@@KentHewittpiano88 That is really helpful :) From a classical formation, I'm beginning in jazz and you and your books are probably the best ressource I found on the whole internet for beginners out there. So thank you a lot. I just have one question: what is the process you recommend in order to acquire the agility you've got while playing the solo from 3:30 ? My guess is that you imagined these music patterns in your mind, then maybe you wrote them and you practiced them a lot, beginning slowly, then faster and faster, so you get agility and know them by heart, and you have sort of a "toolbox" to play a proper Autumn Leaves solo. In that case, jazz players would always reuse their same patterns, which seems weird to me, so it's maybe not the right way to practice... Or is it more generic, like you created and learned several patterns for each mode ? I mean, I understand that the brain can use target tones and passing tones to improvise a melodic solo on the fly, but at this level of speed this has to be something learned before. Or is it simply patterns you recover from the massive amount of jazz pieces you have red and played for like the past 20 years ? :) maybe it's a bit of all that, but it confuses me at this point...
Thanks, benzen78, a complex question requires a complex answer. Like you say: it is a bit of all of that but then not some of that and some of other things. I guess when I was a kid learning piano, I had somewhat of a knack for making up melodies off the cuff. So that is just natural. My mother and sister played piano but they couldn't do that. I enjoyed practicing and when I got interested in jazz I listened to a lot of recordings and went to jazz clubs in New York. I tried to imitate what jazz players were doing when they improvised. I learned a lot of solos from transcriptions. In a way, I wish I could hear how I improvised then and compare it to now, but unfortunately I don't have any recordings of myself then. As far as agility or technique is concerned, I did practice a lot of drills and exercises to develop technique. Also I learned bebop repertoire- which is essential, for mastering improvisation. I try not to play things that I've learned or prepared ahead of time like specific licks. I try to be original and fresh on every solo. The only "toolbox" I use is my knowledge of scales that fit chords and how to use them to create good melodies. If you listened to the preview video I did just before this one, the solo is completely different. I do a number of takes of songs I play on videos and every one is different from the other. That's how it should be. But it's also risky and subject to flaws. I try to pick the one I like the best, for a variety of reasons.Sometimes working specific ideas out ahead of time is a good idea. I usually don't do that but prefer to be spontaneous and often that can be rewarding and more satisfying. I'm a big critic of my solos. and reject most of the takes. Sometimes I'll only have one out of 10 that I really like. You have to learn to except your flaws, because everyone is their own best critic. (see there you go, I wrote more words than you, but it's 5:45am and I can't sleep....cheers!)
@@KentHewittpiano88 Well that is very impressive. I like to create my own songs and each time I play them I try to improve them, but I always rely on what I built before. If I find a specific chord or melody that I like, it will stay in the song the next time I play it. That's rather a classical approach. As far as I understand improvisation is totally different, you don't rely on your past solos. You are never sure that what you play will be as great as what you played last time. And you're ready to lose a great lick for another one. It's a totally different approach that is not easy for me to accept, at least it's far from obvious to me. Ok if I recap, a methodology for improvisation would be to hang on and practice a lot of scales and solo transcriptions, and be satisfied more by the fact to do a great solo than by what you actually play (at least avoid trying to memorize it!), is that right? Still progressing in your book, I want to make it in order but I guess chapters 23-24 will be the key ;) Thanks a lot for your time. I really appreciate what you do and the fact you answer to your followers, it should be time consuming!! Very nice from you. Take care Kent
With the exception of Steve Kuhn this is the best Autumn Leaves I’ve ever heard in my life. My My My, this was incredible. This gentleman is the best of all the jazz teachers I’ve heard on RUclips. Thank You!
what happens to me with this man is that i start watching the video like "oh yeah today i'm gonna pay attention and learn from him" but I always end like enjoying the way he plays and I just listen, I love it thanks a lot!
It's so cool to be able to play piano along to these videos at half speed. It helps a ton if you pay attention to how Kent sets up his fingers and hands before he plays a chord or a phrase.
been trying to develop my jazz improv skills for years (decades really) and felt that I plateaued a long time ago -- your channel (and playing) are phenomenal and I can see a way forward. A couple of videos of yours (and some practice) and I've already improved. Thank you!!!
So OK, after years of, “Huh, what,” I see now how the modes are used in improv, and, honestly, if I can accomplish this on a “beginner level” for playing standards, I’d be beyond happy! I’d leave “advancing to bebop” to the cool guys like Kent! So thanks, Kent for your comprehensive explanation! I love listening to your mini music theory lectures and, of course, your masterful playing! 🎹👍😍
I love how you take this Classic Standard and anylize it so thoroughly - showing practical examples for so many of the possiblities of Modes, Scales, etc. Helps me see it again and again, from so many diverse angles. I have sung this tune for years. Now I feel I can attempt an interesting vocal improv built on your diverse analysis of the changes and scales etc. -- Love your explanation of 'target tones' and passing tones ... so helpful.
Out of allllllllll the bop videos I’ve studied to enhance my scales/runs, this by far has been the most helpful to my growth! You broke it down to where it can’t be broke no mo! Thank you Sir!
I have had an inordinate amount of free time the past two weeks, and have been getting a jazz piano education. I go back to work in two days, and was lucky to have come across your part 3 of modes in improvisation. Really gained a lot from that . My previous lessons have been about tritone substitution and voicing, and your vid just rounded it all out. Thanks.
Thanks for telling me that these lessons have been helpful to you. Please review my Playlists, and find the category of subject matter that is most appealing to you. Swing loose! ruclips.net/user/KentHewittpiano88playlists
Thanx, Jazz Elder. Esp. needed in these chaotic times. Thanks for your contribution to our psychological wellbeing, spiritual health and musical growth. You are a treasure and a gift. Blessings on your creative journey. I can D. I. G. I. T. 😎❤️🙏😎
You're excellent. I've been learning Autumn Leaves from sheet music, and know that I need to jazz it up a bit. I've been playing for awhile, but haven't yet really attempted to learn or master the nodes. Challenge accepted.
I haven';t been called by that (word) before so I will cherish that....because it is an honor to give...but I have received much more, ....and you are a part of that, my good friend.
Wonderful Kent, as always, and I am enjoying the new look with sight of your head talking to us. Great solo at the start too, really enjoyed that! Take care,
What a sweet cat. Herby puts up with you holding him, not all cats take that so kindly. You must be a good owner! Thanks for these videos Kent. Although not incredibly useful for me beyond how I normally use your videos, I'm grateful you took the time to talk about these fundamental concepts with this much detail. I surely had some help understanding these concepts. New musicians have the best resource now! I usually play this tune in g minor if I'm with a trumpet player or vocalist, and always in e minor when I'm playing with a guitarist.
