Phono Cartridges by Audio Technica, Dynavector and Grado, $69 to $2,150
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Love it!! I’ve jumped back in over last year. Never got rid of any of my albums. 👍
I loaned most of my albums to my sister and her and her children trashed them and thrifty years later i’am trying to find good examples 😒😒.
I have a AT-VM95e cartridge that I upgraded with the ATN-VM95ML (micro line), the red stylus. I have it set up on my Technics SL1200MK7 and, although the VM95e is very good for the price, the VM95ML has a much better soundstage and gives way more details. The tracking is also very good, never skips and there is less inner groove distortion. It's also good for approximately 1000 hours compared to the VM95e that is rated at 300 hours. It's a lot more expensive than the VM95e but it's still very affordable when you compare it with the other 4 cartridges in this review.
Did exactly the same, only on a SL1210MK2 (which is a year ago fully refurbished and in the top condition). Fully support your statement - GREAT improvement for a mere 100$ extra cost! My old vinyls now sound as if they were remasters! On top of that, surface wear and (small) scratches (yes, I have such vinyls, too) are hardly noticeable, compared to ATN-VM95E stylus. Would recommend AT-VM95ML to anyone!
I am running the 95ML as well and I am quite happy with it, although it's a tad on the bright side which makes it a great choice for "muffled" recordings. It's a great cartridge for its price (a steal if you will) and it can also be upgraded to a 95SH with a Shibata stylus for a little extra $$$. I also own a 2M Bronze which features a line contact stylus as well and I prefer that over the 95ML for it's more neutral coloration, given well-produced records. Both track equally well with the 2M running with slightly lower tracking force (1.8g to 2.0g for the AT). But the 2M Bronze comes in at twice the cost so it isn't exactly what I'd call a steal.
I am currently operating a Pioneer PLX-1000 which is in essence a Hanpin OEM turntable but I am quite happy with it. But I have set my sights on a 1200G.
@svenschwingel8632
To get the best out of that AT cartridge, add the 4g headshell weight that came with your PL-X1000 and the other weight to the back of the arm, those carts respond better to a higher mass arm. Also if you can use a 30cm rca, mogami 2964 is 19pf at 30cm, the cart needs 150pf load to be at its best, you'll notice the sharp brightness will come down. Account for 30pf in the tone arm, 19pf in the mogami 2964 rca and set your phono stage too 100pf if you can. Most vintage amps and recievers are set at 100pf on the phono stage. This is what I done and the sound is so much more improved. I also added a 3mm cork between the felt mat and rubber mat, then set the arm height to around 4.5mm, use the headshell spirit level to get the height perfect.
I use the ML most of the time but if the recording is on the brighter side or could use a little more punch - I also have a Shibata - if it’s a less than perfect record - I use the 95vm
I have the VM95SH. I'm very happy with it.
I made the switch to mc from mm and as long as your preamp supports mc, highly recommend trying a mc. Mine is an affordable Ortofon MC Quintet Red. Great job as always Steve!
Ha. again, at 73 .... found out I can't even switch the tiny wires on the back of cartridges anymore, arthritis or something, hands are both stiff and shake.... goes with ears topping out at 8000 hz on cd / Utube frequency tests. So, Do I notice any difference between 20+ years old Stanton 681eee ( fancy 'stereohedren ' or whatever needle ) and Ortofon 2mBlue.....? have 'Armed Forces' and .'my aim is true ' on original LP, I always liked both of 'em.
I love my nagoaka mp110. Very musical and tracks like a beast. Very good at handling inner groove distortion as well!
"It's not about accuracy, it's about musical pleasure." Couldn't agree more. My Benz LPS brings me a great deal of pleasure, even though one could argue it isn't the most accurate cartridge. The Benz sounds beautiful though, and definitely has its own personality without obscuring detail. Thanks for the review, one can tell the Audiophiliac has passion for analog!
Thanks for more cartridge reviews, Steve. Always appreciated.
