I moved to the US in 2004 and sessioned at Drexel with Zach from Dom's crew. Dom / Napalm / D-Tron would come session sometimes in Philly - whether at Drexel or Temple's campus and were always around the scene. The entire Beatwhackz crew was super nice, every time i hung out with them they were nothing but open, genuine, welcoming and helpful. Class guys and i have the best of memories from those days. The Philly scene circa 2004-2010 was fantastic and a lot of memories are flooding in typing this in 2024. Dom, you were always a cool cat and one of the dopest around. Nailed it in terms of what constitutes a unique AND dope style. 1000% aligned that the scene in the early 2000s was much more original, even if the overall level is "higher" now in terms of difficult moves. People were busy creating, making sure it looks fresh AND the music was straight up better! Appreciate you brother! Cheers!
Domkey face: 🤓 Domkey breaking: 🤯 Man this guy way of approach breaking is on another level, the whole loz as well. He made the most power combo/transition look like ease -.-
very dope and i relate SO DAMN much to the segment of the modern music at jams I just cant man, i just cant get into a simple beat/break that was cut from somewhere and like 1 accent happening every 8 or 16...And like everybody tries to hit that accent and its sooo predictable and just yeah... And the worst part is people play that shit at practise too, because like yeah it makes sense to practise to the music you will compete to... it just kills my soul so much Like whers the soul?the funk? the horns/groove/guitars/ feeling? Everybody ends up dancing the same way when the music at the jams is so fkin basic Good music, with flavours levels and just soul makes for good dancing, its just a fact of life. Getting hyped and interested into a song brings something out of you that adds to your dance, you just start moving different..
I moved to the US in 2004 and sessioned at Drexel with Zach from Dom's crew. Dom / Napalm / D-Tron would come session sometimes in Philly - whether at Drexel or Temple's campus and were always around the scene. The entire Beatwhackz crew was super nice, every time i hung out with them they were nothing but open, genuine, welcoming and helpful. Class guys and i have the best of memories from those days. The Philly scene circa 2004-2010 was fantastic and a lot of memories are flooding in typing this in 2024.
Dom, you were always a cool cat and one of the dopest around. Nailed it in terms of what constitutes a unique AND dope style. 1000% aligned that the scene in the early 2000s was much more original, even if the overall level is "higher" now in terms of difficult moves. People were busy creating, making sure it looks fresh AND the music was straight up better! Appreciate you brother! Cheers!
Domkey face: 🤓
Domkey breaking: 🤯
Man this guy way of approach breaking is on another level, the whole loz as well. He made the most power combo/transition look like ease -.-
Domkey’s one of the nicest ive seent
Looking forward to that Patreon man, really want to dig deep into this dance with the one I've been looked up to
very dope
and i relate SO DAMN much to the segment of the modern music at jams
I just cant man, i just cant get into a simple beat/break that was cut from somewhere and like 1 accent happening every 8 or 16...And like everybody tries to hit that accent and its sooo predictable and just yeah...
And the worst part is people play that shit at practise too, because like yeah it makes sense to practise to the music you will compete to... it just kills my soul so much
Like whers the soul?the funk? the horns/groove/guitars/ feeling?
Everybody ends up dancing the same way when the music at the jams is so fkin basic
Good music, with flavours levels and just soul makes for good dancing, its just a fact of life. Getting hyped and interested into a song brings something out of you that adds to your dance, you just start moving different..
Got it. Domkey’s style was developed in his bedroom.