in my very humble opinion, as long as Martha plays Robert Schumann's music, he is NOT dead. His music lives through her, and it goes right into my soul!
Martha Argerich in her 80th year. - I have watched this video over the years since the performance and could not stop myself any longer from commenting. I have studied Classical Music since the 1960s and still present a weekly Classical Music Programme on FM Radio in Australia. First may I say; any one who criticises this lady; just go away. To the top professional musicians; she like Liszt is a Grandmaster of Piano - Level 10 in my opinion; one in every 100 years. Look at the sheer awe and stunned exhilaration of orchestra members, particularly lead violinists crying; - they knew they were in the company of genius; Yes like Liszt - Martha is a Grandmaster of Piano. Even Schumann and Liszt would have been overwhelmed and - Oh - she does not need sheet music in front of her. I challenge anyone; who says this woman is not the world's greatest living pianist - whether MALE or FEMALE - The lead violinists cannot stop the tears raining down their faces as they defers to Genius.
Look at the sheer awe and stunned exhilaration of the orchestra members, - in respect of her brilliance. Even Schumann and Liszt would have been overwhelmed - and Oh - this lady does not need the sheet in front of her
Martha's performance is great, needless to say, but I cannot help but see a female violinist with glasses in the back. I can tell that she's such a nice person. 🙂
She must have made a self-deprecating face at the first violinist after that simple clunker. Violinist couldn't help but smile. What a memorable moment for her. Martha was probably more shocked than anyone. What a wonderful person and pianist.
0:44 and 1:01 and elsewhere, hammers so tired can't even hit the only three strings they have been told to! Common with older hammers. But how exciting and above all of it she is. Music!
I cry everytime I hear this music . Van Cliburn used to play it . I just heard Herman Prey sing it . I didn't know the great Schumann interpreter Argerich ever played it. Has she recorded it ?
Really wonderful, touching, passionate and expressive. She is a pure and simple genius. The proof are some musician in the orchestra who were listening to her and enjoying Martha's playing.
@@andrewgibbon-williams7974 - Thank you Andrew, as you look at the awed faces of the 1st Violinist and other Orchestra members, it is hard to watch her play this piece, without succumbing to a few tears
No fue una pifiada, tenés que ver bien el video. Ella toca la nota Sol# con el 5 dedo, no se le resbala, pasa que ese piano tiene un problema con el pedal de "una corda". Evidentemente, ese pedal esta mal regulado, lo que hace que la martillera se corra a la derecha más de lo normal y hace que, al tocar esa nota, el martillo corrido más de lo normal a la derecha, termina percutiendo una de las cuerdas de la nota La conjuntamente con una cuerda de la nota Sol#, por eso se escucha como pifie, cosa que no es cierto. Además, es evidente en la reacción de Argerich, ya que ella, si lo ves en otros videos, se da cuenta cuando pifia y no lo disimula. Ella comúnmente hace gestos cuando pifia o se sonríe, pero esta vez estando segura de haber tocar la nota correcta, se sorprende de que suene mal. Hay que ser pianista para darse cuenta de que no pifió y en mi caso, como técnico de piano que soy, me doy cuenta de la mala regulación de la martillera de ese piano, cosa que explica el mal sonido de ese Sol# en 'una corda'. Otra cosa, luego de escuchar ese mal sonido, Argerich no vuelve a usar el pedal de 'una corda' hasta que termina la pieza, para evitar que siga sonando mal, ya que se vuelven a escuchar muchos Sol# de la misma tecla y ya no se siguen escuchando mal, lo que habla muy bien de la forma en que Argerich es capaz de darse cuenta del problema que tiene el piano, y le evita al público y a ella misma seguirlo escuchando. En esta pieza de Schumann, la utilización del pedal de 'una corda' es habitual, por eso Argerich lo usa, confiada en que el piano le respondería de la mejor manera, cosa que no ocurrió en este caso.
si ves bien el video ella mira a los músicos y hace un gesto con la cabeza y ellos sonríen ,fijate, la verdad suena algo raro , pero es algo irrelevante obviamente !