Love these reviews and your enthusiasm, Steve. What alignment scheme are you using with yourTechnics? Some of your cartridges seem further forward in the headshell than the Technics standard 52mm overhang. Thanks!
Great job explaining what you get when you move up the ladder. Also a great idea to have a ‘party cartridge’ for when someone asks: what happens if I touch the needle.
That 1200g is just great. I am not sure a better table exists at that price point or even much higher. It is so versatile, well engineered, and that arm is very good. It's an amazing table. It may be one of the best engineered pieces in audio today.
Maybe the G2 is better
I love switching carts. Just something about it. That Grado is a beast.
Remembered years back that Audio Technica A?315 cheapy was so good back in the day. I think in the 90s they where about $45
The Grado just sounds more musical
Two thumbs up for this one! The descriptions of each cartridge and their individual personality came through loud and clear. Gave me lots to think about with regard to my analogue front end and how to develop it in the future.
One of my old Technics turntables uses P-mount cartridges. Very glad Grado still makes some fine ones in that format here in the USA. Their Prestige Line makes me happy.
Outstanding as always Steve. Your description that each cartridge has it's own "personality" is spot on. My M95 is still rocking my Technics SL-Q303. Keep up the great wok.
Great video Steve. Whatever happened to SHURE....in the 80's the Shure V15 III, IV and V were highly regarded.....THANKS.
@Analog Looney ...unbelievable. Thanks.
Love cartridge reviews!
The 95E is a cartridge I love! I also use the EN and SH styli for the 95 series. All are incredible value, although I can't hear any meaningful difference between the bonded and the nude ellipticals. Not worth the extra money. The ML is tempting, too. Better long term value since the stylus lasts longer.
I had the original Platinum and the Platinum 1 and miss them. (There is no Grado dealer here currently and I am not confident in setting up my own turntable.) The Grado "woody" cartridges get you to talk about music and not not about hi-fi effects like imaging, focus, etc. It is also phenomenal that Grado has only raised the price $100 on this cartridge in 20 years when other companies have had much greater price increases.
I loved my AT-VM95E until I accidentally bent the cantilever. I replaced the stylus with the AT-VMN95EN, and the difference was significantly better, so I’m even happier with it now! Peace.
The EN is superior than E, is a nude diamond I think, is closer in sound to the ML or Shibata which have a softer high frequencies
I still have several new Shure M97HE cartridges from 1983 that I have with the HK T40 turntable beautiful sound combo!
I have a few of these and my favourite is the Grado
I too bought a Technics exactly to do this sort of cartridge switching!
I have the AT-VM95e. It does what I need it to do.
Used to work in audio store in NYC.Carried Dynavector and I got a 10 x2, audio heave for 3 years then put the stereo away,went away to school and CDs broke. Thirty years later looking a vinyl collection bought VPiI traveler and New dynavector 10 x 4 or 5 , I forget. Not impressed , but I remember these took forever to break in, well cantilever collapses , I take Advantage of Dynavector trade in policy and each time I send the core back there is a bump in cost. Now not so reasonable. Dynavector pulled the price bump I explain to them that this is 5 th cart, and I know how to set up acartridge. I’ve had enough and buy Nagaoka M 110 while I’m deciding what to do. You know the ending of this story Dynavector quality control and attitude, does not justify a 4-5 x increase in cost, still rocking Nagaoka. Great value no snob appeal. Try one .
Great job of covering the basics as well as the mid-price range of cartridges. Very helpful info for the novice as well as the inveterate listener.
I had been using a Reson Recca but could not get a new stylus so I remembered how much I used to like The Grado 8MZ so I bought a Grado Sonata. I have had it a a couple of months now and love the sound.
Thanks for another interesting, informative, and enjoyable video, Steve! BTW, the word you were looking for is “tactility!” 🔥❤️🔥
Thanks for mentioning Elvis Costello's Get Happy album. It always elevates the mood and is another great example of Nick Lowe's production genius. Without him EC's first albums would not have had their great success.
