To my ears, the rosewood sounded the best. The bone was surprisingly muddy, while the brass was WAY too bright . . . I have two guitars with TUSQ pins and one with ebony pins. As an experiment, I replaced the ebony with a set of TUSQ and the difference in tone was very noticeable; and not to the better. My low end was overpowered by the brightness of the high end. I put the ebony pins back on and literally restored the original tone.
I got a set of brass pins about 10 yrs ago for an old 70's epiphone acoustic that was never my favorite, but to my surprise they really brought that guitar to life...
Same for me. Any difference could be just a different performance. So much marketing of guitar products is "The Emperors new clothes" or, "What do you mean you don't hear that subtle difference? I would upgrade to bone or brass pins based on durability.
It is not significant and the tone depends on your guitar pick, where you play on hole, your mood, humidity, and temperature. There are so many other things to be concerned about.
I'm a bit embarrased to say I've been doing luthier work for decades but never gave this a second thought. I always attributed the pin material to the fashion sense of my customer but I do hear a difference in this demonstration. See, your never too old to learn something.
I agree with some of these comments that the bridge and nut will make a much bigger difference in sound. The contribution of the posts is only in securing the string like a screw or nail on wood. Would you argue brass vs. Stainless nails?
The rosewood, for my ears, have a more even sound and would be my choice when changing out pins. Second choice would be the bone, third would be the brass. I suspect a lot of viewers would like the brass for those crisp, "silver dollar" ringing highs. This is a great experiment, and proves that all ears are different, and that one mans meat etc. Nice one.
through my speakers, the brass pins seemed the most resonant. i've always gone in for bone saddles (and nuts) on my acoustic, but i guess i never even never considered bone pins.. i've always been suspicious of wood pins for some undefinable reason but they sounded ok too
For my experience, I'd say it does. Swapped the plastic pins to bone in a Samick with a laminate top. I could feel the top resonating more with bone than plastic, which made it sound way better to my ears.
When you were using a pick it did seem to sound better with the bone pins,... but it seemed like your playing changed and you were digging in a bit more, so honestly I couldn't make a judgement. It all sounded pretty damned good to me.
Well, a long time ago I switched my plastic pins for brass ones just because someone told they were "so much better". I tried my hardest to hear the improvement, but could not. I mean, I really wanted them to work, but I could not hear it... So I put the old ones back in. And here I am playing the old thing with the pins it came with in -68, and they work just fine. Yellowed and bent like old hippo's theeth, but that's ok...
Definite difference. The rosewood are more balanced across the range and the most open sounding. The bone ones are close but slightly more subdued. The brass is considerably thinner sounding and not as loud. I would have liked to have heard the plastic ones also.
Great idea for a video, Brad! I also always just assumed the same as you that the harder the better transfer of vibration, but listening back to the comparison clips, I have to admit that I can't tell if the difference I hear is just me making it up in my head or if it's real. So, if pins do indeed make a difference then it must be a rather small one.
Agree! I think the nut and saddle need to be bone NOT plastic - I swapped ALL my steel strings that had plastic to bone years ago and never looked back. The difference WAS dramatic!
@@DetroitWrecker666 When Bradley was pickin with the bone, the sound was transfered through the bone back into the bridge & was "pickier" like "She talks to Angels" 🐸 👍
@@gearmeister Yeah, I believe it on an acoustic guitar, everything matters. I don't put much thought into ANY sound comparison of ANY kind when coming from RUclips. Especially with something like an acoustic guitar. It probably sounds a lot different in the room.
I listened with my eyes closed. I noticed no difference at all. (The reason I listen with my eyes closed, goes back to something I read, Herb Alpert said he & the late great Sam Cooke, were listening to a Jamaican singer, audition. Alpert said he was a handsome guy, he thought he sounded good. Cooke was not so impressed. He told Herb to turn his back, close his eyes & listen. Alpert said when he did that, the singer didn't sound as good as thought. I've always done that, since I read that article, maybe 30 yrs ago. Believe it or not the first yrs of American idol, we didn't watch the 1st yr [My late wife LOVED the show, that's why we watched.] I picked the top 3 each of those 4 yrs, we watched, during auditions! She was amazed, but I told her the secret.) Any way my vote is there is no difference. But it seemed to me once the string hits the saddle, that's where the sound is transferred, so the pins shouldn't make a difference. It would be cool to have the sound waves measured, then we'd know "scientifically."
I'm a luthier and have just done this exercise for a customer who had an older custom instrument and was wanting more brightness. I was sceptical myself but I can resoundingly conclude that brass pins and that extra bit of mass does enhance the brightness of the strings. Sustain is marginally better but the tone is audibly richer - just my experience.
The biggest change I ever noticed is when I chucked the slotted pins for solid, and grooved the slot to allow the string to seat correctly against the bridge plate. Huge difference ! Better projection, sustain and volume. As a bonus, if done right, you can pull out one pin and replace it with another of different material without loosening the strings.
People always change pickups, and nut and tuners and leave stock pot metal saddles and trems on their guitars....I've found that saddles have a HUGE effect on the tone of your instrument...If your strat is thin sounding get brass/or steel block saddles...If you want more snap bent steel is the way to go....The nut only changes the tone when you play open notes, because when fretting its got the fret behind it making the note.
I'm about to purchase my first guitar. It's acoustic, and I've been wondering what pins to go with. This video really helped, thank you. I found the plastic, wood, and brass high pitch and cheap compared to the bone. I really liked the bone as it was a softer, warmer, and lower tone. This is exactly the sound I want!
I swapped my plastic pins out for bone on my D28 shortly after I got it, mainly for durability and to protect the bridge plate from deforming plastic pins. There was definitely a glassier tone to the guitar. I don't know if I preferred it at first, necessarily, but at 12 years old it sounds pretty good to me now.
The bridge pins that weren't plastic may have sounded a bit brighter but what I found that really makes a BIG difference is changing the nut, saddle & bridge pins to bone as I did recently with a Yamaha acoustic. That changed it from a cheap sounding guitar to one truly worthy of even using a gigable guitar.
Interesting - I've been doing the same thing with a cheap Yamaha acoustic. I replaced the plastic nut and plastic bridge saddle with bone. This was the first time I'd ever fashioned a nut or saddle. The tone and volume change were stunning. I'm now sitting on replacement tuners and ebony (unslotted) bridge pins. I plan to slot the bridge to accommodate the unslotted pins. I expect the new tuners and slotted bridge will incrementally improve the sound, but I doubt anything will be as dramatic as the bone nut and saddle.
They all sound good. very very close. You have proven to me that ...with a 56 Martin D21 ... you can't go wrong no matter what you're using. Great playing as usual.
The bridge transfers vibrations to the top though the saddle. Obviously, you don't want to dampen the vibrations with rubber or something soft like plastic. But, I am not sold on there being much of a difference between anything that is hard - go for the one that you like the look of. I use ebony or bone and find them both equally acceptable. For the best bang-for-the-buck upgrade, changing out things the strings actually vibrate off of is where to start --> This is the nut, saddle, pick (material and thickness) and your pick attack. Those are the places where you can change the sound of your instrument outside of different strings or a different instrument.