Herbie jumps on our laps when we are sitting like at the computer or watching television and then demands to be petted and then purrs. He's quite a character! Thanks for the comment.
Working on all the triadic inversions in all keys. I wrote it out in maestro in first inversion. i ised maestro and by accident I was able to import a midi file of it with the note name next to the note. Pretty good for brginner. The best Kent
@@KentHewittpiano88 The app is called Midi Sheet Music..There is a backstory to this . I did not import it. I have been increasingly aware that I needed to play fluently in all keys. I made up some personal piano exercises ..CGE B F# D# depending to the end of the piano. Was very successful. Then a week later tried from the third E C G D# B F#..just going down from C to B .totall failure. It was totally not working. I put the score together using Maestro and saved it as Descending Triads. I saved on my phone and exported as a midi file and PDF. I found it as a midi file on my Phone.. I had put it as as sending triplets at 120 BPS. in C.. It rearranged it to combinations of 16thand eights.. Sounded great. It also put it in five sharps. I transposed it to C. It did it and played it back in midi Format. I could hear what it sounded like.. Also it gives you many options. I chose putting the note Vale..say D#.. All my notes are as superscript above the note. I looked further it allows you to have it in color notes..you can even pick another color if I seeing it right. By using a screen recorder I was able to make a video out of it. it's one of my last videos I can send you the link. The best Pianostyle100.
Thank you Sir, I wish I could like your videos twice, your lessons are really clear and loaded, and it's so nice to hear you swing and try to make it easy for us. And that Herbie cat looks like an easy going fellow!
I appreciate the comment. That's good feedback. Herbie is very affectionate and a real character...but he's very vary...which I guess is good for a cat.
Hey Kent, was watching this today and love how you made this video with the view of your hands plus seeing you talk and play. And oh how you play--even your manner is so incredibly musical!!! As always, thank you for your great videos and your book is outstanding!
Thanks. I had to watch it again to remember. The 2 camera aspect took about 4 times as much work to do, just synchronizing everything, so I only did it on a few videos. I do think it is better in some ways, but it takes the viewer's concentration off of the hands, which are much more important. Overall It may be more entertaining however, but I'm not sure if the extra amount of work involved is worth it...say you? . Thanks also for the comment on my book...blessings, brother!
Great series with a nice explanation of the "slipping" major scale over the different degrees. I love your comping choices in the first section of the video, the left hand work would make a nice addition to this demonstration... Thank You!
I do have a few videos on left hand voicings and how I use them. Check out Chords and Comping on my Playlist page (on channel Page). ruclips.net/channel/UCdmjw5sm9Kn83TB_rA_QBCwplaylists
Thanks, Kent. I've always been an intuitive player...somehow finding the altered chords or the solo line, but now that I'm retired and "rediscovering" the piano, you've added method to my madness. Never had a formal teacher, but listened to great players and was fortunate to mentor with a few as a young man. I tend to find chromatic leads to the next chord and would appreciate if you could flesh out what's going on and why it works.
Great comment, William. I'm glad to add method to the madness. Chromatic leads melodically or harmonically, or both? I will talk more about that, but I also have covered that in my videos on Tritone substitutes and also the vids on Improvisation. (more advanced) See my playlists: ruclips.net/channel/UCdmjw5sm9Kn83TB_rA_QBCwplaylists
Another brilliant lesson Kent. I get it ! Still have to get there but I understand and you had me experimenting on the keyboard with you. Have to learn those modes properly though. Thank you so much.👏😊
Franz Gapasin Try KH's parts one and two for more info on the major and minor usage... minor scales are actually major scales displaced, starting on a different note. Part two moves pretty fast, so I listened more than once. Intermediate level, I believe...
@@KentHewittpiano88 yeah I know. This guy is really pissing me off! HARMONIC MINOR MODES - Theory & Practice ruclips.net/video/1GIZ_p2TgP8/видео.html NewJazz Published on Nov 29, 2018 I'm going at it like an animal Kent. I'm subbed everywhere. I'm in a new trio and I have gigs coming up! I gotta stay relaxed and serene or I'm good for nothing. I love you Bro!
Great! Still trying myself to make simple what is complex. But, how to get the answer if you do not have the question? Now, at least I got the question! I will follow your vidieos with great interest! Thanks!
Great info and commentary about modes. Just have to add that I heard Kent Hewitt play solo piano professionally when we were both a lot younger, and I have never forgotten the experience and how much he impressed me. Back then I also often used to hear the great sax player, Scott Hamilton, play, and I would so like to hear the two of you together.
I was asked to play a gig with Scott more recently, and I declined (because I though I wouldn't measure up). I guess I was more confidant when I was younger and knew less...you know how that works sometimes?. Thanks for being there, Jay.
@@KentHewittpiano88 I suspect that you suffer from the musician's disease of making the perfect the enemy of the good. You could hold you own with Lester Young, though I wouldn't count on him making the gig. You and Scott would make - pardon the expression - "beautiful music" together. But seriously, thanks for being the humble remarkable musician you are which is a mark of someone with a gift.
Fact is that what Kent is dispensing is like graduate level instruction gratis to the world of aspiring players. You are deserving of wider recognition and support.
Kent Hewitt Yes. I was a jazz studies major between 1978-1982. I was on scholarship for jazz guitar and jazz arranging. Jack Peterson was my jazz guitar teacher. Dan Haerle taught jazz theory and improvisation, plus, he was an amazing piano player. Rich Matteson was also there, played jazz euphonium. Paris Rutherford was my jazz arranging teacher. It was a wonderful time. I really enjoy your playing.
Okay, I think Ed started teaching there in the late 80's, so you would have missed seeing him. I know the school has the best reputation for jazz studies, as does Berklee in Boston.
Kent Hewitt I simply asked my high school band teacher what college had the best jazz program, and I went to high school in California. He said North Texas. It was a big adjustment, California to Texas, but he was right. Your teaching is every bit as good as that school. Thanks for all the great jazz piano and music theory videos.
Kent, you are a very talented musician and equally talented teacher as so many other people have mentioned. I'm on the lookout for notifications from your channel :)
Oh yeah the idea was to read it off my phone. Total success with Midi Sheet Music app. Reading it out, allowed me to play it fluently and I can see the pattern clearly. in addition it is an excellent excercise in reading and hearing music. By writing music ..even simple music , eg Mary had a Little lamb, helps us to read confidently simple songs.
