5 Golden Rules of Game Cards Graphic Design You MUST OBEY
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- Опубликовано: 9 июн 2024
- Five golden rules to design the perfect card. Improve your board game design through graphic design. Tips and tricks and the best practices for designing your cards layout. Graphic design tips for beginners for the best card layout for tabletop and collectable card games.
In this video, we're going to discuss the 5 golden rules of game card graphic design. These rules will help you create beautiful and professional game cards.
If you're interested in bumping up your games graphic design, then you need to watch this video! We'll discuss the basic concepts of game card graphic design, and give you some tips on how to create beautiful and professional game cards. By following these 5 golden rules, you'll be on your way to becoming a professional card designer!
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This video could save you literal months of tedious work on your next game.
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00:00 Intro
00:55 Dextrous
02:02 Never obscure vital elements
04:36 Follow Visual Hierarchy
07:30 If it can be said in fewer words, say it in fewer words
09:00 If it’s said repeatedly, say it in symbols
10:53 Art is paramount 
Игры
Adding another silver rule: When in doubt don't rely on color alone to convey crucial information, if your palette has a few colors match each of them with a distinctive shape and you'll boost readability for anyone with color vision deficiency
I'll add a golden rule: in addition to giving a name to a card, also provide an ID,. I'm a native Spanish speaker who is also fluent in English. Most of the games I buy are in English but from time I buy something in Spanish. It is not secret that the gaming community that speaks English is much larger than the one that speaks Spanish so if I want to get clarification about a card but only know the Spanish name, it's tough to find someone who can answer the question. Even if I try to translate the test, it's not as simple as asking with the ID of the card. Even if you think you'll never sell a copy in another language it's so simple to do it, it might also be simpler for English speaker to remember an ID rather than a name, and if in the future you end selling copies in another language you are already prepared for this scenario.
exceptional observation my friend
Thanks!@@uncolorr
Nice observationbut how does it practically work?Let's say I have a and a in my deck of cards.
How would you ID that?
Using symbols?
@TheAnt89 What I meant is that beside cards having names, they should also have IDs. Since IDs don't need to be translated they serve as a way to identify a single card across languages which I have found to be helpful.
@@gaijinco Heyy, sorry my message wasn't clear at all. Wanted to ask if you have any specific examples for that.
What kind of IDs should be displayed on cards?
This video would've been so much better if you placed your cards on the table instead of waving them into the camera for a second.
You’re on to something with this video: substantive advice, insider game design seasoned perspective, solid editing, zero clickbaityness. Solid.
One of the best compliments I've gotten since the start of my channel. Those things are my guiding light! Thank you!
@@davejeltema3 Thanks for your video! For all board game designers out there, I made a little tool to speed up your prototype card generation/updates process: ruclips.net/video/Sm32cd3rYoE/видео.html
Cheers!
You have to be careful with symbols. Too many (or poor icons) and you risk creating a whole symbolic language that players have to learn before they can play, making the cards harder to read.
Definitely agreed. Several of my game-creating friends prefer symbols, but to me that feels like learning a new language of hieroglyphics. Might be friendlier for players who don't speak the same language, but when we do all speak the same language, I strongly prefer that language to be used, not symbols.
After all, isn't a later principle supposed to be that we should limit how much the players need to reference the rule book?
@@brianbaker1700I think if the symbols represent a “thing”, and not a property, that may be something easier to understand.
Like, if you see a picture of a rock, being used to stand for a rock, you can tell it is a rock. If you see e.g. a magic orb of some color, it seems easy to get that that is referring to a “thing” one can possess or spend or something. Especially if it doesn’t do anything beyond “be a thing you can have or spend”.
A symbol for “double-strike” or “flying” would probably be confusing.
the worst example of this I've ever seen was a Batman minis/ boardgame kickstarter. Literally everything was iconified. No text at all. But every icon had a specific and sometimes complex effect. It was really, really, bad.
Voidfall comes to mind
"If it can be said in fewer words, say it in fewer words"
Meanwhile Yu-Gi-Oh: You can remove 6 Spell Counters from your field; Special Summon this card from the Pendulum Zone, then count the number of cards you control that can have a Spell Counter, destroy up to that many cards on the field, and if you do, place spell Counters on this card equal to the number of cards destroyed. you can only use this effect of "Endymion, the Mighty Master of Magic" once per turn. Once per turn, when a Spell/Trap Card of effect is activated (Quick Effect): You can return 1 card you control with a Spell Counter to the hand, and if you do, negate the activation, and if you do that, destroy it. Then, you can place the same number of Spell counters on this card that the returned card had. While this card has a Spell Counter, your opponent cannot target it with card effects, also it cannot be destroyed by your opponent's card effects. When this card with a Spell Counter is destroyed by battle: You can add 1 Normal Spell from your Deck to your hand.
i did an experiment condensing yugioh card text in a reasonable way. some cards condense well and others do not because of how specific they are. try it for yourself.