@@talento398 si, ya te lo explique. los mira porque se sorprende de lo mal que sonó el piano a pesar de que ella toca la nota correcta. Te vuelvo a repetir, tenes que verla en otros videos. Eso que suena raro, es x lo que te expliqué, soy técnico de pianos, sé por qué sono raro.
These were no mistakes. The piano was broken - you can tell from Martha disappointment at the beginning. She did not want to play the encore and for every wrong sound she was looking at the musicians there. Martha would never do these mistakes, she knows this piece like her own blood....
bit quick and quite few blunders: at one particularly bad one, 0:57, she turns and says something to the girl violinist and again at 1:50, this time her comment appears to have the girl very amused!
It appears to me that Martha is not aging happy, she enter the room and didn't seem to enjoy the audience (she looked like , let me get this done ) I hope she is happy an in peace (beautiful Martha )great pianist no doubt.
i think she has always felt this way about being on stage and especially playing solo, it's not something new. but we're very lucky that she continues to do it anyway.
Beaucoup d'accrochages , une cargaison de fausses notes que l'on excuse à la grande dame du piano...mais qui anéantiraient immanquablement un jeune pianiste pour sa première prestation ou en début de carrière. Cela dit , cette " version " à bout de souffle est loin d'être une référence.Il aurait mieux valu que Martha ARGERICH prenne un autre bis dans ce moment de fatigue physique très perceptible. Mais je pense toujours à cette injustice qui ferait tomber un pianiste en début de carrière avec tant de défaillances techniques , alors que pour une grande pianiste consacrée les gens applaudissent bêtement.L'on ne prête qu'aux riches et aux puissants.Mais un jour viendra où cela cessera !!! Lionel VIGNERESSE.
The lead violin is crying!! What an incredible pianist and incredible human being ❤
A beautiful piece of music …well played.👍👍👏👏
in my very humble opinion, as long as Martha plays Robert Schumann's music, he is NOT dead. His music lives through her, and it goes right into my soul!
spot on
man! the emotion in this, and the one gal in tears practically the entire time WHEW!
I am literally crying after the last part of her performance of Widmung. 👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Bendita seas Maestra Argerich… eres un regalo para la humanidad.
Martha Argerich in her 80th year. - I have watched this video over the years since the performance and could not stop myself any longer from commenting. I have studied Classical Music since the 1960s and still present a weekly Classical Music Programme on FM Radio in Australia. First may I say; any one who criticises this lady; just go away. To the top professional musicians; she like Liszt is a Grandmaster of Piano - Level 10 in my opinion; one in every 100 years. Look at the sheer awe and stunned exhilaration of orchestra members, particularly lead violinists crying; - they knew they were in the company of genius; Yes like Liszt - Martha is a Grandmaster of Piano. Even Schumann and Liszt would have been overwhelmed and - Oh - she does not need sheet music in front of her. I challenge anyone; who says this woman is not the world's greatest living pianist - whether MALE or FEMALE - The lead violinists cannot stop the tears raining down their faces as they defers to Genius.
Martha is a reigning Queen of Piano today. No one is even close!
I agree with what you think about Martha Argerich
Truth!
Look at the sheer awe and stunned exhilaration of the orchestra members, - in respect of her brilliance. Even Schumann and Liszt would have been overwhelmed - and Oh - this lady does not need the sheet in front of her
Maravillosa pianista en gloriosa música 👏👏👏👏👏
Magnificent and so inspiring. Thank you very much.
Martha's performance is great, needless to say, but I cannot help but see a female violinist with glasses in the back. I can tell that she's such a nice person. 🙂
Martha is still making beautiful music, God bless
Es fantastica
Pifió varias veces.
"The lead violin is crying!! (like I was crying unstoppable) What an incredible pianist and incredible human being"
The facial expression of the right rear viiolinist is very very very very very impressive.... thanks for this movie....