Cats and Music ! Yes Very Good ! The Best Thing About Being Home Today Is Listening To You, You Are Truly The Best! Spasibo To You Maestro ! (Spasibo is Thanks In Ukraine !) 😎
@@KentHewittpiano88 Spasiba Maestro ! My Mission Is To Make You Very Popular With My Friends In Ukraine. Maybe You Will Grace Us Someday ? You Are The Ultimate Cool Cat Jazz Man!
Love Herbie! He looks much like two great black and white cats I've had in the past. So cute!! Thanks for the new videos, too. I'm practicing applying the Locrian... really fun to explore minor-flat-five as the' two' chord. By the way, your solo really takes off. You are one mean player!
Just loved this. Now I am so much more conscious of how modes are such an integral part of how music is structured. You are a fantastic musician and teacher. Thanks so much. I learned a tremendous amount. Your student Neal in Toronto sending you good wishes. Could you comment on some techniques for using the 1 6 2 5 degrees in popular tunes from the American Song Book?
Hi Neal, Thanks for the comment. Please write to my email address, if you have a request. I may have done that on some previous video that I could point you to.
The song’s in D minor and yes, it’s relative to F major but it’s still D minor. Jazz musicians want to submit music to their way of thinking when they should submit their way of thinking to music.
That's covered in a number of my videos . You just have to watch more of them. Go to my Playlists here: ruclips.net/channel/UCdmjw5sm9Kn83TB_rA_QBCwplaylists?view_as=subscriber
Thanks a lot for this video. I have a question, is there any pattern that we can learn to start sounding more jazz when playing those scales? I mean some kind of structure of notes to play in one go, since i can play those scales but it really does not sound as jazzy. Cheers!
Thank You sir. It is always so lovely to hear You playing! I really wanna buy a album You playing some standards, if you help me how? i am grateful for everything i learn during these 8-10 years i think! i know that i that You from all of us 80TN
Many thanks for the great comment. I have a trio CD on CD Baby website. It's called "Time on my Hands" and it's all standards. You can buy it in mp3 version. (I've been doing RUclips tutorials since 2015)
Anthony, actually I have a video on a Bird blues. It's Now's the Time here:ruclips.net/video/3Rgt9tIdXB4/видео.html Also on Anthropology by Parker here: ruclips.net/video/GsVlJSZHnJU/видео.html Please check out my video on Bird's Donna Lee.: ruclips.net/video/rfnGN-ANibQ/видео.html Please leave comments, thanks. Swing loose!
I don't have those on my channel. I love the Ahmad Jamal version of Cherokee which I played when I did the AJ Tribute back in the early 2000's. Of course all jazz musicians know Body and Soul...it's a classic.
A little better Audio by perhaps by integrating the playback into the video itself rather than outside and better video quality would really make this more remarkable than it already is
A 2 sided compliment. Absolutely, I've tried that and it took about 8 times as long to accomplish any results, for a low tech cat like me...I leave that up to the young geniuses who are all over RUclips. Can you help an old soul?
@@KentHewittpiano88 Would be my pleasure! I could only recommend the stuff that has already been tried and tested by me, and believe me, I have tried a lot of stuff because I do gaming and I record Jazz and Swing with my Quartet so I need a high quality mic and camera. I would recommend what I am currently using: (all the stuff used is linked so just clicking on the link will take you to the product) Microphone: Blue Yeti www.amazon.com/-/de/Blue-Studio-System-Recording-Software/dp/B01LBDVL2A/ref=sr_1_4?__mk_de_DE=ÅMÅŽÕÑ&dchild=1&keywords=blue+yeti&qid=1598921662&sr=8-4 Camera: Panasonic Lumix - www.amazon.com/-/de/PANASONIC-Features-Megapixel-2-3-inch-Dustproof/dp/B011PKJI2Y/ref=sr_1_4?__mk_de_DE=ÅMÅŽÕÑ&dchild=1&keywords=camera&qid=1598921921&sr=8-4 So what you should try to learn a little more about is how to record audio and video separately. after you purchase these two products, you can learn how to record with the camera but no audio, and record the audio separately at the same time with the Blue Yeti microphone that you will later add to the video with the help of an editing software, I would recommend "Adobe Premier Pro" or "Final Cut Pro X" if you have an apple computer. then you can synchronize the audio and video, and believe me, it will look crisp and splendid. There are many videos on how to record audio and video separately. Maybe videos from other renowned pianists like Sangah Noonah might be more helpful than others. Hope this helped!
Kent. I’m curious as to why you chose “Autumn Leaves” because there doesn’t seem to be anything particularly modal about it. To me it’s simply a 2-5-1 progression for the first 3 bars, with a 2-5-1 minor progression in the last 4 bars prior to the bridge. (I normally play the rootless LH voicings and in the minor 2-5-1 I use the tritone sub for the 5) What am I missing?
This is part 3....so if you didn't watch part 1 and 2 you may not get the point. I picked this song because you can improvise off of one scale if you choose to. I'm referring to an underlying scale in this song that is an aeolian mode (relative minor and relative major) and yet I could still choose a dorian mode or melodic minor scale for improvisation. Knowing the modes is helpful to understand improvisation in an intellectual way. Of course you don't need to do that, you can primrose by ear if you have that kind of talent.
Kent Hewitt thanks. I got that part. However if I want to improvise off of the underlying major scale and make it sound Dorian, then don’t I have to change the chords to “Dorian “ chords? Btw I think I’ve figured out a novel approach to learning the modes. Since every mode consists of 5 whole steps and 2 half steps all you have to do is memorize where the half steps are for each mode!
What seems to be most confusing to most people on the internet, with respect to modes, is the conceptual conflict with mode as scales vs modes as pitch collections that contain the notes of a chord. When you get to the part where you say you need to play melodies, you have to throw out the concept of modes as scales. The chord is the grounding of the melody, but you can’t always play just chord tones without contrasting them with the more dissonant non-chord-tones. So isn’t it just simpler and more practical to describe modes as what you play, diatonically to melodically express a particular chord. That way you can understand, immediately, that your melody must resolve to at least one (1) chord tone during the duration of a given chord. The talk about scales within the key is impractical and a distraction. What do you think?