I only read the 6 spell counters and I instantly knew you it was lmao
who* not you
Everyone knows about Endymion
That's exactly one of the reasons why I gave up on Yu-Gi-Oh
I think the example of Magic really is shaped by how you fan the cards in your hand; for example, i have always naturally fanned cards so that the "topmost" card was on the left, so costs were always unobscured. It has never occured to me that some people were arranging their hands so that the topmost card was on the right. I'm also right-handed.
You can also sort them in your hand making search much easier
Likewise! I'm right-handed but naturally hold my cards the "left-handed" way.
I agree with the overall principle of not obscuring important information, but disagree that putting costs on the left side is the solution.
I think because regular playing cards have the number and suit in the top left, the "top card to the right" method is the default.
@@LuckySketchesit's not just "regular" 52 card decks that are like that, it's the standard practice for basically every board game that involves cards, and every new TCG of the last two decades.
Yes, MtG putting the cost in the wrong top corner is "ok" because you can fan the hand backwards if you don't have the cards in your deck memorized yet, but doing so will hide the name of the cards. Some people resort to stacking their hand vertically with the entire top like of every card visible, while others sort their hand by cost so you know "everything else costs more than the top one". MtG only gets away with breaking the rule because it's too entrenched to fix it now.
If your primary market is "the west", anywhere that reads from top to bottom & left to right, putting the most important two or three things on the left & top edge of the card is common sense.
many sets of 52 card playing cards have the numbers in all 4 corners. presumably this is because the makers are aware that some people fan the cards the opposite way!
there’s no need to be dogmatic and prescriptive about it, but knowing that most people fan their cards a certain way, it is at least pragmatic to cater to that expectation. unfortunately for me, it feels too unnatural to fan them the ‘normal’ way
On adding symbols to the card, I disagree that they should outright replace text. If you study Magic cards, you’ll see that while they use, for example, the tap symbol when saying “tap the card to do this”, if they mention tapping in the rest of the text they say the word “tap”. They only have a few symbols that they routinely use in the actual ability text: those for mana costs, and even then it’s used sparingly. People know how to read words, but they don’t come to your game knowing what your symbols mean in the context of your game. If you send them to the reference manual too many times to figure out what your symbols mean it’ll be frustrating. You can still use your symbols if you think they’d be useful, but reminder text (again, see mtg) is a good idea so that players stay immersed.
I agree with a lot of this depending on the context. For CCG's I'm on board 100%, I tried to keep this video valuable to anyone designing a cards layout for any reason but it was mostly through the lens of board games. I have a bias because our game is leaning more towards the other direction and needs to be readable on the table and not in your hand. You bring up a great point, the key is readability and to a lesser extent theme. When everything works well together the game is awesome. I referenced magic quite a bit because most people are familiar with it, but it was also designed many years ago so use that how you will. I also 100% agree that having to go into the rulebook for every keyword or the FAQ ruins most games.
The tap symbol and the word tap have different mechanical effects, though. Even so, i agree. Symbols should be used sparingly for only the most common elements of the game
In some ways I think one could consider keywords a kind of symbol. There's some tradeoffs compared to graphical symbols though; particularly I think graphical symbols stand out more and can stand out even in small spaces, but keywords can be more intuitive to read especially in terms of pronouncing a card out loud (like if trying to describe a card in Magic that has Haste, one just says "it has haste", but if it had some symbol like a person running or similar it might not be obvious how to say it without checking the rules). I think with a CCG the large potential card pool makes it make sense to have some priority on being able to pronounce text easily while that might not be necessary in the scope of a single board game.
I wonder also if perhaps some particular kinds of gameplay elements are better suited to graphical representation while others work better textually.
Tap symbol is not the same meaning as the word "tap" though.
@@brofst reading the comment replies explains the comment replies
As a long time magic player with an interest in game design I love how MTG is the exception to most of these rules. Goes to show what defining a genre can do for you
Magic took all these existing rules and set them in stone. sure, there were some growing pains and formatting problems with alpha and beta, but the game is a perfect example for each of these. this guy can't even read cards he's holding and think it's the cards' problem.
I think that the rules defined here are flawed and instead MTG has found them through their trial, error and listening to backlash when they move key components. There are some good rules in the video but the cost location one IMO is awful.
Only just now am i realising that right handed magic players have the cost covered up, something i hope never changes, lefties need every win they can get
You know, I've never really thought about it like that. Interesting.
That's why it's allllll the way in the corner. So when you fan them out enough you can still read it.
Lefties can’t uncover the cost without covering the name of the card. It’s still not an issue either way, but the right-handedness has nothing to do with it.
In italy, or at least in my city everyone use it from the left, its kinda strange to have problems seeing yugioh levels, atk def and magic costs but you get used to it
The direction you feather out the cards is not dictated by the hand you are holding it in. The reason you don't cover up the cost is because you can tell what cards you are holding by the cost and the right side of the artwork.