Fantastic comments Steve. Very useful and important. Definitely the most important is the pleasure of music.
For me , your best video.
Thanks for your work.
Kinda makes me glad I'm on the Digital team. As much as I loved listening to records back in the day, streaming great quality music is just so convenient. Maybe I'm lazy. Maybe the spirit will move me to get back into records...one day.
Fully agree! Each cartridge brings its own particular magic!
Hey Steve! I love my AT VM740ML for the same reasons you liked your AT. I tried some MC’s and they had some more detail but that “fun” factor was missing. Are there any MC’s that would be worth looking into that are similar to my 740’s mojo (but more detail etc)? Thanks!!
Hi Steve. Thanks for the great review on an interesting selection of carts. Been a while since you reviewed any phono stages - are any reviews pending..? I’m not happy with the sound of my analogue setup, and I think my phono stage is the weak link.
What about a Nagaoka?
Maybe next time.
I bought the 95 with conical stylus for $39.00 for old and damaged flea market records and am amazed at the sound. I wouldn't want to do a double blind test against some of the expensive cartridges !
I do something similar. I bought a cheap $39 Audio Technica AT85EP with Elliptical Stylus for my older Technics P Mount turntable. I use it instead of my more expensive Grado Gold when I'm playing some flea market, yard sale, and "used" albums sold by a local record store - at least the first time, to make sure they are OK. Seems prudent.
The conical have narrower soundstage but is more forgiving for damaged LP's
Love your content and passion for audio. Incredibly inspiring. Thank you!
Steve’s Word of the Day : tactibility.
I think since we have a Viewer System of the Day why not Steve’s Word of the Day!
Today’s challenge to all audiophiliacs is to use Steve’s Word of the Day “tactibility” in a conversation today. 😉👍🏻😂.
Maybe we can have a new feature Steve’s Audiophiliac Word of the Day.
The Grado sounds promising, Steve. I’m just getting back into vinyl and so far I’ve tried the Ortofon 2M Blue, it came with a Fluance turntable, and an Audio-Technica VM540ML. I much prefer the sound of the latter but mostly because the 2M Blue has been extremely noisy and harsh in my experience. I had a heck of time getting rid of a hum, swapping out cables, power sources, rearranging components, etc., and switching to the VM540ML fixed it. Now I’m looking to upgrade my cartridge again and $400 is the most I want to spend. Can you recommend a few other cartridges in the price range of the Grado to check out. Many thanks, love your channel.
Current system components
- Fluance RT85 + Rega Fono MM Phono Stage/Preamp
- Audio-Technica VM540ML
- Audio-Technica LP5 + iFi Zen phone preamp
- Ortofon 2M Blue
i run the dynavector 20x2 and the parasound jc3+ myself. It’s the perfect cartridge for me.
I like the Nagaoka MP-110. It has an elliptical .4 x .7 stylus. That more rounded shape is safe for playing 7 inch styrene 45s. It costs about $150.
Looking for a good cheap cartridge; the Audio Technica AT 3600L is priced at about $25. It has a bonded conical round stylus. Safe for old 45s.
The Ortofon 2M Mono is a good choice for mono records. Some stylus / cartridges will damage mono records. It. It’s about $300.
I need that Grado. I miss my old Grados. Still have an AT95 and need to fire that one up again. Mainly using an Ortofon 2M Bronze these days, but really want that Grado. Also need Comes a Time on vinyl. Another great record!
Another very entertaining video from Steve. I'd like to correct a couple of statements just for the record :-) Limiting and compression has been used since the 1950s on almost every pop record and most jazz records made since then at leoast in the mastering phase. We engineers still love the sound of those vintage compressors and limiters such as the LA 2A by Teletronix and the Fairchild limiter. My other correction is that Randy Newman's record did NOT sound great because it was analog but because you had A list performers, producers and engineers working on it. Now that records are made in bedrooms, you rarely here this sort of grand production made by experienced professionals using acoustic instruments any more. Finally, a question. Do many of the viewers listen to mostly older recordings made with analog equipment on your analog set up or will you put on the vinyl version of a modern pop album made digitally and enjoy it just as much?
