Music video: Bury me under the Reichenbach (Sherlock Holmes Jeremy Brett, granada johnlock)

The idea for this video came from the very beginning, after several episodes of Granada. But I did and edited it for 1 year, licking my creation to the end. This clip is a summary of my theory that Sherlock in Granada is gay. But the song used for the video suits Sherlock in granada or Sherlock in canon and without any theories. Its author is Aleysey Romanof, my favorite singer.
00:00 (1 verse)
It all starts with the scene where Sherlock is very frankly lovingly watching how John takes his temperature. From that moment on, my passion for Brett began, I was struck by how person can so vividly convey such a huge palette of emotions with one's sight. This scene is difficult to understand differently, because even if you try to repeat this look yourself, you will feel for yourself that this is love, irony over yourself, an attempt to hide the desire to be together.
{As Ranevskaya performed - I couldn't go there}
Faina Ranevskaya is a bright and ironic Russian actress. This footage is a tribute to Brett's unsurpassed acting talent and Watson’s admiration and poor self-esteem near Holmes.
0:22 (1 chorus)
On the first chorus, Sherlock and John, saying goodbye, remember how good they were together. Falling into a waterfall on the words "Where the play ends, real life begins" makes it clear that Sherlock's game and even an escape into imaginary death is an attempt to hide their real feelings. But any performance once ends and you have to live.
1:08 (2 verse)
In the words "I myself" Sherlock says that the only one who could overcome Moriarty is him. After that, a cut of footages from The Last Case about how Moriarty's people tried to kill Sherlock and a very small piece from a conversation in Switzerland, where Holmes asks Watson to leave him alone and not to risk life. A huge hinting moon and Sherlock's face in the mirror when he is jealous of Watson for Mary.
1:30 (2 chorus)
The second chorus best reveals the essence of my theory. Who is here? A gay colonel's lover disguised as a woman in gay-club. It was through the suicide of this colonel that Sherlock worried so much in the series (there was nothing about this in the book). And Captain Jack Crocker, whom Holmes set free, previously, according to the Granada, flirted with him all evening. And Enrico Fermani, whom Sherlock remembers only with tenderness uncharacteristic for a client-detective relationship, knows that he lives with his mother, cries after his death (there is one sentence about Enrico in the canon). And Langdale, played by bisexual Peter Wingard, who flirting with eye contact with bisexual Jeremy Brett. And the best homosexual pairing of Granada is sherstrade, because Holmes has a very tender relationship with the policeman.
2:09
{But mom, I ask only for one thing: bury me behind the plinth}
With pierching music, a moment of kind Sherlock. He embraces and soothes a woman from "The Eligible Bachelor", Baril and Henry.
2:30
“The clock had stopped, it doesn't strike at midnight” - Sherlock looks longingly at Watson. “No more friends who lie” - Mary, this is a tribute to their tensions with Sherlock. “Tragicomedy - encore and crown. The curtain is slowly falling down.” - a real meeting with Moriarty, such as she was in reality. This is a meeting with the truth, with oneself.
And for "I didn't act, I lived the whole play the best I could. What for?" the only one scene was ideally suited, because the authors meant exactly the same thing as it was in the song.
2:49
{Why did I let go your hand? Why, tell me?
Where the play ends, real life begins!}
And the culmination, my greatest joy. In order to understand it, you need to know what they say there. Holmes says: "Hide! Quickly if you love me!" Watson hides - and Sherlock rejoices, after which in clip there are the most johnlocker scenes of the series. This is a real way out of the closet - even if it is not in the film adaptations, but at least it will stay in the videos of Sherlockgayada.
3:11 (3 chorus)
The scene from the “The Master Blackmailer” is the sponsor of this clip. It created for this song, because according to the plot of the series, Sherlock really compares himself with the statue and is sad because he always has to hide his feelings.
The most serene and at the same time emotional scene under "In order don't feel anything". And the long-awaited mention of drug addiction in these scenery.
There's a clip about a man who hides his feelings because of an incredulous character, and because of laws, and thanks to a toxic society. It seems to be about love and sexual orientation, but it still intersects very much with my Sherlock-nice texts about the kindness of Sherlock Holmes and how for 125 years they turned the characters from the book inside out, demonizing Sherlock and embellishing Watson.