Couldn't really tell much difference over my earbuds but that's just my ears,etc. The only difference from my experience anyway, is that plastic pins can deform over time and not consistently lock the string in, Rosewood and ebony mostly keep their shape , brass and bone are stable ..whether that can effect tone significantly ...maybe if the pins are worn and the string is not solidly anchored but I doubt my ears could detect much difference in any case. Nice playing and sweet tone from that vintage Martin. Cheers!
My 68 Yamaha fg180 Nippon Gaki has a brass nut and brass pins. My uncle changed them in the late 80s. It sounds killer with a set of Martin Bluegrass strings. I upgraded my Epiphones to bone nut,saddle and pins...always wanted to try rosewood though. 😎🤘🎸🇺🇸
I bought a Martin 000-18MC (Martin Carthy) which comes with three rosewood pins on the bass side and three brass ones on the treble. He plays in a sort of C based open tuning -- CGCDGA -- so especially those two top strings (probably really both B gauge strings) can really use the treble boost.
Well Brad, great study. I haven't thought of that since the early 70s when the bass player of our band told me to always use top of the line pins to get the best sound. To be honest, I never really found a difference but my hearing has always been a little wacked.
I absolutely thought bone sounded the best, then brass, then rosewood. I also must add that none of them sounded badly. The brass I thought sounded a little more ringing, the bone was overall just warm and perfect, the rosewood was slightly muted / dulled in comparison to the others but not dull at all overall. They each sound wonderful snd it realky depnds upon what you may desire in a certain song or peice. Great sounding guitar BTW and beautiful finger picking !!!
Great video! I never thought about this concept until now. I know everyone’s ear is differen, so here’s my personal take: From brightest to warmest, I would list them Brass, Rosewood, Bone. It’s a very subtle difference though. From Bone to Rosewood, then Rosewood to Brass, I could just barely hear any distinction. However, changing from Brass to Bone had the greatest difference in tone that I could hear, even if it was still a subtle change. Something to keep in mind is that when you start talking about performing and recording, you’re talking about playing for extended periods of time where you will eventually catch on to all those little nuances of every part of your instrument. To the listener it may not always make a difference, but remember that the first listener is the player! I prefer bright tones so I might go shopping for some new pins now. Thanks for sharing!
Goldylocks test... . Changed the pins on my acoustics after watching this.I got different results, not all favorable. One has bone, all positive. The second has Rosewood an a good change on 12 string close to neutral, the third got brass and is over the top bright and honky, unnecessary on what is likely the loudest guitar I have heard. Must be changed... to bone. Bone gets my vote based on my sample of three Yamaha guitar s LL16 -ARE 12 string, LL16-D, AC5R ACE. The similarities of construction, materials, and time of manufacture make them good subjects for this non destructive test. Great video.
Yes, it makes a difference. I have an Larrivee L-03 that I have been playing for 20 years with the stock plastic pins. I decided to order some bone pins from Larrivee and installed them. They fit perfectly and I couldn’t believe what difference they made. More overall volume, crisp sweet highs and a bit more punch in the lows and mids.
I will delete my comment. Feel free to delete your reply to my comment. I was having a tough day today and was just trying to vent. I apologize sincerely.
Another great video Brad! It is almost impossible to pick the best sounding pins. The problem is…..each person’s ears are different. Sure the overall sound is similar with same strings, same guitar to each person. My hearing has tinnitus or ring in the ear so mine is not the same as someone without. I think all things bone! Bone nuts, saddles, pins all give the guitar a certain tone, the kind I like. There is a stark difference between plastic and harder materials, that’s science. I like brass on acoustic-electric guitars. The brass gives a more bitting sound I like. That’s just me. Since nylon strings mounted without pins, it would help them to be brighter. Oh well! Years ago in Missouri, I made some pins out of hickory, I was broke and wanted better pins so I hand made the pins. After several attempts, I made a set that were expectable. They made the guitar sound duller. I was disappointed but learned a good lesson! The harder the better! To me bone rings the best! Love from NW Colorado. Thanxz
A very straight forward demo and precise as humanly possible. Tone is quite similar to color in that we all see a different ewe this also exists in tone quality differences. So in controlling the constants pick, strings, microphone/distance amplification settings and the same song selection and style of playing allowed me to experience the tone difference in these guitar pins. Re: Curtis Lee says it best "The rosewood sounds warm, the brass sound bright, and the bone sound full." So 2 thumbs up on your demo I greatly appreciate it Sound quality of guitars for me is a journey in learning the guitar thanks for your time
I'm a big believer in this. I changed the pins on a Washburn of mine and the difference was amazing. It opened the sound of guitar right up! Louder, better projection and sustain. After that I went to a bone nut and saddle, which was incrementally better, but the ebony pins made the biggest difference.
That was a tough one but with a set of Bose headphones on this is what I heard. 1. Rosewood: was even toned across the chords and had a mellow vibe and was my favorite of the three. 2. Brass: was not as loud and had a slight reverb effect, kind of reflective sounding. 3: Bone: sounded the loudest to me, through my headphones, with very good reflection. The big difference to me was volume and reflection, with the exception of the Brass pins which had that slight reverb sound. This is all subjective and could sound way different to many people who listen to it. It's funny how so many people will argue over " which is best".. The best is what you like and the differences are subtle. This was a very good video.
I have a 53' j45. I retired the original plastic ones. Putin some tusq. Very nice difference. Then I tried ebony. I quickly went back to tusq. The ebony did not sound nearly as nice
I don't know if you ever read the Harmony Central acoustic guitars section some 10 to 15 years ago, but there once was a thread about the influence of bridge pins on sound that later was referred to as The Bridge Pins War 😀
Oddly, perhaps, the pins I liked the least were the bone pins. They seem to drop a lot of the high frequency resonance that I associate with my Martins. None sound bad, but literally, that is the set that I noted the most drop in a frequency range. But I'm getting pretty old, so perhaps I seek the higher frequencies? Anyway, you asked, I opined, and thanks for the demonstration.
I'm no tone snob or anything, but the pins ABSOLUTELY do change the tone. I tried several different ones for my vintage Gibson acoustic. I tried plastic, aluminum, brass, rosewood, etc. I settled on camel bone. Intuitively and logically, it _does_ make sense that changing the pins will change the tone. The silver coin comparison is perfect. ...but I was pretty shocked that there was a major difference between pins. ..at least on my guitar. I chose camel bone because it was waaaaaaay better than the others.
3:51 Rosewood 4:23 Brass 4:56 Bone I think these timecodes are where you hear the biggest difference on the lighter strings. I can absolutely tell the difference between the Brass and the other 2. Rosewood is much warmer, Brass is very tinny, and bone is right in the middle it seems. I like each for different reasons. I wonder how creative one could get my mixing the different pins on certain strings. I think I prefer the Rosewoods warmth overall though. Nice video, thanks!
3 года назад+1
I put brass on a cheap acoustic that was OK, but lacked clarity. It brightened it up nicely and improved the tone.
Subtle changes happen that you can compensate for. More volume can translate to lighter picking. I noticed brass and rosewood were similar but as soon as it was bone, instantly a flattened mid range. The saddle and nut are the next thing to test but those will have a more drastic effect in my opinion.
