杨伟丹 is wrong for the role of 六娘; it requires a younger performer that can add credence to the image of a young lady falling in love, and forced into another marriage. Also it requires a 'thinner' voice (not the 'thicken' voice of a older person), a lighter gait that can fall and rise and 'flow'/twirl gently, and a lithe body to wear the dress of a young lady (not the robe of a married woman). And of course it is disconcerting to see & hear the differences between her with the cousin (played by an obviously young xiaosheng). This is not to say she is doing a bad job; but there is so much she can do; she is on the wrong side of age for this casting. The rascal Yeo is obviously still learning the ropes. And many performers have untidy 'watersleeves' technique - it is so painful to watch. I wish that more emphasis should be paid to this unique feature of Chinese opera. I enjoyed the arias of course; this is a gem of Teochew opera, and cannot be 'done to death' - a new production always is interesting. I was looking forward but must admit to being disappointed. TTHANKs for uploading.
สนุกมากBestGood非常好看😂😂❤ความหมายดีคำพูดซึ้งกินใจคนใช้เจ้าเล่ห์เพทุบายช่วยนายสาวอย่างดีรอดจากทุกข์สมหวังเพราะความฉลาดของท่อฮวยคนใช้คนนี้คนเดียว😂😂😂😂😂
演員精彩演出，佈景优雅，給我们帶來無限換誤樂
I like the songs after more than 65 years when Yeo Suan Chui was Soh Luc Neo. The recordings of the new performance is thoroughly enjoyable.
舞台戏曲，镜头应用非常灵活，十足电影感觉，佈景优雅，传统潮剧词曲，演员精彩演出，很久没有这样佳作，现在的潮剧改编到不伦不类，滥竽充数太多太多，慘不忍睹。
😢
@@wichansupakkunnatham6392😊
精彩表演👏
多謝分享🙏🏻
Excellent!
คนใช้หัวสมองเพชรช่วยคุณหนูสมหวังและรอดจากการถูกบังคับไม่ต้องขึ้นศาลให้อายชาวบ้านด้วยเล่ห์เหลี่ยมอันชาญฉลาดแยบยลและไม่เสียหายต่อทุกๆฝ่ายการพูดจาตอบโต้ด้วยเหตุผลอันชาญฉลาดและถูกต้อง
ส่วนนิสัยตรงของแม่นมฝ่ายตรงข้ามพูดออกมาทำให้ฝ่ายคุณหนูได้ประโยชน์แต่เจ้านายน้อยฝ่ายตรงข้ามโกรธหัวฟัดหัวเหวี่ยงเสียหาย😂❤
演得非常情彩
很精采
南無阿弥陀佛👍👏😍
太棒演的非常好聽击耳油
สนุกมาก非常好看BestGood
喜欢这版本的过渡这场
谢谢分享
每个演员都表演得很棒
👍👍👍👍👏👏👏👏💪💪💪💪
请问能否观看到楊伟丹主演的春草闯堂?
👍👍
潮劇由於人物角色轉變與原劇角色變差天地。雖以努力只能60分＇老姜咪全無，酸辣以太多！．．．．
杨伟丹 is wrong for the role of 六娘; it requires a younger performer that can add credence to the image of a young lady falling in love, and forced into another marriage. Also it requires a 'thinner' voice (not the 'thicken' voice of a older person), a lighter gait that can fall and rise and 'flow'/twirl gently, and a lithe body to wear the dress of a young lady (not the robe of a married woman). And of course it is disconcerting to see & hear the differences between her with the cousin (played by an obviously young xiaosheng). This is not to say she is doing a bad job; but there is so much she can do; she is on the wrong side of age for this casting.
The rascal Yeo is obviously still learning the ropes. And many performers have untidy 'watersleeves' technique - it is so painful to watch. I wish that more emphasis should be paid to this unique feature of Chinese opera.
I enjoyed the arias of course; this is a gem of Teochew opera, and cannot be 'done to death' - a new production always is interesting.
I was looking forward but must admit to being disappointed. TTHANKs for uploading.
I agree with you
对了！我也有同感。多谢志同道合。说出我心声！
这是现场? 地点?
不是 是录制的碟片
ok thanks
杨伟丹老師的表演演技很好，但可惜唱工声调无法理想！多年來的期待无法改善，可惜！！！
咪个是唱工声调？
演技容貌好.可惜唱功
听不习惯的唱腔
Ehehejeieieee
Sudidididididdooedor9e9rrr
好难听
南无阿弥陀佛👏👍😍