Bill Evans clinic on Jazz Saxophone at Mariachi Moscow
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- Опубликовано: 31 июл 2012
- Билл Эванс - американский джазовый саксофонист, игравший с Майлсом Дэвисом, Херби Ханкоком, Дэйвом Либманом и многими другими большими музыкантами, обладатель премии Грэмми, дал мастеркласс в нашем новом салоне на Солянке.
Bill Evans is one of the nicest people on earth. A masterful musician with a heart of gold!!
Современный джаз весьма серьёзная, непростая музыка! И чтобы его исполнять на приличном уровне надо многое уметь. Многие ли к этому готовы?! Не такой простой вопрос, как и ответ на него. Мне довелось в своей жизни встретить довольно много хороших саксофонистов. И, что удивительно, не было мастер- классов, You Tube, и многого другого, а Ребята играли Уникально!.. В чём секрет? Наверто справедлива мудрость: " ... Много званных, да мало избранных! ". И это справедливо не только для музыкантов, это о любой профессии, поверьте, Друзья. Такие дела. Билл Эванс ТИТАН! ЭТИМ ВСЁ СКАЗАНО! ❤🙏🌹
I believe this is one of the best explanations I heard about what a saxophonist must be looking for. Mr. Bill Evans is definitely one of those sax player to follow. I highly recommend this video to those who are serious saxophonists. Very inspiring! Thank you Mr. Evans for sharing all that knowledge. Blessings!
one of the best clinics ive ever seen. you simply must love him
Thank you so much for putin this up here Mariachi Sax Boutique. Really important clinic!
It's a luxury luxury ... it's a pleasure ... it's a genius ... they are two geniuses ... they are three geniuses !!! .... phrasing without thinking too much let everything that has been learned flow and assimilated by what we hear and we are able to practice and retain and that the brain decides and dedicate only to feel the jazz! Pure feeling .... what happiness !!!!
Wow! One of the best saxophonist in the world!🇺🇸
Excellent, Great Musicians
Such a professional saxophone player and professional master class
Yes, he’s right about that, "saxophone is just another language". Imitating one's idols’ sounds, reproducing the way the masters blow is a good approach to understand saxophone idioms. Just like boning up on patterns, being able to sound rather like Rollins, Coltrane, Getz or everybody is not only a good exercise for beginners, but also a good way to learn what the jazz language is, and to develop his own syntax. "Speaking saxophone", as he says ! A great teacher, definitely.
I love how even in Russia they have the same arguments and rumors about what Guardala mouthpiece Brecker actually played on lol.
Started out as a guitarist many years ago and recently acquired a couple of saxes which I love. I can recommend to any old musician in need of inspiration that learning a different instrument will recapture the early delight and excitement you felt when learning your first instrument. Jazz, first the folk music of Black African Americans, then White Americans, has become the musical language that people of all nations love to play now. To think that it is a relatively new 'invention' - a little over 100 years old - is remarkable and, as far as I know, a unique phenomenon in music. My guess is that it has become so popular because it is essentially about freedom of expression in a world of crushing uniformity.
Loved every bit of it,very informational..I really appreciated the explanation of breaking down the long phrases..The information shared in this video is sure to help me improve my playing...I play teh Alto,Tenor and Bari saxes,after seeing him tear up that Soprano,I'm hoping to get one for christmas (fingerscrossed).Thanks again for sharing and Posting this awesome piece of information
🔥🔥🔥
Билл потрясающий саксофонист и композитор, нам бы так научится играть!
Спасибо
Anton, well done. Seems like you had a fun playing with Bill:-)
сам то тоже неплох в конце ) круто!
Muy bueno Domina el saxo buenos agudos
Fantastic sax player, and a great teacher. Mariachi looks amazing too. Great that the Russians are embracing jazz! No doubt we'll see some great instrumentalists coming from the Russian music conservatoires - or better still, from the jazz clubs. Enjoy the music, guys, and PLAY IT!!!
So interesting to compare this with the James Carter master class.
Both are true masters of the instrument, both know so much, but their approach is so different ! That's the beauty in jazz.
James Carter workshop was sucks ! give me Bill Evans anyday awesome player.
+Joe Schmo Go see James Carter and sit in the front row and hear the actual sound of his horn. He doesn't record that well because he is so dynamic. He sounded so big and crazy and his extended techniques are without compare (on virtually all woodwind instruments.) have some respect Joe Schmo!
Nothing to do with respect sweetie, it´s about good taste. You haven´t heard the good players live. By the way I´ve never come across any real good sounding female players have you? :-) He doesn´t record well? what a load of rubbish, keep practicing you obviously have no idea.
+Joe Schmo I'm sure I've seen way more than you. Artists like sonny rollins, wayne shorter, joshua redman, chris potter, joe lovano, bert wilson, john zorn etc. etc. Obviously you're not much of a player or you would respect all the work that goes into it.
You have no idea what I have seen in my 40 years as a pro player, and indeed who I´ve played with, so your comment is unfounded and really dumb. Fact is I´m still entitled to my opinion even if it pisses you off. Get practicing instead of trolling on here! and get a life sweete, treat yourself to an LA Sax for Christmas :-) :-)
Sorry, I thought he was there to promote Mariachi brand horns, and that it was a new horn. I like his sound, as it is similar to mine, but Anton's sound is warmer, with a very nice core, and a nice amount of edge. I love the way both of them play AND sound...Bill is amazing (with the same mouthpiece as mine) and Anton is awesome-great sound on the Francois.. I guess I will only make positive comments in the future : ) Apparently, I'm "killing music", according to Isaac!LOL.. GREAT VIDEO! Thanks!
it's the best Francois Louis ML 235. Thank you for your compliments )
Іграе,як па зямлі ходзіць.Цудоўна!