Yes, I agree. The modes are a means to an end.... and that is to play good improvised melodies, using the chords that support the melodies. So each chord has a scale which is usually a mode. But then there are many scales that are not modes of another scale ...so there's quite a toolbox that we have to work with, as jazz musicians. That's why I stress the importance of target tones and passing tones. Just listen to John Coltrane for that.
Kent Hewitt So the real issue here’m is for the student of jazz to use the most effective and intuitive method or approach. I tell my students that it is not healthy to learn things that have to later be unlearned. Like using catch phrases to learn simple things like the note names of the lines and spaces on the musical staff. If it were complex, it would be understandable. Many of the things musicians have to memorize need to be immediately recallable; there is no time to rely on a coding system. That’s why I believe it is best to simply call Dorian the melodic expression of a D minor chord when the harmonic environment is from the key of C. The landing notes are the chord tones, DFAC. Nothing to unlearn or relearn. No one should plan to play a C major scale from D to D.
I was playing along (nowhere as well) and I ended on the same chord . The scale looks like D dorian with a sharp 7th. I just call that sound an augment sound. If I play B locrian scale I need C# sharp to get that sound. I hear it in a lot of music especially a nice way to end. I noticed you using that scale while playing Sounds suspenseful and mysterious. I havent a clue what that mode is called?
The minor/major 7th is used a lot to give more color and "exotic" sound to a minor 7th. Bill Evans uses that chord often. If you play a 7th chord built on the melodic minor scale, the 1st mode is that chord, so it's the Ionian mode. ie: AmMa7
Kent AmMa7 that is the sound. If I am building chords off the melodic minor, I run into it all the time. Exotic is a good term. I could rant on but you are very inspirational. I dont know wether I am a fan of jazz or bigger fan of solid improvisation skills. You are both and there is lots of great melodies to revisit
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Thanks Kent! Excellent explanations as always! It seems far less obscure to me. Time to practice now... ;)
I try to unveil some of the mysteries.....
@@KentHewittpiano88 That is really helpful :) From a classical formation, I'm beginning in jazz and you and your books are probably the best ressource I found on the whole internet for beginners out there. So thank you a lot. I just have one question: what is the process you recommend in order to acquire the agility you've got while playing the solo from 3:30 ? My guess is that you imagined these music patterns in your mind, then maybe you wrote them and you practiced them a lot, beginning slowly, then faster and faster, so you get agility and know them by heart, and you have sort of a "toolbox" to play a proper Autumn Leaves solo. In that case, jazz players would always reuse their same patterns, which seems weird to me, so it's maybe not the right way to practice... Or is it more generic, like you created and learned several patterns for each mode ? I mean, I understand that the brain can use target tones and passing tones to improvise a melodic solo on the fly, but at this level of speed this has to be something learned before. Or is it simply patterns you recover from the massive amount of jazz pieces you have red and played for like the past 20 years ? :) maybe it's a bit of all that, but it confuses me at this point...
Thanks, benzen78, a complex question requires a complex answer. Like you say: it is a bit of all of that but then not some of that and some of other things. I guess when I was a kid learning piano, I had somewhat of a knack for making up melodies off the cuff. So that is just natural. My mother and sister played piano but they couldn't do that. I enjoyed practicing and when I got interested in jazz I listened to a lot of recordings and went to jazz clubs in New York. I tried to imitate what jazz players were doing when they improvised. I learned a lot of solos from transcriptions. In a way, I wish I could hear how I improvised then and compare it to now, but unfortunately I don't have any recordings of myself then. As far as agility or technique is concerned, I did practice a lot of drills and exercises to develop technique. Also I learned bebop repertoire- which is essential, for mastering improvisation. I try not to play things that I've learned or prepared ahead of time like specific licks. I try to be original and fresh on every solo. The only "toolbox" I use is my knowledge of scales that fit chords and how to use them to create good melodies. If you listened to the preview video I did just before this one, the solo is completely different. I do a number of takes of songs I play on videos and every one is different from the other. That's how it should be. But it's also risky and subject to flaws. I try to pick the one I like the best, for a variety of reasons.Sometimes working specific ideas out ahead of time is a good idea. I usually don't do that but prefer to be spontaneous and often that can be rewarding and more satisfying. I'm a big critic of my solos. and reject most of the takes. Sometimes I'll only have one out of 10 that I really like. You have to learn to except your flaws, because everyone is their own best critic. (see there you go, I wrote more words than you, but it's 5:45am and I can't sleep....cheers!)
@@KentHewittpiano88 Well that is very impressive. I like to create my own songs and each time I play them I try to improve them, but I always rely on what I built before. If I find a specific chord or melody that I like, it will stay in the song the next time I play it. That's rather a classical approach. As far as I understand improvisation is totally different, you don't rely on your past solos. You are never sure that what you play will be as great as what you played last time. And you're ready to lose a great lick for another one. It's a totally different approach that is not easy for me to accept, at least it's far from obvious to me.
Ok if I recap, a methodology for improvisation would be to hang on and practice a lot of scales and solo transcriptions, and be satisfied more by the fact to do a great solo than by what you actually play (at least avoid trying to memorize it!), is that right?
Still progressing in your book, I want to make it in order but I guess chapters 23-24 will be the key ;) Thanks a lot for your time. I really appreciate what you do and the fact you answer to your followers, it should be time consuming!! Very nice from you. Take care Kent
@@KentHewittpiano88 some? you unveil alot of them!!! thank you for sharing your knowledge!
With the exception of Steve Kuhn this is the best Autumn Leaves I’ve ever heard in my life. My My My, this was incredible. This gentleman is the best of all the jazz teachers I’ve heard on RUclips. Thank You!
Great compliment...thanks so much...very helpful to me!
what happens to me with this man is that i start watching the video like "oh yeah today i'm gonna pay attention and learn from him" but I always end like enjoying the way he plays and I just listen, I love it thanks a lot!
I appreciate your comment, more than you know!
It's so cool to be able to play piano along to these videos at half speed. It helps a ton if you pay attention to how Kent sets up his fingers and hands before he plays a chord or a phrase.
That's a cool comment, I'm glad you found the tips video, wish more people would do that.
That introduction performance was amazing to watch. A master of the craft!
Great comment, thanks so much!
been trying to develop my jazz improv skills for years (decades really) and felt that I plateaued a long time ago -- your channel (and playing) are phenomenal and I can see a way forward. A couple of videos of yours (and some practice) and I've already improved. Thank you!!!
