La Vague et la Cloche, Henri Duparc, Philippe Sly: Bass-Baritone, Maria Fuller: pianist

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  • Опубликовано: 8 фев 2025
  • performed April 2011 McGill University

Комментарии • 15

  • @ShayLynnxoXox
    @ShayLynnxoXox 13 лет назад +7

    Wow, the pianist is amazing, what passion, what skill, absolutely beautiful.

  • @longliveclassicmusic
    @longliveclassicmusic 10 лет назад +12

    That is one hell of a collaborative pianist... WOW. Talk about a one in a million PIANIST.

  • @ElizabethDevonshire
    @ElizabethDevonshire 8 лет назад +6

    This guy has an AMAZING powerful voice!! I love his mood changes to fit with the modulations!

  • @publicclammer
    @publicclammer 10 лет назад +7

    Maria is a force to be reckoned with! I LOVE her! (Philippe too!)

  • @jamesbingham4220
    @jamesbingham4220 5 лет назад +2

    Artistry, clear and simple. I'm not interested in the craft of singing, but singing itself. Craft, technique are miles behind artistry. Bravo, bravo!

  • @ralpheschbach5517
    @ralpheschbach5517 2 года назад +1

    Nice job of accompanying Maria

  • @ricardogigante881
    @ricardogigante881 12 лет назад

    One million dollar voice.. WOW

  • @lepetitdebastogne
    @lepetitdebastogne 8 лет назад +2

    Bien chanté! Voix pleine de belles résonances! Subjectivement, je trouve la première partie (jusque 1:15) trop rapide.
    Je suis francophone et je trouve la diction de ce chanteur très bonne: couleurs de voyelles parfaites en français, juste parfois un petit manque de consonnes. Bravo!!!

  • @fatherman73
    @fatherman73 9 лет назад

    works for me

  • @lovemaxaroni
    @lovemaxaroni 13 лет назад

    Bravo. 100%.

  • @lagunagreg
    @lagunagreg 13 лет назад +2

    A perfect voice for this kind of thing, it makes me think of Pierre Bernac, even though yours is a slightly darker color! You both are wonderful. It's just a pity that the balance leans so heavily to the piano. Do you just want to shoot the sound engineer!?!?
    Laguna

  • @KayHarpaGone
    @KayHarpaGone 7 лет назад +1

    Le son est trop mauvais, je suis désolée car j'adore Philippe Sly.

  • @gemmasoyls6445
    @gemmasoyls6445 5 лет назад

    A temp o seems rushed. Nice transition. Part c has enough drama not to feel too frantic yet interpreted to match the prosodie.

  • @annevanlith1232
    @annevanlith1232 Год назад

    the pianist does not listen to the singer and hastens through the very difficult parts. Philippe has to keep up with her in stead that she keeps up with him. the second part of this very difficult song she plays better. I would not want her to accompany me .

  • @forpusaymara
    @forpusaymara 12 лет назад +1

    I'm sorry to write it but if we got beautiful music and great singing phrases we don't get the text... From what I've heard German diction is very good too bad that the French is so not French. I cannot be constructive as I can't define what's lacking but somehow it doesn't work on that point.