Holy %%$# you're a great player! I've watched your channel for years and this video really showed your guitar playing skills in a way I'd not seen before!
It appears to be a question of one's ear, and taste...it's very subjective, yes 🤔 As a player of 60 years, and a builder/repair/restore person 20 plus years, I'd say definitely not plastic! Try titanium pins..lol...whatever helps create the sound the owner desires is best!
@@gavinw5469 Physiological? you meant to say *psychological* didn't you, champ? "Guitarists are idiots when it comes to science." *Alexa, play "Ironic" by Alanis Morrissette. "Your brain is justifying the money you just burned" This is very true with some guitar players. You know what though? The opposite is true as well. Broke ass amateur guitar players will swear that they can get a great tone from a 15 Watt Gorilla amp, Squier Bullet, and a Boss DS-1. They'll SWEAR to themselves that it sounds just as good as a vintage Marshall Plexi, Klon, and a '59 Les Paul. NOPE! It doesn't! Never will! "B-b-but Tone is in the fingers man!!" Yup! A lot of it is!! ..but if things like bridge pins didn't matter, then neither would strings, wood type, nut/saddle material, body size/shape, pick thickness, etc. By your logic, you wouldn't mind if I strung up your acoustic with 9 gauge nickel strings and gave you a 1.5 mm Jazz III pick to play with. What's the difference? It's just *psychological, right? :) If you change _anything_ on an acoustic guitar, it *will* affect the tone. It's basic Newtonian physics. Maybe it won't change the tone enough to 'justify' the money spent. ...or maybe your ears are just too trash to hear the difference. As the OP said: "It's all subjective." If you had any reading comprehension skills, you would have realized that the word "subjective" made all of your opinionated ranting 100% unnecessary.
@@gavinw5469 They don't? Ok.. Explain why. ("I can't hear a difference" is not an acceptable answer.) Use your scientific knowledge to explain to us why a bone saddle will change the tone, but not a bone bridge pin. Drop some knowledge about energy transfer and acoustic resonance. Please explain to Scott and I how after almost a century of combined experience building and repairing guitars professionally, we still haven't figured out how bridge pins work. Please explain how I'm so psychologically flawed that my ears will literally have auditory hallucinations - to save me from the trauma of accepting the fact that I wasted $10 on some bridge pins. Do you have any idea how many THOUSANDS of dollars I've wasted on guitar gadgets over the years? We _all_ have and we _all_ admit it. ...yet we're crying ourselves to sleep over a bridge pin purchase? THAT is what is keeping us up at night? Lmfao You're special, Gavin.
@@clicheguevara5282 thanks I really needed that last part. Self confidence is at an all time low, but I guess you probably wouldn't care anyway. I have had a tough day. I was looking to vent. Don't take what I said personal. It's not about you or anyone else, it's about me. I apologize. I should have never commented. Nobody agrees with me anyway.
I play 2 guitars with nut/saddle of bone and the saddle pins of steel, and 2nd guitar bone nut/saddle with B and E1st string bone and the rest of steel pins and I changed all the sound so drastically that to this day I'm forever in love with the sound, I also used bone and tusk pins never wood, if you play in open areas street and "campfire" you will get the most of metal because the highs are really strong and make for the loud noises in the background, but if you play indoors may be better idea to get bone or wood, to my prefference metal gives me the sound I want and for me in this demo metal it the nicest round sound In all the strings. Nice vid, thanks!!
Great demo. I think this is a pretty subjective topic and depends lots on the guitar itself and the style(s) you like to play. In contrast to the first dozen or so comments I've read, to me the brass pins sounded surprisingly mellow but more sustainy (word?) than the others. I always change out the bridge pins on my own guitars and over 50 years of playing finally settled on either boxwood or ebony, depending on the aesthetic look, as both have similar tonal qualities. I had a thing for brass pins for a while until I put them in a new J200 and they sounded awful, thats when I switched to the boxwood ones. I still have brass pins in an old plywood Yamaha I've had since my teens and the one thing that guitar has over the others is sustain.
It's funny how everyone's ear and headphones/speakers are a bit different. My 2008 Guild DV-6 came with plastic pins and I upgraded them to bone. I loved the tone before, and still love it with the bone pins. Listening to this back to back comparison was pretty cool, but I almost thought the brass sounded the best during the strumming. It seemed to bring out the lower frequencies of the guitar. I may try those next time I do a string change. Thanks for this, Brad!
I hear almost district differences between the three, what this experiment shows is that pins do have an affect. This might well help us customize an individual guitars sound (ever so slightly)...
Shit this is perfect for me brad i hadn't thought of it. I need brass pins in my life i play a eko 12 string that's got a lush warm big body but my guitar doc put a 7 string bridge in there at my request, thats a normal 6 string setup but with 2 G's(high and low G) I LOVE IT and its a dream to write on but a hint of extra high clarity from them brass pins are quite evident to me in this vid and it will make my eko bit closer to my dream acoustic, massive thanks
You can absolutely hear the difference on anything that is an accurate enough playback system. all other things consistent the rosewood is darker, the brass is brighter and the bone is a fairly balanced and clear middle ground. In a full on mix the difference would not be quite as noticeable to 99% of humanity because they are listening on airpods, phone speakers, tv speakers etc.
Classical guitar strings now have the nubs on ends on some brand strings which makes it a whole lot easier than lacing them as far as the sound I've never really noticed.
Great playing! Reminds me of my dad playing when I was a kid. Like you, he was a multi-instrumentalist. Drums, Guitar, and Piano....always had an instrument within reach.
I changed out the plastic pins on my Dean Exotica acoustic a few years back for an ebony set and I must say I like the ebony pins better.The guitar is noticeably louder and clearer not as dark and muffly sounding.
I thought they all sounded great 👍 The rosewood gave off a softer edged more bass boosted type tone where the bone but seemed to bring out more of the midrange and the brass had more sparkle ❇️ and the high end seemed more dominant than the others as I would have thought the harder material seemed brighter softer darker bassier but they all sounded full and way better than the cheap plastic ones ☝️
I have a 56 D-18. The sound is incredible, with tremendous sustain. And once the strings are stretched out it never goes out of tune. I watched a video about non slotted bridge pins. The bridge on those needs to have notches cut for the strings. It changes the break angle and makes the guitar louder. My guitar has slotted bridge pins but the bridge has notches cut into it so the break angle around 45 degrees. I'll have to try some different pins.
I’ve had brass pins on my Alvarez 9-string for brightness for years, and only recently discovered how warm it sounds with rosewood pins (same as bridge). I guess it’s never too late too learn. 😅
Makes sense there would be a difference because the density and dimensions will alter the resonant frequencies of the pins and by extension the sound board they’re sitting in. Wood sounds warm, brass rings out and bone sounds deeper due to overall mass / dimensions presumably. I’d be interested to see if we can make pins to selectively tailor for certain sounds, as guitar acoustics aren’t actually that well understood to my knowledge. I mean scientifically, as opposed to practically. Maybe I’m totally wrong of course, I just remember reading somewhere that most of what is known about guitar design has been learned through iteration as opposed to scientific understanding. Interesting stuff either way!
Definitely a difference there. I think the choice would depend on the wood too. I have a mahogany top so probably brass would be the better choice if I wanted to add a bit of brightness to the sound.
