m guessing 2 things. Either is Takahashi reimagining Saga's envisioned lore/events into Blade's or there's some strong story and timelines connection lore that we didn't know just yet between Blades and Saga. Could the Earth-of events of Xenoblade affected directly Saga's timelore? But that's impossible. How could they're gonna match Xenosaga's Grimoire Verum Earth/Zohar experiments vs Klaus Earth/Conduit experiments? Also, there's one more thing. It is worth mentioning that KOSMOS database entry on Episode 3 read as follows: "The battle over, KOS-MOS falls into an eternal sleep and drifts, like the passage of time, through the emptiness of space. A BLUE LIGHT penetrates her battered and faded figure. Perhaps that light will be the cause of a new awakening". If it that is our original KOSMOS in FR ending, does that mean that similar events between Saga and Blades are occurring at the same time, but in different timeline and universes? And how will be possible that Saga's Earth (Lost Jerusalem) will be the same as the ne who appears in the final sequence of the merging worlds at Future Redeemed ending?
@@boredgoddesstori6635 Verum is seen as publicly responsible for what happened, but it still could work as it being Klaus all along, but Verum just took the fall
@@markasscopsomething like that could work. And yeah could be happening kinda parallel to each other. Having recently finished fr myself not that long ago, my theory is that if you consider xenosaga a story of post lost jerusalem (earth) disappearance, then blade is a chronicle of the planet itself, of what exactly happened to it durring the incident. Xenosagas lost jerusalem disappearing into another dimension, splitting into 2 seperate bodies again yet again seperated by some kind of dimensional fabric becoming the setting for the blade series.
Is it really a coincidence that in Xenosaga we fight a Mech called Omega when we have an entity called Alpha in Xenoblade? One who is about to destroy in order to create when the other is about to create in order to destroy? One who acts out of arrogance when the other acts because it is the only thing it can do?
You mean, a franchise building his symbolics and all his creations, from stories, characters, lore, music, environnements, in spiral almost like... an Ouroboros? :D
@@SnackerWolf People theorized that there is deeper symbolism in Noah throwing his sword away, in the sense that Takahashi himself starts to let go of Perfect Works and continuing the Series beyond that structure.
@@bladerdj3503 I saw that this way too, or atleast I hope so for him, since with the end of the Klaus saga, he finally achieved to end one of his story for good and without having to cut contents. He finally got his perfect work and can move on
That's because they are both references to Deus. Deus is refered to as Alpha and Omega in Xenogears (of course it's also a reference to the bible). Omega's design is literally a carbon copy of the final form of Deus. Omega is also outright implied to be the beta version of Deus in Saga (Gears happens after Saga). Alpha has the weird creepy human face of the original Deus and the colors of final form Deus. Ontos is also one of the computers that originally controlled the Xenoblade equivalent of Deus (Aion). I want to add that Deus' plan was to grow new life on the planet, become one with it, and depart for a new world once he had regained enough power. That's literally Alpha's plan. The Siren Model Kit also explain the Aion system and it's the same as the Deus system in perfect Works. -The Power Source (Zohar/Counduit) -The decision making unit with three personalities (Kadomony/Trinity) -The world obliterating weapon (Deus/Aion) -An autonomous defence system (Diabolos/Artifice) The other funny part is that if we now consider that Klaus' world is lost Jerusalem then it also makes Aion the blueprints for Omega since we know that most of the stupidly powerful artefacts in saga were made using blueprints from a document that was originally decripted by a canadian scientist after being found alongside the Zohar. The Y-Data could have been used to make Aion before being reused 5000 years later to make Omega and then Deus.
1:31-1:32 every time I hear parts like this in this theme, I like to imagine that it just suddenly transitions into the intro of XBC's Gaur Plains or the intro of the chorus part in XBC 3's Chain attack
To be fair, Xenoblade music also isn‘t fully his work (X literally having no Mitsuda music at all) and they still are amazing. I definitely think his music is important to the series but the other composers also fill the role perfectly fine
@Goddess Shadow I don't think they will. But we know that originally Xenosaga was meant to be 6 games long. And since this boss is very grandiose and we know they tried to fit as much of the plot from all the planned games into one I just suspect that this was meant to be the final boss of 5 (with Zarathustra being the final boss of the 6th.) until they cut down the rest of the plot to fit into just Xenosaga 3.