Aren't ALL sources for current LP pressings COMPLETELY DIGITAL today? And why so if analog is the superior format? Who masters analog recordings today? Thousands and thousands of dollars of equipment in recording studios almost exclusively digital?
So what does a TT guy do. Buy a digital recording that is pressed to an analog LP? Why would one do that?
I think you are right. I love records but only play old records for that pure analog experience.
I think *some* albums are still analog all the way, especially reissues or remastered ones from Blue Note and other jazz labels. YMMV. But yeah, there's little reason to buy say Billie Eilish on vinyl. I need to look up the Robert Plant\Alison Krauss album. Many "audiophiles" liked that release on vinyl, so I wonder if it was recorded fully digitally or not? Then again, some say that a good mastering engineer who knows their way around vinyl can make good digital recordings sound fine on that format. Look too to labels like Octave Records who record in DSD but then master to vinyl.
Just outfitted an 80s Dual auto turntable with the VM95E and it really woke her up compared to the stock Ortofon. Very enjoyable cart for the $! How do you submit user systems?
I had a Dynavector 23r Ruby decades ago. Wow.... those were the days.... and one day, the cantilever collapsed. On then to a Koetsu Black Goldline....
I've had several Grado cartridges over the years and loved the sound. The drawback to all of them was the background hum they produced. Nobody could tell me how to get rid of that hum and I finally collected all of them I had long since stopped using and gave them away.
Why does it have to be either everything or nothing? Super cheap or insanely expensive? Most people would definitely benefit from high value, top performance middle of the range mm and mc samplings, say from $175-$500.
Hi Steve, have you ever heard the APT Holman phono preamp ?
Sure, back in the day. Never my flavor sound, too boring. I hope you're not asking because you love it!
Gettin "back" into needles. I might split with $400 for a Grado....some day. In the meantime my 95E makes me happy. I will be trying other versions of the 95E. Nice reproduction at a fantastic price. I get it, it's not a giant, but it's something I can afford! Thanx Steve!
I am with you on Grado, currently have all three of my tables set up with Grdao. One with an old Green, one with a prestige silver 3 and one with a Gold..
Can you tell any difference between the Silver and the Gold? Is the Gold worth the extra $20? I have the Red on an old Technics and love it, but wonder if I would hear any improvement with the Silver or Gold on a basic (1980s) turntable. Thanks.
@@rosswarren436 As a long time diesel mech, I cannot tell a large enough difference. Should try hearing protection sometime. Although the difference between the silver and green is pronounced.
@@stephenvangelder3893 thank you. I love the Red just fine, but maybe might get a Silver then later on.
@@stephenvangelder3893 oh, and YES. Since hearing loss is cumulative, definitely start with the hearing protection ASAP. Some of those 3M headphone types that offer about 25 to 30 dB of reduction are the best. I use those for mowing my yard. No use making your hearing any worse over time. Good luck.
You can do the same thing by using a 20 X 2 or an XX-2 by using a program Eq to give the same coloring as the other cartridges. I love my Dynavectors because they are accurate and if you want more brightness or warmth or drive a bump here or there with the program EQ and you have everything. Another thing about the Dynavectors is the fatigue factor is very much lower than other cartridges. Keep the records clean and the stylii clean and the Dynavectors are some of the best out there. No matter the price. Yes one of them is a HO.
Yes I have the 20x2 and like it a lot!
Steve: Loved the review, it sounds like you had a great time swapping out and listening to the various cartridges. You have convinced me to step up to a two turntable system on my next upgrade.
Just purchased a Dynavector XX2 Mkii a few weeks ago. An absolutely stunning cartridge. I had tried the 20X2L with a 58 dB gain phonostage and it just wasn't a good match. The 20X2H produced much better sound in that system. I then moved up to the special HO version of the XX2 Mkii and was very pleased with the improvement over the 20X2H. I now have a phonostage that can properly work with .3mV cartridges and this cart is head and shoulders above even the special HO XX2 Mkii that I had before.