A given guitar is always going to be what it is, but others factors can and will slightly tweak the sound. For me, and in this order it’s: Strings Saddle Pins Nice demo Brad.
I just watched a video on making a slight Chanel in the bridge perhaps 1/8” towards the sound hole..to increase the angle as it drops down from the saddle towards the pins. There “definitely “ was a positive sound difference..with more of a tonal separation of each string…
Would be interesting to hear if one could get a longer scale acoustic to sound like a shorter scale guitar by changing the pins. Or vice versa. I feel like longer scale sounds more billiant while short gives a warmer tone. Like rosewood vs brass pins
I know when I put a brass block in my stratocaster it made a very noticeable difference in tone. Very interesting how the differences in bridge pins were quite indistinguishable from one another. I always wanted to find out if it would make any difference to change out ,y plastic bridge pins, and now, i don't have to waste my money to find out they really don't. I know the saddle material does make more of a difference between plastic and bone. Thanks Brad - great short video.
I preferred the sound with rosewood and brass, although it's harder to tell because of your different playing style, strumming and picking close to the bridge, while I play over the soundhole for a fuller sound with a better balance of frequencies and more projection.
I didn't expect to hear much, especially on my (relatively decent) phone speakers. I think the difference was striking. Not sure which I prefer though.
Brad, I really enjoyed this video. The format, the length, the HBO-esque intro and record outro, were all very enjoyable. Also, your playing is very enjoyable to listen to. You seem like the kind of guy I personally would like to jam with. Keep strong and keep moving forward brother.
I always suspected this. And have used different pegs to compensate for a guitars that were lacking. AND, intentionally used different materials on the same guitar to improve those deficiencies. }!€
The brass had the best projection,but as far as the rest,hardly a difference, maybe just a little better with bone,but remember these pins are only holding the strings against the bridge itself, and that's where the brass has the advantage I believe,wonder what a bridge made completely out of brass would sound like,it would probably be a pain to glue on,but how about a brass saddle vs a bone saddle shoot out Brad, thanks for the video.
One luthier I saw on YT suggested the heavier mass of brass bridge pins tend to inhibit the saddle from doing its job properly of transferring the string vibrations to the sound board. Ultimately THAT is where your sound comes from so anything that helps the string transfer energy to the soundboard will help. As for the different pin materials, the differences to me were only slight, although I have a set of brass pins I pulled out of my Maton as I didn't like the overalls feel and sound.
Nice concise testing! I thought the differences were subtle and similar to what you might experience with different/new strings or even different picks.... Nice job on Kathy's Song btw!
Before you began your examples I scrolled down into the comments so I wouldn't know which example was which type of pins and I could hear definite differences in each set of examples. In some I liked the first, some the second and some the third examples. Afterward I replayed the video and noticed you stated rosewood pins first but I didn't hear that earlier because while you were talking I was reading comments. I guess it depends on what a person is going to be playing as to which type pin they prefer.
Nifty ! Pretty sure I could tell a slight difference, at least between the brass one & other two anyway. I tend to prefer mellow over bright but to each his own. I haven't used ANY pegs whatsoever for well over a decade now. I use a flat bone blank with holes just big enough for the strings to feed thru. The tension alone clamps it flat & solidly against the back of the bridge/top. Works like a champ. Noticed quite a positive difference, on my 3 acoustics anyway. Granted a string change isn't as fast but I'll never go back. The other rather important thing for virtually ANY acoustic IMO is to simply have a slightly angled cut at/in the peg holes themselves, just like 1/4 - 1/3 of the way to the saddle at each hole, which slightly increases the strings break angle. I say this bc most bridges I've seen are practically all the same tradition dimensions. I was always a fan of that pegless bridge design on Ovations TBH. So, obviously slots instead of holes would make it easier to change stings, since you wouldn't have to feed them thru in reverse. I never tried it bc holes work fine & I'm well used to the procedure. But I'm pretty sure slots wouldn't affect the blank's solidness too much & still allow the ball ends to clamp the blank sufficiently, in which case just a piece of ANY temporary tape could keep the strings from sliding out of the bone until the strings are tensioned, if you know what I mean. Been wanting to try it for a while, perhaps I'll make a vid of it soon. Anyway, I only mention all of this because just recently I seen a vid where a guy is $elling a brass rod("thE tone bar ™" I think it was)🤪, that just goes thru the ball ends for a better top "connection". I do suppose he's at least partially there with that though.
Love you opening for your video i.e. I was a big Sopranos fan. Just thought I'd share that I recently worked on a cedar Seagull guitar that sounded absolutely incredible.
To my ears, the rosewood sounded the best. The bone was surprisingly muddy, while the brass was WAY too bright . . . I have two guitars with TUSQ pins and one with ebony pins. As an experiment, I replaced the ebony with a set of TUSQ and the difference in tone was very noticeable; and not to the better. My low end was overpowered by the brightness of the high end. I put the ebony pins back on and literally restored the original tone.
Without reading the comments, The rosewood sounds warm, the brass sound bright, and the bone sound full . Bone sounds the best to me.
My words exactly
I agree👍🏼
It would be interesting to see if you had the same response if Brad hadn't labelled the pins but numbered them as he played....
@@halvach1998 That what I was thinking as well.
Ditto! 👍
I got a set of brass pins about 10 yrs ago for an old 70's epiphone acoustic that was never my favorite, but to my surprise they really brought that guitar to life...
I have an Alvarez that benefitted from a set of Brass pins. It rang like a bell the first time I played it after the Brass pins were on it.
I closed my eyes and and occasionally opened them to see different words on the screen. If I didn't open them I wouldn't have known anything changed.
I wasn't watching the screen either and they sounded the same 👻🥳🐬☮️
Same for me. Any difference could be just a different performance. So much marketing of guitar products is "The Emperors new clothes" or, "What do you mean you don't hear that subtle difference? I would upgrade to bone or brass pins based on durability.
@@1mdragas very good point I agree. Plastic pins suck in terms of durability.
Yeah it shouldn't really matter. The contact point is the bridge, not the pins, so there should be little energy transfer at the pins.
@@maudiojunky 100% agree. But it's the saddle that the strings contact, not the bridge ;).. Pins are just the anchors.
3:23 rosewood strumming
3:55 brass strumming
4:27 bone strumming
They all sound exactly the same to me.
It is not significant and the tone depends on your guitar pick, where you play on hole, your mood, humidity, and temperature. There are so many other things to be concerned about.
@@Augrills I agree
@@Augrills And me!
@@Augrills same
I'm a bit embarrased to say I've been doing luthier work for decades but never gave this a second thought. I always attributed the pin material to the fashion sense of my customer but I do hear a difference in this demonstration. See, your never too old to learn something.
Considering my teeth can crush a plastic bridge pin, I'd say bone and brass are going to transmit vibration more than absorb it!
Rosewood #1 ....BRASS #2....Bone #3.....My top three finishes!
@@RideAcrossTheRiverConsidering the string is only vibrating between the nut and the saddle, I’d say that’s a moot point.
@@G_Demolished Is that why you use plastic bridge and saddle, then?
I agree with some of these comments that the bridge and nut will make a much bigger difference in sound. The contribution of the posts is only in securing the string like a screw or nail on wood. Would you argue brass vs. Stainless nails?
