Jimin, great video as always. For anyone that's interested, there are 2 Jazz Hanon books that are really great. One by Leo Alfassy, the other by Peter Deneff. Thanks.
There are actually two more Jazz Hanons (I own them all). By Misha Stefanuk and the other by Jerome Gray who also wrote some other interesting hard to find titles; Jazz Czerny, and Jazz Bach. And for those interested in Hanon outside of jazz there's a real nice one; Hanon Revisited, which focuses on 7th chords and melodies in both hands (only for the brave, this is for intermediate and up).
I'm like "Oh I can do this. Maybe not at full practice speed, but these are mostly scale runs and arpeggios." Then the circle of fifths showed up and I quit keys and went back to guitar forever.
Looks just fabulous, Excellent Presentation. Great sharing as always, Stay blessed stay connected, and Thanks for sharing.💟. Love from Crushed Chilli.💕
How do handle the tonal center when playing? Do you hear the tonal center in C throughout the exercise or do you hear the root of each chord as the tonal center?
@@zacharymckinnon6832 how do I be aware of how each chord sounds in relation to C major when the tonal center in my ear is focused on the root of the chords? Do I need to keep track of multiple tonal centers in my head somehow?
@@mg6192 "The tonal center in my ear is focused on the root of the chords" is a sentence that doesn't make sense. The tonal center is a property of the music, not your ear, and it can't focus on anything, but is your ear's response to the music. Progressions like the one in Exercise #1 are tonal music with a clear tonal center, so you naturally hear the tonal center in C throughout the exercise. If the progression goes Dm7 - G7 - Cmaj7 - A7, it's in C major, and the tonal center is C, and each chord functions in a way that relates to C (the progression is ii-V-I-VI where the C chord is I). Notice how when you hear the G7 before the Cmaj7, it sounds tense and your ear "wants" it to resolve to Cmaj7. That is your ear "hearing the tonal center" of C even when a chord that isn't Cmaj7 is being played. And if you extend that to the Dm7 before the G7, you can hear that Dm7 doesn't feel like home, but it's on its way home. Contrast that with a tune in D minor, where Dm7 *does* feel like home, or a blues in G where G7 feels like home. Usually your ear figures this out automatically so you don't really have to spend effort on it; it's only when the tonal center is a bit unclear to you that you might want to focus on listening for it (there are tunes with harmony that moves around a lot and sometimes your ear loses track of the tonal center).
@@75kpos so like in the video, if the key is C major and we are on Dm7 chord and playing the D Dorian scale over this chord, I am supposed to keep C internalized as the tonal center instead of D?
01:24 #2 - Mode scale exercise - I'm really struggling to do it without a single mistake, no matter what tempo. Have to keep working. Do you guys have the same ?
Unfortunately, after I purchased and downloaded, it didn't print the actual notes to be played, just the key and clefts. Is there some secret to being able to print your Jazz Hanon exercises?
Thank you so much for this video! I just have one question. In the first exercise, I thought the mixalodion b13 scale was c,d,e,f,g,Ab,Bb. I'm not really good at music theory, so I could be completely wrong. Could someone explain this to me?
You're correct, C mixolydian ♭13 is those notes. Imagine the C major scale as 1, 2, 3, 4, 5, 6, 7. If you have an A♭ and a B♭, you could write that scale as 1, 2, 3, 4, 5, ♭6, ♭7. That's the formula for a mixolydian ♭13. Now transpose that to A. So if A major is A-B-C♯-D-E-F♯-G♯, and a mixolydian ♭13 scale involves flatting the 6 and 7, then A mixolydian ♭13 will be A-B-C♯-D-E-F-G. If you look at the sheet music, Jimin is playing an F and a G over the A7. From the perspective of the chord root A, an F is a ♭6 (♭13) interval and a G is a ♭7 interval.
Hi, I really would love to purchase these exercises but your website seems to either require a Facebook account. I have purchased your pdfs many times in the past and remembering it to be very easy with just a Paypal account. Please advise as to how I can proceed without a Facebook profile. Thank you. Update: I figured it out! Thank you very much for this video and providing the awesome pdf materials!
![[2nd Place] World Championship Old-Time Piano Playing Contest 2017, Jimindorothy](http://i.ytimg.com/vi/Uvorrnz1Jo4/mqdefault.jpg)
Downlad 12key Jazz Hanon PDF file : jimindorothy-english.com/shop/?idx=69
12키 재즈하농 PDF 파일 다운받기 : jimindorothy.kr/shop/?idx=69
한국어 자막 있습니다아~~~!
Is there other video of jazz hanon that you made so that you would give me its link and i watch it?
