Absolutely love your videos! One good that happened in my current semester was my music theory 1 teacher suggesting watching your videos while we study online. Thank you. Thank you so much for simplifying these concepts like no one else.
Thank you so much! I assume you make these videos out of the goodness in your heart (or maybe for your classes lol), but either way they're very helpful and you've helped my throughout various occasions in my Theory 1 class. I'm sure to do great in my final tomorrow so again thank you!
David, I know that all throughout a large part of history the 4th is supposed to be dissonant against the bass but I honestly don't hear that... Usually when I learn music theory my ear agrees a lot with what I am learning but in this case... maybe it is that nowadays we are more used to hearing the 4th against the bass but I find it much less dissonant than the 7th or the major 2nd for example... I would say it is as consonant as the 3rd in your example. In fact, it I play the progression backwards going from the 3rd to the 4th sounds more resolved than the other way round.
That's a great comment. Dissonance is style-specific! If you listen to a lot of jazz, for instance, you might get so used to 7ths that they don't sound dissonant either.
David E Farrell can you explain why the I 6-4 is function the same as the V or the V 6-4 because that doesn't make sense to me how the I 6-4 has different notes compared to the V and V 6-4
Thanks David for the video.all the vedio were fantastic. You refer to a book.can you please tell which book is it? Or can you suggest books which also have a work book for music composition.many thanks.
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Absolutely love your videos! One good that happened in my current semester was my music theory 1 teacher suggesting watching your videos while we study online. Thank you. Thank you so much for simplifying these concepts like no one else.
Thank you so much! I assume you make these videos out of the goodness in your heart (or maybe for your classes lol), but either way they're very helpful and you've helped my throughout various occasions in my Theory 1 class. I'm sure to do great in my final tomorrow so again thank you!
your videos are so helpful, i will watch closely when you make more
Thank you for a very helpful video that makes this simple!
Very Informative
David, I know that all throughout a large part of history the 4th is supposed to be dissonant against the bass but I honestly don't hear that... Usually when I learn music theory my ear agrees a lot with what I am learning but in this case... maybe it is that nowadays we are more used to hearing the 4th against the bass but I find it much less dissonant than the 7th or the major 2nd for example... I would say it is as consonant as the 3rd in your example. In fact, it I play the progression backwards going from the 3rd to the 4th sounds more resolved than the other way round.
That's a great comment. Dissonance is style-specific! If you listen to a lot of jazz, for instance, you might get so used to 7ths that they don't sound dissonant either.
David E Farrell can you explain why the I 6-4 is function the same as the V or the V 6-4 because that doesn't make sense to me how the I 6-4 has different notes compared to the V and V 6-4
Thanks David for the video.all the vedio were fantastic.
You refer to a book.can you please tell which book is it?
Or can you suggest books which also have a work book for music composition.many thanks.
thank you so much