James Bond Terribly Summarized (Part 7): Never Say Never Again
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- Опубликовано: 6 ноя 2020
- Here's a little bonus I was going to make anyway so it's not really a bonus...
/ thebiggerbeak
VCR VHS Montage - • VCR VHS Montage
Sean Connery discusses women slapping - • Sean Connery discusse...
After MI6 agent James Bond, 007, fails a routine training exercise, his superior, M, orders Bond to a health clinic outside London to get back into shape. While there, Bond witnesses a mysterious nurse named Fatima Blush giving a sadomasochistic beating to a patient in a nearby room. The man's face is bandaged and after Blush finishes her beating, Bond sees the patient using a machine which scans his eye. Bond is seen by Blush, who sends an assassin, Lippe, to kill him in the clinic gym, but Bond manages to kill Lippe.
Blush and her charge, a United States Air Force pilot named Jack Petachi, are operatives of SPECTRE, a criminal organization run by Ernst Stavro Blofeld. Petachi has undergone an operation on his right eye to make it match the retinal pattern of the US President, which he uses to circumvent iris recognition security at the fictitious RAF Station Swadley, an American military base in England. While doing so, he replaces the dummy warheads of two AGM-86B cruise missiles with live nuclear warheads; SPECTRE then steals the warheads, intending to extort billions of dollars from NATO governments. Blush murders Petachi, by causing his car to crash and explode, to cover SPECTRE's tracks.
Under orders from the Foreign Secretary, Lord Ambrose, M reluctantly reactivates the double-0 section and Bond is assigned the task of tracking down the missing weapons. He meets Domino Petachi, the pilot's sister, and her wealthy lover, Maximillian Largo, SPECTRE's highest-ranking agent. Bond follows Largo and his yacht to the Bahamas, where he spars with Blush and Largo.
Bond is informed by Nigel Small-Fawcett of the British High Commission that Largo's yacht is now heading for Nice, France. There, Bond joins forces with his French contact Nicole, and his CIA counterpart and friend, Felix Leiter. Bond goes to a health and beauty center where he poses as an employee and, while giving Domino a massage, is informed by her that Largo is hosting an event at a casino that evening. At the charity event, Largo and Bond play a 3-D video game called Domination; the loser of each turn receives a series of electric shocks of increasing intensity or pays a corresponding cash bet. After losing a few games, Bond ultimately wins. While dancing with Domino, Bond informs her that her brother had been killed on Largo's orders. Bond returns to his villa to find Blush has killed Nicole by drowning her in a water bed. After a vehicle chase on his Q-branch motorbike, Blush captures Bond. She admits that she is impressed with him, and forces Bond to declare in writing that she is his "Number One" sexual partner. Bond distracts her with promises, then uses his Q-branch-issue fountain pen to kill Blush with an explosive dart.
Bond and Leiter attempt to board Largo's motor yacht, the Flying Saucer, in search of the missing nuclear warheads. Bond finds Domino. He attempts to make Largo jealous by kissing Domino in front of a two-way mirror. Largo becomes enraged, traps Bond and takes him and Domino to Palmyra, Largo's base of operations in North Africa. Largo coldly punishes Domino for her betrayal by selling her to some passing Arabs. Bond subsequently escapes from his prison and rescues her.
Domino and Bond reunite with Leiter on a United States Navy submarine and track Largo to a location known as the Tears of Allah, below a desert oasis on the Ethiopian Coast. Bond and Leiter infiltrate the underground facility and a gun battle erupts between Leiter's team and Largo's men in the temple. In the confusion, Largo makes a getaway with the second of the warheads, the first already defused in Washington DC. Bond catches and fights Largo underwater. Just as Largo tries to use a spear gun to shoot Bond, he is shot with a spear gun by Domino, taking revenge for her brother's death. Bond then defuses the nuclear bomb underwater, saving the world. Bond retires from duty and returns to the Bahamas with Domino, vowing never again to be a secret agent. 
Кино
“My god, it’s full of stars.”
I understood that reference.
The only Bond Reviewer who’s jokes make me laugh loudly at 3am.
Your subscriber count is criminally low for the quality of these videos. Keep up the good content!
I think Never Say Never Again is very unfairly criticised purely because couldn't use the gun-barrel opening, Monty Norman's James Bond theme and has quite a lighthearted tone similar to Diamonds Are Forever (which I also think is underrated for a lot of the same reasons NSNA is that I'll talk about here). Personally I really appreciate NSNA's uniqueness and I dare say it's more entertaining than Eon Productions original adaption of Thunderball which at times felt overlong and bloated. It also obviously gets compared with Octopussy is it coincided with the release which while a pretty solid entry in the series, was starting to feel a bit stale and needed a fresh start which wouldn't really happen until Timothy Dalton took over the role in 1987's fantastic The Living Daylights. I know if I was given the choice in 1983 to see either Octopussy or Never Say Never Again, I'd choose NSNA and I'd still choose it today.
