LYRICS: INTRO II And now, if you would allow me the honour, I'd like to hand your attention over to our most eternal of friends and most infernal of fiends to sing an ode to love and longing, and to declare war against the frailties of mortality. Here! All the way from Transylvania... or was it Wallachia? Is Vlad Țepeș Dracula! And his Wilhelmina Waltz. WILHELMINA WALTZ Oh, arise, my darling. I’m so glad to see you wake. It’s nearly nine of the clock, now. It’s beginning to get late. So please, do come quick. I don’t think that it’s quite done yet. Before our blood moon rises, let us watch the scarlet sunset. These crimson rays set my heart ablaze when you shimmer, sweet and pure. And the blood it pumps goes to another place when you act so damn demure. ‘Harker’ scathes far too harsh a cadence for a woman of your allure. Brand me forward, but I think ‘Wilhelmina Dracula’ suits you more. So darling, can you dance a waltz in five? One step for every fool that tries their hardest to conspire and connive. Van Helsing the Dullard. Jonathan, beloved… ...and the other three. Bah! Blast them all! What need we of men when we bathe in the eternity? Imagine the nights. The sights. The bites. The melodies that will grace us as time flows by. Perhaps in a couple hundred years or so, we will hear an ancient lullaby that’s lamented as a testament to the story of you and I. An era’s naught but a moment to those that cannot die. So darling, can you dance a waltz in five? One beat for every century I’ve killed, destroyed and defiled to survive. He asked for your hand. Now Jonathan’s your man. And yet, here you are with me. Even Renfield dare not defile a cat as fair and as tasty as thee. (Did you call me?) (Oh, hello there, Missy. My, my. You are quite pretty. The Heavens smile upon me! What God must I thank for this sitting? Oh, you’re concerned? Even perturbed? You’re not sure to take Master’s word? Well, between you and me, if you’re seeking my help… I’ll cut you dead now and save you the hell!) (No I’m not rabid, nor insane. I’m the only freak in this shit-hole that’s kept half a brain. This isn’t a threat, nor a curse, nor the ramblings of a fool. If you value humanity, don’t succumb to Dracul! He’ll abuse you. He’ll misuse you. He’ll raise Hell on Earth to subdue you till not even death can undo you.) (So if you’ll forgive me, I’m quite busy. My skull’s got a date with the floor this evening, and the silly thing won’t bash in itself.) Darling, won’t you let me come inside? Just say the word and I’ll be right behind you to wake you goodnight. INTRO III Oh… Oh! I do believe we’ve been hijacked! Well, hey now, let’s see what these kids have to say, with their newfangled ideas and such… This… is A Styrian Rhapsody. A STYRIAN RHAPSODY Feel the cold. Feel the languor steep behind you. Feel her hold. Feel the bite run deep inside you. Feel the temptress start to strike. Oh! Oh, Carmilla! You scintillating sinner. (You tantalising thriller.) Feel the heartaches feel alike. Like likes its own breed; its own kind. (When they say it’s blind, is this what they had in mind?) Men. Women. The difference is really quite slight. (They say it’s best repressed, but why should she settle for less?) “Less is more.” “Slam that door.” “Now, shut it, whore.” Wives of old (those decrepit crones) lay waste to all that’s different. Lies stayed told, but little do they know, their satisfaction’s their own victim. Feel foundations start to shake. Oh! Oh, Carmilla! See the passivity fill her. (Feel the sickness spread within her.) Heads. Beds. Legs all start to quake; break. Hate falls under its own weight. (Who was once abhorred will thrive in years not yet borne.) Born before your adored, poor Laura’s endorsed. (Doors remain still shut, but time will sanction your love.) Love is love. What’s above can bloody shove it, cuz. ‘Cos all too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.” Written by the man of an ancient foreword, published by scorn. All too many times is the innocent hurt by the violent pious; the self-claimed righteous. Marshalled by a contemptuous manic. Victims, forlorn. So see the brand (the eternal scar) of the harlot and the thespian. “Stay your hand.” (“Lay only man.”) Man, the ‘70s were an awful time to be a lesbian… Free the countess from her cage. Oh! Oh, Carmilla! Heal a hole sewn with killer filler. (Feel her soul grow so chiller, stiller.) Free her from her ancient age. “Age? Trivial. But no, don’t lay your own sex.” (Sexist by design. Senses, unrefined.) “Lust? Unjust. No Laura, don’t fall for our guest.” (Guess the wrongs and rights. Trust not day nor night.) Look up high. Bird the sky, say “Get your high and mighty dick out your hand. Who I fuck is none of your business, GOD DAMN!” All too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.” Written by the man of an ancient foreword, published by scorn. (They’ve told this tale before.) All too many times is the innocent hurt by the violent pious; the self-claimed righteous. Marshalled by a contemptuous manic. Victims, forlorn. But we won’t listen to fools that refuse to use the tools of change. “My father taught me to do this his way.” The past has long passed and the times decay, so welcome to the new age! Virtue’s in the eye of the beholder and I think you’ll find yours so much older. Cataracts can catch up so fast when you refuse to look over your own cold shoulder. You refused to behold her. Fables label! She, the Vampyr! Well will won’t wilt beneath the hate-fuelled funeral pyre. Watch it rise on higher.
why does that line make you happy? i dont get it its not exactly a brave statement or anything that "Homophobia was, infact, a cool and big idea a couple decades ago" so im confused
I have to say, I especially loved Renfield's verse here. "He’ll abuse you! He’ll misuse you! He’ll raise Hell on Earth to subdue you, till not even death can undo you..." Chills.
