4AD: The Thirteen Year Itch Interviews & Live Only

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Комментарии • 6

  • @Daniel_Delayne
    @Daniel_Delayne 5 лет назад +3

    What a lovely slice of the label's golden years

  • @georgediskant8695
    @georgediskant8695 6 лет назад +2

    Thanks for this! You don't happen to have Frank Black's guest hosting slot on 120 Mins from 1994 do you? Or any other 120 Mins episodes or segments?

  • @Ignatius1972
    @Ignatius1972 4 года назад

    I would love to know what happened to Meriel Barham. Great and delicate voice, good composer. It's not fair that she just have disappeared from the public eye.

  • @elliotwheeler4164
    @elliotwheeler4164 4 года назад +4

    Red House Painters got dropped by 4ad shortly after this.

    • @Ignatius1972
      @Ignatius1972 4 года назад +5

      And Pale Saints too. Although 4AD was a great label, that's for sure, they made a lot of terrible decisions in early/mid 90s. We can say easily that they destroyed Heidi Berry and Lisa Germano careers, they gave a very hard time for His Name Is Alive (one of their best selling acts) and Red House Painters. They dropped, acrimoniously, the Cocteaus.
      Today we know that those struggles were a poisoning mix of the pressure made on the label by their American distributors, the Warner Bros, with the low mental health state of the founder, Ivo Watts-Russell. So, so sad. Now, in 2020 4AD is just a shadow of the past. We have Aldous Harding, The National, Big Thief and more 2 or three very instigating artists. The label become more of the same. The 90s were THE right time.