Great Playing. I would agree with his remarks about wanting to not limit yourself and be able to play styles, but its important that you play within the style of music you are playing. I've seen plenty of really good players overplay on these types of gigs, and thats just as dangerous as just playing blues scales.
A russian guy is Anton Rumyantsev (Антон Румянцев)
Thank you so much, I think is the "Spectruoso" model, isn´t it?
Really great sound !!
At 33:09 “It’s not like THIS. You don’t do that “
He’s so right . I ruined my embouchure doing that
Cool
This was recommended to me 11 years ago, according to youtube
класс
There is no air-conditioning in Moscow? I see only the fan is working!
Bears do not like air-conditioning.
July 7th, 2012.
Sax Boutique "Mariachi"
Moscow, Russia
Does anyone know when this workshop was performed, the date?
Бог
Sounds like he can hit every note on the saxophone in one measure, and then some lol! But really, great playing from both of'em!
Hello, do you know what is the mouthpiece he is playing ?
It's been translated.
Hi Anton Rumyantsev, my name is Gustavo, I liked so much your sound in this video, what is the mouthpiece you are playing?
You cant fuck with this guy! Awesome
You had such a great album back in the 80's . Come on. You definitely need to share that
Sure I do. It's Francois Louis ML 235
By the way, I give a LOT of credit to players who can make a cheap or bad playing (leaky) horn sound great! Check out Patrick Bartley, who is an up-and-coming Jazz GREAT! I heard a recording of him playing a cheap horn (maybe a Yas-23 or something) that apparently had a lot of leaks, and he sounded like friggin' Charlie Parker, Kenny Garrett and any other great rolled into one! That was when he was 17...
Does he speak russian or was someone translating for him?
Bill is great, phantastic Saxophone Player...
But I like the other sxophone playing guy very much too! He is playing great!
What´s his name?
Even though saxophones barely change the sound anyway. Its like not even 5% of your sound. I have a Yas-23, a 1924 Frank Holten, a 1954 Pan American and a Selmer Reference 54 Flamingo. No matter what I play though you can still tell its me though. Barely any change, its all about what can YOU make the horn do. Check out Phil Wood's masterclass, you might find it interesting.
Thank you for letting me know the date of this performance.
you know???
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Regarding Bills comments on the palm keys on the Yamaha Soprano he is not right there at all, I play a Yamaha Custom Z and it´s an awesome instrument the keys are perfectly positioned and it has better intonation than any Selmer Soprano I ever played!!
Man, Bill was only playing his own Selmer Mk VI at the clinic. Sorry that you didn't like his sound
I did like his sound, but Anton's sound was "better" on the recording, perhaps because of camera angle difference between the two. The tenor Bill was playing looked like a different brand, and I thought he was doing the clinic as a promotion for Mariachi horns. Sorry..I was wrong.... Both guys are great- I'm simply pointing out sound quality, which I'm right about. Maybe I don't like the Guardala sound any more..not compared to that Francois Louis, OR maybe Anton has a better Mark VI? Maybe..
Bill is playing his horn here.....I like his playng here more then Anton.....more rhythmically and melodically,logicall playing....about sound .....it is really very personal....for me Anton is sounding more vintage, dark....Bill sounds more "modern "....I like Bill's sound more.....
Как получилось такое совпадение? Бил Эванс саксофонист... Я в шоке
nobody can play like joe henderson!!!
Apparently, I repeated myself because I thought my first comments did not upload. Sorry
Jimmy Forrest
He likes a warm Sound on soprano he said haha... and ist sharp like a knife
If Bill were playing his Selmer, he would've had a better sound. The Taiwan horns (which I assume that Mariachi brand is) do not have the core and vibrance of the Mark VI, SBA or any other vintage horn. Eventually they may, because they are constantly improving. I'm sure they are good for the price, and it sounded great when Bill was playing...until Anton started playing, that is... I gotta try the Francois Louis, but I may have to sell my handmade Guardala Studio first!
Man, I can’t listen that fast!
That clicking camera was torture
I guess lots of people like the way I "kill music"...That's why I have been on GRAMMY NOMINATED AND GRAMMY WINNING recordings, and performed/recorded with Sammy Figueroa, Hiram Bullock, Nat Adderley, Gloria Estefan, Ricky Martin, Jon Secada, Julio Iglesias, Santana, Patti LaBelle, KC and The Sunshine Band, David Lee Roth, and ummm, I forget the rest.... By the way, I actually sell Taiwanese horns that are excellent, but that warm core resonance is still lacking. I stand by my remarks. Thx
Too many notes, compared to too little meaning ones. Defining ones. Core ones.
too many notes for you, not to many to play with Miles fucking Davis. caca. the chord tones, the bluesey notes, or defining tones as you describe them, are there.
they are simply run in a way you can't comprehend, or don't like.
as i could not comprehend Tatum. I said the same silly thing about Tatum.
"too much fluff, filler, extraneous notes.! well, that was caca, what i said about Tatum.
This is, as he says, bebop. or straight ahead Modern jazz.. It's fast, it notey.
It is what it is.
You want less notes and more chordal, identifying tones listen to
blues and Prez or some adult contemporary Fuzak.
At 10:02 he spells it out. Either you want blues and pentatonics and chord tones, or you want IT ALL. I want it all.
"Be careful, practicing too hard might make you black" What a racist person. But, Russia is full people this guy.
People like you are killing music
too bad his music stinks.. hes a good player
Thank you man. Join our facebook chanel Mariachi Sax Boutique
Thank you man. Join our facebook chanel Mariachi Sax Boutique
Thank you man. Join our facebook chanel Mariachi Sax Boutique