Translation of the final text (by Google): The conductor should let the tam-tam fade away for a long time and, with a raised hand, "keep the audience and the orchestra in check". Only very shortly before it finally goes out should he "snip" the barely perceptible remainder of the sound with his hand (with a "snapping motion") in whatever way he likes, but remain motionless in order to keep the silence - which is only now actually occurring - even further and hold on as long as possible before he "waves off".
So great you posted this, this is so awesome and such a great humor! And ultimately a fantastic and refined orchestration by a man famous for normally avoiding "beautiful" sounding notes at all cost for decades! Thank you Mr Lachenmann for that gift!
Subtitle should be: Hommage to John Phillip Sousa to draw the obvious connection between American militarism and its resultant fatalities. The irony of the Liszt and Wagner love music quotes is delicious. Overall it sounds a lot like Ives paean to US participation in WW I in "They are there".
I agree, especially since David del Tredici and other contemporary composers practically reinvented tonality. I really love his orchestral music. He could transform something like Brahms into something kaleidoscopic, fantastical and at times much more chromatic and dissonant.
@@user-je7hq2rg6e키 테마는 '평범함'입니다. 20세기 이후 점점 첨단을 향해 달려가는 오늘날에도 대중음악은 항상 어떠한 평범함을 고수하려 하고, 또 고수하게 됩니다. 심지어 우리가 추구하는 어떤 새로운 미학에서도 어떤 '평범함'에 빠질 수 있는 위험에서 벗어날 수 없습니다.
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Translation of the final text (by Google):
The conductor should let the tam-tam fade away for a long time and, with a raised hand, "keep the audience and the orchestra in check". Only very shortly before it finally goes out should he "snip" the barely perceptible remainder of the sound with his hand (with a "snapping motion") in whatever way he likes, but remain motionless in order to keep the silence - which is only now actually occurring - even further and hold on as long as possible before he "waves off".
So great you posted this, this is so awesome and such a great humor! And ultimately a fantastic and refined orchestration by a man famous for normally avoiding "beautiful" sounding notes at all cost for decades! Thank you Mr Lachenmann for that gift!
avant-garde at its finest lmao
It really is 😂
Post-modern at its finest.
I had a blast listening to it, thank you.
Subtitle should be: Hommage to John Phillip Sousa to draw the obvious connection between American militarism and its resultant fatalities. The irony of the Liszt and Wagner love music quotes is delicious.
Overall it sounds a lot like Ives paean to US participation in WW I in "They are there".
I can’t help but draw parallels with the works of two Americans, Charles Ives and David Del Tredici.
I agree, especially since David del Tredici and other contemporary composers practically reinvented tonality. I really love his orchestral music. He could transform something like Brahms into something kaleidoscopic, fantastical and at times much more chromatic and dissonant.
"Many composers have incidentally accepted the banal."
icon
Reminds me a bit of Widmann and Lopez
Wer ist wegen Herr skarabino hier
골때리는 음악이네요 ㅋㅋㅋ
6:45 wtf
하지만 작품에 담긴 라헨만의 철학은 놀라운 것
궁금해서 그러는데,
혹시 이 곡에 담긴 라헨만의 철학을 설명해주실 수 있으실까요😢...?? 들어보고싶습니다..ㅠㅠ 궁금해서요..
@@user-je7hq2rg6e키 테마는 '평범함'입니다. 20세기 이후 점점 첨단을 향해 달려가는 오늘날에도 대중음악은 항상 어떠한 평범함을 고수하려 하고, 또 고수하게 됩니다. 심지어 우리가 추구하는 어떤 새로운 미학에서도 어떤 '평범함'에 빠질 수 있는 위험에서 벗어날 수 없습니다.
@@EJOh 잘 설명해주셔서 감사합니다! 의견 잘 들었습니다...!😢
4:18
He's even weirdly good in banal writing!
ㅋㅋㅋㅋㅋㅋㅋ 라헨만 최애곡
ㅇㅈ할수밖에 없다
프레쑝을 듣느니 이걸 듣겠다
천만 번 동의함
@@BetonBrutContemporary 저거 롯데월드에서 틀고싶다 놀이공원에 전나 잘어울리는데
This just sounds American to me.😂💯
맛있네요
What are all the works quoted in this piece?
so far Liszt's Liebestraum, Rossini's Guillaume Tell Overture and Wagner's Tristan und Isolde Vorspiel
6:45 what we want
I prefer 6:12
치명적인 평범함에 그만 정신을 잃고 말았습니다...
그게 목적이였는걸요..ㅋㅋㅋㅋㅋㅋ
lmao
무슨........
이것은 우리가 진정으로 필요했던 아방가르드(가 아님)
Wtf
unnecessary joke in the end, btw