I'd say, the weigth of the pins matter because its "mass" is coupled to the sound board. At least thats what makes sense to me. Thanks for the video
The rosewood, for my ears, have a more even sound and would be my choice when changing out pins. Second choice would be the bone, third would be the brass. I suspect a lot of viewers would like the brass for those crisp, "silver dollar" ringing highs. This is a great experiment, and proves that all ears are different, and that one mans meat etc. Nice one.
Brass tone pins on a 12 string is incredible. I love rosewood but brass is made for a 12!
through my speakers, the brass pins seemed the most resonant.
i've always gone in for bone saddles (and nuts) on my acoustic, but i guess i never even never considered bone pins..
i've always been suspicious of wood pins for some undefinable reason but they sounded ok too
I dig the user
I wish I could play that good that's some serious picking Brad😎
For my experience, I'd say it does. Swapped the plastic pins to bone in a Samick with a laminate top. I could feel the top resonating more with bone than plastic, which made it sound way better to my ears.
When you were using a pick it did seem to sound better with the bone pins,... but it seemed like your playing changed and you were digging in a bit more, so honestly I couldn't make a judgement.
It all sounded pretty damned good to me.
Well, a long time ago I switched my plastic pins for brass ones just because someone told they were "so much better". I tried my hardest to hear the improvement, but could not. I mean, I really wanted them to work, but I could not hear it... So I put the old ones back in. And here I am playing the old thing with the pins it came with in -68, and they work just fine. Yellowed and bent like old hippo's theeth, but that's ok...
All pins aside..... you are one of my favorite players.... Thanks for the happiness you bring Brad....
Definite difference. The rosewood are more balanced across the range and the most open sounding. The bone ones are close but slightly more subdued. The brass is considerably thinner sounding and not as loud. I would have liked to have heard the plastic ones also.
They all have a unique tone!! I liked brass the best. I think it won't make a difference if you use piezo, undersaddle, or soundhole pickups though.
Have you seen the 'ToneBar' that does away with the pins?
I don't know but that Martin sounded beautiful all the way through. Nice playing!
Great idea for a video, Brad! I also always just assumed the same as you that the harder the better transfer of vibration, but listening back to the comparison clips, I have to admit that I can't tell if the difference I hear is just me making it up in my head or if it's real. So, if pins do indeed make a difference then it must be a rather small one.
Agree! I think the nut and saddle need to be bone NOT plastic - I swapped ALL my steel strings that had plastic to bone years ago and never looked back. The difference WAS dramatic!
Rosewood: Hot and mellow tone. Brass: High ends, brilliance. Bone seems to be the best way between the two worlds to me.
Bone is my choice because the notes are much more detailed... brass is my 2nd favorite
How can something be hot and mellow? 😆
Y'all like the bone. LOL!
@@DetroitWrecker666 When Bradley was pickin with the bone, the sound was transfered through the bone back into the bridge & was "pickier" like "She talks to Angels" 🐸 👍
@@gearmeister Yeah, I believe it on an acoustic guitar, everything matters. I don't put much thought into ANY sound comparison of ANY kind when coming from RUclips. Especially with something like an acoustic guitar. It probably sounds a lot different in the room.
My favorite Simon and Garfunkel tune! Kathy’s song… what a beautiful progression. Well done! I also really like the Rosewood pins.
I listened with my eyes closed. I noticed no difference at all. (The reason I listen with my eyes closed, goes back to something I read, Herb Alpert said he & the late great Sam Cooke, were listening to a Jamaican singer, audition. Alpert said he was a handsome guy, he thought he sounded good. Cooke was not so impressed. He told Herb to turn his back, close his eyes & listen. Alpert said when he did that, the singer didn't sound as good as thought. I've always done that, since I read that article, maybe 30 yrs ago. Believe it or not the first yrs of American idol, we didn't watch the 1st yr [My late wife LOVED the show, that's why we watched.] I picked the top 3 each of those 4 yrs, we watched, during auditions! She was amazed, but I told her the secret.) Any way my vote is there is no difference. But it seemed to me once the string hits the saddle, that's where the sound is transferred, so the pins shouldn't make a difference. It would be cool to have the sound waves measured, then we'd know "scientifically."
I'm a luthier and have just done this exercise for a customer who had an older custom instrument and was wanting more brightness. I was sceptical myself but I can resoundingly conclude that brass pins and that extra bit of mass does enhance the brightness of the strings. Sustain is marginally better but the tone is audibly richer - just my experience.
The biggest change I ever noticed is when I chucked the slotted pins for solid, and grooved the slot to allow the string to seat correctly against the bridge plate. Huge difference ! Better projection, sustain and volume. As a bonus, if done right, you can pull out one pin and replace it with another of different material without loosening the strings.
People always change pickups, and nut and tuners and leave stock pot metal saddles and trems on their guitars....I've found that saddles have a HUGE effect on the tone of your instrument...If your strat is thin sounding get brass/or steel block saddles...If you want more snap bent steel is the way to go....The nut only changes the tone when you play open notes, because when fretting its got the fret behind it making the note.
I'm about to purchase my first guitar.
It's acoustic, and I've been wondering what pins to go with.
This video really helped, thank you.
I found the plastic, wood, and brass high pitch and cheap compared to the bone.
I really liked the bone as it was a softer, warmer, and lower tone.
This is exactly the sound I want!
I swapped my plastic pins out for bone on my D28 shortly after I got it, mainly for durability and to protect the bridge plate from deforming plastic pins. There was definitely a glassier tone to the guitar. I don't know if I preferred it at first, necessarily, but at 12 years old it sounds pretty good to me now.
The bridge pins that weren't plastic may have sounded a bit brighter but what I found that really makes a BIG difference is changing the nut, saddle & bridge pins to bone as I did recently with a Yamaha acoustic. That changed it from a cheap sounding guitar to one truly worthy of even using a gigable guitar.
Interesting - I've been doing the same thing with a cheap Yamaha acoustic. I replaced the plastic nut and plastic bridge saddle with bone. This was the first time I'd ever fashioned a nut or saddle. The tone and volume change were stunning. I'm now sitting on replacement tuners and ebony (unslotted) bridge pins. I plan to slot the bridge to accommodate the unslotted pins. I expect the new tuners and slotted bridge will incrementally improve the sound, but I doubt anything will be as dramatic as the bone nut and saddle.
@@michaeldavis4969 I've seen that mod you're talking about with unslotted bridge pins, Very Cool.
They all sound good. very very close. You have proven to me that ...with a 56 Martin D21 ... you can't go wrong no matter what you're using. Great playing as usual.
The bridge transfers vibrations to the top though the saddle. Obviously, you don't want to dampen the vibrations with rubber or something soft like plastic. But, I am not sold on there being much of a difference between anything that is hard - go for the one that you like the look of. I use ebony or bone and find them both equally acceptable. For the best bang-for-the-buck upgrade, changing out things the strings actually vibrate off of is where to start --> This is the nut, saddle, pick (material and thickness) and your pick attack. Those are the places where you can change the sound of your instrument outside of different strings or a different instrument.
