I love the Bourrèe the best. So witty and dark. I first heard used in a Tv segment about Baroque era oil paintings and just these gorgeous paintings were on display one by one like you were in a museum. The music was so curious and had an elegant form and chattiness. The double reeds sections make it absolutely delightfully chatty. The Overture is also so grand
I think this Suite is way ahead of its time because it reminds me of the compositional style of the romantic composers (Berlioz, Holst, Sibelius). The overture is extremely great. Handel was a visionary
I have just listened to a solo violin piece played in concert, and followed the score which scrolled along the top of the screen. I could see the violinist playing, watch the fingering and bowing, listen and read the notation. It increased my pleasure, and improved my understanding so much, that I wondered if you have thought of doing something similar, or know of someone else who does. Thank you.
I know the sort of video you're talking about, and I too find them extremely useful for my instrumental playing! I'm not sure it would be possible for me to legally use someone else's video without sorting out licensing, so I'm not sure I'd be able to make these sort of videos on my channel, but you might want to look up Paul Barton - he's a pianist who makes these videos with his own recordings, if that's something you'd be interested in! I don't know of any violinists who make content like this (perhaps someone else will comment if they know of any?) but hopefully this niche will be filled soon!
It's hard to believe this is from the Baroque Period. It's so lively & gregarious. Elegant & graceful at times too which is what reminds me it was written for George II (a serious bloke, by the way). Written by George Frederick Handel in 1748 to celebrate the Treaty of Aix-la-Chapelle at the end of War of the Austrian Succession. This war spilled onto North America as well. A must-see in Canada is the great French fortress of Louisbourg on Cape Breton in Nova Scotia captured by British troops & New England militia in 1745. It was partially reconstructed by Parks Canada.
“He is the unrivaled master of all masters. Go to him and learn how to achieve great effects with the simplest means.” Mozart on Handel "Handel is the greatest composer who ever lived. I would bare my head and kneel at his grave!” Beethoven on Handel
Immortal, Haendel! We all knee to your greatness in a spirit of love and veneration for you music! Hearing your music one may well understand why Beethoven was crying every time he heard your music and he asserted that you are thd greatest of the composers!
Thanks again for all the score videos! But note that the score is of the original winds-only version, while your audio is the version with strings. Important difference! Try Paillard , the only recording I know that really takes the spectacle of the music seriously. Or Mackerras.
mmm yes i do love playing la rejouissance a zillion times across 3 different youth string orchestras nice piece but i got a bit tired of doing it over and over back in the day
@@funkymaximus I do not care for the "Addition" of snare drums to the last movement. Not called for in the score and not necessary for the enjoyment of the listener.
Minuets usually had a ternary form, so the D minor minuet would have actually been the “trio” section in between the two strophes of the D Major minuet. I’ve heard it played before the D Major minuet too, I think it works either way. A lot of the ordering would have been determined on the forces present. Handel originally wrote the piece for winds, but later added string parts to double the existing oboe and bassoon parts. This left performers and publishers with the option of which instrumental groups would play which strophes, and in which order.
They both had their moments...it amused me to find out that Messiah's main melodies were borrowed from popular Pub tunes of that day. No wonder the public loved them and made it an instant success. I wonder if King George ever knew...he was not the brightest star in the Firmament!
@@audrizzm Handel was an independent, dramatic composer and sounds very different depending of the work. He had a very versatile style. These are works of a "ceremonial" type. Bach was always very religious and subordinate to the church.
The violas in the recording are *not* playing what it says in this score. They're playing a third harmony line to what the violins are playing a lot of the time, and other times they're playing a really nice harmony line a third or a fifth higher than the notes the basses and cellos are playing. Often there's a very nice inner voice counterpoint line they have on their own. It's very audible throughout. And whatever that weird figured bass realization is that has the violas paired with the winds and tympani in this score is clearly not there.
This is the best performance for the music for the royal foreworks ... include it's recording. I have a video too but i combine it with Water music in one video. 👍😃
Fran R...visionario??? es el tipico haendel con su tipica orquestacion ...recuereda bastante a la segunda suite acuatica...no olvides que en esta epoca los musicois eran artesanos o meros sirvientes y si esa musica le gustaba al rey eso habia que hacer.
Handel era un compositor independiente y empresario musical respetado en su época, no un "sirviente", y yo creo que si fue visionario en impregnarle dramatismo y grandeza a sus composiciones. Esta misma suite puede ser perfectamente utilizada como soundtrack en una película de acción, historica o ciencia ficción moderna.
Such an astonishing piece of music. I'm sure it won't be used by a game company for a Russian speaking artificial intelligence on Mars trying to protect humanity against the foes of darkness in 268 years of its release
i'll never get tired of this piece, it is divine
blasphemous
@@francescomanzo3939 Fran, I'm never sure if you're serious, sarcastic or just nuts. Get a grip, man.