As an illustrator primarily and working on a game with a friend of mine, it made me tear up a little to see "Art is paramount" tacked on at the end. I love seeing appreciation for the visual elements get so much weight, and I love the emphasis of the art as a core game element. *Note: being the principal illustrator for an entire game is murder on the wrists, BUT, tons of fun.*
Thank you for your video. I probably have some layouts to revisit haha
It's weird to me, a lot of card games recently seem to have fallen out of love with art design, but to me it's absolutely vital. Most of the new TCGs since lockdown have had plain ugly art, and MTG of course has only been putting out a dozen genuinely good card arts a year since 2014. It's impossible to be interested in a game that can't offer me any cards that look cool enough for me to want to build a deck.
@@yurisei6732 Wow. I only play MTG casually, I didn't know the new art scene was that bad. I think the last of anything new I saw was New Capenna (not all great, but I was probably more lenient on the art given my partiality to Art Deco). Considering there are no other visual assets in a card game, you'd think they'd pay much closer attention to that...
Long shot but if you're interested in staying up-to-date with the project I mentioned, I'd be happy to send the linkedin page where we'll eventually be posting our dev discord.
Definitely trying not to fall into the same blandness-of-art rut, but perks of being a tiny dev team is we have full say over that lol
@@drawingmoo4109 I'm not sure what @yurisei6732 is saying, mtg has great art. maybe they just hate the more realistic style.
@@BEANCO-td1hr how did you interpet that comment as saying MTG art is bad?
I'd be very careful with symbols. If the first card I ever read says something like "[symbol I've never seen] 1 of your [another symbol I've never seen]", I'm probably not going to be very interested. If it happens during a game, not only am I going to have to look it up, I won't even know what to Google. Even if I have an experienced player who can help me, is going to be very embarrassing and confusing to ask "what does the little symbol that kinda looks like a question mark mean?"
On the other hand, if symbols *reinforce* an idea, then I 100% agree. In your game, I see the big green green in your card. So when the effect asks if the card below is [green gem], I immediately get what it means, even if "green gem" isn't the right term.
Keywords are very similar in that regard but: they (should) have reminder text, and at least they're words you can say to ask. Plain symbols replacing entire words or phrases are a problem if they're important.
I appreciate the approach that is for example seen in Ark Nova, which makes heavy use of symbology but then provides you with a cheat sheet for the sombols.
@@Jerom_ I think board games have very different expectations.
There can be a legend for all the symbols
@@disrespecc9678 And where would you put that? In a helper card that everyone has to carry everywhere? In a board game at home, you always have access to everything you need. In a tcg, you only carry your decks and some dice, not the rules.
@@fernandobanda5734 aaand I’m not talking about trading card games, just dedicated deck games
Art serves a extremely important function: it allows people to mentally chunk the effects of a card to an image. It's much easier to tell apart images than blocks of text, especially with cards in hand. After reading my cards, I can remember what they do at a glance by seeing the artwork.
Yu-Gi-Oh especially utilizes this. Then there's the connections between art and effects, if the art is of a magical effect, I expect a spell, it gets me in the right mindset to understand the effect of the card. If the art is a big monster, I expect a big monster stats.
I've been working slowly on the art for my game, and the cards with art are 50x easier to play with than the ones without.
I agree a lot. Was listening to him talk about how the visual hierachy means that you should put the card names at the very top when I realised that Cardfight Vanguard has the card names at the very bottom instead. I've never had an issue in identifying the cards though and I dont know anyone that has such an issue even when fanning out the cards in their hand and the names are covered up. Tbh, as long as you are able to recognise the card and know the effect, you can play even if you aren't able to read any of the words on the card. In that train of thought, the art of a card is probably more important than the actual name in helping you recognise it.
@@epucgaming1008 Title does not need to be at the top. But, top to bottom ordering can help you remember information in the order of: "card name - card effect".
Personally I think "Shadowverse evolve" has amazing card layouts, and they have name at the bottom.
Nice video, very helpful.
One thing I would add is that the secondary purpose of the artwork is to make cards easily recognizable from a distance for players who have played the game before.
I'll interject one counter point: art is the most important, and should take up the most space, because it conveys the most information the fastest. When a card becomes known, and reading it is no longer necessary, the image will immediately alert the player(s) to what the card is.
Like Pot of Greed or Black Lotus. The cards are known enough and remembered enough that the image immediately invokes their effects and names.
I’ve never once had a problem reading what my cards cost in my hand while playing MTG.
They even tried “fixing” this problem in the Future Sight set and then realized it wasn’t broken to begin with.
Completely agree. Not an issue.