Couldn't really tell much difference over my earbuds but that's just my ears,etc. The only difference from my experience anyway, is that plastic pins can deform over time and not consistently lock the string in, Rosewood and ebony mostly keep their shape , brass and bone are stable ..whether that can effect tone significantly ...maybe if the pins are worn and the string is not solidly anchored but I doubt my ears could detect much difference in any case. Nice playing and sweet tone from that vintage Martin. Cheers!
Damn your beard grew back quick! Been eating Rocky Mountain oysters?
Brass seem nice and spanky to me.
My 68 Yamaha fg180 Nippon Gaki has a brass nut and brass pins. My uncle changed them in the late 80s. It sounds killer with a set of Martin Bluegrass strings. I upgraded my Epiphones to bone nut,saddle and pins...always wanted to try rosewood though. 😎🤘🎸🇺🇸
I bought a Martin 000-18MC (Martin Carthy) which comes with three rosewood pins on the bass side and three brass ones on the treble. He plays in a sort of C based open tuning -- CGCDGA -- so especially those two top strings (probably really both B gauge strings) can really use the treble boost.
Well Brad, great study. I haven't thought of that since the early 70s when the bass player of our band told me to always use top of the line pins to get the best sound. To be honest, I never really found a difference but my hearing has always been a little wacked.
I absolutely thought bone sounded the best, then brass, then rosewood. I also must add that none of them sounded badly. The brass I thought sounded a little more ringing, the bone was overall just warm and perfect, the rosewood was slightly muted / dulled in comparison to the others but not dull at all overall. They each sound wonderful snd it realky depnds upon what you may desire in a certain song or peice. Great sounding guitar BTW and beautiful finger picking !!!
Jeez bud, you could make ball point pens (pun intended) sound good! To me personally, the bone pins sounded the best.
Great video! I never thought about this concept until now. I know everyone’s ear is differen, so here’s my personal take:
From brightest to warmest, I would list them Brass, Rosewood, Bone. It’s a very subtle difference though. From Bone to Rosewood, then Rosewood to Brass, I could just barely hear any distinction. However, changing from Brass to Bone had the greatest difference in tone that I could hear, even if it was still a subtle change. Something to keep in mind is that when you start talking about performing and recording, you’re talking about playing for extended periods of time where you will eventually catch on to all those little nuances of every part of your instrument. To the listener it may not always make a difference, but remember that the first listener is the player! I prefer bright tones so I might go shopping for some new pins now.
Thanks for sharing!
Pick a note and touch the string between the pin and the saddle. Any change?
Of course there’s a change.
Goldylocks test... . Changed the pins on my acoustics after watching this.I got different results, not all favorable. One has bone, all positive. The second has Rosewood an a good change on 12 string close to neutral, the third got brass and is over the top bright and honky, unnecessary on what is likely the loudest guitar I have heard. Must be changed... to bone. Bone gets my vote based on my sample of three Yamaha guitar s LL16 -ARE 12 string, LL16-D, AC5R ACE. The similarities of construction, materials, and time of manufacture make them good subjects for this non destructive test. Great video.
Yes, it makes a difference. I have an Larrivee L-03 that I have been playing for 20 years with the stock plastic pins. I decided to order some bone pins from Larrivee and installed them. They fit perfectly and I couldn’t believe what difference they made. More overall volume, crisp sweet highs and a bit more punch in the lows and mids.
@@gavinw5469 Thanks for your opinion. But, I could even hear the difference between the pins on Brads guitar in this youtube video.
I will delete my comment. Feel free to delete your reply to my comment. I was having a tough day today and was just trying to vent. I apologize sincerely.
@@gavinw5469 Don't worry about man. Vent away!
@@MrJarred78 thanks I needed that. I appreciate you saying that.
Another great video Brad! It is almost impossible to pick the best sounding pins. The problem is…..each person’s ears are different. Sure the overall sound is similar with same strings, same guitar to each person. My hearing has tinnitus or ring in the ear so mine is not the same as someone without. I think all things bone! Bone nuts, saddles, pins all give the guitar a certain tone, the kind I like. There is a stark difference between plastic and harder materials, that’s science. I like brass on acoustic-electric guitars. The brass gives a more bitting sound I like. That’s just me. Since nylon strings mounted without pins, it would help them to be brighter. Oh well! Years ago in Missouri, I made some pins out of hickory, I was broke and wanted better pins so I hand made the pins. After several attempts, I made a set that were expectable. They made the guitar sound duller. I was disappointed but learned a good lesson! The harder the better! To me bone rings the best! Love from NW Colorado. Thanxz
Have you experimented w slotted vs non-slotted pins?
A very straight forward demo and precise as humanly possible. Tone is quite similar to color in that we all see a different ewe this also exists in tone quality differences. So in controlling the constants pick, strings, microphone/distance amplification settings and the same song selection and style of playing allowed me to experience the tone difference in these guitar pins. Re: Curtis Lee says it best "The rosewood sounds warm, the brass sound bright, and the bone sound full." So 2 thumbs up on your demo I greatly appreciate it Sound quality of guitars for me is a journey in learning the guitar thanks for your time
I'm a big believer in this. I changed the pins on a Washburn of mine and the difference was amazing. It opened the sound of guitar right up! Louder, better projection and sustain. After that I went to a bone nut and saddle, which was incrementally better, but the ebony pins made the biggest difference.
loved hearing you play some acoustic -as for bridge pins ,i`ve been playing over 40 years and never thought about it until 10 minutes ago
Great demo, thanks. I like rosewood best as it sounds clearer, but where you strum makes a big difference too of course.
Great comparison. Just what I needed for my new project acoustic guitar(gift for my neice).
That was a tough one but with a set of Bose headphones on this is what I heard. 1. Rosewood: was even toned across the chords and had a mellow vibe and was my favorite of the three. 2. Brass: was not as loud and had a slight reverb effect, kind of reflective sounding. 3: Bone: sounded the loudest to me, through my headphones, with very good reflection.
The big difference to me was volume and reflection, with the exception of the Brass pins which had that slight reverb sound. This is all subjective and could sound way different to many people who listen to it. It's funny how so many people will argue over " which is best".. The best is what you like and the differences are subtle.
This was a very good video.
I have a 53' j45. I retired the original plastic ones.
Putin some tusq. Very nice difference. Then I tried ebony. I quickly went back to tusq. The ebony did not sound nearly as nice
What's wrong with cool ,, lol
I don't know if you ever read the Harmony Central acoustic guitars section some 10 to 15 years ago, but there once was a thread about the influence of bridge pins on sound that later was referred to as The Bridge Pins War 😀
Oddly, perhaps, the pins I liked the least were the bone pins. They seem to drop a lot of the high frequency resonance that I associate with my Martins. None sound bad, but literally, that is the set that I noted the most drop in a frequency range. But I'm getting pretty old, so perhaps I seek the higher frequencies? Anyway, you asked, I opined, and thanks for the demonstration.
I'm no tone snob or anything, but the pins ABSOLUTELY do change the tone. I tried several different ones for my vintage Gibson acoustic. I tried plastic, aluminum, brass, rosewood, etc. I settled on camel bone. Intuitively and logically, it _does_ make sense that changing the pins will change the tone. The silver coin comparison is perfect.