@@francescomanzo3939 why this? Which bot of this world will ever be able to imitate him, can you name even one? Don´t say ChatGPT, lol
I love the Bourrèe the best. So witty and dark. I first heard used in a Tv segment about Baroque era oil paintings and just these gorgeous paintings were on display one by one like you were in a museum. The music was so curious and had an elegant form and chattiness. The double reeds sections make it absolutely delightfully chatty. The Overture is also so grand
Very nice continuo playing. It is always pleasure to hear a performance with period instruments and well-played harpsichord.
I think this Suite is way ahead of its time because it reminds me of the compositional style of the romantic composers (Berlioz, Holst, Sibelius). The overture is extremely great. Handel was a visionary
Indeed...
Romantic with a grosse orchestra..
this great music is in no way similar to any of that romantic garbage
@@flelgrorf7577 how is romantic era music garbage
@@flelgrorf7577 - what do you have against romantic era music?
I have just listened to a solo violin piece played in concert, and followed the score which scrolled along the top of the screen. I could see the violinist playing, watch the fingering and bowing, listen and read the notation. It increased my pleasure, and improved my understanding so much, that I wondered if you have thought of doing something similar, or know of someone else who does. Thank you.
I know the sort of video you're talking about, and I too find them extremely useful for my instrumental playing! I'm not sure it would be possible for me to legally use someone else's video without sorting out licensing, so I'm not sure I'd be able to make these sort of videos on my channel, but you might want to look up Paul Barton - he's a pianist who makes these videos with his own recordings, if that's something you'd be interested in! I don't know of any violinists who make content like this (perhaps someone else will comment if they know of any?) but hopefully this niche will be filled soon!
3:53 Raises my blood pressure every time!! What glorious music.
13:42
I love the La Réjoussance!
From Baby Neptune CD Track 22
It's hard to believe this is from the Baroque Period. It's so lively & gregarious. Elegant & graceful at times too which is what reminds me it was written for George II (a serious bloke, by the way). Written by George Frederick Handel in 1748 to celebrate the Treaty of Aix-la-Chapelle at the end of War of the Austrian Succession. This war spilled onto North America as well. A must-see in Canada is the great French fortress of Louisbourg on Cape Breton in Nova Scotia captured by British troops & New England militia in 1745. It was partially reconstructed by Parks Canada.
This whole work exudes such inventive energy and life
0:00 1.서곡
8:24 2.부레
9:55 3.평화
13:42 4.환희
17:25 5.미뉴엣 I
20:52 6.미뉴엣 II
“He is the unrivaled master of all masters. Go to him and learn how to achieve great effects with the simplest means.”
Mozart on Handel
"Handel is the greatest composer who ever lived. I would bare my head and kneel at his grave!”
Beethoven on Handel
Just brilliant 👏! What a wonderful sound...it brightens up the entire day for any listener!
Immortal, Haendel!
We all knee to your greatness in a spirit of love and veneration for you music!
Hearing your music one may well understand why Beethoven was crying every time he heard your music and he asserted that you are thd greatest of the composers!
So much heckin fun to play!
00:03 - 2:56 - 8:21 Ouverture
17:26 - 18:18 Minuet 1
18:19 - 19:09 Minuet 2
19:10 - 20:02 Minuet 1
20:03 - 20:51 Minuet 2
20:52 - 21:48 Minuet 1
매우 감사합니다. 시대를 건너 작곡자의 영감과 교감하는 이 시간이 평화롭고 행복합니다.
Vivaldi, Bach e Handel: The bests of the bests
And Scarlatti
How absolutely divine!
..lovely.....beautiful
Que música hermosa escribió este compositor! Hasta siempre handel!
Brutal!! una delicia al oído, sonidos diáfanos, que música mas hermosa...
All orchestra sounds remind us a beautiful fireworks night show
Thanks for sharing.
4:44 sublime❤❤
Que grande Haendel!!!🎶💞
헨델 관현악 모음곡
프랑스식 서곡-부레-페(평화)-레쥐상스(환희)-미뉴에트 총 5악장으로 구성
모두 춤곡처럼 2부분형식(A-B), 각 부분 도돌이
La Réjouissance is my favorite part.
Me too, I'm planning a virtual fireworks display out of this movement. :)
Minuet/Trio: The Triumph of Light over Darkness
Thanks again for all the score videos! But note that the score is of the original winds-only version, while your audio is the version with strings. Important difference! Try Paillard , the only recording I know that really takes the spectacle of the music seriously. Or Mackerras.
mmm yes i do love playing la rejouissance a zillion times across 3 different youth string orchestras
nice piece but i got a bit tired of doing it over and over back in the day
Could you upload this as conducted by Leslie Jones? This is wonderful, too!