She expressed also my own tears and awe......
@@adrimellet3964 i would like to listen to her performance...
She must have made a self-deprecating face at the first violinist after that simple clunker. Violinist couldn't help but smile. What a memorable moment for her. Martha was probably more shocked than anyone. What a wonderful person and pianist.
Made me cry watching it😥
Nobody can play this so beautiful
It's all in the phrasing. Martha doesn't even have to think about it. Doubt if the composer himself played this better. Brava!
Thank you for sharing! So moving, so sensitive! Pray to God she keeps on ( has recently canceled performances)
and the violinist was tearing while listening to her...
That violinist can probably play the piece herself. It's common for pro s to have 2 instruments in level.
Lucia Luque , first violin from orquesta sinfonica de cordoba
that violinist’s expression makes this movie stirring
0:44 and 1:01 and elsewhere, hammers so tired can't even hit the only three strings they have been told to! Common with older hammers. But how exciting and above all of it she is. Music!
I thought they were just note slips but as I listen more I think you're right.
The problem is with the una corda function. Sometimes, it shifts the keyboard and hammers too far and so the hammer hits two different notes.
I cry everytime I hear this music . Van Cliburn used to play it . I just heard Herman Prey sing it . I didn't know the great Schumann interpreter Argerich ever played it. Has she recorded it ?
Thanks for sharing! It seems that she had broken an A flat string during her Concerto performance :)
With "una corda" she kept also the A natural, because it's quite near. They need to set this piano ahah
Wonderful performance!
I was there :)
No doubt the first violin knows the piece very well...
Really wonderful, touching, passionate and expressive. She is a pure and simple genius. The proof are some musician in the orchestra who were listening to her and enjoying Martha's playing.
I am crying.
마르타아르헤리치 반갑습니다ㆍ건강 기원합니다
Martha always has been second to no one.
最钦佩的女钢琴家！宝刀未老👍
I challenge anyone who say this woman is not the world's greatest living pianist
You are 100% right.
@@andrewgibbon-williams7974 - Thank you Andrew, as you look at the awed faces of the 1st Violinist and other Orchestra members, it is hard to watch her play this piece, without succumbing to a few tears
Two violinists crying. What a preformance.
Goddess of Passion!
마르타 아르헤리치❤️
音に羽が生えてる
와...잘한다.
worry expression of members of orchestra
1:53 Martha「Wow!……」
One of the strings or hammers is broken I think
@@gavinfindlay7603it's a problem with the una corda. One hammer is just a bit out of place so hits two notes when she presses the left pedal.
complicidad de la pifeada con los músicos.la escuchan con emoción admiración y orgullo .
ella está más allá de todo es una genia 1:53
No fue una pifiada, tenés que ver bien el video. Ella toca la nota Sol# con el 5 dedo, no se le resbala, pasa que ese piano tiene un problema con el pedal de "una corda". Evidentemente, ese pedal esta mal regulado, lo que hace que la martillera se corra a la derecha más de lo normal y hace que, al tocar esa nota, el martillo corrido más de lo normal a la derecha, termina percutiendo una de las cuerdas de la nota La conjuntamente con una cuerda de la nota Sol#, por eso se escucha como pifie, cosa que no es cierto. Además, es evidente en la reacción de Argerich, ya que ella, si lo ves en otros videos, se da cuenta cuando pifia y no lo disimula. Ella comúnmente hace gestos cuando pifia o se sonríe, pero esta vez estando segura de haber tocar la nota correcta, se sorprende de que suene mal. Hay que ser pianista para darse cuenta de que no pifió y en mi caso, como técnico de piano que soy, me doy cuenta de la mala regulación de la martillera de ese piano, cosa que explica el mal sonido de ese Sol# en 'una corda'. Otra cosa, luego de escuchar ese mal sonido, Argerich no vuelve a usar el pedal de 'una corda' hasta que termina la pieza, para evitar que siga sonando mal, ya que se vuelven a escuchar muchos Sol# de la misma tecla y ya no se siguen escuchando mal, lo que habla muy bien de la forma en que Argerich es capaz de darse cuenta del problema que tiene el piano, y le evita al público y a ella misma seguirlo escuchando. En esta pieza de Schumann, la utilización del pedal de 'una corda' es habitual, por eso Argerich lo usa, confiada en que el piano le respondería de la mejor manera, cosa que no ocurrió en este caso.
