Glenn Gould, 1963: Partita No. 1 in B flat major BWV 825 - ruclips.net/video/mvPaKYVnfrY/видео.html Partita No. 2 in C minor BWV 826 - vimeo.com/711623697 Partita No. 3 in A minor BWV 827 - ruclips.net/video/qwVDgUQeEsM/видео.html Partita No. 4 in D major BWV 828 - ruclips.net/video/sCCegocGrWY/видео.html Partita No. 5 in G major BWV 829 - vimeo.com/712219519 Partita No. 6 in E minor BWV 830 - ruclips.net/video/WDzEAqd7RWQ/видео.html Other recordings of the Bach Partitas: James Weaver, 1978 Partita No. 1 in B-flat major BWV 825: ruclips.net/video/FvjKK08gzw0/видео.html Partita No. 2 in C minor BWV 826: ruclips.net/video/s5LQnup6Kzw/видео.html Partita No. 3 in A minor BWV 827: ruclips.net/video/cMFg6J66WrE/видео.html Partita No. 4 in D major BWV 828: ruclips.net/video/qoKzEdqhOPQ/видео.html Partita No. 5 in G major BWV 829: ruclips.net/video/F8H16U-tJPg/видео.html Partita No. 6 in E minor BWV 830: ruclips.net/video/4JlR66pHc0c/видео.html
It is. He tell him himself, that he find this piece the most powerful in terms of emotions of all Bach. Just saw an interview, before watching this video
Einzigartige doch wunderschöne Interpretation dieses perfekt komponierten Tastenwerks im veränderlichen Tempo mit klar artikuliertem doch elegantem Klang des technisch fehlerlosen Klaviers und mit perfekt kalkulierter Dynamik. Wahrlich intelligenter und unvergleichlicher Pianist!
I feel he has a special connection to this one. I like to imagine he poured all the tragedy of the loss of his mother, or maybe the loss of his dream of family life with Foss. This piece seemed to understand when I couldnt express my own sadness and loss. So I can understand if GG also found a way through it to express his feelings (which he was often reticent about on these subjects. ) However, the date of recording, 1963, shows that those events in his life had not happened yet.
It is interesting to note how each Partita opens with a different introductory movement: the first with a Praeludium; the second with a Sinfonia; the third with a Fantasia; the fourth with an Overture; the fifth with a Praembolum; the last with a Toccata.
@@cliffpinchon2832 Yes and no. The praeludium, the fantasia and the praembolum have the same structure (only one section); the other three pieces are different from each other: the overture has two sections, the symphony has 3 real and proper movements, while the toccata has a single section but broken in two by a fugue. It is also interesting how these pieces are alternated with each other: those with a single section (1,3,5) and those with several sections, (2,4,6) also positioned in decreasing order of sections (symphony in 3, overture in 2 , toccata 1 but broken in two)
Yeah thats why I don't mind hearing him play an out of tune old instrument on a worn out recording. I feel like there is something about the structure he gets, that I want to learn. But also he is in another world as far as the expression.
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Glenn Gould, 1963:
Partita No. 1 in B flat major BWV 825 - ruclips.net/video/mvPaKYVnfrY/видео.html
Partita No. 2 in C minor BWV 826 - vimeo.com/711623697
Partita No. 3 in A minor BWV 827 - ruclips.net/video/qwVDgUQeEsM/видео.html
Partita No. 4 in D major BWV 828 - ruclips.net/video/sCCegocGrWY/видео.html
Partita No. 5 in G major BWV 829 - vimeo.com/712219519
Partita No. 6 in E minor BWV 830 - ruclips.net/video/WDzEAqd7RWQ/видео.html
Other recordings of the Bach Partitas:
James Weaver, 1978
Partita No. 1 in B-flat major BWV 825: ruclips.net/video/FvjKK08gzw0/видео.html
Partita No. 2 in C minor BWV 826: ruclips.net/video/s5LQnup6Kzw/видео.html
Partita No. 3 in A minor BWV 827: ruclips.net/video/cMFg6J66WrE/видео.html
Partita No. 4 in D major BWV 828: ruclips.net/video/qoKzEdqhOPQ/видео.html
Partita No. 5 in G major BWV 829: ruclips.net/video/F8H16U-tJPg/видео.html
Partita No. 6 in E minor BWV 830: ruclips.net/video/4JlR66pHc0c/видео.html
Великолепное исполнение! Нельзя сравнить ни с одним пианистом - Гленн лучший и лучший❤❤❤❤❤❤❤
Hálásan köszönöm ezt a feltöltést, 50 éve sokat hallgattam ezt a lemezt, még a kék piros borítóban. Ez az E moll volt a kedvencem.