알겠습니다아!
감사합니다
너무 좋은데ㅠㅠ 조금만 깎아주세요
Loving these. Prof jazz pianist here. Never too late to learn great new stuff. Keep ‘gettin’ it started’ lovely Jimin!
Teach me some !!!
Jimin, great video as always. For anyone that's interested, there are 2 Jazz Hanon books that are really great. One by Leo Alfassy, the other by Peter Deneff. Thanks.
There are actually two more Jazz Hanons (I own them all). By Misha
Stefanuk and the other by Jerome Gray who also wrote some other interesting hard to find titles; Jazz Czerny, and Jazz Bach. And for those interested in Hanon outside of jazz there's a real nice one; Hanon Revisited, which focuses on 7th chords and melodies in both hands (only for the brave, this is for intermediate and up).
@@tropicvibe Thanks TropiCool. I'll see if I can find those books on Amazon or Ebay.
Deneff has also published a « Modal Hanon » which is great stuff if you work at it. Published with Hal Leonard.
This exercise will really improve my sight reading and Left hand coordination. Thanks 🎹✔️
Love your video! One suggestion: having the fingerings marked would make this a perfect guide (and a buy!).
YOU ARE AMAZING!!!! I am so excited to learn this! Thank you!
Thank you for sharing the tips. Gonna use them for my improvisation.
you are the best teacher on youtube
Awesome! Thanks so much for this. Now, I am motivated to practice.
This is exactly what I need right now!
This is a phenomenal video for beginner jazz pianists like myself, thank you so much!!
Thank u so much just came upon your channel
That exercises are so good!🤝
Brilliant lesson cheers.
Helpful and lots and lots of fun for me, a beginner/intermediate piano player. Thanks!!🙂
I love your classes
Please do more like this Jimin😭🙏 for beginner to intermediate
Excellent performance brilliant
I'm like "Oh I can do this. Maybe not at full practice speed, but these are mostly scale runs and arpeggios." Then the circle of fifths showed up and I quit keys and went back to guitar forever.
Tbf its just a 5 note pattern that you can ascend in semitones, so it’s not actually that difficult.
It takes some getting used to it tho
Well I quit guitar and went back to piano FOREVER.
So many amazing exercises!!!!!!
Thank you so much 🙏 God bless you 👏
Looks just fabulous, Excellent Presentation.
Great sharing as always,
Stay blessed stay connected, and Thanks for sharing.💟.
Love from Crushed Chilli.💕
Just watching it feel so hard but very fun to listen. I cannot read note on sheet music but can play by 👂only. Interesting
Thank you so much 💓 please send more videos
Excelente video!!! Gracias por compartirlo!!!
Excellent!!! Thanks for the video!!!!
Hello from Indonesia 🇲🇨
You are a great teacher. I always enjoy your music ✌👍❤
This could help me a lot.
Merci beaucoup. Bonjour de France. Bien à vous. JpL
YOU THE BEST PIANO
Gracias por tu ayuda siempre 🙏❤️❤️
공연꼭 보고싶습니다 !🤗
Great stuff! I better get practicing 🎶🙌🏼
Thank's so much
Thank you so much , finally jazz hannon:) love your channel . You’re the best !
I like these exercises
Əla əllərin var olsun👍👍👍👍👍👍
3:14
!!!-best thanks for pract.exercises!
Great video as always! Love it 💝
Simply excellent
Amazing. Great advise. Ta 🎉
thank you!
Merci for this.
Keep making music stuff i like it!!!
you have a great technique, I will work to reach your expertise.
Thank you
Show 👏👏👏❤
너무 멋있당...❤️
Sensacional!!!
U should cover some Kapustin, he is what properly got me into jazz. :)
こういうの探してました。
지민님 영상 항상 잘보고 있습니다 ㅠㅠ 혹시 스윙삘에 대해 영상 찍어주실 수 있나요~~?
자막이 너무 좋네요
Great exercise for me thanks 🙏🏼
you are amazing
How do handle the tonal center when playing? Do you hear the tonal center in C throughout the exercise or do you hear the root of each chord as the tonal center?
Hear the root of every chord. Just be aware that C is the tonic and that you’re most likely going to end in C.
Also be aware of how each chord sounds in relation to C major
@@zacharymckinnon6832 how do I be aware of how each chord sounds in relation to C major when the tonal center in my ear is focused on the root of the chords? Do I need to keep track of multiple tonal centers in my head somehow?
