I put this right up there wil the situation in 2012 at the Sacramento Moonlight Classic when SCV, BD and Phantom didn't get to perform at Sac State because the organization couldn't get the stadium lights turned on. Each corps went to their buses and put on a full-show standstill. I will never forget the face-melting performance of Music Of The Starry Night in my face, in the dark. And then they add Send In The Clowns! Holy crap!
Absolutely amazing. SCV always blows me away. I had the opportunity to have a clinic with Paul Rennick, and his style was just incredible. The two of them have such _musical_ and _melodic_ writing, especially where don't expect it.
Been waiting forever! Not enough thanks could ever be given for this amazing in depth look at this amazing percussion section. Many thanks my friend. I owe you one
This is probably the most interesting thing I've watched drum-corps-wise in quite a while. Who actually produced this? Was this commissioned by the Rennicks? Just BRILLIANT!
I recorded and produced the video. Thank you for the kind words! I started doing these end-of-the-season percussion recordings in 2006 when Paul Rennick was the caption head at Phantom Regiment. They set aside a rehearsal block during Finals week to do the recording, and then I spend the next 6-9 months putting it together. I'm an optometrist, and this is strictly a spare time hobby. Glad you enjoyed it!
Not at this time. That first year was a far cry from what we do now. Only one run of the show in standstill with two HDV camcorders and a DV camcorder. I'll get around to putting that up one of these days.
Interesting to see the center marimba player using Burton grip in her right hand and Stevens in her left. Thought at first maybe it had something to do with the writing - perhaps quick small to large interval changes in the left hand or something - but she's still playing that way at the very end when they're just playing quick runs with the inner mallets. To each their own, and she's obviously made it work for her, but I've never seen someone combine grips like that.
The marimbas (and other keyboards) are from Bergerault (France), which partnered with Dynasty through 2018. Bergerault is now affiliated with Tama. Dynasty has a new line of concert percussion that has been designed in consultation with the Rennicks and will debut at PASIC this month - look for them on the field with SCV in 2020!
@@colton_simmons Thanks! Yes, I've done this project for Paul since 2006. It's grown in complexity and now takes several months to completely edit, color grade and finish the project each year.
![Twenty One Pilots - “The Line” (from Arcane Season 2) [Official Music Video]](http://i.ytimg.com/vi/E2Rj2gQAyPA/mqdefault.jpg)
This is decisively the best percussion section I have ever seen.
Thanks
The Rennicks complement each other's writing so well between front ensemble and battery. Musicality is always abound with SCV Percussion!
You can tell they love what they do and each other
fastone56 Absolutely! Just makes it so natural for them when you know they're enjoying what they're doing.
I put this right up there wil the situation in 2012 at the Sacramento Moonlight Classic when SCV, BD and Phantom didn't get to perform at Sac State because the organization couldn't get the stadium lights turned on. Each corps went to their buses and put on a full-show standstill. I will never forget the face-melting performance of Music Of The Starry Night in my face, in the dark. And then they add Send In The Clowns! Holy crap!
Absolutely amazing. SCV always blows me away. I had the opportunity to have a clinic with Paul Rennick, and his style was just incredible. The two of them have such _musical_ and _melodic_ writing, especially where don't expect it.
This is just so good on so many levels. Video of the year
I live for these videos. thanks for posting this 🅱
Sorry for taking so long. You must have been on life support!
usee2020 it's new to me hahaha. I'm always got my fix from WGI and DCI, but these SCV vids are special.
usee2020 please tell me there will eventually be a 2017 video
The plastic covered mallets had to be one of my favorite effects
Been waiting forever! Not enough thanks could ever be given for this amazing in depth look at this amazing percussion section. Many thanks my friend. I owe you one
The camera guy at 1:10 is just so happy.
this show* doesnt get enough love. the interplay from the front to battery was so nice to the ears
best solo quad and chord from pit
08:35 - 08:56
flawless timbre changes as they gradually switch their hardware, AWESOME.
@@evanboegehold8928 wait they switched their hardware
Absolutely stunning!!
yessssss I have been waiting for this
This is probably the most interesting thing I've watched drum-corps-wise in quite a while. Who actually produced this? Was this commissioned by the Rennicks? Just BRILLIANT!
I recorded and produced the video. Thank you for the kind words! I started doing these end-of-the-season percussion recordings in 2006 when Paul Rennick was the caption head at Phantom Regiment. They set aside a rehearsal block during Finals week to do the recording, and then I spend the next 6-9 months putting it together. I'm an optometrist, and this is strictly a spare time hobby. Glad you enjoyed it!
usee2020 is the 2006 recording on RUclips?
Not at this time. That first year was a far cry from what we do now. Only one run of the show in standstill with two HDV camcorders and a DV camcorder. I'll get around to putting that up one of these days.
usee2020 Had to ask. That line was exceptional!
usee2020 did you march somewhere under Rennick? What inspired you to start doing these recordings?
They should win in that year :)
Interesting to see the center marimba player using Burton grip in her right hand and Stevens in her left. Thought at first maybe it had something to do with the writing - perhaps quick small to large interval changes in the left hand or something - but she's still playing that way at the very end when they're just playing quick runs with the inner mallets. To each their own, and she's obviously made it work for her, but I've never seen someone combine grips like that.
ARMED VAGRANT she only has three fingers and thumb in her right hand, that's why she plays the way she does.
Nicholas Waldron Interesting
YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES YES
finally im happy now
Love that rudiment in the snare book at 5:20..
Paradiddle Paradiddle 3, Paradiddle Paradiddle 3....
Look at that UNT drumline
9:26 to 9:30 is perfection
Clayton Nichols the whole thing is
my 2017 mb show was inspired by scv and the seasons
Does anyone know what kind of sticks the tenorline is using at 8:40 ? They almost look like the old DC10s but I know that it can't be those.
Brice Holland they’re using the Paul Rennick Tenor stick
Basses at 10:41 😍
This is by far my favorite show of Theirs!🎶
P.s: Does anyone know what brand / Company those marimba's are from, because I would like to by one?
The marimbas (and other keyboards) are from Bergerault (France), which partnered with Dynasty through 2018. Bergerault is now affiliated with Tama. Dynasty has a new line of concert percussion that has been designed in consultation with the Rennicks and will debut at PASIC this month - look for them on the field with SCV in 2020!
usee2020 man I’m real exited for dci 2020🙃
2017!!!!!!!!!!!!!
Does anyone know what mallets they’re using?
Panda Pants they’re all the sandi rennicks models
Literally everything they use is from the pauls
2017?
Soon - very soon.
What ever happened to 2013?
Hey where's 2017??
Well, as they say, Rome wasn't built in a day. It's in process.
Yeah Bass !
god bless
What song is their ballad?
I believe it's Earth Song by Frank Ticheli
why does one of the marimba players have steven's grip in one hand a d burton in the other?
She has a missing finger on one of her hands. It was a must and she still killed it!
I wish the sound mix was as good as the players.
3:36
Did you literary nab this from Paul Rennicks yt channel?
No, I'm the creator of the video.
@@usee2020 well then amazing work, beautifully done. You flimed/edited this for him?
@@colton_simmons Thanks! Yes, I've done this project for Paul since 2006. It's grown in complexity and now takes several months to completely edit, color grade and finish the project each year.
@@usee2020 Please continue to do it! I live for this upload each year!