I tested it with some of my magic card and I prefer to fan the other way around, with the bottom card on the right and the top card on the left. Seems like there is quite a bit of variability here and there is no one way people do it.
exactly my thought... it just depends on how you fan out your cards, not if the symbol is on the left or right.@@Jerom_
I don't get why he isn't just fanning the cards the other way around? With the left-most card on top. . .
@@Lothrean Probably habits.
Looking at regular playing cards (like poker cards), while some cards have the name on all 4 corners, a lot of the biggest brands (like Bicycle) have the name of the card only on the top-left and bottom-right. It seems to be generally accepted as a common practice to fan cards with the top-left corner visible.
And the only peoples I've met that complained about it were left-handed, so maybe there is something about the majority of right-handed peoples finding it easier to fan that way while the majority of left-handed peoples finding it easier to fan the other way.
As for my own experience, I'm right-handed, and I hold card with my left-hand so that I can play with my right hand. While with two hands I can fan both ways, if I try to fan only with my left hand (and I do one-handed fanning most of the time), it's much easier for me to fan to show the top-left corner. I can do it with one sweep of my big thumb, while I need multiple tries and/or some helps from my other fingers to fan the other way.
“Spacing between lines” is “leading.” Typesetters used to insert strips of lead between rows of text
TIL
I disagree with the point you make about fanning cards. I fan them in the other direction, with the top card on the left rather than the right, especially when playing Magic. This lets me see all the costs easily. The top right of a card isn't an automatic no-go zone.
I'm totally with you.
For a game I'm making, I'm putting the most important part (a number) in the top left, to cater to people who prefer that, and I'm finding it easy to simply switch to an unnatural card-holding position while playing the game. As long as each game is internally consistent, it's fine!
I disagree with the fanning thing as well, but for a different reason. Unless I'm playing a deck that I've never played, I am going to know the exact or roughly the cost of the cards. I need the name of the card first and foremost.
"You can't see the costs of the cards." Proceeds to fan them backwards from every card game since forever...
if a phrase is repeated to describe something that's a full sentence, consider coining a key game term for it. It makes the rulebook cleaner. Nobody iterates just cards. It's a back and forth process.
I had to learn some of these rules the hard way. Designing card layout and legibility is a lot harder than people realize.
That was actually really interesting to hear.
As a magic player, I had always wondered why they decided to try such a drastic change for FutureSight, but if they were trying to test the waters with a more streamlined layout, that makes so much sense.
It has always bothered me that when I'm holding my cards in my hand, I'm either covering the name, or the cost.. So it makes a lot of sense why they tried to change it.
I also find it a little amusing to hear Golden Rule #4.
Not that Yu-Gi-Oh technically breaks it... but the fact that later cards do become multiple paragraphs is pretty funny.
Iconography is nice until you need to read the text out, or tell the other players what the text means.
Games with a lot of iconography are a bigger pain in the ass. Terrible having to pause a game to look up a symbol, and harder to look up symbol than a word.
Just take a moment to try, and play Aeon Trespass for the first time, and run into symbols that have no reference to them in the glossary, but instead somewhere within the main section of rules.
You'll find that keywords work better overall unless you use very few icons.
Not a pro like you, but I couldn't disagree more about using symbols instead of text for recurring keywords. Symbols take a ton of memory space to learn since you have to connect them to words in your head anyway, and I get really turned off reading text with too many of them. I feel like MTG does symbols really well: it has 7 recurring symbols (the 5 mana symbols, the colorless mana symbol, and the tap symbol), but all of these fall into categories (mana and tapping). The mana symbols don't take much memory space to tell them apart from each other because they're all the same size and shape, so really you have two symbols- mana symbols and tapping. 2 symbols is a lot easier to memorize than 5 or more, which is something I see in a lot of games nowadays.
The symbols in MTG also don't come up when describing interactions between cards. MTG never uses the tap symbol to tell you that a card taps down an opposing creature, only to tell you to tap a card for an effect.
I designed a card game a few years ago, and I've always wanted to take it to the next level. I recently got excited about updating it, and this video showed up just in time. Thanks, Dave! Great info
I designed a card game, then while looking online for Layout examples (such as this video) I discovered Land, Air & Sea, which was about 90% similar to the game I invented.
The future sight set cards are actually one of my favourite mtg card designs. Not for any particular reason other than they look really cool.
This video is pure gold! Well done!
Literally watching this video while designing the cards for my game. Great video!
Literally replying to this comment while designing our action system ;) Thanks!
Really slick video. Lots of great points that verbalize well the thoughts I've had but haven't been able to put into words. Thanks, man!
the fact about Everdell blew my mind 😮😮😮
As an aspiring game designer this helps a lot.