si ves bien el video ella mira a los músicos y hace un gesto con la cabeza y ellos sonríen
,fijate,
la verdad suena algo raro , pero es algo irrelevante obviamente !
@@talento398 si, ya te lo explique. los mira porque se sorprende de lo mal que sonó el piano a pesar de que ella toca la nota correcta. Te vuelvo a repetir, tenes que verla en otros videos. Eso que suena raro, es x lo que te expliqué, soy técnico de pianos, sé por qué sono raro.
que raro que sólo una vez sonó raro, el sol# aparece en la obra más de una vez,
todo un concierto con un piano así . no sólo el bis, pah !
Me sorprende, el problema es el piano. No es de Martha.
Although she had some mistakes, she knows how to play this beautiful piece of music!!!! ( In other recordings)
I think it's the piano mechanic failure....
These were no mistakes. The piano was broken - you can tell from Martha disappointment at the beginning. She did not want to play the encore and for every wrong sound she was looking at the musicians there. Martha would never do these mistakes, she knows this piece like her own blood....
bit quick and quite few blunders: at one particularly bad one, 0:57, she turns and says something to the girl violinist and again at 1:50, this time her comment appears to have the girl very amused!
It isn't Martha. It's the piano.
Pauvre Martha, ce piano est une vraie casserole....
Look at the darkhaired young woman with the violin in the background. And the rest of the musicians for that matter.
Broken string?!
Hammer needs to be moved a millimetre to the right.
It appears to me that Martha is not aging happy, she enter the room and didn't seem to enjoy the audience (she looked like , let me get this done )
I hope she is happy an in peace (beautiful Martha )great pianist no doubt.
i think she has always felt this way about being on stage and especially playing solo, it's not something new. but we're very lucky that she continues to do it anyway.
She was annoyed for the broken pian this is why she was upset...
🌋🌋🌋🌋🌋🌋🌋
叩きつける感じで、ちょっとびっくりです。
この演奏はミスタッチもあり彼女らしくないですね。心がそのまま演奏に出ます。きっと何かあった時期なのでしょうか。
Beaucoup d'accrochages , une cargaison de fausses notes que l'on excuse à la grande dame du piano...mais qui anéantiraient immanquablement un jeune pianiste pour sa première prestation ou en début de carrière.
Cela dit , cette " version " à bout de souffle est loin d'être une référence.Il aurait mieux valu que Martha ARGERICH prenne un autre bis dans ce moment de fatigue physique très perceptible.
Mais je pense toujours à cette injustice qui ferait tomber un pianiste en début de carrière avec tant de défaillances techniques , alors que pour une grande pianiste consacrée les gens applaudissent bêtement.L'on ne prête qu'aux riches et aux puissants.Mais un jour viendra où cela cessera !!!
Lionel VIGNERESSE.
what has this woman done to her hair ? Or is that part of the act ? All this banging and going where ?
ok
아이고 어려운 곡도 아닌데
넘 많이 틀린다 은퇴 좀 해라
내가 다 민망혀
내가 보기엔 이 댓글이 진짜 민망하다 ㅉ
Hahahahahaha🤣🤣🤣sad ,but u r right on that!! 나이 는 나이야 !아이구!!!
피아노 해머 나간 거임..ㅋㅋㅋㅋㅋㅋ 피아노 쳐 본 적 없는 거 티내누
And the last time YOU won Chopin competition would be ?
Hahahha. You cant even play that good