A few years ago, when I was researching turntables, I was on the fence between the Rega Planar 8 and the Technics that you have. Ultimately I came down on the Rega side. The Rega is cool-looking (reminds me of a space ship) but, seeing all the FUN you're having switching out cartridges has really got me kicking myself of late . . .
I did the exact same thing. The P8 sounds great though. Fortunately I can and do swap out carts on my 1975 Technics SL 1300.
ALL those cartridges are great! And the Grado "Opus 3" is special at the beginning of the Grado "woodies".
I have become a huge Ortofon 'blue' fan. My new U-Turn 'custom' table ordered with it, and so impressed over the EXACT 2 on my Rega P6 in direct comparison via a switcher. I ordered a second blue and had it professionally installed on the Rega!
Do you think the Blue is a significant step up from the Red (if you've heard a Red)? Thanks.
@@rosswarren436 In my experience, there is no comparison between the red and the blue. The blue is much more revealing in higher frequencies and seems to be more dynamic. The red is dull and boring in comparison to the blue. Definitely worth the expense.
@@rosswarren436 Hello Ross. They are both the same cartridge, the difference is that the stylus is NUDE on the blue, not on the red, which s in a casement of sorts mounted to the cantilever. You can look that up and see what you find. I believe though, those are the only differences.
The blue is the top cart. that U-Turn offered. It had the same bass and midrange response as my $600 Exact 2 on the Rega, but the Exact was lacking stereo width which really surprised me! And, the left channel was slightly weak. The blue is well balanced and I highly recommend it to you!
@@garysmith8455 thank you! When it comes time to replace my 2m Red stylus, I'll likely go with the Blue then. I like what I'm hearing with the Red so far. I love my U-Turn Special TT. I have an older Technics in my den. Both get some use every week.
@@alexa6474 thanks. Sounds like an upgrade is in my future then....
Steve you would never believe the caliber of sound provided by the Sumiko Blackbird HO through a MM stage; quiet, dynamic, rich and balanced; prefer it to Lyras that I have heard; no hype you will be surprised and hard to justify carts at the 3.5k dollar level; listening through Martin Logan 13A
Great review Steve, thanks. Whatever the drawbacks are to a removable headshell-and I’m not sure if there are any-I regret not thinking about this on my recent turntable upgrade purchase.
The AT ART9 is an internet audiophile legend known for its ultra refinement, colorfulness and huge sound stage. A high end bargain. The XI and XA are the newer models. Steve, you should have spent more time on this one.
I have the Art9 its an absolute peach of a cartridge partnered with a EAR 912 tube phono stage on my heavily modded LP12 it's just sublime
I think you just made my mind up what to buy next. I’ve got vm95ml, 2m Blue, and a V15Vxmr that I lucked into on eBay. I like the sound of all three, But in all the years before I only ran Grado, it’s what I could afford, available to me and I loved the sound. Question though, you think the Shure and Grado might have the same sound signature? Right now the Shure has bass weight and definition over the other two, all else fairly equal.
I’ve always likes the sound of sure cartridges. Audio Technica sound too bright to me. It’s all a matter of matching system components and personal preferences.
Some of these cost more than what I think is ok for an amp
I agree. If a cheap cartridge gets damaged it’s no biggie but an expensive one - ouch.
Audio Technica is carrying the ball for tech based cartridges vs Golden ear home made entries now that Shure has dropped out.
That Shure V15 sure started many out on their journey....
Hello Steve, would you please compare your Technics SL1200 G turntable with the cheaper 1200 GR? Is it in regards to the sound quality a big difference?
He did, a couple of videos ago.
@@billwillard9410 hi, which Video?
@@TEST-rt1ui “Technics SL1200G, Loving Direct Drive Turntables”.
@@billwillard9410 Thanks Bill
Steeeeeeeve I was waiting to hear the cartridges with some music. Where was that??????