I'm glad to hear it! Check out these:
ruclips.net/p/PLFuMibnl_h5bA7Um3IZ38R1kelnoRTPYc
So OK, after years of, “Huh, what,” I see now how the modes are used in improv, and, honestly, if I can accomplish this on a “beginner level” for playing standards, I’d be beyond happy! I’d leave “advancing to bebop” to the cool guys like Kent! So thanks, Kent for your comprehensive explanation! I love listening to your mini music theory lectures and, of course, your masterful playing! 🎹👍😍
Great, Sally, thanks o much for the comment!
I love how you take this Classic Standard and anylize it so thoroughly - showing practical examples for so many of the possiblities of Modes, Scales, etc. Helps me see it again and again, from so many diverse angles. I have sung this tune for years. Now I feel I can attempt an interesting vocal improv built on your diverse analysis of the changes and scales etc. -- Love your explanation of 'target tones' and passing tones ... so helpful.
Great Laurie.....again I'm so glad I could open up a new world of music appreciation for you.....it's my greatest aspiration!
Out of allllllllll the bop videos I’ve studied to enhance my scales/runs, this by far has been the most helpful to my growth! You broke it down to where it can’t be broke no mo! Thank you Sir!
Great comment, MrFunkl...you are a hip cat and your comment is very helpful and affirming to me.
In a lifetime there comes the moment to be a "maestro". Thanks for your teaching.
You are very welcome. and thanks for the compliment.
I've had many music instructors for many years, but none as good as you. Thanks for sharing.
That's wonderful to hear...why am I not more popular on RUclips?
I have had an inordinate amount of free time the past two weeks, and have been getting a jazz piano education. I go back to work in two days, and was lucky to have come across your part 3 of modes in improvisation. Really gained a lot from that . My previous lessons have been about tritone substitution and voicing, and your vid just rounded it all out. Thanks.
Thanks for telling me that these lessons have been helpful to you. Please review my Playlists, and find the category of subject matter that is most appealing to you. Swing loose!
ruclips.net/user/KentHewittpiano88playlists
Thanx, Jazz Elder. Esp. needed in these chaotic times. Thanks for your contribution to our psychological wellbeing, spiritual health and musical growth. You are a treasure and a gift. Blessings on your creative journey. I can D. I. G. I. T. 😎❤️🙏😎
Dear Brenda, you must be a wonderful person....as well as a groovy chick...Thanks for the compliments and nice to know you!
You're excellent. I've been learning Autumn Leaves from sheet music, and know that I need to jazz it up a bit. I've been playing for awhile, but haven't yet really attempted to learn or master the nodes. Challenge accepted.
Thanks for telling me that you are taking on the challenge. Bravo!
It's such a pleasure to see you go off like that!
Much love and respect.
Humble thanks. (don't mind him, he's just showing off).
Kent, you are such a good teacher! I teach piano for a living, so I really appreciate it when I come across someone who has honed their craft.
That's a very nice comment coming from a compadre in the field. Good wishes to you, and thanks!
Kick start to the year from a staunch Zimbabwean fan who is gonna attempt the first part of this fabulous improvisation!
Thanks so much for telling me, Annette...I wish I could visit you someday...and I'm sure we would always be loyal friends.
Thanks Kent, its hard work what youve done in your channel, every video! God bless philantrophyst like you! Have a good one
I haven';t been called by that (word) before so I will cherish that....because it is an honor to give...but I have received much more, ....and you are a part of that, my good friend.
I love Herbie!!! Got many tuxedo cats. Really cool
Cats!!!
Gotta love cats. we have Jinx and Herbie! Herbie loves music...Jinx loves food!
Your such a cool jazzcat,thanks for all your lessons Kent,stay healthy and keep on groovin...
Thanks for a great comment...swing loose, brother!
Wonderful Kent, as always, and I am enjoying the new look with sight of your head talking to us. Great solo at the start too, really enjoyed that! Take care,
Thank, Julian, your comment helps me to keep going!
I love the left hand coordination while thinkin‘ up an improv on the right!
Great comment and observation!
Kent, that's a very tasty rendition of Autumn Leaves. You are one of the greatest pianist of our era.
I'll just say humble thanks, D'bra. It's good practice to take compliments gracefully. Glad to "see" you again.
Good teaching on me Kent, thank you im a new be for playing piano.
Glad to hear!
Thank you so much for the wonderful videos! Best jazz piano on RUclips
Very groovy, daddio. Much obliged. Swing loose!
@@KentHewittpiano88 I've been watching you for years and have a lot to thank you for! Keep the vids coming (:
As usual your explanation is super clear. Thanks Kent
That's what I strive for, so thanks so much!
Just want to say thank you for you have done for jazz lover. For me it is like uncover the magic, also, like your quote too.
I appreciate the comment.
When Kent plays, everything reduces to Spy vs. Spy...
Perfect format now with the piano extending across and you in the window, cheers.
It's a lot trickier, but I'm trying to improve my channel, but I need more help w/ the technical stuff.. Thanks!
What a sweet cat. Herby puts up with you holding him, not all cats take that so kindly. You must be a good owner!
Thanks for these videos Kent. Although not incredibly useful for me beyond how I normally use your videos, I'm grateful you took the time to talk about these fundamental concepts with this much detail. I surely had some help understanding these concepts. New musicians have the best resource now!
I usually play this tune in g minor if I'm with a trumpet player or vocalist, and always in e minor when I'm playing with a guitarist.
Herbie jumps on our laps when we are sitting like at the computer or watching television and then demands to be petted and then purrs. He's quite a character! Thanks for the comment.
Working on all the triadic inversions in all keys. I wrote it out in maestro in first inversion. i ised maestro and by accident I was able to import a midi file of it with the note name next to the note. Pretty good for brginner. The best Kent
Good work...what was the midi file that you imported?
@@KentHewittpiano88 The app is called Midi Sheet Music..There is a backstory to this . I did not import it. I have been increasingly aware that I needed to play fluently in all keys.
I made up some personal piano exercises ..CGE B F# D# depending to the end of the piano.
Was very successful. Then a week later tried from the third E C G D# B F#..just going down from C to B .totall failure. It was totally not working. I put the score together using Maestro and saved it as Descending Triads.
I saved on my phone and exported as a midi file and PDF.
I found it as a midi file on my
Phone.. I had put it as as sending triplets at 120 BPS. in C.. It rearranged it to combinations of 16thand eights.. Sounded great.
It also put it in five sharps. I transposed it to C. It did it and
played it back in midi Format. I could hear what it sounded like..
Also it gives you many options.