It was not hard, and it should not have been 6 parts. I know they planned 6, but they were too full of themselves. If you read Xenogears Perfect Works (translations online at E-hentai, even), the original plan for what _should_ be "the Xenosaga" in total sometimes spanned millenia between stories. Xenosaga should have been a complete, singular game, and part one of six... Xenogears was part five, and takes place well over ten thousand years later...enough time for a rogue AI to crash land on a planet and grow humans to populate it, that civilization to grow and destroy itself, then most of its greatest technology to be lost/sequestered over the following eight millenia. It's like... this was supposed to be an epic that spanned civilizations, but Monolith got greedy like those .Hack motherfuckers
@@Robotta The time will say it so I'm not in that hurry. If a new Xenoblade game gets announced and this one officialy shares connections with Xenosaga/Xenogears then I will feel the need to play then as they are. Believe me, personally, the experience that the XCDE gave me from the first time is something that the Wii ver. would never have achieved. (Not hating the Wii ver., I love it)
Not less, definitely more. I have been to all kinds of Symphonic Metal shows from Nightwish to Epica to Kamelot. It's literally my favorite genre and has been for over ten years.
@@dugtrioramen I always thought that Manami Kiyota's music has a lot of similarities with Yuki Kajiura. Maybe she was inspired by her, or she was chosen as a composer because of their similar styles.
The really weird thing is... I could have -sworn- this was. It's only just now, like almost a decade after I played the game, that I realized it wasn't.
It'll be a great final boss theme for the end of an intermediate episode that's followed up, but doesn't have the "End of The Universe" feel as Promised Pain.
And Xenogears which if you catch it in the end credits of Xenogears it says something along the lines of Episode V or VI followed by a German language title line the three Xenosaga episodes.
@optimumultimaomega the end of Xenogears said Episode V, and the Xenosaga subtitles were books by Friedrich Nietzsche: "Der Wille zur Macht," "Jenseits von Gut und Böse," and "Also Sprach Zarathustra," or "The Will to Power," "Beyond Good and Evil," and "Thus Spoke Zarathustra" in English
This sounds stupid but i thought this was the final boss because this SOUNDED like a final boss theme, i was suprised that the game wasn't done yet and i was happy
i love manami kiyota but Godsibb is literally just better zanza the divine my fucking god this song is a masterpiece. why do E.S. battles have to be so loud i just wanna jam out without having my ears blown out
Man imagine if Ace Plus remixed this. Or maybe if they made a couple battle themes for episode one (the battle theme is great it’s just a shame it’s the only one)
lyrics: Requiem æternam, Dona eis, Domine Libera me, Domine, de morte æterna, In die illa tremenda. in die illa Quando coeli movendi sunt et terra, Dum veneris judicare Sæculum per ignem. Tremens factus sum ego et timeo, Dum discussio venerit atque ventura ira Dies illa, dies iræ, Calamitatis et miseriæ Et lux perpetua luceat eis Soulja Boy off in this, oh Watch me crank it, watch me roll Watch me crank that Soulja Boy Then Superman that, oh Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch Soulja Boy off in this hoe Watch me crank it, watch me roll Watch me crank that Soulja Boy Then Superman that, oh Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch me (Crank that Soulja Boy) Now watch
It's composed by Yuki Kajiura. She's known to use just gibberish for vocals. Reasoning is these themes are usually to draw focus to a particular event or emotion and she doesn't want the listener being distracted by trying to figure out the lyrics.
Xeno has been anime since 1998. And Xenosaga embraced its anime influences even more. You literally have two big breasted robot girls with giant Guns and insane fight scenes in this Trilogy. How much anime can you get? (Not to forget the Beach scenes that serve almost no purpose to the overall plot ;) )
Just like Fate bro, it's "history" but with a lot of changes, gender swaps and fanservice, but beautiful and epic battles. These games are just entertainment, if you want philosophy go read Philosophy
No, he isn't even the final antagonist of Xenosaga. Wilhelm has orchestrated the entirety of human history since the death of Jesus. Yuriev pretty much exists only because he helped Wilhelm by conveniently bringing all the relics of gods to Michtam when Wilhelm needed them.
![Zanza the Divine - Xenoblade Chronicles: Definitive Edition OST [035] [DE]](http://i.ytimg.com/vi/MnVemwebkiY/mqdefault.jpg)
Two scientists, driven by divine powers. Klaus and Dmitri.
