Love the video, I'd like to put in a request for Haydn in d 3rd mvt or Schumann cello concerto thanks and keep posting please these vids are really helpful :)
Thank you so much for this helpful video!! As I am a pianist I would be happy about a video with a pianist together with some ideas especially for the piano and also with hints how to perform together. Would that be possible? It would be great!
Hi Inbal, I love your videos; I am a intermediate player. However, I would appreciate your input into vibrato for starting. As everyone has a different interpretation. Many thanks,
Hi, I’m looking at the Dover edition of this sonata. In the opening phrase, I see some very peculiar markings, which seem to be phrase markings, but they make no sense. Beethoven has put a phrase for the first two notes, then notes 3-9, then notes 10-11, and then the remainder. If anyone tried to play it this way, it would sound crazy. The phrasing you use (3 + 8 + 6) seems fine, but it doesn’t reflect the notation. Can you explain this?
I love everything about this immensely helpful I except for the fact that it’s not 2 hours long. Many thanks for posting.
Super helpful. Thanks!
Inbal, you are wonderful, your instrument, the cello is happy, because you make it sing that way ... I send you a big kiss, I love you.
Love the video, I'd like to put in a request for Haydn in d 3rd mvt or Schumann cello concerto thanks and keep posting please these vids are really helpful :)
Thank you so much for this helpful video!! As I am a pianist I would be happy about a video with a pianist together with some ideas especially for the piano and also with hints how to perform together. Would that be possible? It would be great!
Amazing video, very helpful ! :)
Hi Inbal,
I love your videos; I am a intermediate player.
However, I would appreciate your input into vibrato for starting. As everyone has a different interpretation.
Many thanks,
Why the quicker vibrato? Any particular stylistic reason?
Hi, I’m looking at the Dover edition of this sonata. In the opening phrase, I see some very peculiar markings, which seem to be phrase markings, but they make no sense. Beethoven has put a phrase for the first two notes, then notes 3-9, then notes 10-11, and then the remainder. If anyone tried to play it this way, it would sound crazy. The phrasing you use (3 + 8 + 6) seems fine, but it doesn’t reflect the notation. Can you explain this?