I chose putting the note Vale..say D#.. All my notes are as superscript above the note. I looked further it allows you to have it in color notes..you can even pick another color if I seeing it right. By using a screen recorder I was able to make a video out of it. it's one of my last videos I can send you the link. The best Pianostyle100.
Thank you Sir, I wish I could like your videos twice, your lessons are really clear and loaded, and it's so nice to hear you swing and try to make it easy for us. And that Herbie cat looks like an easy going fellow!
I appreciate the comment. That's good feedback. Herbie is very affectionate and a real character...but he's very vary...which I guess is good for a cat.
Hey Kent, was watching this today and love how you made this video with the view of your hands plus seeing you talk and play. And oh how you play--even your manner is so incredibly musical!!! As always, thank you for your great videos and your book is outstanding!
Thanks. I had to watch it again to remember. The 2 camera aspect took about 4 times as much work to do, just synchronizing everything, so I only did it on a few videos. I do think it is better in some ways, but it takes the viewer's concentration off of the hands, which are much more important. Overall It may be more entertaining however, but I'm not sure if the extra amount of work involved is worth it...say you? . Thanks also for the comment on my book...blessings, brother!
Great series with a nice explanation of the "slipping" major scale over the different degrees. I love your comping choices in the first section of the video, the left hand work would make a nice addition to this demonstration... Thank You!
I do have a few videos on left hand voicings and how I use them. Check out Chords and Comping on my Playlist page (on channel Page). ruclips.net/channel/UCdmjw5sm9Kn83TB_rA_QBCwplaylists
I will, Thank You...!
Great tutorial, Keep them coming.
Thanks, will do!
Superb improvisation and wisdom, thank you for another great lesson Kent
Much appreciation, Ivan. keeps me going!
Thanks, Kent. I've always been an intuitive player...somehow finding the altered chords or the solo line, but now that I'm retired and "rediscovering" the piano, you've added method to my madness. Never had a formal teacher, but listened to great players and was fortunate to mentor with a few as a young man. I tend to find chromatic leads to the next chord and would appreciate if you could flesh out what's going on and why it works.
Great comment, William. I'm glad to add method to the madness. Chromatic leads melodically or harmonically, or both? I will talk more about that, but I also have covered that in my videos on Tritone substitutes and also the vids on Improvisation. (more advanced) See my playlists: ruclips.net/channel/UCdmjw5sm9Kn83TB_rA_QBCwplaylists
"Retired." What a beautiful word that is. [speaking very slowly] Reeeeetiiiiiiiirrrrrrrred.
FANTASTIC LESSON KENT! STILL TEACHING A CUT ABOVE THE REST AND I'M STILL LEARNING ! CRYSTAL CLEAR MAN !
Thanks Steve...your comments are always THE BEST!!!
Another brilliant lesson Kent. I get it ! Still have to get there but I understand and you had me experimenting on the keyboard with you. Have to learn those modes properly though. Thank you so much.👏😊
Thanks, Corinne...your comments are always the best!
Thanks Kent! Отличная импровизация! Очень нравится мне Ваш стиль игры! Это действительно здорово!!
Really great lesson 👏
Glad you think so!
Thank you very much. Very inspiring like always. You can make rules easy to understand.
Thanks for the affirmation, Peter!
You're the Bob Ross of improvisation sauce!
Good one, 20. Thanks, Bob's a cool guy!
Tnkq Mr hewiit, this is a very informative video. Waiting for part4, hope you explain the deference between major and minor modes. Tnkq
Franz Gapasin Try KH's parts one and two for more info on the major and minor usage... minor scales are actually major scales displaced, starting on a different note. Part two moves pretty fast, so I listened more than once. Intermediate level, I believe...
You do the same exact thing as you did with the major in the key of C ..the fun part is having to learn them in all the other keys. NOT!
Also there's modes of the harmonic minor and melodic minor too. It can get pretty interesting!
@@KentHewittpiano88 yeah I know. This guy is really pissing me off! HARMONIC MINOR MODES - Theory & Practice
ruclips.net/video/1GIZ_p2TgP8/видео.html
NewJazz
Published on Nov 29, 2018 I'm going at it like an animal Kent. I'm subbed everywhere. I'm in a new trio and I have gigs coming up! I gotta stay relaxed and serene or I'm good for nothing. I love you Bro!
The competition is getting rough. Stay cool, brother!
Thanks a lot!!!
What a a great explanation !!
Glad it was helpful!
Great! Still trying myself to make simple what is complex. But, how to get the answer if you do not have the question? Now, at least I got the question! I will follow your vidieos with great interest! Thanks!
Great comment, thanks!
Great info and commentary about modes.
Just have to add that I heard Kent Hewitt play solo piano professionally when we were both a lot younger, and I have never forgotten the experience and how much he impressed me. Back then I also often used to hear the great sax player, Scott Hamilton, play, and I would so like to hear the two of you together.
I was asked to play a gig with Scott more recently, and I declined (because I though I wouldn't measure up). I guess I was more confidant when I was younger and knew less...you know how that works sometimes?. Thanks for being there, Jay.
@@KentHewittpiano88 I suspect that you suffer from the musician's disease of making the perfect the enemy of the good. You could hold you own with Lester Young, though I wouldn't count on him making the gig. You and Scott would make - pardon the expression - "beautiful music" together. But seriously, thanks for being the humble remarkable musician you are which is a mark of someone with a gift.
Fact is that what Kent is dispensing is like graduate level instruction gratis to the world of aspiring players. You are deserving of wider recognition and support.
Thanks, Jay, you're the best!
Thanks Kent, this one hit home on issues I've been contemplating.
Thanks for telling me!
That was some really nice playing. Beautiful interpretation. From a 1982 North Texas graduate. Thank you.
Were you in the music program?. Drummer Ed Soph teaches there or did teach there. He played in my trio in Hartford years ago. Thanks for the comment!
Kent Hewitt Yes. I was a jazz studies major between 1978-1982. I was on scholarship for jazz guitar and jazz arranging. Jack Peterson was my jazz guitar teacher. Dan Haerle taught jazz theory and improvisation, plus, he was an amazing piano player. Rich Matteson was also there, played jazz euphonium. Paris Rutherford was my jazz arranging teacher. It was a wonderful time. I really enjoy your playing.
Okay, I think Ed started teaching there in the late 80's, so you would have missed seeing him. I know the school has the best reputation for jazz studies, as does Berklee in Boston.