I think I'd like to suggest a change to the silver rule about colour blindness: Never have icons that mean different things be the same icon/design but just in a different colour. It is a surefire way to make the game completely unplayable for a portion of people. Take for example in MTG: The different mana symbols practically mean the same thing, but they all have designs that make sure you can tell them apart even if they were to be in just black and white (like people with complete colour blindness would see them, for example). It was the first thing I thought of at 10:15 when you showed the example card. The green and gray crystals at the top of the card (the cost) should be different designs and not just different colours.
Hey Dave, im an indie game dev who has been trying to put together a good card game for a while (turns out it isnt easy as I jad always assumed). This video was incredibly helpful, especially for someone like me who doesnt have the skills to handle the artwork and bas therefore been focused much more on nailing the basic layout of the cards. I wish there was more good quality information available online about the intricacies of designing these games.
Thanks for taking the time to say this, I'm glad you found it helpful! I'm in the same boat, that's why I did this deep dive into how I can make things look good with the un-artistic side of my skills.
Excellent information and presentation. Going to check out the rest of your channel. Subscribed! Thanks again. 👍
I feel like cost is one of the most important things to see when looking at my hand and anywhere other than the top right is sub optimal. Modern card design is all very same-y and I feel like it also keeps the games from actually gaining traction in TCG's or LCG's is because they follow similar rules to what you've described as "the golden rule".
This is really good. Simple and quick but packed with info. Keep this up!
These are great rules for anything really. It's like a mini design basics class. Nice work.
Great tips! I think Bandai has been knocking it out of the park with their recent card design, especially with Digimon. That game has basically become my gold standard for card design now. They use keywords instead of symbols, but I actually prefer that with a TCG. Card text with symbols are definitely better for board games.
That's something I'll definitely have to look into, Digimon was a big part of my childhood. It'll be near to see what the modern card game looks like now days.
I was also going to comment about the Digimon TCG. Is such a clean design and works so well within the mechanics. The updated design that is rolling in in the latest set prevent future clutering on the card to open game design (not a different bubble color for each evo but a outercircle with the color information filled in). Also how despite all, the art is allowed to shine like any other card game allow for their common cards
@@thunderybuggy7399 And that outer circle is going to increase clarification for people with colorblindness. Such a great design that people can learn from.
Excellent quality. Super helpful. I am thankful that I think I did pretty well with all these when I sent my latest prototype update to the printer.
DUDE! I am a recent game design graduate with a extreme interest in Board Game Design specifically. Cannot wait to devour all of your videos. This Card break down was incredible and wonderfully thorough! Can't wait to see what I can learn! I would love to see the games you have worked on as well if you have a website!
I would like to do a video on the things I've worked on, but not a lot has survived the test of time and storage. I need to find a way to have some lessons to share so you and others will get a bit more worth out of a video like that. Website is on the todo list! But first I need to get good any making videos regularly =D
Should be a watch for every indie tcg creator. So many new games have amazing art that is just kneecapped by the worst design. Design is essential to making a professional looking game and it’s always skipped over.
Kicking myself now! So much of this is retrospectively so obvious, shocked i never even considered them before ! Thanks so much
This is very interesting and never thought of some of these. They make sense. This is very good insight and very helpful for me as someone that has been making my own card games for years now and looking to hopefully publish games someday. Thank you! I'll have to keep these rules in my mind.
Wow, this was super interesting! Thanks a lot, I'll be sure to learn some more from you :D
This video is a god send. I have been struggling with my TCG for awhile now.
Great video! I gasped at the first rule. Can't believe I'd never considered it before.
Very useful advice, keep up the content. Been printing and playtesting my game over the last 3 months but am completely rebuilding it using your methods to playtest online now
It's a pain, but totally worth it. :)
I’ve been implementing rule 4 a ton in my recent iteration of my card game. My cards already have symbols associated with them (🐚 for Monster, 🎲 for Item, 🏠 for Place, 🗡️ for Attack, ❤ for HP, etc.) so instead of an ability saying “search deck for item. Shuffle afterwards” it would say “search deck for 🎲. Shuffle Afterwards”. It’s good to remember to not go overboard though. There was a brief time where I’d summarize everything in symbols like “🔄🤚⬅️” which was suppose to mean “swap hands with player on left”. It was obvious to me but made it confusing for other players.
Great video! Thank you for the fantastic analysis ;)
Just discovered this channel. Great video! I would LOVE to see a video on how to design cardbacks
in moderate defense to having names of cards in the top left corner instead of costs, they can act as a really good information shortcut to really experienced players.
as an MTG player, if I saw a fanned out hand of cards in a vacuum and see Counterspell in the top left corner of one of them, I've played the game enough to know exactly how much it costs and what it does just by seeing that name alone, in this case two blue mana.