@@mg6192 "The tonal center in my ear is focused on the root of the chords" is a sentence that doesn't make sense. The tonal center is a property of the music, not your ear, and it can't focus on anything, but is your ear's response to the music. Progressions like the one in Exercise #1 are tonal music with a clear tonal center, so you naturally hear the tonal center in C throughout the exercise. If the progression goes Dm7 - G7 - Cmaj7 - A7, it's in C major, and the tonal center is C, and each chord functions in a way that relates to C (the progression is ii-V-I-VI where the C chord is I). Notice how when you hear the G7 before the Cmaj7, it sounds tense and your ear "wants" it to resolve to Cmaj7. That is your ear "hearing the tonal center" of C even when a chord that isn't Cmaj7 is being played. And if you extend that to the Dm7 before the G7, you can hear that Dm7 doesn't feel like home, but it's on its way home. Contrast that with a tune in D minor, where Dm7 *does* feel like home, or a blues in G where G7 feels like home. Usually your ear figures this out automatically so you don't really have to spend effort on it; it's only when the tonal center is a bit unclear to you that you might want to focus on listening for it (there are tunes with harmony that moves around a lot and sometimes your ear loses track of the tonal center).
@@75kpos so like in the video, if the key is C major and we are on Dm7 chord and playing the D Dorian scale over this chord, I am supposed to keep C internalized as the tonal center instead of D?
Hola muy bueno ... saludos
hay para descargar estas partituras ???
Luv it
Nice ! 🎹
Good practice for the beginner but it looks difficult for me😊😊
Thank youuu
super helpful as always and tons of ideas to choose from- thank you!! 🪴
I want to learn and know How to play jazz not random video, how can I build up my piano jazz knowledge? Please
지민님 개인레슨도 하시나요??
4:42 Did you get that exercise from Walter Bishop Jr?
Probably haha
I think so as well
Donde consigo el libro o los libros
믹소리디안 b13은 자주 쓰나요 ? 리디안 b7은 봤었는데 저건 처음 보네영
❤❤❤❤❤
재즈하농 책이따로있나요???계이름은 똑같이 치나요???
Cool
Why is your right hand playing the scales in a swing feel?
Does the music have fingerings?
It’s stays circle of fifths transcription is in the box but i can’t find it
Wow.
이거 마스터하면 재즈 고수가 될수있나요?
Do the downloads show the fingering? That’s my only question before buying the pdfs
오... 이거 괘안타..
01:24 #2 - Mode scale exercise - I'm really struggling to do it without a single mistake, no matter what tempo. Have to keep working. Do you guys have the same ?
Wheres Ionian and Locrian?
마지막꺼 5도권은 원리가 어떻게 되는건가요?
Unfortunately, after I purchased and downloaded, it didn't print the actual notes to be played, just the key and clefts. Is there some secret to being able to print your Jazz Hanon exercises?
(writing from Canada)
Thank you so much for this video! I just have one question. In the first exercise, I thought the mixalodion b13 scale was c,d,e,f,g,Ab,Bb. I'm not really good at music theory, so I could be completely wrong. Could someone explain this to me?
You're correct, C mixolydian ♭13 is those notes. Imagine the C major scale as 1, 2, 3, 4, 5, 6, 7. If you have an A♭ and a B♭, you could write that scale as 1, 2, 3, 4, 5, ♭6, ♭7. That's the formula for a mixolydian ♭13. Now transpose that to A. So if A major is A-B-C♯-D-E-F♯-G♯, and a mixolydian ♭13 scale involves flatting the 6 and 7, then A mixolydian ♭13 will be A-B-C♯-D-E-F-G. If you look at the sheet music, Jimin is playing an F and a G over the A7. From the perspective of the chord root A, an F is a ♭6 (♭13) interval and a G is a ♭7 interval.
@@75kpos Alright, that helps clear things up a bit. Thank you!
Good. But what you practice is what you will play.
Hi, I really would love to purchase these exercises but your website seems to either require a Facebook account. I have purchased your pdfs many times in the past and remembering it to be very easy with just a Paypal account. Please advise as to how I can proceed without a Facebook profile. Thank you.
Update: I figured it out! Thank you very much for this video and providing the awesome pdf materials!
I bought it with no facebook create a account with jimi than you can use a visa I got this and 251 voicing its excellent
👍
The link is broken... :S
#10 is Tarkus by ELP! xD
입시생은 레슨 안받으시나요??
❤🥰❤
Gamecube vibes on the 10th
Oh my god, that last one was terrifying.
Pro
Can you make "How to Play Like Oscar" later? Please ㅠ.ㅠ
Hi I was disappointed to see you want $10 to download the Hanon scales. I got the impression they were free.
It’s only the c scale free….i bought the 22 page book for ten euro and it’s well worth it, 10 euro is very reasonable
❤❤❤