Mozart: "Laudate dominum" - Madison Leonard - Soprano, Shea Owens - Baritone Claire Pasquier - Piano
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- Опубликовано: 11 сен 2024
- Madison Leonard ist zwar in Europa noch ein unbeschriebenes Blatt. In ihrer amerikanischen Heimat dagegen ist sie bereits auf vielen Bühnen etabliert. Nicht von ungefähr war die NEW YORK TIMES bereits vor 2 Jahren ganz begeistert von ihrer hellen und gewandten Stimme und ihrem frechen Charme. Zudem attestiert ihr die WASHINGTON POST, dass sie „mit einem natürlichen Klang singt und nicht mit einer selbstbewusst überlauten Opernstimme, was ein großer Vorteil ist.“ Auf jeden Fall freuen wir uns sehr, die noch sehr junge Sängerin bei uns in Rotmonten zu Gast haben, wo sie uns mit ihrer Sopranstimme hilft, Tröstliches in der Musik von Mozart zu entdecken - so auch das Thema des Gottesdienstes.
Die aufstrebende junge Sopranistin Madison Leonard ist 2018 Preisträgerin der Metropolitan National Council Auditions, bei denen sie unter der Leitung von Bertrand de Billy Arien aus Rigoletto und Hänsel und Gretel sang. In der Saison 2019-20 gibt sie ihr Rollendebüt als Gilda in Rigoletto und kehrt damit an die Oper von Seattle zurück und wiederholt Verdis tragische Heldin an der Austin Opera. Sie singt ihre ersten Aufführungen der Pamina in Die Zauberflöte an der North Carolina Opera und kommt für die Titelrolle in Pickers Emmeline zur Tulsa Opera.
Musikstücke:
* David Fletcher - Wondrous Love
* Barber - Sure on this Shining Night
* Paul Bowles - Heavenly Grass
* Rachmaninov - Margaritki (Daisies), Op.38, No.3
* Mozart - Laudate dominum
* Mozart - Piano Sonata F major, KV 332 - Adagio (Klavier Solo)
* Mozart - Exsultate Jubilate
* Schumann - Er und Sie (Duet with Shea Owens, Bariton)
SHEA OWENS - BIOGRAPHIE:
With a vocal quality described by Opera Today as “stunning . . . with a striking brightness that thrills,” American baritone Shea Owens is quickly gaining a reputation as a confident and charismatic performer. In the 2019-2020 season, Mr. Owens continues his Ensemble work with Theater St. Gallen, with roles including Valentin in Gounod’s Faust, Agamemnon in Offenbach’s comedy Die schöne Helena, and Gaveston in George Benjamin’s Lessons in Love and Violence, among others. In the 2018-2019 season, Shea Owens joined the Theater St. Gallen as an Ensemble member, performing Belcore in L’elisir d’amore, Ottone in L’incoronazione di Poppea, Prinz Iwan and Des Kaisers Kammerherr in a double bill of Rimsky-Korsakov and Stravinsky’s Der unsterbliche Kaschtschei and Die Nachtigall, respectively, and staged performances of Haydn’s The Seasons.
In the 2017-2018 season, Mr. Owens performed Marcello in La bohème at Theater St. Gallen in Switzerland, and returned to the Grand Théâtre de Genève for Wagner in Faust, also covering the role of Silvio in Pagliacci. Additional projects included Charlie in Three Decembers opposite Frederica von Stade with Livermore Valley Opera, Seneca in Jonathan Dawe’s Nero and the Fall of Lehman Brothers with the Montréal-based company Ballet-Opéra-Pantomime, and Carmina Burana with the Altoona Symphony in Pennsylvania.
Recent projects included his European debut as Colonel Ricci in Sondheim’s Passion with Natalie Dessay at Théâtre du Châtelet in Paris, Marcello with the Grand Théâtre de Genève in Switzerland, Junius in The Rape of Lucretia, the title role in John Musto’s Bastianello, and Pacuvio in Rossini’s La pietra del paragone, all with Wolf Trap Opera; a return to Utah Opera for his role debut as Cascada in The Merry Widow, as well as a duo recital with Dina Kuznetsova entitled “From Russia to Riverside Drive: Rachmaninoff and Friends” under the auspices of the New York Festival of Song and the New York Philharmonic.
In addition to operatic and concert work, Mr. Owens also enjoys doing community outreach performances. He performed hundreds of shows for school children as a young artist with Utah Opera from 2012-2014. One of his most memorable outreach concerts was in 2016 in collaboration with Wolf Trap Opera and Taffety Punk Theater Company in order to raise awareness about violence against women
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Herzlichen Dank an Ralf Niesel (Mitglied der Geschäftsleitung bei Musik Hug AG Bachenbülach, Kanton Zürich und Fachmann für Fazioli Konzert Flügel)
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#gottesdienstonline
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One of the finest Sopranos that I’ve ever heard! And Shea Owens is without peer.
Glorious soprano!
Stunning 👌
Simplesmente Divino 💫👏👏👏👏👏
Laudate Dominum omnes gentes
Laudate eum, omnes populi
Quoniam confirmata est
Super nos misericordia eius
Et veritas, veritas Domini manet, manet in aeternum
Gloria Patri et Filio
Et Spiritui Sancto
Sicut erat in principio
Et nunc, et semper
Et in saecula saeculorum
Amen, Amen, Amen, Amen
Прекрасно!
The soprano is just mind blowing 🤯 wow
Votre duo est très beau.. merciii 🎶🎶😍
Très belle interprétation au piano et au chant.. Votre voix est très claire et jolie🎵😍
A sublime piece of music, sung beautifully by these two. Madison Leonard is stunning. I wish we could have heard Shea Owens a little bit better; he was a little too quiet next to Ms. Leonards soaring soprano.
I agree.
MARAVILLOSA VOZ!!!!!! MUCHAS GRACIAS!!!!!
Loved it
Quel bon duo magnifique😍🎹🎶
Amazing version
Какой голос, bravissima 😊sehr schön ❤❤❤❤
Stunning!!! ❤
what a surprise !
What version is this? I love this so much and am looking for the sheet music!
❤❤
Serait-il possible d'avoir la partition de l'arrangement soprano baryton s'il vous plaît ?
Anch'io
It doesn't exist because it's just a baritone singing a lovely harmony. I would assume any basic musician could pick up Shea's notes here. If anything, he was just improvising based on the harmony! :)
Who needs the baritone?? What a heavenly soprano!
莫札特「讚美上帝」由女高音的聲音出來，真美!
Can't hear the baritone at all.
👍 Bellissima voce