@@obitosenju3768 i cant tell if im having a stroke reading this or just missing something. I think the only thing related to “men and straight women” being oppressive to ??? is that dracula is a guy and he was probably not the greatest tenant
@@moonfoxarise Directly after Renfield is mentioned, a different voice (as marked by parentheses in official lyrics) starts that section off with "Did you call me?"
@@DJisslightlyaverage Quincey Morris, Dr. Jack Seward, and Sir Arthur Holmwood. The three of them are part of the group that ultimately defeats Dracula. I would highly recommend the novel, it’s quite good.
"an era is naught but a moment, for those that can not die!" omfg that line literally rips my brain out and smashes it in a mortar and pestle it is so good
NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH
so i’m sensing a theme here, gothic who- i mean, gothic horror. that means that the next could likely be frankenstein’s monster? or something to do with werewolves? i haven’t listened to much but banger as usual chonster!
Love this. Wilhelmina Waltz is more than perfect for Dracula, and A Stylian Rhapsody is very new but very welcome. I can't shake that its instrumental sounds like a Mario Kart track theme.
jekyll and hyde were great, but this pair REALLY hooked me. god damn. they are both really impressive songs. oh, oh, carmilla... that's getting stuck in my head for sure. and the waltz in five is AMAZING.
WAIT, WAS THAT A WILL WOOD REFERENCE?!?! Jokes aside, you have really outdoned yourself with these original songs, they're pretty unique and cool to listen!
Chonny knocking it out of the park once again, just perfectly condencing the mania and themes in the story into 2 songs, both amazingly paced, with the waltz being halting and using its metre to show how unnatural dracula is and the rhapsody having amazing lyrics. 11/10!
this was SO unexpected but MAN IM HERE FOR IT chonny please keep making me care about things id never thought about before I LOVE IT im going to research what the fuck is happening because lesbians and vampires are just such a compelling mix PLEASE KEEP MAKING YOUR SHIT THIS IS ONE OF THE HIGHEST QUALITY LITTLE CORNERS OF THE INTERNET IM SO GLAD TO BE HERE
@@Attackbow1566 it’s on my channel page on the playlist tab, this song has been removed because I don’t think it aligns with the theme of the other songs quite as well
----- LYRICS BELOW ----- Y'all know the drill by now. Good to go to listen and download on SoundCloud and Bandcamp. (Edit: Both songs are now live on Spotify, as well.) Spotify: open.spotify.com/artist/2hvnt... SoundCloud: soundcloud.com/chonny-jash Bandcamp: chonnyjash.bandcamp.com LYRICS: INTRO II And now, if you would allow me the honour, I'd like to hand your attention over to our most eternal of friends and most infernal of fiends to sing an ode to love and longing, and to declare war against the frailties of mortality. Here! All the way from Transylvania... or was it Wallachia? Is Vlad Țepeș Dracula! And his Wilhelmina Waltz. WILHELMINA WALTZ Oh, arise, my darling. I’m so glad to see you wake. It’s nearly nine of the clock, now. It’s beginning to get late. So please, do come quick. I don’t think that it’s quite done yet. Before our blood moon rises, let us watch the scarlet sunset. These crimson rays set my heart ablaze when you shimmer, sweet and pure. And the blood it pumps goes to another place when you act so damn demure. ‘Harker’ scathes far too harsh a cadence for a woman of your allure. Brand me forward, but I think ‘Wilhelmina Dracula’ suits you more. So darling, can you dance a waltz in five? One step for every fool that tries their hardest to conspire and connive. Van Helsing the Dullard. Jonathan, beloved… ...and the other three. Bah! Blast them all! What need we of men when we bathe in the eternity? Imagine the nights. The sights. The bites. The melodies that will grace us as time flows by. Perhaps in a couple hundred years or so, we will hear an ancient lullaby that’s lamented as a testament to the story of you and I. An era’s naught but a moment to those that cannot die. So darling, can you dance a waltz in five? One beat for every century I’ve killed, destroyed and defiled to survive. He asked for your hand. Now Jonathan’s your man. And yet, here you are with me. Even Renfield dare not defile a cat as fair and as tasty as thee. (Did you call me?) (Oh, hello there, Missy. My, my. You are quite pretty. The Heavens smile upon me! What God must I thank for this sitting? Oh, you’re concerned? Even perturbed? You’re not sure to take Master’s word? Well, between you and me, if you’re seeking my help… I’ll cut you dead now and save you the hell!) (No I’m not rabid, nor insane. I’m the only freak in this shit-hole that’s kept half a brain. This isn’t a threat, nor a curse, nor the ramblings of a fool. If you value humanity, don’t succumb to Dracul! He’ll abuse you. He’ll misuse you. He’ll raise Hell on Earth to subdue you till not even death can undo you.) (So if you’ll forgive me, I’m quite busy. My skull’s got a date with the floor this evening, and the silly thing won’t bash in itself.) Darling, won’t you let me come inside? Just say the word and I’ll be right behind you to wake you goodnight. INTRO III Oh… Oh! I do believe we’ve been hijacked! Well, hey now, let’s see what these kids have to say, with their newfangled ideas and such… This… is A Styrian Rhapsody. A STYRIAN RHAPSODY Feel the cold. Feel the languor steep behind you. Feel her hold. Feel the bite run deep inside you. Feel the temptress start to strike. Oh! Oh, Carmilla! You scintillating sinner. (You tantalising thriller.) Feel the heartaches feel alike. Like likes its own breed; its own kind. (When they say it’s blind, is this what they had in mind?) Men. Women. The difference is really quite slight. (They say it’s best repressed, but why should