That Future sure is Connected!
m guessing 2 things. Either is Takahashi reimagining Saga's envisioned lore/events into Blade's or there's some strong story and timelines connection lore that we didn't know just yet between Blades and Saga. Could the Earth-of events of Xenoblade affected directly Saga's timelore? But that's impossible. How could they're gonna match Xenosaga's Grimoire Verum Earth/Zohar experiments vs Klaus Earth/Conduit experiments? Also, there's one more thing. It is worth mentioning that KOSMOS database entry on Episode 3 read as follows:
"The battle over, KOS-MOS falls into an eternal sleep and drifts, like the passage of time, through the emptiness of space. A BLUE LIGHT penetrates her battered and faded figure. Perhaps that light will be the cause of a new awakening". If it that is our original KOSMOS in FR ending, does that mean that similar events between Saga and Blades are occurring at the same time, but in different timeline and universes? And how will be possible that Saga's Earth (Lost Jerusalem) will be the same as the ne who appears in the final sequence of the merging worlds at Future Redeemed ending?
@@TheBeholderist All they need to do really is retcon the Verum stuff and change it to Klaus activating the Conduit
@@boredgoddesstori6635could also be that both events happen at the same time in tandem
@@boredgoddesstori6635 Verum is seen as publicly responsible for what happened, but it still could work as it being Klaus all along, but Verum just took the fall
@@markasscopsomething like that could work. And yeah could be happening kinda parallel to each other. Having recently finished fr myself not that long ago, my theory is that if you consider xenosaga a story of post lost jerusalem (earth) disappearance, then blade is a chronicle of the planet itself, of what exactly happened to it durring the incident. Xenosagas lost jerusalem disappearing into another dimension, splitting into 2 seperate bodies again yet again seperated by some kind of dimensional fabric becoming the setting for the blade series.
BACK FOR MY 15TH LISTEN OF THE DAY 0:44 HITS EVERY TIME THERE MAY NEVER BE A SONG AS GOOD AS GODSIBB EVER AGAIN
back for my first listen after beating the game. take me back. take the trauma back.
@@theswagatron it's all over, there's no going back
Alpha the divine end though
If only other boss themes could give me an eargasm like this one
Redeem the Future :)
Is it really a coincidence that in Xenosaga we fight a Mech called Omega when we have an entity called Alpha in Xenoblade? One who is about to destroy in order to create when the other is about to create in order to destroy? One who acts out of arrogance when the other acts because it is the only thing it can do?
You mean, a franchise building his symbolics and all his creations, from stories, characters, lore, music, environnements, in spiral almost like... an Ouroboros? :D
@@SnackerWolf People theorized that there is deeper symbolism in Noah throwing his sword away, in the sense that Takahashi himself starts to let go of Perfect Works and continuing the Series beyond that structure.
@@bladerdj3503 I saw that this way too, or atleast I hope so for him, since with the end of the Klaus saga, he finally achieved to end one of his story for good and without having to cut contents. He finally got his perfect work and can move on
That's because they are both references to Deus. Deus is refered to as Alpha and Omega in Xenogears (of course it's also a reference to the bible). Omega's design is literally a carbon copy of the final form of Deus. Omega is also outright implied to be the beta version of Deus in Saga (Gears happens after Saga).
Alpha has the weird creepy human face of the original Deus and the colors of final form Deus. Ontos is also one of the computers that originally controlled the Xenoblade equivalent of Deus (Aion). I want to add that Deus' plan was to grow new life on the planet, become one with it, and depart for a new world once he had regained enough power. That's literally Alpha's plan.
The Siren Model Kit also explain the Aion system and it's the same as the Deus system in perfect Works.
-The Power Source (Zohar/Counduit)
-The decision making unit with three personalities (Kadomony/Trinity)
-The world obliterating weapon (Deus/Aion)
-An autonomous defence system (Diabolos/Artifice)
The other funny part is that if we now consider that Klaus' world is lost Jerusalem then it also makes Aion the blueprints for Omega since we know that most of the stupidly powerful artefacts in saga were made using blueprints from a document that was originally decripted by a canadian scientist after being found alongside the Zohar. The Y-Data could have been used to make Aion before being reused 5000 years later to make Omega and then Deus.
@@ghirahimlefabuleux8984 And the last boss of Xenogears is literally Ouroboros (just mistranslated as Urobolos or something like that)
To anybody who likes this music, check out the Noir Anime OST, it was also composed by Yuki Kajiura.
I don't know about anyone else, but I feel like a lot of inspiration for the Xenoblade 3 Future Redeemed final boss theme came from this.