If I saw the cost in that position instead, it's certainly the most useful info I could know about the card while it hasn't yet been played, but (ignoring any other potential visual indicators for the sake of this example like seeing part of the art) I might not necessarily know *what* card it might be of that cost, for all I know the deck might be stacked with other cards that also cost two blue mana.
however this only applies once you have played a game enough to tell what any card does just by the name or the art, this doesn't apply to new players which you should be probably be formatting the card's interface in service of. Not saying that the golden rule is straight up wrong or anything, just that if you are going to put something else there, I think the card name would be the second best alternative
Another thing to bear in mind magic is that you generally build your deck as well. Which means that you'll usually know all the cards you put into it, so you likely do know all the card names.
Ironically MTG actually solved the first golden Rule with "Future Sight" expansion as all the cards had the Cost on the left border, and then they scrapped it and went back to traditional MTG layout.
As someone who is designing a homemade card game, that may never see that light of day.
I did learn some very useful information, although I'm not sure revamping my game for the 7th time, is all that worth it.
😆
6:21 I wouldn't say that I "hate change" so much as that Gangar card is literal eye cancer.
As for the Magic Card, sure there's some minor merit to your Rule 1, but it's *very* minor. As you say later, the cards in your hand are indeed the cards you put into your deck, so you don't need the mana cost visible all the time while you have things tightly fanned. People have object permanence and minor memory capacities. They can see the mana cost (and other info) and then remember it for most cards even when it's obscured.
Furthermore, The mana cost being on the left side under the name of Tarmogoyf now causes two problems.
First is that it's obscuring the picture, and the picture is the most important thing because - again - people remember the info on their own cards. They just need to recognize which card they have, and that mana cost there is obscuring the image if there are similar 1-F green cards.
Two, the beauty of Magic cards is that everything is placed in its own relevant space, so you can find the information you want about the card by looking at a distinct section of it. name, image, mana cost, creature type, power/toughness, effects (and sometimes flavor text). They're partitioned out so everything is clear and the info for one section doesn't distract from info in another section. This puts the mana cost and the name in the same spot, and makes the mana cost unclear because of the curved behavior. This works for something that costs some colorless mana and a single colored mana, but what if it cost 3 forests? 5 forests? Now the mana cost design has to curve around and make the spacing uneven and make counting harder. So your format is either going to suck for some cards, or you're going to only use this format for cards with few colored mana, making a split standard which makes it that much worse to look at cards and evaluate their information at a glance. Because now you need to look in two different locations with two different formats for mana cost.
Which is why that Gangar card is such cancer. The image now covers the whole damn thing, being distracting in general and making reading any of the text a nightmare. Well defined borders and information is important.
And no, it doesn't have to be "most to least important, top to bottom" like some kind of passage in a book. The important thing is that relevant information is visible, and in its own space so you can instantly fixate on whatever information is most
Sorry but, while this video was nicely produced, you're speaking like these design rules are gospel. And that'd be fine if they were fundamental and ironclad but, frankly, they're arbitrary, poorly supported, and often missing what's important. You're not arranging text on a page or trying to tell a whole cards story from the 10% visible in a tightly fanned hand. You want each card, individually, to have its information clear, organized, identifiable, and recognizable. Absolute location doesn't matter as much as being distinct. People's memory takes care of the rest.
And because it's so bad, I have to say it a third time. That Gangar card was cancer and you ought to be ashamed for holding that up as some kind of implication that players "just don't know what's good for them."
The design of mtg has gotten increasingly worse, both design and the images themselves. One of the reasons I never'll come back.
I played mostly from 4th edition to Urza's Legacy. Cards have generally gotten worse looking since then.
Distinctive art also acts as a sort of shorthand for experienced players, a highly detailed symbol that identifies the card. Nobody can read a tiny text box upsidedown across the table, and they might not easily be able to read the name, either, but if they see the art and are familiar with it, then they'll recognize the card.
It's genious and concise video, thank you. Your videos are as well designed as well-designed board games.
OMG; i have been designing games for a year...this is a game changer.
Love this, thank you!
Nice video! I like how you used cards from popular games to demonstrate the rules by pointing out ways that their design could be improved.
I am making a card game myself and this was very helpful. SUB !
Amazing video, thank you so much.
would love to see a video on card gameplay design
One caveat with the golden rule about symbols is that symbols are an intro barrier to your game in the same way that magic's keywords are. To get around this they have a sub-rule: if you have space to explain the thing, explain the thing. This most commonly occurs with set-specific keywords like Soulbond. What does Soulbond do? Well I can look at my Wingcrafter (which is a common card) and everything I need to know about the keyword is right there. Now when I get a rare or mythic card that JUST has the keyword I already know what it does.
So one variation of your card could read: Gain one colourless power shard (colourless power shard symbol). If the card below this one is (green), this card has a combat value (sword) of 1.
Funny how the everdell card you used as an example is the only one in my box which has a misprint in that specific data point. (II instead of III)
For Yugioh the way the games developed over the years the tiny font is mandatory for example as current topical card reads:
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You can target 1 face-up monster on the field or in either GY; place it face-up in its owner's Spell & Trap Zone as a Continuous Spell. During your opponent's turn (Quick Effect): You can target 1 Monster Card treated as a Continuous Spell on the field; Special Summon it to your field. If this card is sent from the hand or field to the GY: You can Special Summon 2 Level 1 FIRE monsters from your GY. You can only use each effect of "Snake-Eyes Flamberge Dragon" once per turn.