she settle for less?) “Less is more.” “Slam that door.” “Now, shut it, whore.” Wives of old (those decrepit crones) lay waste to all that’s different. Lies stayed told, but little do they know, their satisfaction’s their own victim. Feel foundations start to shake. Oh! Oh, Carmilla! See the passivity fill her. (Feel the sickness spread within her.) Heads. Beds. Legs all start to quake; break. Hate falls under its own weight. (Who was once abhorred will thrive in years not yet borne.) Born before your adored, poor Laura’s endorsed. (Doors remain still shut, but time will sanction your love.) Love is love. What’s above can bloody shove it, cuz. ‘Cos all too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.” Written by the man of an ancient foreword, published by scorn. All too many times is the innocent hurt by the violent pious; the self-claimed righteous. Marshalled by a contemptuous manic. Victims, forlorn. So see the brand (the eternal scar) of the harlot and the thespian. “Stay your hand.” (“Lay only man.”) Man, the ‘70s were an awful time to be a lesbian… Free the countess from her cage. Oh! Oh, Carmilla! Heal a hole sewn with killer filler. (Feel her soul grow so chiller, stiller.) Free her from her ancient age. “Age? Trivial. But no, don’t lay your own sex.” (Sexist by design. Senses, unrefined.) “Lust? Unjust. No Laura, don’t fall for our guest.” (Guess the wrongs and rights. Trust not day nor night.) Look up high. Bird the sky, say “Get your high and mighty dick out your hand. Who I fuck is none of your business, GOD DAMN!” All too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.” Written by the man of an ancient foreword, published by scorn. (They’ve told this tale before.) All too many times is the innocent hurt by the violent pious; the self-claimed righteous. Marshalled by a contemptuous manic. Victims, forlorn. But we won’t listen to fools that refuse to use the tools of change. “My father taught me to do this his way.” The past has long passed and the times decay, so welcome to the new age! Virtue’s in the eye of the beholder and I think you’ll find yours so much older. Cataracts can catch up so fast when you refuse to look over your own cold shoulder. You refused to behold her. Fables label! She, the Vampyr! Well will won’t wilt beneath the hate-fuelled funeral pyre. Watch it rise on higher.
CHOMNY JASH CHONNY JASH CHONNY JASH CHONNY JASH CHONNY JASH YOUR SONGS MAKE MY BONES TINGLE AND I HAVE A PLAYLIST WITH YOUR SONGS AND YOUR SONGS ONLY IT IN I HAVE NOT STOPPED LISTENING TO THEM TELL ME WHAT HEX YOU HAVE PUT UPON MY MORTAL SOUL
hi i'm working on a piano transcription of these songs, so i figured i might as well put up the bpms/time signatures/keys that i found. keep in mind that these are probably not 100% accurate; i’m using tunebat and a bpm tapper since i’m not the best at detecting keys and such. also feel free to use these however you want idc first: wilhelmina waltz what i noticed from solely a technical standpoint is that the tempo and time changes much more often than in asr. (i.e. this was a bitch to transcribe by ear.) i also love how the 5/4 meter is used, it’s not seen that often in compositions _especially_ lyrical ones and abnormal meters make my pianist brain very happy. 0:00 this part, as well as the beginning of a styrian rhapsody, is played along with the vocals, and as such has no consistent bpm or time signature; key: Ebm 0:49 bpm: ~162; time signature: 3/4; key: Dm 1:35-1:42 pardon ???? 🤨📸📸📸 1:43 key: Gm 2:00 honestly i have no idea. it’s probably a series of time signature changes like the break in the soul eclectic. 2:05 time signature: 5/4, it says so in the lyrics lmao 2:20 key: D 2:36 key: F# 2:41 time signature: 3/4; key: Gm 3:21 time signature: 5/4 again 3:36 key: Dm 3:44 bpm: ~100; time signature: 2/4, i think ?? 3:46 bpm: ~162; time signature: 3/4 3:53 theres smth funky goin on here but for the life of me i cannot figure out what it is 3:55 bpm: ~108; time signature: 4/4; key: G (also this part goes so hard) 4:14 key: Abm 4:23 key: F#m 4:32 from this point onwards the tempo slows down to a near stop, from 4:45-5:05 it sticks at ~60 bpm and 5/4 time before a final ritardando to finish it off. second: a styrian rhapsody (aka Chonny Jash Said Gay RIghts) luckily this one is a lot more standard with its tempo and time signature, good old 4/4 and a consistent bpm throughout with the only changes being in the key. the switches between minor and relative major are really clever; kudos has been given. 5:50 see the note at 0:00. the sudden stabs alternating with the voice lines reminds me of candy store from heathers (in a good way); key: Gm 6:11 bpm: ~150; key: F#m 6:25 key: G 6:28 key: Em 6:31 key: G 6:37 key: D 6:41 key: Am 6:44 key: Bm 6:47 key: F#m 6:49 key: G 6:51 key: Em 7:03 key: C 7:06 key: D 7:09 key: Am 7:12 key: D 7:25 key: Am 7:27 key: D 7:55 key: Bm 8:07 key: C 8:10 key: Em 8:13 key: C 8:16 key: D 8:20 key: Bm 8:23 key: D 8:26 key: Bm 8:30 key: Am 8:32 key: Bm 8:34 key: D 9:00 key: Em 9:13 key: E 9:29 key: Em thanks for reading to the end ig. here have a spaghetti 🍝
Chonny my god you have done it again. Time to hyperfixate on these just as hard as the Mr. Hyde Jive & the Ballad of Dr. Jekyll Thank you for making musical masterpieces, as per the usual
YO JASH! i think you need to rest a bit, you came up with 2 albums, an instrumental album, ballad of jekyll and mr hyde jive, and now THIS! AMAZING!!! but like, if you need to rest, we can wait just a bit before another absolute lore-filled banger ur amazing, jash Mind, Heart and Soul are working together better than i thought if they can do all this
these are really cool!!! i like how you've been using these old tales, they make for very interesting songs. im excited to listen to this set a few more times to really understand them, they are really dense (in a good way!!!)