Its fascinating to hear him play this complicated work, how he follows the moving passages and makes the music absorbing.
ABSOLUT EINZIGARTIG
Bravo Glenn!
Yes! Well said!
@@messrtwinky Thanks a lot!
Easily among his best recordings.
It is. He tell him himself, that he find this piece the most powerful in terms of emotions of all Bach. Just saw an interview, before watching this video
Simply a stunning and fascinating rendition ! Thanks !
Einzigartige doch wunderschöne Interpretation dieses perfekt komponierten Tastenwerks im veränderlichen Tempo mit klar artikuliertem doch elegantem Klang des technisch fehlerlosen Klaviers und mit perfekt kalkulierter Dynamik. Wahrlich intelligenter und unvergleichlicher Pianist!
Diese Bewertung könnte von einer KI stammen: hohle Phrasendrescherei, absolu nichtssagend!
Dear David, Always Thank for your video!
I feel he has a special connection to this one. I like to imagine he poured all the tragedy of the loss of his mother, or maybe the loss of his dream of family life with Foss. This piece seemed to understand when I couldnt express my own sadness and loss. So I can understand if GG also found a way through it to express his feelings (which he was often reticent about on these subjects. ) However, the date of recording, 1963, shows that those events in his life had not happened yet.
It is interesting to note how each Partita opens with a different introductory movement: the first with a Praeludium; the second with a Sinfonia; the third with a Fantasia; the fourth with an Overture; the fifth with a Praembolum; the last with a Toccata.
Yes... Bach was a genius of the highest order.
@@davidhertzberg Sure. My best pieces from Partitas are the Fugue in the Toccata, and the Allemande from the 4th
Thank you for pointing that out!! I hadn't noticed that.
aren't some of those Titles essentially different Names for the same Thing?
@@cliffpinchon2832 Yes and no. The praeludium, the fantasia and the praembolum have the same structure (only one section); the other three pieces are different from each other: the overture has two sections, the symphony has 3 real and proper movements, while the toccata has a single section but broken in two by a fugue. It is also interesting how these pieces are alternated with each other: those with a single section (1,3,5) and those with several sections, (2,4,6) also positioned in decreasing order of sections (symphony in 3, overture in 2 , toccata 1 but broken in two)
Getting re-acquainted with Glenn Gould, who surely had a way with Bach.
No lack of attitude and self-aggrandizement. Significant for sure, thanks!
gorgeous！
Das ist Universums-Musik! Alles folgt einer höheren, intelligenten Ordnung und wirkt trotzdem so natürlich, als könnte es gar nicht anders sein.✨💫
Gould’s playing here doesn’t feel like a series of moments to me like how others interpret this piece. Feels like he gets the work as a whole
Yeah thats why I don't mind hearing him play an out of tune old instrument on a worn out recording. I feel like there is something about the structure he gets, that I want to learn. But also he is in another world as far as the expression.
Gould I believe once remarked that Bach was about structure, less about the notes per se. Something like that. :)
that magnificent sarabande may be one of the most introvert pieces Bach ever wrote!
It took me too long to understand: by "introvert" you may mean "introspective"?
@@messrtwinky what i mean is it's shut like an oyster. it takes so much effort to open it up but it is so worth it
Je savais que la musique de J.S. Bach était un lien vers l'éternel. Je crois avoir pris l'autoroute.
I think he catch what Bach mean to say
🙏
❤⚘🙏❤
〈連續性〉
──致演奏Toccatta, BWV 830的Glenn Gould
還聽得見廣泛的振動
潮汐般的雷鳴裹著閃光自事物的髓質退離
時間送我到這裡
腳後留下他碎小而眾多的舌尖舔舐的痕跡
再遠是車流呼嘯而過，反射的車窗
赫拉克利特的正面數次顯現於瞬間
（在灰燼中，鼻子能辨別……
古代蒲伏的動物
如今以超過渴望的高速奔馳）
四顧時耳畔乾熱的廢氣上升
迴旋的形式拂掠額角
不曾凝集為透明的冠冕
徵兆，國土的徵兆是否還在細節裡
當汙損的碎紙在路面捲動著覆蓋另一些
字句終究可能正確
光線在高窗間無盡頭的漫射
像絃律在市景裡尋找對應之物
只有和應的物件結成整體
其餘消弭於夏末的高溫
3:59 Vertrauen...