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But if the cards didn't explain all their rulings in the text and only said the most important parts (losing the nuance) a revised friendly version would read like:
- Place 1 face-up monster on the field or GY, in its owner's Backrow as a Continuous Spell.
- During your opponent's turn (Instant): You can Summon monster treated as a continuous spell to your field.
- If this card is sent from the hand or field to the GY: You can Summon 2 Level 1 FIRE monsters from your GY.
It's still a lot of text and Konami had no Idea how ridiculous the game would get and it's funny that removing texy from mosy modern cards msked then infinitely stronger.
Nicely done informative content
I really liked your videos,
I have been making board games for more then 10 years(for fun)
but these tips(watched all of your vids.) were really good.
got new energy on a game we are design for more the 4 years now.
and went back to drawing board a couple of times.
But now we making some real progress...
Do you need some play testers for you games?
I loved your video's keep em coming.
What an incredibly insightful video, I think within the near future that you will go very far in the industry my friend
Rule #1, i fan my cards from left to right (front to back) so I see all of my MTG costs instantly. The rule still applies though
A little confused with the symbols advice; you replaced green with a green symbol, but I know of a fellow game player who is blue-green colorblind, and you mentioned accommodating colorblindness. I'd recommend doing something MTG has done; giving each color its own shape or design, similar to how MTG and Pokemon each has their own mana/energy symbol.
That said, I'd love to learn more about your game!
"People hate change."
It's so true yet so frustrating... i personal like that new magic card border, and the full art on the pokemon card with white and black text is a neat idea.
Thanks for this list! Soooo many games don't do rule number 3 use way more words in their texts than necessary. I suspect they're trying to use more words to try to be less confusing but it always ends up being more confusing!
And yesss on using symbols too. I know there's an argument against symbols that says that they make it harder for new players to understand a game because they have to keep looking them up in the rules, but the truth is they only have to look them up in the rules a few times and then they'll remember them and the game will be so much easier to understand.
Something like 2/3 of men have some degree of color-deficiency. Thanks for including us.
I've definitely found when playing magic that art is the most important part of card identification
The different art makes navigating lots of cards much easier
The art is what tells your game's story - and it isn't just about the aesthetics of the images in isolation, but also their history in terms of production. You should give people substance and multiple layers of investment to get invested in. Without the art and the context it gives, each game, not just card game, becomes a bland exchange of numbers. Think of chess and how each piece's role is also linked to its name - The King, The Queen, Bishop, Knight. Their names and shapes allow us to connect to the fantasy of the game - this is true for literally every single game.
Nice vid, bet the mana-not-visible problem isn't really a problem, you just have to hold the cards differently. It doesn't matter if the mana is on the left or right, if you don't hold the cards correctly you won't see the costs even if they are printed on the left. But yes, I know what you mean, costs should not be printed in the middle.
Another winner! Cheers Dave 🤙🏻
Thanks for the compliment! ✌️
I have not play a single game of lorcana yet. But damn I want to pull some of those cards (not even a disney fan). So I 100% agree with rule #5
Art is very important not just aesthetically but functionally. Once I am familiar with a card, I rely on the art to recognize it in play. Tell me the name of a card and I won’t know wtf you are referring to, I need the visual cue. Not saying I’m the norm, but I’m sure there are others like me.
Amazing!!!
Race for the galaxy is a neat example of 'if it can be said in stmbols, use stmbols'. Very few of rhe cards hace words, its all symbols with a ckear iconography. You might have to refer to the rules a bit at first but after a while you learn tve symbols or can at least deduce roughly based on similar symbols.
I'm designing several games. For one of them, I'm trying to replace every single line of text in the dungeon crawling cards with symbols, and even if it's easy to read if you know what the symbols mean, it will probably be overwhelming for the new players and I will probably need to make a full document explaining each card (but it wont be included in the game, just a link to access it). The item cards have the symbols in the text box, and the cost at the top.right corner, but the cost is for buying only (deckbuilder) so it's not needed after it's purchased and in the player's hand.
The second game has 11 spaces for icons at the right side of the cards, which are present in all cards regardless of type. The icons on those spaces vary depending on the type, but the general theme of the icons share the same spot. I'm still working on the design, tho, but the idea is fine i think, I just need it to look more professional.
informative and great for general graphic design. However, I have to ask... have you tried fanning the cards in the other direction?
For a moment I thought you were wrong about MtG obscuring the casting costs when you fan the cards out... then I realized I got used to fanning the cards the opposite way exactly because of this problem.
Great video man! I would love to see where you go from here!