21:45
20:02 heard in la naval de manila procession
during her arrival to sto domingo church
viva la virgin
Could you do maybe Finlandia or Tchaikovskys Marche Slave next? Love the work you’re doing!👍
13:42
I wish I could hear more clearly the harpsichord part...
May I humbly suggest ear pieces. It brings out sound well
All Harpsichordists do too, naturally!
they had snare drums in the baroque period?
Yes, they did. Maybe not like the ones used in this recording, but snare drums of some sort have existed for a while.
@@funkymaximus I do not care for the "Addition" of snare drums to the last movement. Not called for in the score and not necessary for the enjoyment of the listener.
@@logansportbaptisttemple9309 I just relistened, sounds good to me.
I suppose it all boils down to individual taste.
Hail Handel the great ❤
Does anyone know why the D major minuet is played before the D minor? The original manuscript and urtext on imslp both put the D minor first.
Minuets usually had a ternary form, so the D minor minuet would have actually been the “trio” section in between the two strophes of the D Major minuet. I’ve heard it played before the D Major minuet too, I think it works either way. A lot of the ordering would have been determined on the forces present. Handel originally wrote the piece for winds, but later added string parts to double the existing oboe and bassoon parts. This left performers and publishers with the option of which instrumental groups would play which strophes, and in which order.
@@WoodenDuck94 Thank you very much
19:11
0:00 - 5:56
Why do we do the swing rhythm?
2:57 allegro
20:03
his music also sounded so regal whereas bachs always sounded more playful
I truly think it's because Handel composed for royalty and Bach for himself! I love the contrast
They both had their moments...it amused me to find out that Messiah's main melodies were borrowed from popular Pub tunes of that day. No wonder the public loved them and made it an instant success. I wonder if King George ever knew...he was not the brightest star in the Firmament!
@@audrizzm Handel was an independent, dramatic composer and sounds very different depending of the work. He had a very versatile style. These are works of a "ceremonial" type. Bach was always very religious and subordinate to the church.
The violas in the recording are *not* playing what it says in this score. They're playing a third harmony line to what the violins are playing a lot of the time, and other times they're playing a really nice harmony line a third or a fifth higher than the notes the basses and cellos are playing. Often there's a very nice inner voice counterpoint line they have on their own. It's very audible throughout. And whatever that weird figured bass realization is that has the violas paired with the winds and tympani in this score is clearly not there.
Subscribe? What a fantastic recording!!!
Raymond Leppard was a very good conductor as Adrian Boult and Malcolm Sargent.
바로크 대가
헨델 - [왕궁의 불꽃놀이]
관현악 모음곡
This is the best performance for the music for the royal foreworks ... include it's recording.
I have a video too but i combine it with Water music in one video. 👍😃
This suite has the grandeur of romanticism. It reminds me of Beethoven
romanticism has no grandeur. beethoven is great though
Very Beethovenian
Or Beethoven was very Handelian. Especially in his use of the kind of obsessive motifs that appear in this masterly Overture
Beethoven would be very happy with your comment!
Welcome To 2020
18:20
The Fanfare 3 centuries before the Fanfare
Fran R...visionario??? es el tipico haendel con su tipica orquestacion ...recuereda bastante a la segunda suite acuatica...no olvides que en esta epoca los musicois eran artesanos o meros sirvientes y si esa musica le gustaba al rey eso habia que hacer.
Handel era un compositor independiente y empresario musical respetado en su época, no un "sirviente", y yo creo que si fue visionario en impregnarle dramatismo y grandeza a sus composiciones. Esta misma suite puede ser perfectamente utilizada como soundtrack en una película de acción, historica o ciencia ficción moderna.
8:24 twoset fans, ur welcome ( I think ).
8:48
Ugunisanas muzika uvertira 00:00
Woo hoo
Она табы может показать?
Original According to the Score in 432 Hz.
nitip 4:05
wer ist auch nur hier wegen den Musik Aufgaben haha
CRASH CYMBAL WHERE?!?!!?
There is no cymbals
@@seanangelobenavente8877 You are correct, the cymbals seem to be absent in this recording.
@@seeinghenry this is a travisty there is an absolute lack of cymbals in this composition i completely agree
@@jamesb4224 thank you so much for agreeing with me here, there is no cymbal whatsoever!!!!!!
Imperial Splendour anyone? ;)
A little Splendor is a good thing!
😢🥹
Frate va bene tutto ma è troppo lungo
Lewis Mark Harris Kimberly Wilson John
Eco gecko
Such an astonishing piece of music. I'm sure it won't be used by a game company for a Russian speaking artificial intelligence on Mars trying to protect humanity against the foes of darkness in 268 years of its release
13:42