![The Arcana - Main Menu Theme [1 Hour-Version]](http://i.ytimg.com/vi/5folw8fI29Y/mqdefault.jpg)
![The Arcana - Main Menu Theme [1 Hour-Version]](/img/tr.png)
LYRICS:
INTRO II
And now, if you would allow me the honour, I'd like to hand your attention over to our most eternal of friends and most infernal of fiends
to sing an ode to love and longing, and to declare war against the frailties of mortality.
Here! All the way from Transylvania... or was it Wallachia? Is Vlad Țepeș Dracula! And his Wilhelmina Waltz.
WILHELMINA WALTZ
Oh, arise, my darling. I’m so glad to see you wake.
It’s nearly nine of the clock, now. It’s beginning to get late.
So please, do come quick. I don’t think that it’s quite done yet.
Before our blood moon rises, let us watch the scarlet sunset.
These crimson rays set my heart ablaze when you shimmer, sweet and pure.
And the blood it pumps goes to another place when you act so damn demure.
‘Harker’ scathes far too harsh a cadence for a woman of your allure.
Brand me forward, but I think ‘Wilhelmina Dracula’ suits you more.
So darling, can you dance a waltz in five?
One step for every fool that tries their hardest to conspire and connive.
Van Helsing the Dullard. Jonathan, beloved…
...and the other three.
Bah! Blast them all! What need we of men
when we bathe in the eternity?
Imagine the nights. The sights. The bites.
The melodies that will grace us as time flows by.
Perhaps in a couple hundred years or so, we will hear an ancient lullaby
that’s lamented as a testament to the story of you and I.
An era’s naught but a moment to those that cannot die.
So darling, can you dance a waltz in five?
One beat for every century I’ve killed, destroyed and defiled to survive.
He asked for your hand. Now Jonathan’s your man.
And yet, here you are with me.
Even Renfield dare not defile a cat as fair and as tasty as thee.
(Did you call me?)
(Oh, hello there, Missy. My, my. You are quite pretty.
The Heavens smile upon me! What God must I thank for this sitting?
Oh, you’re concerned? Even perturbed? You’re not sure to take Master’s word?
Well, between you and me, if you’re seeking my help…
I’ll cut you dead now and save you the hell!)
(No I’m not rabid, nor insane.
I’m the only freak in this shit-hole that’s kept half a brain.
This isn’t a threat, nor a curse, nor the ramblings of a fool.
If you value humanity, don’t succumb to Dracul!
He’ll abuse you. He’ll misuse you. He’ll raise Hell on Earth to subdue you
till not even death can undo you.)
(So if you’ll forgive me, I’m quite busy.
My skull’s got a date with the floor this evening,
and the silly thing won’t bash in itself.)
Darling, won’t you let me come inside?
Just say the word and I’ll be right behind you to wake you goodnight.
INTRO III
Oh… Oh! I do believe we’ve been hijacked!
Well, hey now, let’s see what these kids have to say, with their newfangled ideas and such…
This… is A Styrian Rhapsody.
A STYRIAN RHAPSODY
Feel the cold. Feel the languor steep behind you.
Feel her hold. Feel the bite run deep inside you.
Feel the temptress start to strike.
Oh! Oh, Carmilla! You scintillating sinner. (You tantalising thriller.)
Feel the heartaches feel alike.
Like likes its own breed; its own kind.
(When they say it’s blind, is this what they had in mind?)
Men. Women. The difference is really quite slight.
(They say it’s best repressed, but why should she settle for less?)
“Less is more.” “Slam that door.” “Now, shut it, whore.”
Wives of old (those decrepit crones) lay waste to all that’s different.
Lies stayed told, but little do they know, their satisfaction’s their own victim.
Feel foundations start to shake.
Oh! Oh, Carmilla! See the passivity fill her. (Feel the sickness spread within her.)
Heads. Beds. Legs all start to quake;
break. Hate falls under its own weight.
(Who was once abhorred will thrive in years not yet borne.)
Born before your adored, poor Laura’s endorsed.
(Doors remain still shut, but time will sanction your love.)
Love is love. What’s above can bloody shove it, cuz.
‘Cos all too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.”
Written by the man of an ancient foreword, published by scorn.
All too many times is the innocent hurt by the violent pious; the self-claimed righteous.
Marshalled by a contemptuous manic. Victims, forlorn.
So see the brand (the eternal scar) of the harlot and the thespian.
“Stay your hand.” (“Lay only man.”)
Man, the ‘70s were an awful time to be a lesbian…
Free the countess from her cage.
Oh! Oh, Carmilla! Heal a hole sewn with killer filler. (Feel her soul grow so chiller, stiller.)
Free her from her ancient age.
“Age? Trivial. But no, don’t lay your own sex.”
(Sexist by design. Senses, unrefined.)
“Lust? Unjust. No Laura, don’t fall for our guest.”
(Guess the wrongs and rights. Trust not day nor night.)
Look up high. Bird the sky, say
“Get your high and mighty dick out your hand. Who I fuck is none of your business, GOD DAMN!”
All too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.”
Written by the man of an ancient foreword, published by scorn.
(They’ve told this tale before.)
All too many times is the innocent hurt by the violent pious; the self-claimed righteous.
Marshalled by a contemptuous manic. Victims, forlorn.
But we won’t listen to fools that refuse to use the tools of change.
“My father taught me to do this his way.”
The past has long passed and the times decay, so welcome to the new age!
Virtue’s in the eye of the beholder and I think you’ll find yours so much older.
Cataracts can catch up so fast when you refuse to look over your own cold shoulder.
You refused to behold her.
Fables label! She, the Vampyr!