Kent Hewitt I simply asked my high school band teacher what college had the best jazz program, and I went to high school in California. He said North Texas. It was a big adjustment, California to Texas, but he was right. Your teaching is every bit as good as that school. Thanks for all the great jazz piano and music theory videos.
Waiting for the next video explaining your voicing? I like these harmonies and the rhythmic placement.
Oh, that's another subject, but would it be part 4 or a new series?
@@KentHewittpiano88
I am waiting for it, thank you
Thanks Ken... This will keep me busy for a while. I, like William Nicols, have had method applied to my madness.
Thanks for telling me, Bill, and keep up the good work. !
Kent, you are a very talented musician and equally talented teacher as so many other people have mentioned. I'm on the lookout for notifications from your channel :)
I appreciate the comment!
Great video.
Glad you enjoyed it
Oh yeah the idea was to read it off my phone. Total success with Midi Sheet Music app. Reading it out, allowed me to play it fluently and
I can see the pattern clearly. in addition it is an excellent excercise in reading and hearing music. By writing music ..even simple music , eg Mary had a Little lamb, helps us to read confidently simple songs.
Cats and Music ! Yes Very Good ! The Best Thing About Being Home Today Is Listening To You, You Are Truly The Best!
Spasibo To You Maestro !
(Spasibo is Thanks In Ukraine !) 😎
I always appreciate your generous words, Casper!
@@KentHewittpiano88 Spasiba Maestro ! My Mission Is To Make You Very Popular With My Friends In Ukraine. Maybe You Will Grace Us Someday ? You Are The Ultimate Cool Cat Jazz Man!
Thanks. I’m finally starting to get this! Enjoy your videos too!
Fred
Thanks so much for telling me/
Damn, you mean I'm not some kind of a musical genius...!?!? What a great version of AL! I may borrow. 😎
I'm sure you're more of a genius than I am...swing loose, Donald.
Brilliant, inspiring and very informative ...love Herbie as well. Once again Kent thanks. I feel that I've learned a great deal from you.
Thanks for telling, me, Robin, and for writing to me. Your kind words are very helpful..
Excellent series. I would be interested in the minor modes..
Those great pretty complex.
Love It,, 🙏🥀🙏 thank you...🎶
Thanks for listening
This is the secret that changed the way I play bass and understanding jazz charts
Thanks for telling me .....go man!
Great Master. Thanks a lot!
Humble thanks!
Your channel should be archived in the Smithsonian!
Maybe someday it will...I hope (just kidding!) THANKS!
Terrific teaching! I’m gonna subscribe!
I appreciate the comment and affirmation!
another Great video, Kent!
thank you once again !!
Thanks for the comment!
OMG Amazing!!! Big hugs kent!
Big hugs, my brother...and may your music bring you (and yours) much joy in life!
Thank you for this very helpful video.
I appreciate your telling me.!
Great explanation
Glad it was helpful!
Truly amazing and helpful! Thank you!
Many thanks for telling me!
Love Herbie! He looks much like two great black and white cats I've had in the past. So cute!! Thanks for the new videos, too. I'm practicing applying the Locrian... really fun to explore minor-flat-five as the' two' chord. By the way, your solo really takes off. You are one mean player!
Black and white cats are the most eccentric. Thanks for a great and astute comment....very helpful to me and encouraging....keep swinging!
wow, just amazing again kent, you really are a finger poppin daddy-o. very cool
Thanks so much for the compliment, swing loose!
Just loved this. Now I am so much more conscious of how modes are such an integral part of how music is structured. You are a fantastic musician and teacher. Thanks so much. I learned a tremendous amount. Your student Neal in Toronto sending you good wishes. Could you comment on some techniques for using the 1 6 2 5 degrees in popular tunes from the American Song Book?
Hi Neal, Thanks for the comment. Please write to my email address, if you have a request. I may have done that on some previous video that I could point you to.
I endorse Neal's comments. Listening to Kent is such a humbling experience and such a revelation. Thanks Kent.
Hi Kent, hope you’re doing OK. Great video.👍
All good thanks , bro!
This was very helpful! Thank you!
Thanks for writing!
BRAVO, CoolCatKent!! ❤️🎹❤️🎹❤️ XO - M
Always stay cool, Marilyn. Thanks for "checking in".
I am a saxophone player. I learned a lot from your videos. Keep posting my friend. Thank you very much.
It's always a good idea to have piano knowledge whatever instrument you play. Thanks for the comment!
The song’s in D minor and yes, it’s relative to F major but it’s still D minor. Jazz musicians want to submit music to their way of thinking when they should submit their way of thinking to music.
opps. didn't you hear me?...., I already gave you permission to say it's in Dm.
You’re the man! I love your soloing. Clear explanations too. Please don’t stop!
Kent Hewitt as if
Great video as usual! Could you make a or point me in the direction of a video on how to add those rhythmic extra left hand and both hand chords?
That's covered in a number of my videos . You just have to watch more of them. Go to my Playlists here:
ruclips.net/channel/UCdmjw5sm9Kn83TB_rA_QBCwplaylists?view_as=subscriber
Thank You! Very intuitive.
I appreciate the comment!
great quote from Schweitzer!
How do I find these gems!?
You're the best Kent! Could you do a blues chord tutorial with Black Coffee?
Great blues flavored song...thanks!
Thanks a lot for this video. I have a question, is there any pattern that we can learn to start sounding more jazz when playing those scales? I mean some kind of structure of notes to play in one go, since i can play those scales but it really does not sound as jazzy. Cheers!
Please write to my email for more info.
Thank You sir. It is always so lovely to hear You playing! I really wanna buy a album You playing some standards, if you help me how? i am grateful for everything i learn during these 8-10 years i think!
i know that i that You from all of us 80TN
Many thanks for the great comment. I have a trio CD on CD Baby website. It's called "Time on my Hands" and it's all standards. You can buy it in mp3 version. (I've been doing RUclips tutorials since 2015)
Great job, but it's not clear why you would pick F Maj (D minor) over the traditional jazz arrangement in G minor.
Many people play this song in Em. I prefer Dm or Gm, either is good for most players.
Thanks a lot 🙏🙏
Thanks for the comment.
You are amazing sir
Kent, I keep coming back! I appreciate the insight you give
Insight is something we all should constantly seek.
Thanks hip cat! How about your take on a Bird Blues.....?
