down and especially how to incorporate relaxation as part of the practice. It would be nice occasionally to have a camera view looking down onto your keys from above. I was having trouble seeing where your crossings were and how your hand and wrist were positioned during the cross. Thanks for your great videos!
Thank you for these videos. I learn a lot from you as a teacher myself.
1. Adjust bench size ( slightly high)
2. Horse riding position (feet planted, legs spread apart)
3. Isolate and master comfortable spots, relaxed then move,
I am not a pianist Josh but a lot of what you say hits home. I take your advice in my own practice and it works. I am a harpist. So thanks for a very clear and fresh approach to finger technique. Trust me it's works beautifully on the harp Strings. Appreciate you much.
Thank you so so much !!!! Fantastic time !!! Adorable Dr Wright From your explanation how to play those difficulties became much more easy and simple!!! Simplest is the best !!! The same wishes here !!! Stay safe and sound!!! Kind regards 🎋☘️
That's a great tip ! I found fast arpeggios really diffcult before, mostly because of the legato. Most teachers explain legato to beginners as an actual physical phenomenon : one key releasing after and only after another key is pressed. If you live by this rule, and you think you play legato like this, you'll have a hard time trying to play fast. I figured only much later that actual legato is more of a feeling, the way you phrase things and sing intervalls, and the way you transfer the "weight" from one key to another. As i understood that, i began practising differently and i found that fast, precise, legato arpeggios were possible.
Anyway thanks Josh for your great videos ! Nice content as usual.
Interesting point. I play guitar also, and 'legato' by never breaking contact is impossible, plus there isn't a pedal. Legato on guitar is an impression I try to create with every opportunity to keep contact, so that the impression isn't lost to the listener when the hands have to break contact, as in chord switches.
@@bokumo7063 guitar can execute true legato by bending or with hammer ones/pull offs
Thank you! I think that’s what’s impeding my progress on speed.
The point you made about how tou have to plant your feet a bit more open is so good! I had never thought about it but i definitely struggle with arpeggios as they move far away from the central register so this could really help :o
I'll keep that in mind when I practice tomorrow
I found this really useful, I am struggling a bit with the left hand in the Chopin Revolutionary study. This advice will help me a lot, I'm sure. Thanks Josh.
Really helpful, you've given me lots to think about as I''d been struggling with some Debussy arpeggios. I'm looking forward to practising tomorrow. and feeling hopeful!
Thanks for sharing those wonderful tips~
Fantastic tips. Thank you so much!
Great Video!! Waiting for a Pro Practice in Liszt Hungarian Rhapsody NO. 6
Just what I needed super cool video!
This is so helpful 👍🏾 I like to think of my hand movement as a "choreography" with tricky runs / arpeggios
Josh, you're amazing!!!!!!!
Every inch of this man is beautiful.
I too was looking specifically for the BFlat minor arpeggio...I knew Josh had such a vid...2 mins in we're talking abt his custom bench....Beggars dont chose.
Thanks man.
Do you have any tips for all-black arpeggios like f# major or Eb minor? I've always felt like these arpeggios need a special approach to practicing them because of the unique hand position and extreme finger precision required to not slip off the keys
Damn that's true i always have trouble with F# major 🤔
I usually just brace the gap, it seems unavoidable, but it can help with a higher bench position because you have more room for that rotation from C# to F#
Henry Zhang Actually, B♭ minor arpeggio is more difficult than a G♭ major or E♭ minor arpeggios because the Bb arpeggio has two close notes Bb and Db and then, I think where we struggle is from Db to F and F to Bb.
@@JaySuryavanshiMusic You're right - That is a tricky spot in the arpeggio. But for me, Eb minor is a killer because it ALSO includes two close notes (Eb and Gb) after a gap (Bb to Eb).
@@henryzhang2992 Yeah! Just have to follow Ling Ling
woa that is completely revolutionary for me, I've never really worked on the easier parts
Could you provide a few videos for pianists with small hands? Thanks
Thank you
I find the F♯ major arpeggio the MOST awkward arpeggio ever, I almost always miss the thumb tuck on the 2nd F♯
Same! I find that having flatter fingers while playing that arpeggio makes it easier, because you're less likely to slip or miss a black key.
I actually use 241 for the right hand
What about A♯ m/M ?
For me the two most difficult arpeggios are the F# major root and Eb Minor root. All black keys. Feels so awkward.
Josh, can you do a video on Fantastic dance by Shostakovich?
Thank you!
Thanks, great tip
Hi from Spain! Thank you so much for your videos, I find it very instructive. I am an intermediet level I think. Im playing Czerny studys for finger dextricity and I have problems with rigid wrist, usually with left hand, and fast passages or doble notes. Could you make a video explaining doble notes with left hand. And how Get to sound clean and fast without eack? Thank you! Wish understand my english😊
I once had a real problem with rigid wrists. What helped me was watching a VJS tapes bv
by Barbara Lister Sink called “Freeing the Caged Bird.” Now they’re on RUclips. Here’s the playlist:
ruclips.net/p/PLPp_Is9dOPCYGiRMaca2CAH-B663uEbkQ&si=f7x4k4YCtNeq4IQd
Omg, I needed this so much. I am practicing the arppegio of f sharp major right now. Thank you so much!
Hey Josh,
Do you write finger numbers in your music? If not, how do you remember finger numbers in your pieces?
I don’t know about Josh, but I pencil in the finger numbers where needed. There’s no shame in it.
how to deal with annoying sweaty hands???
During each practice session, how much time or percentage of practice session would you suggest to practice techniques such as this one to become proficient?
Hey josh great video but I actually have a question I was hoping you could answer. I was actually recently struggling with a pretty big chords on the left and right hand. These chords range from 10ths to as far as 12ths. I’m a piano player that has relatively small hands but I could always find away around the big stretches but for these kinds of chords I really can’t. I was just wondering if you had some tips, thanks again.
if you can't arpeggiate it, exclude the fifths too make it easier. if not then its probably too risky to play that piece without injury. If you want to play it, rewrite the chords into a similar voicing that gives the same effect.
I feel your struggle, it sucks having small hands as a pianist, can barely reach a 9th man, never mind a 10th :/
What I do is quickly roll (arpeggiate) the chords or play them in a way that fits my hands. Sometimes I have to play adjacent notes with one finger, or use the other hand to cross over and play the note(s) I can’t reach. It all depends on the piece.
That actually worked ☺️
It would be more helpful if the camera view was looking over the hands( top view)
I hate my left hand es minor - only black keys and small hands :-(
7:00
Hungarian Rhapsody No 6 Octave part and other hard parts
Black keys matter...
Thanks Josh 🙏🏼
Can you help me next time teacher to show nearly clear your camera so that we can see well keys when you touch them
F# major sent me here...
i hope hes not spending time with his uncle in India right now....
I hate e♭ minor and G♭major arpeggio
I'm glad that you're giving lessons on RUclips, but I don't need them. My professor is all I need. I'm tired of your ads. I came here specifically to tell you how annoying your ads are. They are in every other video I watch. Sometimes twice. Some ads are okay. Others, like yours, make me want to break my skull. Take this as you will.
Did you think he was making them just for your benefit?
For someone who's a classical performance artist you need a few lessons in sound mixing and paying attention recording .levels. I give up cranking up my speakers to 80% just to hear you speak. It's a shame because you really do give some great advice, but if nobody hears you it's all just a waste of time. Consider me unsubscribed.
What a dumb reason to unsubscribe