Well will won’t wilt beneath the hate-fuelled funeral pyre.
Watch it rise on higher.
Uhh, you missed the Wilhelmina Instrumental lyrics.
(/j)
"but we won't listen to fools who refuse to use the tools of change" YEAH GET THEIR ASS MR JASH
“Man, the ‘70s were an awful time to be a lesbian…” I cannot express how overjoyed that line made me
can’t believe mr jash invented lesbians
@@avoicebehndme TRUE
@@avoicebehndme owe my life to this man smh thanks for letting me be a woman kisser 😔✊
@@prismoth Thnak you Mr Jash for inventing me 😔
why does that line make you happy? i dont get it
its not exactly a brave statement or anything that "Homophobia was, infact, a cool and big idea a couple decades ago" so im confused
THE WAY MY FRIENDS STARTED CHANTING "NEW JASH" WHEN THIS DROPPED.
I have to say, I especially loved Renfield's verse here.
"He’ll abuse you! He’ll misuse you! He’ll raise Hell on Earth to subdue you, till not even death can undo you..."
Chills.
the chord progression in that line is so fucking good
@@obitosenju3768 what
@@obitosenju3768 i cant tell if im having a stroke reading this or just missing something. I think the only thing related to “men and straight women” being oppressive to ??? is that dracula is a guy and he was probably not the greatest tenant
Waitwaitwaitwaitwait
It was Renfield?!
@@moonfoxarise Directly after Renfield is mentioned, a different voice (as marked by parentheses in official lyrics) starts that section off with "Did you call me?"
God, I love the references to Dracula and Carmilla in these songs, especially the reference to “The Other Three” in Wilhelmina Waltz
I’m not privy to the vampire mythos so who are the other three he refers too?
@@DJisslightlyaverage Quincey Morris, Dr. Jack Seward, and Sir Arthur Holmwood. The three of them are part of the group that ultimately defeats Dracula. I would highly recommend the novel, it’s quite good.
@@deedeedemonThank you, I think I will read the novel when I get the chance
"an era is naught but a moment, for those that can not die!" omfg that line literally rips my brain out and smashes it in a mortar and pestle it is so good
She Chonny on my Jash til' I Wilhelmina Waltz
I don't even know what this means and I relate to it so hard
Every time chonny posts I say “wow he’s really outdone himself this time there’s no way he can top this” and then he tops it
I love the different little voices you use for these characters and jekyll and hyde
i was thinking its pretty impressive how they all have rather distinct voices while singing despite not being that far from each other!
Lesbian Vampires were not on my bingo card, but as a lesbian, FUCK IT UP CHONNY
I highly recommend you read Carmilla, the lesbian vampire novella that inspired Dracula and this song!!!
WHAT IM SAYING!!! i’ve been listening to this song a very normal amount
ME FRFR YESSSSSSS
im so glad Carnilia made lesbians reals i love all lesbians
NEW JASH NEW JASH
NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH NEW JASH
JASHHH
ALL IS CHONNY
ALL IS JASH
@@gilnopvariko THE DAY WE REGRET IS THE DAY WE CRASH
@@Kage_rem TIME WILL NEVER DULL OUR. UM. HASH.. BROWNS..??
so i’m sensing a theme here, gothic who- i mean, gothic horror.
that means that the next could likely be frankenstein’s monster? or something to do with werewolves?
i haven’t listened to much but banger as usual chonster!
if there's a werewolf song
gothic whorer :)
i hope there will be one based on some of edgar allen poe's writing!
@@voidfloof i assume there will be, and i also assume chonny will crack a joke about his blatant racism
@@schedar_cassiopeia I thought Lovecraft was the racist one?
“An era’s naught but a moment to those who cannot die”
Simply. Fantastic.
i am so incredibly normal about wilhelmina waltz and a styrian rhapsody! [said while rotating in midair at a frightening intensity] /pos
A STYRIAN RHAPSODY GOES SO FUCKING HARD I CANNOT EXPRESS IT IT MIGHTVE DETRONED DR JEKYLL'S BALLAD AS MY FAVORITE CHONNY JASH SONG 🛐🛐🛐
i cant explain how happy it makes me that dracula is on the thumbnail
Love this. Wilhelmina Waltz is more than perfect for Dracula, and A Stylian Rhapsody is very new but very welcome. I can't shake that its instrumental sounds like a Mario Kart track theme.
A Styrian Rhapsody gives kickass sonic vs metal sonic vibes to me
Yeah I was getting Mario/Mario Kart and Sonic-esque vibes from A Styrian Rhapsody lmao. Thought it was just me
"Vampire Reference in a Minor Key Reference in a Minor Key" omg haha, Will Wood
jekyll and hyde were great, but this pair REALLY hooked me. god damn. they are both really impressive songs. oh, oh, carmilla... that's getting stuck in my head for sure. and the waltz in five is AMAZING.
WAIT, WAS THAT A WILL WOOD REFERENCE?!?!
Jokes aside, you have really outdoned yourself with these original songs, they're pretty unique and cool to listen!
Holy cr*p will wood reference in my jash ballad?!!1??
i cannot tell you how much i would fucking kill for chonny to make a will wood cover
i wouldnt be surprised if it was! chonny has said in a qna that he's listened to both in case i make it & the normal album
@@CheeseProductions I'd love to see what he'd do to suburbia overture
was what a what reference?