The film is full of incredibly witty dialog, fun action scenes and best of all, Sean Connery returns after a twelve year absence and even though he's greyer and considerably older, he still has that magic and charm he had from his first few films. Connery looks like he's legitimately having fun here which is almost infectious and really helps the entertainment factor. This film was also actually smart enough to use Connery's age to it's advantage and write the story around an aging Bond being brought out of semi-retirement to stop the theft of nuclear warheads which was incredibly fresh in the 1980's and wouldn't be utilised again until Skyfall in 2012. Roger Moore was three years older than Connery and his advancing age was never acknowledged, women almost three decades younger than him just seemingly fell for him and he never clicked in the action scenes like Connery. Over-relying on stunt doubles (even for running scenes) and back projection which hurt his movies, especially 1985's A View To A Kill. Diamonds Are Forever did a similar approach in that considering Connery was older and a bit more portly, they made the film a straight-up comedy rather than an action thriller which was pretty clever. Never Say Never Again's action scenes however are much more kinetic, Connery does what he's able to and there's no overuse of stunt doubles and hokey back projection. The horse jump is still pretty awful though.
Never Say Never Again is a unique Bond film which while isn't perfect, is definitely a breath of fresh air in the later Moore years, Connery is on top form as an older Bond and Klaus Maria Brandauer is an interesting villain. Kim Basinger as the Bond girl isn't amazing and the jazzy soundtrack doesn't work in some parts but it's just part of this film's unique appeal. It's just a shame Phyllis Hyman's beautiful theme was rejected in favour of Lani Hall's. Don't be put off by traditionalist Bond fans rejecting this movie just because it's not an Eon Production, it's a great time as a lighthearted, spy romp and Sean Connery giving his farewell performance as Bond is something you really don't want to miss.
XT-7B quietly mentioned,
Chaos ensues.
🎵 We're an all time high 🎵
You: No it is not!
Me: 😄😄
These recap videos are top notch, this is my 2nd time watching as I enjoyed them so much I came back to watch them. This channel is criminally under subscribed , would gladly watch more series like this from you.
This was the first Bond movie I ever saw. Needless to say I did not understand the James Bond hype until a friend took me to see Goldeneye
We need another one of these
I actually really like octopussy i feel its a nice slower bond movie for an older bond .
Klaus Maria Brandauer is great, and if you remember him, this movie is one of the reasons. He was sort of the 80s version of Stellan Skarsgard. After the early 90s he basically (but not entirely) quit doing American films. He's in Austria, being a professor and doing European films.
When the algorithm curses you with the subs you deserve, my comment will be already here.
Love your videos. You definitely should have more subscribers for all the effort you put into these.
Never Say Never Again is pretty awesome. The number 1 thing a Bond film has to be is FUN!!! It's dumb, yes, but it a whole lot of fun and one of Connery's best silly performances ever. Even the stuff that's stupid is fun; even the stuff that hasn't dated well is fun.
I always liked this one, and I definitely like it better than Thunderball which felt boring and overly long to me
“Never Say Never Again” was far superior to “Thunderball” in every way - script, casting, locations, production design, cinematography, action, pacing, and yes, musical score. Even Terence Young, the director of “Thunderball,” didn’t look back fondly on it. It really was a snooze-fest! Sean Connery got himself in shape for “NSNA,” and had approval of script and casting. The film was designed for an older Bond in a changing world, with character and plot taking precedence over machinery. And, no clown costumes, hot-air balloons, gorilla suits, stereotypical India scenes, Tarzan yells, or Moore-type “humour.”
So yes, meet someone on Planet Earth who not only gives a s-- about this film, but considers it one of the best Bond films! I’m thankful that this was Connery’s farewell to James Bond, rather than that Vegas carnival, “Diamonds Are Forever.”
When I saw this as a kid I loved the casino computer game.
But can it run Crysis?
Rowan Atkinson would go on to make the best Bond movie ever: Johnny English
10:20 Common, who made that house!?!?
"Never"
**angry Sean Connery noises**
I'm enjoying your videos, especially the humour. I would say the humour in the masseur scene has a history. Probably because the British are traditionally uptight, we developed a smutty sense of humour to counter this repression. One of the best examples of this humour are the Carry On movies. The Carry On series have somehow become like a national institution. This may be because you have to be British to fully appreciate them, or at all! That's a long-winded way of saying sometimes Bond's humour, like the masseur scene (and plenty of rogers Moore gags), draws on the same tradition as the Carry On movies. You may see what I mean here: ruclips.net/video/3JZfjNY56tQ/видео.html
Is the title what a legally dead black man says?
this movie is 10 times better than alla daniel craigs shitty 5 movies together, i love this movie, its an great james bond movie, evan if its reboot
Octopussy is awesome. Get over the title and give it another go. The Berlin section is very tense with some of the best stunts. It is bit racist but is nothing compared to Indy 2. NSNA isn't fit to shine Clown Bond's giant shoes!
I never really had a problem with the title, although it is a bit weird to me whenever they say something like "We need to save Octopussy." It's like someone saying "We need to save Cactussy" or "Honda Civicy" It's just such a weird name to say seductively or panicked. I'll definitely watch it again at some point. I was surprised by how much I loved License to Kill after I thought I hated it, so anything is possible. I like the scenes between Maud Adams and Roger Moore, but it takes so long to get to that stuff.
@@BigBeakEntertainment I definitely remember you getting offended with me when i said I liked License to Kill more right after i saw it. The first act of The Living Daylights is perfect though.
@@BigBeakEntertainment The first act of LTK is shockingly bad. It's like a weekday afternoon tv movie but with violence. I'll grant you the truck chase is beautifully thought out but LTK is still one of the weakest of the series. Shame because TLD is one of the very best.
Octopussy has some strong points for sure. I think the cinematography really shined in parts and the movie created a cool atmosphere. The race based humor is stupid and it's intentional campiness really breaks up the pacing of the movie (but that's a curse of all the Moore stuff)