YEAH! WE ARE THE A-TEAM! WOOHOO!!😃
Steve,
I need some advice. You use vinyl for almost all of your sound tests and I respect your opinions. Do you have a video with your picks of the best cartridges under $300? I recently had my Shure V15 IV stylus get trashed by some unknown individual (probably grandkids). I was lucky enough to buy a new one from Ed Saunders a few years ago, but he is now out of business. I can buy a replacement stylus, but since Shure no longer makes them, it would be from some aftermarket company. Jico makes one but is about $180 and has mixed reviews. Do you think its time to buy something current that will also outperform the V15? And would a MC in or around $300 sound better than a MM? I'm using a Parasound Halo P5 preamp with a Fantasia Audio Upgraded Hafler DH-500 driving Infinity Kappa 7.1 series II speakers. thanks for your guidance.
How do you set each cartridridge? Do you add more gain on some of these?
Because of this review I bought a XX-2 MK II a year later. Wow, the detail and the extended bass is just the best, and yet it has a relaxed sound too. It easily surpassed my 20 X2 MK II high output. Thought I would let you know I totally agree with you for once. $2250 worth of agreement. Having a Mcintosh MP100 phono pre-mps really helps too. There is no back ground noise at all. But I will say if your TT has mechanical issues the XX-2 MK II will reveal them.
Do you have to "burn in" a cartridge? I just replaced an ancient Technics SL-5 with an AT85EP with a Rega Planar 2 with upgraded cart, the ATVM540ML. I've never spend as much money on either TT or cart, and I'd like to make sure I get the best sound possible. PS are certain carts better for specific musical styles, i.e.one for rock and one for classical???
I hope someday soon you will audition the new Clearaudio Charisma V2 MM. it retails for $2,200. I would like a comparison between it and the AT ART 9Xi. My MM phono stage has a much better S/N ratio than my MC stage which is also very good. The trade off with MC more noise but more info; now using Sumiko Blackbird HO into the MM stage; looking to step up. Reviews say the Charisma has strengths of both. Thanks in advance.
Everyone do yourselves a favour and at least try a Garrott Brothers cartridge. I just have and wow. Australian company founded by two certified genius brothers who sadly suicided a while back.
Another thing that should be qualified is system synergy. A Grado cart will sound best in a brighter, more forward sounding system.
In a neutral or relaxed system chances are you will miss the lack of detail, especially on darker recordings.
The AT ART9XI and Dynavector XX2 are neutral and comparatively highly dynamic and so refined. You get the detail of the best digital but even better sound because of the smoothness of vinyl and their polished, never offensive or glaring presentation.
The AT 95E is not in the conversation and it should not be for the price. Sounds good but expectations need to be tempered.
So your saying it might not be the issue with not liking my new speakers as much as I need to upgrade my cartridge to match the abilities of my new speakers 😂😂😵💫😒? I assumed it was the acoustics but maybe a cartridge swap might help . The new speakers sound hollow and lifeless in the room but when i’am in the next room in the house they sound really good 😵💫😵💫😵💫😂😂🍻🍻.
Talks and talks! I would love sound demos.
Once upon a time
I had a little money.....
Would love to see where the Clearaudio Charisma V2 MM slots in this comparison; it uses a boron cantilever and the double polished Gyger S-shaped diamond stylus are also found on the exceptional Goldfinger Statement cartridge.
Great review. Really enjoyed and appreciated it. As you say, it's all about the music. When I was younger, it was just about the music. Then, in later years, I grew more and more interested in the equipment. But I never lost sight of that equipment having to be musical.
For those who commented about having a P mount on their tonearm, an adaptor, which converts the P to the Standard 1/2 is available. Ortofon and Audio Technica do them, as do others.
I also have cornwall iv, zu druid iv and now the apogees!! Listen to little dragon excellent group, and Sampha.
I like that you share what you listen to. I sometimes go to Apple Music and listen to a new recording I’ve never thought to listen to. Will I get the vinyl? Maybe.