Chonny knocking it out of the park once again, just perfectly condencing the mania and themes in the story into 2 songs, both amazingly paced, with the waltz being halting and using its metre to show how unnatural dracula is and the rhapsody having amazing lyrics. 11/10!
this was SO unexpected but MAN IM HERE FOR IT chonny please keep making me care about things id never thought about before I LOVE IT im going to research what the fuck is happening because lesbians and vampires are just such a compelling mix PLEASE KEEP MAKING YOUR SHIT THIS IS ONE OF THE HIGHEST QUALITY LITTLE CORNERS OF THE INTERNET IM SO GLAD TO BE HERE
Fun fact! One of the first ever vampire novels was a lesbian romance! Pretty sure that’s what this was based off of- I believe it’s called Camilla?
What about Marceline? :(
@@KatexNebula OH TRUE THAT DIDNT CLICK AT ALL OMG
@maddye2153 Carmilla!! and yeah, that inspired this song
2:25 “And the other three…” hilarious
help me out here, i haven't read the novel, who is he referring to
@@keaton5101 refering to the 3 other side characters who took down dracula, or the 3 wives he has
will wood refrence within a refrence in a triality key
Can we just talk about the host(what I’m calling the character who does the intros) and how he is just chill with some punks hijacking his show
I will be thrilled if there's a Dr
Frankenstein and his monster
now that would be crazy
yo
I LOVEEEE THE 2ND SONG OH MY GOSH. ALL THE THEMES.......HOW FAST PACED IT IS!!!!!! SONGS TO LEG BOUNCE TO FOR REAL
U AGAIN :3!!
@@heelturn2 omg hi!!!!!!!
@@automatonfreak hiiiiii ^_^!!
Y E S
Just absolutely in love. Your music continues to captivate! Like a fucking terrier catching a mole it’s got a hold me
Another song saved to my Christian Music playlist
I would like to listen to your Christian Music playlist. For godly reasons, obviously. No other reasons.
@@Attackbow1566 it’s on my channel page on the playlist tab, this song has been removed because I don’t think it aligns with the theme of the other songs quite as well
Hell yeah, monster rogue gallery music collection! I really hope you do The Invisible Man, but even if not I’m excited to listen to more!
styrian rhapsody goes so unbelievably hard oh my stars
----- LYRICS BELOW -----
Y'all know the drill by now. Good to go to listen and download on SoundCloud and Bandcamp. (Edit: Both songs are now live on Spotify, as well.)
Spotify: open.spotify.com/artist/2hvnt...
SoundCloud: soundcloud.com/chonny-jash
Bandcamp: chonnyjash.bandcamp.com
LYRICS:
INTRO II
And now, if you would allow me the honour, I'd like to hand your attention over to our most eternal of friends and most infernal of fiends
to sing an ode to love and longing, and to declare war against the frailties of mortality.
Here! All the way from Transylvania... or was it Wallachia? Is Vlad Țepeș Dracula! And his Wilhelmina Waltz.
WILHELMINA WALTZ
Oh, arise, my darling. I’m so glad to see you wake.
It’s nearly nine of the clock, now. It’s beginning to get late.
So please, do come quick. I don’t think that it’s quite done yet.
Before our blood moon rises, let us watch the scarlet sunset.
These crimson rays set my heart ablaze when you shimmer, sweet and pure.
And the blood it pumps goes to another place when you act so damn demure.
‘Harker’ scathes far too harsh a cadence for a woman of your allure.
Brand me forward, but I think ‘Wilhelmina Dracula’ suits you more.
So darling, can you dance a waltz in five?
One step for every fool that tries their hardest to conspire and connive.
Van Helsing the Dullard. Jonathan, beloved…
...and the other three.
Bah! Blast them all! What need we of men
when we bathe in the eternity?
Imagine the nights. The sights. The bites.
The melodies that will grace us as time flows by.
Perhaps in a couple hundred years or so, we will hear an ancient lullaby
that’s lamented as a testament to the story of you and I.
An era’s naught but a moment to those that cannot die.
So darling, can you dance a waltz in five?
One beat for every century I’ve killed, destroyed and defiled to survive.
He asked for your hand. Now Jonathan’s your man.
And yet, here you are with me.
Even Renfield dare not defile a cat as fair and as tasty as thee.
(Did you call me?)
(Oh, hello there, Missy. My, my. You are quite pretty.
The Heavens smile upon me! What God must I thank for this sitting?
Oh, you’re concerned? Even perturbed? You’re not sure to take Master’s word?
Well, between you and me, if you’re seeking my help…
I’ll cut you dead now and save you the hell!)
(No I’m not rabid, nor insane.
I’m the only freak in this shit-hole that’s kept half a brain.
This isn’t a threat, nor a curse, nor the ramblings of a fool.
If you value humanity, don’t succumb to Dracul!
He’ll abuse you. He’ll misuse you. He’ll raise Hell on Earth to subdue you
till not even death can undo you.)
(So if you’ll forgive me, I’m quite busy.
My skull’s got a date with the floor this evening,
and the silly thing won’t bash in itself.)
Darling, won’t you let me come inside?
Just say the word and I’ll be right behind you to wake you goodnight.
INTRO III
Oh… Oh! I do believe we’ve been hijacked!
Well, hey now, let’s see what these kids have to say, with their newfangled ideas and such…
This… is A Styrian Rhapsody.
A STYRIAN RHAPSODY
Feel the cold. Feel the languor steep behind you.
Feel her hold. Feel the bite run deep inside you.
Feel the temptress start to strike.
Oh! Oh, Carmilla! You scintillating sinner. (You tantalising thriller.)
Feel the heartaches feel alike.
Like likes its own breed; its own kind.
(When they say it’s blind, is this what they had in mind?)
Men. Women. The difference is really quite slight.
(They say it’s best repressed, but why should she settle for less?)
“Less is more.” “Slam that door.” “Now, shut it, whore.”
Wives of old (those decrepit crones) lay waste to all that’s different.
Lies stayed told, but little do they know, their satisfaction’s their own victim.
Feel foundations start to shake.
