Helmut Lachenmann s'insurge contre le culte du "beau son" qui est pour lui un réflexe bourgeois. Cette œuvre n'est cependant pas complètement exempte de jolis sons.
For interesting comparison, here's a "alternative" réalisation of similar techniques/timbres by a great improviser.... ruclips.net/video/uoNwF97Uw7Q/видео.html
Amazing performer awful piece, pretensious to the core and disrispectful of the nobelty of the mighty cello. Where are the berios, ligetis and xenakis of the 21 first century to save us from this smuggish "avant garde"? treating instruments like a vulgar wooden box with this invasive "extended techniques" Completly ridiculous and devoid of any meaning besides being "experimental" and "shocking"
i agree with you to a certain degree. My teacher is crazy about lachenmann and i'm trying to give him a chance. His work is interesting in its implications rather than its results, similar in my opinion to the work of cage. His stuff is also a lot more fun if you have the scores. I'd be glad to share. Also i mean he's pretty old so if we are counting him as 21st, i would say Grisey and Murail are absolutely amazing. Beat Furer is another amazing composer. Joshua fineberg too!
Hooooooly shit, you sound so smug. Just because you don't like it doesn't make it bad or "disrespectful". You obviously don't know shit about the genre of noise nor avant-garde. not enough to know how fucking fire that shit was. go listen to Merzbow & culture yourself you stuck up nerd lmao
en positivo: el último paso en la utilización no estándar de un instrumento. El límite del expresionismo. en negativo. una tortura calculada para el instrumento y a veces para el oyente. No se puede avanzar en este camino. Calculada maldad. añado: incomodísimo para el intérprete. Pobre arco! Fue construido para esto? SUpongo que la casa editorial de la partitura proveerá de un arco para interpretarla. O al menos, pagará por volver a encerdarlo.
Gérard Begni Certes la technique la technique toujours la technique, cela est-il vraiment incompatible de faire une œuvre intéressante sur le plan harmonique et technique ? Je pense que Lachenmann se fiche de nous. Je ne fais pas parti des crétins qui critiquent la musique contemporaine non, c'est juste que je préfère des Luciano Berio ou Rautavaara, Dutilleux parce qu'ils ont cette capacité à concilier une technique intéressante et une maîtrise harmonique d'une grande beauté
We went from Bach to this? Glad humanity is moving forward.
I think it serves as a good example of defamiliarization
Performance incrível!!
Noise music!! Good performance!!
we out here smoking big gas i rate it
Merci ! c'est très différent de ce que j'écoute d'ordinaire pour violoncelle. Respect à votre Ensemble.
+Stephane Esteban Merci ! On ne joue pas cette pièce tous les jours non plus ;)
Fantastic performance!
Mesmerising!
Helmut Lachenmann s'insurge contre le culte du "beau son" qui est pour lui un réflexe bourgeois. Cette œuvre n'est cependant pas complètement exempte de jolis sons.
Each performance costs you new bow hairs. By chance there will be maybe enough audience to refund the replacement
Quel plaisir d'entrer dans le son!!
wonderful performance!
1:04 it really hurts
Kind of horrifying 1:56- but somehow fascinating and arresting.
"Concerto pour pelleteuses et autres véhicules industriels lourds"
rien à voir
Eh bien il en faut du talent pour sortir une pelleteuse et autre engin de chantier de ce simple instrument :D
An excellent encyclopaedia of extended techniques.
Absolut grandios
sensually poetic
I have no idea what i just watched
magnifique
I applaud these kind of investigative techniques, but didn't really think the piece was very engaging... Perhaps it's better live...
For interesting comparison, here's a "alternative" réalisation of similar techniques/timbres by a great improviser.... ruclips.net/video/uoNwF97Uw7Q/видео.html
Early experimental work.
Amazing performer awful piece, pretensious to the core and disrispectful of the nobelty of the mighty cello. Where are the berios, ligetis and xenakis of the 21 first century to save us from this smuggish "avant garde"? treating instruments like a vulgar wooden box with this invasive "extended techniques" Completly ridiculous and devoid of any meaning besides being "experimental" and "shocking"
i agree with you to a certain degree. My teacher is crazy about lachenmann and i'm trying to give him a chance. His work is interesting in its implications rather than its results, similar in my opinion to the work of cage. His stuff is also a lot more fun if you have the scores. I'd be glad to share. Also i mean he's pretty old so if we are counting him as 21st, i would say Grisey and Murail are absolutely amazing. Beat Furer is another amazing composer. Joshua fineberg too!
Hooooooly shit, you sound so smug. Just because you don't like it doesn't make it bad or "disrespectful". You obviously don't know shit about the genre of noise nor avant-garde. not enough to know how fucking fire that shit was. go listen to Merzbow & culture yourself you stuck up nerd lmao
@@saoirseschlegelmilch9014 Merzbow is incredible
poor cello...
Rubbish "music?"
Pyrerxaq
0جج
this is so offensive
en positivo: el último paso en la utilización no estándar de un instrumento. El límite del expresionismo.
en negativo. una tortura calculada para el instrumento y a veces para el oyente. No se puede avanzar en este camino. Calculada maldad.
añado: incomodísimo para el intérprete. Pobre arco! Fue construido para esto?
SUpongo que la casa editorial de la partitura proveerá de un arco para interpretarla. O al menos, pagará por volver a encerdarlo.
Balivernes. C'est vraiment la pire chose que l'intercontemporain nous ai proposé
Gérard Begni Certes la technique la technique toujours la technique, cela est-il vraiment incompatible de faire une œuvre intéressante sur le plan harmonique et technique ? Je pense que Lachenmann se fiche de nous. Je ne fais pas parti des crétins qui critiquent la musique contemporaine non, c'est juste que je préfère des Luciano Berio ou Rautavaara, Dutilleux parce qu'ils ont cette capacité à concilier une technique intéressante et une maîtrise harmonique d'une grande beauté