...but I was pretty shocked that there was a major difference between pins. ..at least on my guitar.
I chose camel bone because it was waaaaaaay better than the others.
3:51 Rosewood
4:23 Brass
4:56 Bone
I think these timecodes are where you hear the biggest difference on the lighter strings. I can absolutely tell the difference between the Brass and the other 2. Rosewood is much warmer, Brass is very tinny, and bone is right in the middle it seems. I like each for different reasons. I wonder how creative one could get my mixing the different pins on certain strings. I think I prefer the Rosewoods warmth overall though. Nice video, thanks!
I put brass on a cheap acoustic that was OK, but lacked clarity. It brightened it up nicely and improved the tone.
Subtle changes happen that you can compensate for. More volume can translate to lighter picking. I noticed brass and rosewood were similar but as soon as it was bone, instantly a flattened mid range. The saddle and nut are the next thing to test but those will have a more drastic effect in my opinion.
Agreed.
@@TheGuitologist If you're gonna pick one type of bridge pin only, what would it be?
I didn't hear any difference in tone, great video!
Thanks Brad.
I have an LX-1 Martin which I've thought about trying something other than the stock pins in.
I think I'll just save my money for now 👍🏼
Holy %%$# you're a great player! I've watched your channel for years and this video really showed your guitar playing skills in a way I'd not seen before!
B-Radical! Glad to see you’re, well, buddy!
The biggest difference is picking position in-between the sound hole and bridge is where you'll notice the difference in tone.
It appears to be a question of one's ear, and taste...it's very subjective, yes 🤔 As a player of 60 years, and a builder/repair/restore person 20 plus years, I'd say definitely not plastic! Try titanium pins..lol...whatever helps create the sound the owner desires is best!
@@gavinw5469 , Ryan Guitars...
"whatever helps create the sound the owner desires is best!"
That's how I know you're a _real_ guitar tech.
@@gavinw5469 Physiological? you meant to say *psychological* didn't you, champ?
"Guitarists are idiots when it comes to science."
*Alexa, play "Ironic" by Alanis Morrissette.
"Your brain is justifying the money you just burned" This is very true with some guitar players. You know what though? The opposite is true as well. Broke ass amateur guitar players will swear that they can get a great tone from a 15 Watt Gorilla amp, Squier Bullet, and a Boss DS-1. They'll SWEAR to themselves that it sounds just as good as a vintage Marshall Plexi, Klon, and a '59 Les Paul. NOPE! It doesn't! Never will!
"B-b-but Tone is in the fingers man!!" Yup! A lot of it is!! ..but if things like bridge pins didn't matter, then neither would strings, wood type, nut/saddle material, body size/shape, pick thickness, etc. By your logic, you wouldn't mind if I strung up your acoustic with 9 gauge nickel strings and gave you a 1.5 mm Jazz III pick to play with. What's the difference? It's just *psychological, right? :)
If you change _anything_ on an acoustic guitar, it *will* affect the tone. It's basic Newtonian physics. Maybe it won't change the tone enough to 'justify' the money spent. ...or maybe your ears are just too trash to hear the difference. As the OP said: "It's all subjective." If you had any reading comprehension skills, you would have realized that the word "subjective" made all of your opinionated ranting 100% unnecessary.
@@gavinw5469 They don't? Ok.. Explain why. ("I can't hear a difference" is not an acceptable answer.) Use your scientific knowledge to explain to us why a bone saddle will change the tone, but not a bone bridge pin. Drop some knowledge about energy transfer and acoustic resonance.
Please explain to Scott and I how after almost a century of combined experience building and repairing guitars professionally, we still haven't figured out how bridge pins work. Please explain how I'm so psychologically flawed that my ears will literally have auditory hallucinations - to save me from the trauma of accepting the fact that I wasted $10 on some bridge pins. Do you have any idea how many THOUSANDS of dollars I've wasted on guitar gadgets over the years? We _all_ have and we _all_ admit it.
...yet we're crying ourselves to sleep over a bridge pin purchase? THAT is what is keeping us up at night? Lmfao
You're special, Gavin.
@@clicheguevara5282 thanks I really needed that last part. Self confidence is at an all time low, but I guess you probably wouldn't care anyway. I have had a tough day. I was looking to vent. Don't take what I said personal. It's not about you or anyone else, it's about me. I apologize. I should have never commented. Nobody agrees with me anyway.
I liked rosewood the best, brass or bone seemed about the same to me.
Thank you for the input about Bridge pins definitely think the Rosewood pins pound sounds super. Good information .
I play 2 guitars with nut/saddle of bone and the saddle pins of steel, and 2nd guitar bone nut/saddle with B and E1st string bone and the rest of steel pins and I changed all the sound so drastically that to this day I'm forever in love with the sound, I also used bone and tusk pins never wood, if you play in open areas street and "campfire" you will get the most of metal because the highs are really strong and make for the loud noises in the background, but if you play indoors may be better idea to get bone or wood, to my prefference metal gives me the sound I want and for me in this demo metal it the nicest round sound In all the strings. Nice vid, thanks!!
How did it sound to you after hearing the clips?
Great demo. I think this is a pretty subjective topic and depends lots on the guitar itself and the style(s) you like to play. In contrast to the first dozen or so comments I've read, to me the brass pins sounded surprisingly mellow but more sustainy (word?) than the others. I always change out the bridge pins on my own guitars and over 50 years of playing finally settled on either boxwood or ebony, depending on the aesthetic look, as both have similar tonal qualities. I had a thing for brass pins for a while until I put them in a new J200 and they sounded awful, thats when I switched to the boxwood ones. I still have brass pins in an old plywood Yamaha I've had since my teens and the one thing that guitar has over the others is sustain.
Oh what beautiful music you make
It's funny how everyone's ear and headphones/speakers are a bit different. My 2008 Guild DV-6 came with plastic pins and I upgraded them to bone. I loved the tone before, and still love it with the bone pins. Listening to this back to back comparison was pretty cool, but I almost thought the brass sounded the best during the strumming. It seemed to bring out the lower frequencies of the guitar. I may try those next time I do a string change. Thanks for this, Brad!
I hear almost district differences between the three, what this experiment shows is that pins do have an affect. This might well help us customize an individual guitars sound (ever so slightly)...
Shit this is perfect for me brad i hadn't thought of it. I need brass pins in my life i play a eko 12 string that's got a lush warm big body but my guitar doc put a 7 string bridge in there at my request, thats a normal 6 string setup but with 2 G's(high and low G) I LOVE IT and its a dream to write on but a hint of extra high clarity from them brass pins are quite evident to me in this vid and it will make my eko bit closer to my dream acoustic, massive thanks
Don't bother to change, it just adds weight to guitar top without making it harder to vibrate.
12 brass pins is too much weight.
You can absolutely hear the difference on anything that is an accurate enough playback system.
all other things consistent the rosewood is darker, the brass is brighter and the bone is a fairly balanced and clear middle ground. In a full on mix the difference would not be quite as noticeable to 99% of humanity because they are listening on airpods, phone speakers, tv speakers etc.
Classical guitar strings now have the nubs on ends on some brand strings which makes it a whole lot easier than lacing them as far as the sound I've never really noticed.