Oh! Oh, Carmilla! See the passivity fill her. (Feel the sickness spread within her.)
Heads. Beds. Legs all start to quake;
break. Hate falls under its own weight.
(Who was once abhorred will thrive in years not yet borne.)
Born before your adored, poor Laura’s endorsed.
(Doors remain still shut, but time will sanction your love.)
Love is love. What’s above can bloody shove it, cuz.
‘Cos all too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.”
Written by the man of an ancient foreword, published by scorn.
All too many times is the innocent hurt by the violent pious; the self-claimed righteous.
Marshalled by a contemptuous manic. Victims, forlorn.
So see the brand (the eternal scar) of the harlot and the thespian.
“Stay your hand.” (“Lay only man.”)
Man, the ‘70s were an awful time to be a lesbian…
Free the countess from her cage.
Oh! Oh, Carmilla! Heal a hole sewn with killer filler. (Feel her soul grow so chiller, stiller.)
Free her from her ancient age.
“Age? Trivial. But no, don’t lay your own sex.”
(Sexist by design. Senses, unrefined.)
“Lust? Unjust. No Laura, don’t fall for our guest.”
(Guess the wrongs and rights. Trust not day nor night.)
Look up high. Bird the sky, say
“Get your high and mighty dick out your hand. Who I fuck is none of your business, GOD DAMN!”
All too many times is this story heard. “The Dark Temptation.” “The Bent’s Lamentation.”
Written by the man of an ancient foreword, published by scorn.
(They’ve told this tale before.)
All too many times is the innocent hurt by the violent pious; the self-claimed righteous.
Marshalled by a contemptuous manic. Victims, forlorn.
But we won’t listen to fools that refuse to use the tools of change.
“My father taught me to do this his way.”
The past has long passed and the times decay, so welcome to the new age!
Virtue’s in the eye of the beholder and I think you’ll find yours so much older.
Cataracts can catch up so fast when you refuse to look over your own cold shoulder.
You refused to behold her.
Fables label! She, the Vampyr!
Well will won’t wilt beneath the hate-fuelled funeral pyre.
Watch it rise on higher.
the writing in this i’m Explodijg
YIPPE!!! YIPPPEE!! YIPPEEYIPPEEYIPPEEYIPPEEYIPPEEYIPPEEYIPPEE AUAUUUUAUUHHHGH
🧛🧛🧛
I WAS NOT EXPECTING THIS AT ALL. BUT THIS IS A LOVELY SURPRISE!
Yet another incredible song!
i cant believe chonny jash invented dracula and homosexuality
that description gets me hoping you make a will wood cover some day
Absolute living for your orogiinals these are so damn cool
the artwork for this album is so GOOD I can't wait to see the others
CHOMNY JASH CHONNY JASH CHONNY JASH CHONNY JASH CHONNY JASH YOUR SONGS MAKE MY BONES TINGLE AND I HAVE A PLAYLIST WITH YOUR SONGS AND YOUR SONGS ONLY IT IN I HAVE NOT STOPPED LISTENING TO THEM TELL ME WHAT HEX YOU HAVE PUT UPON MY MORTAL SOUL
That art is stellar, and I'm sure the music is to
It is
Absolute BANGER this makes the cogs in my brain move in a way i cannot explain
im jashing right now
Oh my god that's a will wood referance, I will explode if he starts covering will wood
Is it a Will Wood reference or just a Vampire Reference in a Minor Key?
did you explode yet
@@bucolicghyes
How does this man keep hitting every single one of my favorite topics with songs that are bangers every single time
hi i'm working on a piano transcription of these songs, so i figured i might as well put up the bpms/time signatures/keys that i found. keep in mind that these are probably not 100% accurate; i’m using tunebat and a bpm tapper since i’m not the best at detecting keys and such. also feel free to use these however you want idc
first: wilhelmina waltz
what i noticed from solely a technical standpoint is that the tempo and time changes much more often than in asr. (i.e. this was a bitch to transcribe by ear.) i also love how the 5/4 meter is used, it’s not seen that often in compositions _especially_ lyrical ones and abnormal meters make my pianist brain very happy.
0:00 this part, as well as the beginning of a styrian rhapsody, is played along with the vocals, and as such has no consistent bpm or time signature; key: Ebm
0:49 bpm: ~162; time signature: 3/4; key: Dm
1:35-1:42 pardon ???? 🤨📸📸📸
1:43 key: Gm
2:00 honestly i have no idea. it’s probably a series of time signature changes like the break in the soul eclectic.
2:05 time signature: 5/4, it says so in the lyrics lmao
2:20 key: D
2:36 key: F#
2:41 time signature: 3/4; key: Gm
3:21 time signature: 5/4 again
3:36 key: Dm
3:44 bpm: ~100; time signature: 2/4, i think ??
3:46 bpm: ~162; time signature: 3/4
3:53 theres smth funky goin on here but for the life of me i cannot figure out what it is
3:55 bpm: ~108; time signature: 4/4; key: G (also this part goes so hard)
4:14 key: Abm
4:23 key: F#m
4:32 from this point onwards the tempo slows down to a near stop, from 4:45-5:05 it sticks at ~60 bpm and 5/4 time before a final ritardando to finish it off.
second: a styrian rhapsody (aka Chonny Jash Said Gay RIghts)
luckily this one is a lot more standard with its tempo and time signature, good old 4/4 and a consistent bpm throughout with the only changes being in the key. the switches between minor and relative major are really clever; kudos has been given.