Name for a new up and coming outfit = Huge Massivekela & The Bullshit Preset's
There's no way that anyone else could make a presentation about ANY audio product, this much fun. Not even close. Great advise about owning an AT-95e for use during less than ideal circumstances. Most especially when non-audiophile company is present.
That first AT 95 cartridge was only $50 then jumped up $20 seemingly overnight. Nothing even happened to affect prices when they did that. They just did it just to do it.
Really enjoyed this video. Sounds like you had a lot of fun. How many Technics headshells do you have? Do you switch out cartridges as often during your regular listening or testing of other gear?
Get Happy may have been compressed during production (it's an early Nick Lowe production after all), but the 20 songs on that album are all pretty short songs (half are under 2:30, with a few under 2:00). The album isn't really all that groove crammed (like Todd Rundgren's A Wizard A True Star album).
Elvis Costello cannot be called simply "Elvis". That is reserved for Elvis.
Please review the Grace F9 elliptical
I am a cd fan since 1987. My current 2-channel system sounds unreal. Best analog system I owned had a Grado MF3. Great sound on a Dual CS 607. Me stick to cd.
You should do a video on tapes, especially cassette tapes. All great recordings are made from analogue tape sources. Played on vintage equiment, they trounce everything. Cleaniness, demagnetization of tape path, proper adjustments and all Dolby OFF are essential.
My vdh crimson sounds awesome in my well tempered amadeus GTA. Got a pair of apogee stages the other day. Mesmerising.
Great video made with such enthusiasm. I got back into vinyl in 2014. I kept my small collection of around 150 albums and I’m so glad I did. On Monday evening, I listened to some albums from the 70’s and they sounded really good. Yesterday evening, I played an album recorded about 5 years ago and it sounded awful by comparison, with a huge lack of dynamic range and space. This is what puts me off buying new music on vinyl because as with so many modern records, the sound is overly compressed. What does impress me is that my analogue playback system, which cost around 25% of my digital front end, can sound just as good.
IMO, one of Steve's best reviews - plus, I always love the records he mentions. I am going to try to find that Elvis Costello album now.
Unfortunately, I think I am limited on cartridge choices with my Rega P10.
you need to try the goldring ethos cart and superb for the price!
what is the mass of the arm on the Technics? not really a great arm I believe. why don't you have a another arm as well? all you need is some sort of a container box weighed down with tungsten powder or kiln-dried sand and a rubber bottom like a mouse mat stuck to it, you can do that?! make sure the top is thick three quarters ply or acrylic/perspex.
try the blackbird arm better than the sme v.
you could get containers/boxs made to fit different arms and do arm shootout lol
Tactility.
Curiouse you ever did a Optical Cartridge test. If so what where the differences
Good video thanks
It’s all about low level listening for me now. Thanks man!
Steve, great vid. As always big fan of your record related reviews. Just FYI I use a Audio-Technica VM520EB Dual Moving Magnet Elliptical on my music hall mmf-1.5 Modest equipment but I like it.
Thx for the video. ☮️
Thanks for watching
I love that Clark Terry Portraits recording - except I have the CD version- and I was excited when I found it! I remember hearing Clark Terry in concert in Southeast Texas (can’t remember if he played at Lamar University in Beaumont, Texas or if it was in Houston) in the early ‘70s. He was in the Tonight Show Band with Doc Severinsen at the time. What a great musician!
Haven’t listened to that album in years but I can hear him playing Pennies From Heaven in my head now.
In the 90s when I was in retail we use t superglue the stylus mounting to the body on at at mm cartridges.
love my oc9,also my new cheapo ultrasonic cleaner,everyone should get one....
Yeah well my favorite store closed ...the needle doctor.... go figure....
Check out LP Gear.
@Analog Looney right on
@@robertyoung1777 yep my next stop is there
The original UK F-Beat label press cut by George Peckham of Costello's Get Happy had much better bottom than the US Columbia press.
I’ve heard it, I think there’s too much bass on that one. But everything is a matter of opinion.