To make a good comparison we've got to play exactly the same thing. Same volume
Great playing! Reminds me of my dad playing when I was a kid. Like you, he was a multi-instrumentalist. Drums, Guitar, and Piano....always had an instrument within reach.
Hi Brad, have you ever had your fretting hand wrist hurt from playing? On the thumb side?
I changed out the plastic pins on my Dean Exotica acoustic a few years back for an ebony set and I must say I like the ebony pins better.The guitar is noticeably louder and clearer not as dark and muffly sounding.
I thought they all sounded great 👍
The rosewood gave off a softer edged more bass boosted type tone where the bone but seemed to bring out more of the midrange and the brass had more sparkle ❇️ and the high end seemed more dominant than the others as I would have thought the harder material seemed brighter softer darker bassier but they all sounded full and way better than the cheap plastic ones ☝️
The bone pins sounded best to my ear, I purchased water buffalo horn bridge pins from Bryan England at Custom Inlay and like them . Awesome playing!
I have a 56 D-18. The sound is incredible, with tremendous sustain. And once the strings are stretched out it never goes out of tune. I watched a video about non slotted bridge pins. The bridge on those needs to have notches cut for the strings. It changes the break angle and makes the guitar louder. My guitar has slotted bridge pins but the bridge has notches cut into it so the break angle around 45 degrees. I'll have to try some different pins.
I like how you play the C hood sir! Similar to the way I like to play it as well. You got great rhythm. Thanks for this video! Nice work!
I’ve had brass pins on my Alvarez 9-string for brightness for years, and only recently discovered how warm it sounds with rosewood pins (same as bridge). I guess it’s never too late too learn. 😅
Makes sense there would be a difference because the density and dimensions will alter the resonant frequencies of the pins and by extension the sound board they’re sitting in. Wood sounds warm, brass rings out and bone sounds deeper due to overall mass / dimensions presumably. I’d be interested to see if we can make pins to selectively tailor for certain sounds, as guitar acoustics aren’t actually that well understood to my knowledge. I mean scientifically, as opposed to practically. Maybe I’m totally wrong of course, I just remember reading somewhere that most of what is known about guitar design has been learned through iteration as opposed to scientific understanding. Interesting stuff either way!
Thanks for this brad. Didnt know there was a notable difference before.
Definitely a difference there. I think the choice would depend on the wood too. I have a mahogany top so probably brass would be the better choice if I wanted to add a bit of brightness to the sound.
A given guitar is always going to be what it is, but others factors can and will slightly tweak the sound. For me, and in this order it’s:
Strings
Saddle
Pins
Nice demo Brad.
I just watched a video on making a slight Chanel in the bridge perhaps 1/8” towards the sound hole..to increase the angle as it drops down from the saddle towards the pins. There “definitely “ was a positive sound difference..with more of a tonal separation of each string…
Would be interesting to hear if one could get a longer scale acoustic to sound like a shorter scale guitar by changing the pins. Or vice versa.
I feel like longer scale sounds more billiant while short gives a warmer tone. Like rosewood vs brass pins
I know when I put a brass block in my stratocaster it made a very noticeable difference in tone. Very interesting how the differences in bridge pins were quite indistinguishable from one another. I always wanted to find out if it would make any difference to change out ,y plastic bridge pins, and now, i don't have to waste my money to find out they really don't. I know the saddle material does make more of a difference between plastic and bone. Thanks Brad - great short video.
I preferred the sound with rosewood and brass, although it's harder to tell because of your different playing style, strumming and picking close to the bridge, while I play over the soundhole for a fuller sound with a better balance of frequencies and more projection.
I didn't expect to hear much, especially on my (relatively decent) phone speakers. I think the difference was striking. Not sure which I prefer though.
Brad, I really enjoyed this video. The format, the length, the HBO-esque intro and record outro, were all very enjoyable. Also, your playing is very enjoyable to listen to. You seem like the kind of guy I personally would like to jam with. Keep strong and keep moving forward brother.
I always suspected this. And have used different pegs to compensate for a guitars that were lacking. AND, intentionally used different materials on the same guitar to improve those deficiencies.
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Dude, that was some nice playing.
I was just kicking back intonating my guitar listening to you jam.
That was really relaxing to hear
Well played 1st up. You must have put a lot work into the video much appreciated. I'm going order a set set of aged bone right now.
The brass had the best projection,but as far as the rest,hardly a difference, maybe just a little better with bone,but remember these pins are only holding the strings against the bridge itself, and that's where the brass has the advantage I believe,wonder what a bridge made completely out of brass would sound like,it would probably be a pain to glue on,but how about a brass saddle vs a bone saddle shoot out Brad, thanks for the video.
One luthier I saw on YT suggested the heavier mass of brass bridge pins tend to inhibit the saddle from doing its job properly of transferring the string vibrations to the sound board. Ultimately THAT is where your sound comes from so anything that helps the string transfer energy to the soundboard will help. As for the different pin materials, the differences to me were only slight, although I have a set of brass pins I pulled out of my Maton as I didn't like the overalls feel and sound.
Nice concise testing! I thought the differences were subtle and similar to what you might experience with different/new strings or even different picks.... Nice job on Kathy's Song btw!
Before you began your examples I scrolled down into the comments so I wouldn't know which example was which type of pins and I could hear definite differences in each set of examples. In some I liked the first, some the second and some the third examples. Afterward I replayed the video and noticed you stated rosewood pins first but I didn't hear that earlier because while you were talking I was reading comments. I guess it depends on what a person is going to be playing as to which type pin they prefer.
Nifty ! Pretty sure I could tell a slight difference, at least between the brass one & other two anyway. I tend to prefer mellow over bright but to each his own. I haven't used ANY pegs whatsoever for well over a decade now. I use a flat bone blank with holes just big enough for the strings to feed thru. The tension alone clamps it flat & solidly against the back of the bridge/top. Works like a champ. Noticed quite a positive difference, on my 3 acoustics anyway. Granted a string change isn't as fast but I'll never go back. The other rather important thing for virtually ANY acoustic IMO is to simply have a slightly angled cut at/in the peg holes themselves, just like 1/4 - 1/3 of the way to the saddle at each hole, which slightly increases the strings break angle. I say this bc most bridges I've seen are practically all the same tradition dimensions. I was always a fan of that pegless bridge design on Ovations TBH. So, obviously slots instead of holes would make it easier to change stings, since you wouldn't have to feed them thru in reverse. I never tried it bc holes work fine & I'm well used to the procedure. But I'm pretty sure slots wouldn't affect the blank's solidness too much & still allow the ball ends to clamp the blank sufficiently, in which case just a piece of ANY temporary tape could keep the strings from sliding out of the bone until the strings are tensioned, if you know what I mean. Been wanting to try it for a while, perhaps I'll make a vid of it soon. Anyway, I only mention all of this because just recently I seen a vid where a guy is $elling a brass rod("thE tone bar ™" I think it was)🤪, that just goes thru the ball ends for a better top "connection". I do suppose he's at least partially there with that though.
I like the like the brass mid punch. Nice tool to have and can adjust with strum power.
Love you opening for your video i.e. I was a big Sopranos fan. Just thought I'd share that I recently worked on a cedar Seagull guitar that sounded absolutely incredible.