5:50 see the note at 0:00. the sudden stabs alternating with the voice lines reminds me of candy store from heathers (in a good way); key: Gm
6:11 bpm: ~150; key: F#m
6:25 key: G
6:28 key: Em
6:31 key: G
6:37 key: D
6:41 key: Am
6:44 key: Bm
6:47 key: F#m
6:49 key: G
6:51 key: Em
7:03 key: C
7:06 key: D
7:09 key: Am
7:12 key: D
7:25 key: Am
7:27 key: D
7:55 key: Bm
8:07 key: C
8:10 key: Em
8:13 key: C
8:16 key: D
8:20 key: Bm
8:23 key: D
8:26 key: Bm
8:30 key: Am
8:32 key: Bm
8:34 key: D
9:00 key: Em
9:13 key: E
9:29 key: Em
thanks for reading to the end ig. here have a spaghetti 🍝
I love your commentary on The Willhelmina Waltz
YOURE SO REAL FOR THISS TY
Please let me know how the transcription goes! I'd love to learn these!
thank you a bunch for this! for wilhelmina waltz do you mean actual key changes or just like the chord that plays?
also if you finish your transcription def tell me where to find it!
new chon 💥💥
Wake up mom, Chonny Jash uploaded new songs for us to listen to
ELE SIMPLESMENTE NÃO PARA
KKK
Que a fandom brasileira de Chonny Jash cresça!
@@Kage_rem q a de tally hall tbm
Tchoni Djéshi vai dominar o mundo
@@clowdyglasses Ele será o Ruler Of Everything, no final.
an upload on my BIRTHDAY!!!! how kind!!! anyway THESE ARE SO GOOD !!!!!!!
HAPPY BIRTHDAY!!
loving your use of antanaclasis in A Styrian Rhapsody!! having the words not audibly repeated too is a great touch. good job, man!!!
WHAT ARE YOU DOING HERE?!
wow okay jumpscared by the jash
8:32 Felt this on a personal, spiritual, mental and physical level. Thank you for the free friend frequencies :D
The Wilhelmina Waltz is probably my favourite piece of music by you at the moment
I'm so ready for more songs based around gothic or just literature in genral, amazing song like god damn.
I have predicted the Will Wood reference.
happy pride month to the Styrian Rhapsody YEAHHH 🫡🫡💪💪🏳️🌈🏳️🌈🏳️🌈
chonny jash jumpscare
Thank you so much Mr. Jash for being such a wonderful artist!
And thank you for this unexpected gift!
It's a certified banger!
Chonny my god you have done it again. Time to hyperfixate on these just as hard as the Mr. Hyde Jive & the Ballad of Dr. Jekyll
Thank you for making musical masterpieces, as per the usual
I’ve latched onto a styrian rhapsody so hard bro. It might be my new fav song from u
GOES RIDICULOUSLY HARD 🔥🔥🔥 LOVE your originals !!! big fan of a styrian rhapsody especially
BANGER
Thanks for the absolute bangers, Chonny!! Your stuff helps inspire my own writing/art, thank you!
YO JASH!
i think you need to rest a bit, you came up with 2 albums, an instrumental album, ballad of jekyll and mr hyde jive, and now THIS! AMAZING!!!
but like, if you need to rest, we can wait just a bit before another absolute lore-filled banger
ur amazing, jash
Mind, Heart and Soul are working together better than i thought if they can do all this
I love this
yessss just like the first one im gonna listen to this over and over, wringing it out like a sponge. this is a good thing. ^^
woah, i havent listened to your stuff in a while so coming back to this banger was crazy
this is really good holy shit 👍
is the second song just gay pride
.. i love it
more like gay wrath
Oh hell yes I am here for these classic horror jams
Description will wood reference real?!?!
Not again...
NEW CHONNY CONTENT NEW CHONNY CONTENT WOO! I'VE BEEN WAITING MR. JASH THANK YOUUU! :D
DAMN MAKING EDIBLE MUSIC AS ALWAYS ❤
Always a great day when Chonny drops a new song
Styrian Rhapsody instrumental sounds like gen 5 pokemon music (which means its a banger)
My first thought when I heard it for the first time was that it sounded like Mario Kart music. Nintendo vibes for sure.
oh yea first new upload since finding the Channel!
(Edit: AND ITS GREAT)
THIS IS AMAZING HOLY FUCKING SHIT NEW JASH NEW JASH NEW JASH
That song made me NEED a Chonny-styled Van Hellsing dedicated song
these are really cool!!! i like how you've been using these old tales, they make for very interesting songs. im excited to listen to this set a few more times to really understand them, they are really dense (in a good way!!!)
OMGGG THIS IS SO GOOD OMGOMG😭‼️‼️‼️
Chonny is in his gothic horror era and I am HERE FOR IT!!! (If this ends up being a series I’m manifesting a Frankenstein song…)
YEAHHHHH! ANOTHER BANGER BY THE JASH HIMSELF!!!
This guy is so seriously underrated
Dude, this is SO good. You never miss.
THIS IS ABSOLUTELY AMAZING!!!!!!!!
“…and the other 3” killed me
Yet another work of art
GOES HARD AS PER USUALL!!!!!
I JUST NOTICED THE DESCRIPTION IS A WILL WOOD SONG BITINF PULLING SCREECHING HOWLING SHAKING SHITTINF IF YOU EVER MAKE A WW COVER ILL CRY /POS
NEW JASH NEW MASTERPIECE
YES ONCE MORE GOOD SOUNDS FOR MAKE BRAIN HAPPY THANK YOU
OMG CHONNY JASH UPLOAD I LOVE YOU!!!!!
wake up babe new chonny jash music just dropped
mamma mia just got interrupted by the jash. pausing on watering my loo
im listening to this at 9 o'clock. Very awesome
chonny thakn you for inventing lesbians
Absolutely love these! Keep up the chaos!!
hun wake up there's new Jash music
Vampire reference in minor key
Once again a chonny banger
This is too damn good.