To infinity, and beyond!
Great points! I’d like your thoughts on frames of cards and other background information that is sometimes used to convey information.
I'm a big fan of that, it's like easter eggs but actually important information. Using everdell again as an example, it took me a few playthroughs to fully understand what each colored of card did mechanically, for the first few games I just knew I had to collect specific colors for points. I later learned that blue is triggers, purple is VP, etc.
One thing most cards are missing (which is weird because regular playing cards have that) is an index.
In most games you still hold your cards fanned in your hand.
You just can't see ANY info. Sometimes the background is different, giving you some information (like a type or something in MtG). But that's it.
Hearthstone gets away with it, because they assist with highlighted borders. A card that can be played is green. A card that targets a minion can't be played with no minions on the field, even if the cost is within your current budget. A card that has a special effect gets a yellow border. Often this border appears when an effect occurs like "look, your opponent played a type-X minion. This card has a bonus that just activated".
That's a luxury that non-virtual games don't have.
IF I have a card in my hand that is strong against the undead, I want to see it at one glance. If a card has a combo effect, I want to see it at one glance, so I can plan my move).
Not many games even have this kind of info as an icon (hearthstone does in a limited form with icons for special effects, death cry etc - on the bottom of the card).
In many games you need to read the text to get an idea what this card is about.
If you translate the text to klingon, a water type with a kombo effect is indistinguishable from a fire type with a permanent buff during certain conditions).
That makes it very hard for new players to enter the game and makes strategizing a long process. The more cards you have, the worse it gets.
a great example is M:tG has a gravestone symbol in a corner to indicate an ability that lets you play the card from the discard pile.
Sweet tips bro.
Informative. Id like to apply this to TTRPGs like D&D with their walls of text for every spell and monster.
Everdell is one of my clearest examples of how card design makes a game practically unplayable for me. The text on the players' cards on the other side of the table is just so tiny, yet so important for me to know. Since I can't see the text, I just don't want to play.
5:20 my eyes went to the art and then up, so the elements were in the reverse order to ejst you describe.
Having played arkham horror, the card titles wind up being the less importsnt thing and i identify the cards by their art.
Easy test for color blind people, because there are multiple types. If your card can't be easily played in Grayscale, you need to change something.
I think a huge thing a lot of games make is having too much visual clutter on a card. You dont need two different spheres of different colours to define attack and defense values, information like tribe or the colour of a card does not need to be communicated as a large sigil in the center of the card.
Knowing when to use graphics and when to just leave it streamlined is a huge thing for card design.
In my experience the most important information is:
What kind of card is it
When can i use it (instant vs sorcery)
What and how much resources does it use
What it actually does.
And that order is important as it decreses thinking time. Breaks in that rythm also makes the information harder to get right the first time you look glance over it.
Amazing vid!
Thanks!
A great video. One thing I could do with advice though is good places to look for art work. What are places to seek help with art work/illustration/imagery? How do you go about finding an artist to help? Or is there software out there that can provide a foundation point?
what ive always found awkward in art design of cards is that the art (pretty much always/(always?)) only faces the player playing the card
i know, sure, its cool if u can see what the monster looks like, but even in the old ass 52 standard card decks the face cards look both ways
if u some something fierce/mean looking for example it would kinda make sense to have to face the enemy "to instill a feeling of dread into them"
tho im not sure how that would all fit on a card and not take up all the space 🤔maybe use slightly bigger (but still handleable) cards than whats commonly used
My favorite cards are from Terraforming Mars, most cards you don't even have to read any text* to understand what it does.
*unless the icon description has an asterisk
00:00 🎨 Art is paramount: Art is crucial for drawing players in, contributing to the game's theme, and enhancing its appeal.
02:03 🖊 If it can be said in fewer words, say it in fewer words: Cards should convey information concisely to maintain readability and avoid overwhelming players.
04:36 📊 Follow visual hierarchy: Arrange card elements based on importance and relevance to guide players' attention effectively.
07:31 🔤 If it’s said repeatedly, say it in symbols: Use symbols for recurring phrases or mechanics to streamline card text and improve readability.
10:53 🎨 Art is paramount: Prioritize art in card design without compromising functionality or design cohesion.
Nice, I was looking for some D&D Spell Cards and hate them all. By this video I'm triggerd to make my own
I have another one, that Decipher broke with Star Trek 1st edition. "Never reference lore text in your game text". The card Hirogen Hunt is maybee the worst offender I have ever seen. [Hir] is in this case a way in text to show that on the card there is the Hirogen symbol.
Also, once each turn, you may report an Alpha-Hirogen (or any [Hir] card that names in its lore an Alpha-Hirogen you already have in play) for free.
When you play a Hirogen, you need to look in its lore text to see if there are any names in it. Then check if you have that character already in play. If it is in play, you need to check if it is an Alpha-Hirogen.