Fally Ipupa live in Concert | Fally Ipupa Tour 2021 (Yaoundé, Abidjan, Douala)

The Congolese superstar, the afropop star, Fally Ipupa strides on stage at the Apollo Theater, dressed in a glittering silver suit and flanked by three singers in white. The expectant crowd explodes in a flash of elevated cellphone videography and screams.
From the first notes, his voice is strikingly clear, perfectly in tune, as seductive as it is energetic. When the band turns up the heat with “Original” kicking into the first sebene-the dance formula of Congolese popular music of the last half century-Fally places the mic into the waistband of his pants, sheds his jacket and focuses on tight, controlled movements. His dancing is unnerving, disarming, potent. The microphone twists in the front of his pants as he winds his waist, sending the fans in the first rows in paroxysms of enjoyment.
I met up with Fally for the second time three days before the show, at the studios of Sahara Reporters in midtown Manhattan. He had just arrived in New York from Canada, where he had played packed shows earlier that week with his full band, direct from Congo. Ahead lay the Apollo show and a multicity U.S. tour throughout the summer. Born and raised in Kinshasa, his life is international now: When he’s not on tour, he splits his time between Paris and Kinshasa.
Fally carries himself like the star he is, with a relaxed self-assurance and almost sleepy reserve that hides a sharp and active mind. As I formulate questions in my best French, his eyes remain glued to his iPhone, flicking to me only when it’s time to respond.
“In the history of Congolese music, there aren’t many examples of artists who have made the jump to Europe and managed to maintain successful careers with one foot in the international market and one foot in Congo,” I start. He looks at his phone. “Tabu Ley Rochereau, Pepe Kalle…Is it your goal to stay popular in the Francophone African market and also break through internationally?”
He looks up, fixing me with his unsettling, half-lidded gaze through his dark sunglasses. “Yes, that’s the goal. I wanted to take risks; as an artist we have to take risks and take on new challenges. When you’ve traveled all over Africa, done it all, there comes a time when you have to take risks and renew yourself.”
Fally Ipupa is from the Bandal (short for Bandalungwa) area of Kinshasa, “It’s a musical community,” Fally said, “Pretty much everyone knows how to sing and dance…it’s cultural.”
After rising through the ranks of Koffi Olomide's Quartier Latin, Fally spent 10 years as a bandleader, releasing three albums that established him in the top tier of Congolese popular musicians.
When I first interviewed Fally in 2016, he had yet to record Tokooos, his biggest album to date, which came out in 2017 on Elektra France, a subsidiary of Warner Music. The album was a clear stylistic effort to cross over into the French mainstream; collaborations with Aya Nakamura, Naza, Keblack and Booba (and unfortunately, R. Kelly) announced Fally’s arrival on the French market.
“The idea was to make a more open album than usual, because I realized that I had a lot of fans who loved my music without really understanding the message,” Fally explains. “The album is really in Western radio format, meaning two-minute and 30 seconds to three-minute songs, and more French than Lingala. It was a success because it opened up the French public to a different side of Fally.”
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Congolese music has always been popular across Francophone West Africa, the Antilles, and famously, the Caribbean coast of Colombia for a half century. But Congolese music has always had a hard time breaking into international, Angolophone markets, particularly in the United States. Even in the age of Afrobeats, when Nigerian artists are collaborating with the biggest names in American pop music, Francophone Afrobeats/pop superstars like Aya Nakamura, MHD or Maitre Gims are unknown here. It is common to hear the distinctive post-dancehall bounce of Afrobeats on the streets of New York, but you need to go to special places to hear the distinctive guitars and Lingala crooning of Congolese music.
Fally Ipupa - Wikipediaen.wikipedia.org › wiki › Fally_Ipupa
A flye : • Fally Ipupa - A Flyé (...

[@dicapleprince8133]

Fally tu es champion vraiment les mots me manques pour te qualifié j'ai trop ton amour

[@pelekitakang865]

IPUPA 🦅 u are the king

[@landryetouka7780]

Fally est trop fort je veux être comme lui

[@maimounacoulibaly1188]

Bravo mon artiste

[@richbikumu7960]

King

[@giannypembele8234]

20:50 Chouman na mbonda encore et toujours
Muana Kintambo (NGEMBO)

[@dodilaworriors8914]

Mobutu,💃💃💃

[@petermakan8531]

I love you so much

[@isaackayembe9460]

Ipups aigle

[@nusurahmugerwa8277]

Q
Batali amimu

[@giannypembele8234]

28:38 Oyo musicien congolais ya ndenge nini akoma ko boya mbongo na podium boye?🙈😄🙈

[@alfredyuma8335]

Je manque le mot

[@monsieuralyofficiel4058]

si la fille avec le vêtement fleuri ne montait pas sur scène elle allait mourir sérieux hahahahahahah Fally a longtemps éviter de faire monté cette fille sur scène Mdr Aigle toujours une longueur d'avance même dans les têtes des go qui peuvent mal se tenir face à l'homme