Well, considering this is the boss battle theme of Omega, a meca with divine power... :D
Reminded me more of gears than saga
Considering that a variation called Zanza the Divine is in Xenoblade 1, I think it's more inspired by that
Redeem the FUture being written for the boss battle against Alpha no less@@SnackerWolf
These are the end times. Perfect theme.
1:31-1:32 every time I hear parts like this in this theme, I like to imagine that it just suddenly transitions into the intro of XBC's Gaur Plains or the intro of the chorus part in XBC 3's Chain attack
now i cant unhear the gaur plains. thanks
Literally the best boss battle theme ever created. Nothing I've ever heard comes close, not even Zanza the Divine
Seymour ominis from ffx is up there too but i agree
@yungneil97 it was a terrible design decision on the developers part to not have this as the final boss theme
@yungneil97 promised pain is a great song the boss just is too easy so you never hear it when it actually gets good lol
Is it a crime to say I prefer ZTD even though this song is factually better
@@HollowPurple-if2co Zanza the Divine is better imo
Even though the Xeno series lost Yasunori for a bit, this music still kinda slaps.
To be fair, Xenoblade music also isn‘t fully his work (X literally having no Mitsuda music at all) and they still are amazing.
I definitely think his music is important to the series but the other composers also fill the role perfectly fine
There's a Xenosaga 1 Piano Collection's kickstarter up called Across the Kosmos that's officially licensed! Help support it!
i have no doubt this was originally meant to be the final boss of Xenosaga V if they actually did make all 6 games.
Deus - final boss of Xenogears V
Omega - final boss of Xenosaga V
It makes sense
@Goddess Shadow I don't think they will. But we know that originally Xenosaga was meant to be 6 games long. And since this boss is very grandiose and we know they tried to fit as much of the plot from all the planned games into one I just suspect that this was meant to be the final boss of 5 (with Zarathustra being the final boss of the 6th.) until they cut down the rest of the plot to fit into just Xenosaga 3.
from what it looks like, u-do was originally supposed to take the role of deus before it took the role of the wave existence once they changed plans.
@@owenrendall we're so fucking back
Wasn’t Xenogears itself episode V or VI? It says something about that in the end credits of that game.
The original Zanza the Divine!
If only Xenosaga was made in 6 parts as they originally planned... anyway, it's still a nice JRPG series to play on the PS2 and it's hard too.
Here's is hoping for a switch collection at one point.
@@JN1306 I wish, the closest we ever got to see Xenosaga again was KOS-MOS appearing in other games as a guest.
@@SammEater True....
It was not hard, and it should not have been 6 parts. I know they planned 6, but they were too full of themselves.
If you read Xenogears Perfect Works (translations online at E-hentai, even), the original plan for what _should_ be "the Xenosaga" in total sometimes spanned millenia between stories. Xenosaga should have been a complete, singular game, and part one of six... Xenogears was part five, and takes place well over ten thousand years later...enough time for a rogue AI to crash land on a planet and grow humans to populate it, that civilization to grow and destroy itself, then most of its greatest technology to be lost/sequestered over the following eight millenia.
It's like... this was supposed to be an epic that spanned civilizations, but Monolith got greedy like those .Hack motherfuckers
@@Virjunior01 Man, dotHack was so cool, too bad greediness destroyed that series.
The original Consul battle theme, literally it's fucking daddy.
Haven't played Xenosaga, but dang this is so good for the old it is.
Play it.
@@duncanlavalle8689 Yeah, definitely waiting for the rumored remakes/remasters of the trilogy.
@@monadojo I hope for a remake but we can assume a sequel has to happen after Future Redeemed! (or Takahashi is trolling us idk)
@@monadojo Why the wait for an unconfirmed remake? Just play the games on PS2 or emulate them if they are expensive (which I think they are)
@@Robotta The time will say it so I'm not in that hurry. If a new Xenoblade game gets announced and this one officialy shares connections with Xenosaga/Xenogears then I will feel the need to play then as they are.
Believe me, personally, the experience that the XCDE gave me from the first time is something that the Wii ver. would never have achieved. (Not hating the Wii ver., I love it)
Feels like the final boss theme of FR in xeno 3
That brought me here
That theme is based off Zanza the Divine, which was based off this.
Pretty sure the _only_ thing that's similar are the vocalists.
This was my introduction to Symphonic Metal. Yes, there is a whole genre of this type of music... more or less.
Lacuna Coil and Within Temptation say hello
@@Ktb_Contract0r Nightwish, Epica, Xandria, there are a lot!
xenoblade in a nutshell lol.
