Hell yeah M/S!!!! The first trick I learned in 2007 while learning mastering was add tube distortion only to the high end on the Side channel to reduce sibilance instead of EQing. Still use it to this day, in addition to Tape saturation only on the Mid channel on the Low End. M/S is just so versatile.
This has got to be one of the best presented and interesting pieces of tuition on Logic that I have ever watched, so brilliant and some fantastic ideas, keep them coming my friend.
I was one of those who asked about this! Thanks for answering! You said that mid/side processing, while it has creative uses, is mostly a corrective tool. My gut instinct, as a neoclassical producer, was to think of it first as a creative tool to getting wider mixes mostly through mid/side EQ techniques, e.g. boosting the highs in the side signals so that the ear is drawn outward. I guess keeping an eye on the correlation meter would be crucial in that case. Such a fascinating world!
OMG great info!! Gonna have to watch many more times as I'm pretty new to Logic. Would love to watch a video from you going over every little thing Logic does!
![FNAF vs TF2 - Episode 2 [SFM]](http://i.ytimg.com/vi/z5b3V2-VLb0/mqdefault.jpg)
Hell yeah M/S!!!! The first trick I learned in 2007 while learning mastering was add tube distortion only to the high end on the Side channel to reduce sibilance instead of EQing. Still use it to this day, in addition to Tape saturation only on the Mid channel on the Low End. M/S is just so versatile.
The greatest presentation of a Logic Pro feature! Respect ✊🏿✊🏿✊🏿
This has got to be one of the best presented and interesting pieces of tuition on Logic that I have ever watched, so brilliant and some fantastic ideas, keep them coming my friend.
Chris, your channel is the best for not only Logic, but music production. Thank you for your effort.
12:30 That pitch-shifter trick to avoid phase just impressed me 😂👍🏼
I was one of those who asked about this! Thanks for answering! You said that mid/side processing, while it has creative uses, is mostly a corrective tool. My gut instinct, as a neoclassical producer, was to think of it first as a creative tool to getting wider mixes mostly through mid/side EQ techniques, e.g. boosting the highs in the side signals so that the ear is drawn outward. I guess keeping an eye on the correlation meter would be crucial in that case. Such a fascinating world!
This was a GREAT video. Opened my world all the way up! Thank you!
Thank you for being such a great teacher! I use what I have learned from you daily
Thanks for this very informative video.. you made it very clear and straightforward 👍🏽🙏🏽
Very helpful Chris! Thanks for sharing your knowledge.
great topic, presented so well.
OMG great info!! Gonna have to watch many more times as I'm pretty new to Logic. Would love to watch a video from you going over every little thing Logic does!
Mammoth Tips! Thank you very much, also cool to finally put a face to the voice Legend!
wow your a blessing my big bro
Great Vid!
Excellent
Omg my mind is running with ideas now
Thanks a lot
Great video, thanks
GOOD STUFF
Nice!
Can this be used to create music?
15 step, anyone?