Anthony, actually I have a video on a Bird blues. It's Now's the Time here:ruclips.net/video/3Rgt9tIdXB4/видео.html
Also on Anthropology by Parker here: ruclips.net/video/GsVlJSZHnJU/видео.html
Please check out my video on Bird's Donna Lee.: ruclips.net/video/rfnGN-ANibQ/видео.html
Please leave comments, thanks. Swing loose!
Guauuuu. Genial. Espectacular
Thank you so much !!
You're welcome!
Music and cats. I personally would also add in kites, but music and cats are the top two.
Kites are also predominant in the nature of things!
Quite helpful
Thanks for telling me!
where can I find this back track?
Please write to my email!
Ladies & gentlemen, the Chateau Lafitte, the Hope diamond, the Mt Everest of jazz instruction - Mr. Kent Hewitt
Your comment is going into the archives. The Altered Dominate Ego Man is going kid me about your comment. I do appreciate it, thanks a million.
have you ever covered body and soul or Cherokee? I searched and didn’t find them on the channel
I don't have those on my channel. I love the Ahmad Jamal version of Cherokee which I played when I did the AJ Tribute back in the early 2000's. Of course all jazz musicians know Body and Soul...it's a classic.
Thanks again!
A little better Audio by perhaps by integrating the playback into the video itself rather than outside and better video quality would really make this more remarkable than it already is
A 2 sided compliment. Absolutely, I've tried that and it took about 8 times as long to accomplish any results, for a low tech cat like me...I leave that up to the young geniuses who are all over RUclips. Can you help an old soul?
@@KentHewittpiano88 Would be my pleasure! I could only recommend the stuff that has already been tried and tested by me, and believe me, I have tried a lot of stuff because I do gaming and I record Jazz and Swing with my Quartet so I need a high quality mic and camera. I would recommend what I am currently using: (all the stuff used is linked so just clicking on the link will take you to the product)
Microphone: Blue Yeti www.amazon.com/-/de/Blue-Studio-System-Recording-Software/dp/B01LBDVL2A/ref=sr_1_4?__mk_de_DE=ÅMÅŽÕÑ&dchild=1&keywords=blue+yeti&qid=1598921662&sr=8-4
Camera: Panasonic Lumix - www.amazon.com/-/de/PANASONIC-Features-Megapixel-2-3-inch-Dustproof/dp/B011PKJI2Y/ref=sr_1_4?__mk_de_DE=ÅMÅŽÕÑ&dchild=1&keywords=camera&qid=1598921921&sr=8-4
So what you should try to learn a little more about is how to record audio and video separately. after you purchase these two products, you can learn how to record with the camera but no audio, and record the audio separately at the same time with the Blue Yeti microphone that you will later add to the video with the help of an editing software, I would recommend "Adobe Premier Pro" or "Final Cut Pro X" if you have an apple computer. then you can synchronize the audio and video, and believe me, it will look crisp and splendid.
There are many videos on how to record audio and video separately. Maybe videos from other renowned pianists like Sangah Noonah might be more helpful than others.
Hope this helped!
Kent. I’m curious as to why you chose “Autumn Leaves” because there doesn’t seem to be anything particularly modal about it. To me it’s simply a 2-5-1 progression for the first 3 bars, with a 2-5-1 minor progression in the last 4 bars prior to the bridge. (I normally play the rootless LH voicings and in the minor 2-5-1 I use the tritone sub for the 5) What am I missing?
This is part 3....so if you didn't watch part 1 and 2 you may not get the point. I picked this song because you can improvise off of one scale if you choose to. I'm referring to an underlying scale in this song that is an aeolian mode (relative minor and relative major) and yet I could still choose a dorian mode or melodic minor scale for improvisation. Knowing the modes is helpful to understand improvisation in an intellectual way. Of course you don't need to do that, you can primrose by ear if you have that kind of talent.
Kent Hewitt thanks. I got that part. However if I want to improvise off of the underlying major scale and make it sound Dorian, then don’t I have to change the chords to “Dorian “ chords? Btw I think I’ve figured out a novel approach to learning the modes. Since every mode consists of 5 whole steps and 2 half steps all you have to do is memorize where the half steps are for each mode!
What seems to be most confusing to most people on the internet, with respect to modes, is the conceptual conflict with mode as scales vs modes as pitch collections that contain the notes of a chord. When you get to the part where you say you need to play melodies, you have to throw out the concept of modes as scales. The chord is the grounding of the melody, but you can’t always play just chord tones without contrasting them with the more dissonant non-chord-tones.
So isn’t it just simpler and more practical to describe modes as what you play, diatonically to melodically express a particular chord. That way you can understand, immediately, that your melody must resolve to at least one (1) chord tone during the duration of a given chord. The talk about scales within the key is impractical and a distraction.
What do you think?
Yes, I agree. The modes are a means to an end.... and that is to play good improvised melodies, using the chords that support the melodies. So each chord has a scale which is usually a mode. But then there are many scales that are not modes of another scale ...so there's quite a toolbox that we have to work with, as jazz musicians. That's why I stress the importance of target tones and passing tones. Just listen to John Coltrane for that.
Kent Hewitt
So the real issue here’m is for the student of jazz to use the most effective and intuitive method or approach.
I tell my students that it is not healthy to learn things that have to later be unlearned. Like using catch phrases to learn simple things like the note names of the lines and spaces on the musical staff. If it were complex, it would be understandable. Many of the things musicians have to memorize need to be immediately recallable; there is no time to rely on a coding system.
That’s why I believe it is best to simply call Dorian the melodic expression of a D minor chord when the harmonic environment is from the key of C. The landing notes are the chord tones, DFAC. Nothing to unlearn or relearn. No one should plan to play a C major scale from D to D.
I was playing along (nowhere as well) and I ended on the same chord . The scale looks like D dorian with a sharp 7th. I just call that sound an augment sound. If I play B locrian scale I need C# sharp to get that sound.
I hear it in a lot of music especially a nice way to end. I noticed you using that scale while playing Sounds suspenseful and mysterious. I havent a clue what that mode is called?
The minor/major 7th is used a lot to give more color and "exotic" sound to a minor 7th. Bill Evans uses that chord often. If you play a 7th chord built on the melodic minor scale, the 1st mode is that chord, so it's the Ionian mode. ie: AmMa7
Kent AmMa7 that is the sound. If I am building chords off the melodic minor, I run into it all the time. Exotic is a good term.
I could rant on but you are very inspirational. I dont know wether I am a fan of jazz or bigger fan of solid improvisation skills. You are both and there is lots of great melodies to revisit
S W I N G L O O S E! Brother
Always Swing Loose and long live Hermie Dressel!