Not less, definitely more. I have been to all kinds of Symphonic Metal shows from Nightwish to Epica to Kamelot. It's literally my favorite genre and has been for over ten years.
This may be the best boss battle music I've ever heard.
Kajiura makes tracks like these and people still have the audacity to say she recycled her content.
I feel people nitpicking her works are those who barely appreciate her talent or care about the many franchises she has worked on to begin with.
Imagine complaining that an ongoing series has similar music throughout.
The chances of this song making it into Smash with the new DLC are close to zero...
...but _not_ zero.
I'm sorry bro, but I understand. Cause I too crave any form of content that tangentially has Kos-Mos in it
Dmitri Yuriev gets namedropped in the Xenoblade 3 DLC, so it's not actually impossible for this to return to the series.
I genuinely think she could be in smash 6.
@@mylesobrien7477 Project X Zone 1 and 2 are the most recent products with KOS-MOS at the moment. So if you have a 3DS you can potentially enjoy them.
This song is tooo dang addicting
Behold this glorious picture!
god tier boss music
the "fuck you dad" theme
I mean, to be fair, Yuriev also basically says „fuck you!“ to his own children (or I guess clones of himself)
This kinda actually reminds me of the track "Zanza" from Xenoblade Chronicles.
Kinda the same structure tbh
@@amauryv1408 Might be where Ace got the influence from for that theme to have a nice tie in with Monolith's previous series.
Zanza is diet godsibb
@@Wexter0083 that's actually made by Manami Kiyota. Pretty surprising but I guess she can make some mean battle music
@@dugtrioramen I always thought that Manami Kiyota's music has a lot of similarities with Yuki Kajiura. Maybe she was inspired by her, or she was chosen as a composer because of their similar styles.
Man, it's too bad THIS wasn't the final boss theme, because it'd sure fit as such.
Thankfully Promised Pain is also awesome
The really weird thing is... I could have -sworn- this was. It's only just now, like almost a decade after I played the game, that I realized it wasn't.
It'll be a great final boss theme for the end of an intermediate episode that's followed up, but doesn't have the "End of The Universe" feel as Promised Pain.
This was the final boss to me
Well I’m sure this would have been “a” final boss if they were able to make the planned games. It sure felt like a final boss.
Man its been years since I listened to this!
Oh man i remember the battle behind this. it was an epic showdown with an amazing backdrop that resembles to the deus fight in Xenogears
For me this right up there with It has to be this way in terms of banger
Beautifully epic.
its official, xenosaga is connected to xenoblade, the name drops on the radio, and bamco being in the credits for future redeemed.
And Xenogears which if you catch it in the end credits of Xenogears it says something along the lines of Episode V or VI followed by a German language title line the three Xenosaga episodes.
@optimumultimaomega the end of Xenogears said Episode V, and the Xenosaga subtitles were books by Friedrich Nietzsche: "Der Wille zur Macht," "Jenseits von Gut und Böse," and "Also Sprach Zarathustra," or "The Will to Power," "Beyond Good and Evil," and "Thus Spoke Zarathustra" in English
Man, if this is for real, I really hope that Xenosaga trilogy can be properly remastered and launched at digital services.
@@optimumultimaomegaXenogears still is its own thing because of Square Enix.
Xenosaga was an attempt to fully tell the six part story of Xenogears
I have this on headphones, and OH GOD DOES IT SOUND EPIC.
This is even my final form theme
Abel is a blatant Fei Easter egg! 😁
Totally
XENOGEARS SPOILERS
even more, abel was the name of fei’s first incarnation. i honestly wonder how square didn’t sue namco LMAO
@@twiilit_ I’m guessing that tetsuya takahashi had some form of copyrights for the characters.
"Fear drives evolution!"
I swear to god
If I hear this in any Smash game
I'm gonna cry
This is an awesome song for that oh so difficult battle its played on.
greatest video game song ever
"Are you telling me this is not the final boss theme? Dissapointing ;( "
when will they remake this game for the love of god !!!
When Namco finally allows Monolith to work on it again
This sounds stupid but i thought this was the final boss because this SOUNDED like a final boss theme, i was suprised that the game wasn't done yet and i was happy
CALLING IT NOW!
KOS-MOS IN SMASH ULTIMATE!!
LETS GO BABY
Hasn't happened yet, but I PRAY
i'm behind this 100%
Yes please!! I NEED IT!
But... why? Oh nevermind.
Sounds like something from the Fate series, banger
Yuki Kaijura does a lot of OST for Fate's anime adaptations, so it makes sense, since she did a lot of Xenosaga Ep II and ep III ost
Remind me of Battle is to the Strong, from Fate Zero, to be precise
It was the final battle with Margulis that had me pulling my hair.
1:51 the false queens (climax)
The song I hear when I eat Taco Bell and have to go to the bathroom
Classic game amazing ending, this needs a bring back sequel.
Oh boy you're in for some good news
greatest boss theme ever fucking created
*Senator Armstrong would like to know your location*
That fucking violin man
I remeber when this was new.
i love manami kiyota but Godsibb is literally just better zanza the divine my fucking god this song is a masterpiece. why do E.S. battles have to be so loud i just wanna jam out without having my ears blown out
THIS IS THE BEST FUCKING SONG IVE HEARD IN MY LIFE AHHHHHHHHHHHHHHHH
@@theswagatron Livin' that tenth term to the fullest!
Why does 1:47 hit so hard I don't get it
*chanting intensifies*
Hi dad.
I remember this moment
NO ONE lasts long with Erde Kaiser Sigma. Even Zarathustra was a joke. :[
I wanna know who titled this song and why
I know, I even (re)played the first one after a long time since I finished the 3rd and I noticed the difference in the difficult level.
I couldn't imagine what Origa and Yuki Kajiura could do together.
Epic!
Same composer. Her songs are super distinctive, too.
It'd be cool if these games would be coming to the PSN.
tough chance due to how japanese copyright laws work, but this would be hella dope in smash. Perhaps with pyra and mythra
The main singer reminds me of FFX’s Bahamut in the best way possible.
This song’s atmosphere reminds me of Inside the Fire by Disturbed. Am I the only person here who feels that way?
the music is too quit in the game, this too good to be silent
Yeah I'd love this track even more if I could hear it over all the sound effects obliterating my eardrums.
Man imagine if Ace Plus remixed this. Or maybe if they made a couple battle themes for episode one (the battle theme is great it’s just a shame it’s the only one)
Check out future redeemed final boss song
0:45
This fucking theme is fire!
This song always reminds me of .hack
Yuki Kajiura composed for the anime .hack//Sign, maybe that's the reason
PICO DA FICÇÃO
日本人で聞いてる人居るのかしら
いる
what a bagner
nope bro, we understand :)
beginning of song sounds like sound from Rome total war when you end a move in campaign
it sounds like some of the songs from Tsubasa Reservoir Chronicle anime
Will anyone blame if this song makes me cry?
Xenosaga Appeared Crossers:
Namco X Capcom
Project X Zone 1.2
SEGA X Bandai Namco
Multiple Dimensions Worlds
Mixed Worlds Corrupted
@BaggysAnime awesome trilogy, then follow it up with Xenogears
A game, but it definitely has an anime vibe to it.
there is a anime of xenosaga
its not good@@Kryonet
NO MERCY
@BaggysAnime GameS. Pick them up sometime.
♥
so that's way it sounds similiar
Lyrics?
lyrics:
Requiem æternam, Dona eis, Domine
Libera me, Domine, de morte æterna,
In die illa tremenda. in die illa
Quando coeli movendi sunt et terra,
Dum veneris judicare
Sæculum per ignem.
Tremens factus sum ego et timeo,
Dum discussio venerit atque ventura ira
Dies illa, dies iræ,
Calamitatis et miseriæ
Et lux perpetua luceat eis
Soulja Boy off in this, oh
Watch me crank it, watch me roll
Watch me crank that Soulja Boy
Then Superman that, oh
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch
Soulja Boy off in this hoe
Watch me crank it, watch me roll
Watch me crank that Soulja Boy
Then Superman that, oh
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch me (Crank that Soulja Boy)
Now watch
@@Pivot___ Thanks for the good laugh, made my day
No Problem Brother/Sister. Wishing you a happy 2021 and hope your dreams go well. Cheers from Toronto!
@@Pivot___ You too lol
It's composed by Yuki Kajiura. She's known to use just gibberish for vocals. Reasoning is these themes are usually to draw focus to a particular event or emotion and she doesn't want the listener being distracted by trying to figure out the lyrics.
Jojo?
def epic. 9.75 out of 10.
I'm seriously getting some Higurashi vibes... MAJOR Higurashi vibes... I'm feeling kinda scared right now.
i feel a more madoka magica buzz
Same composer (Kajiura Yuki)
Now xeno is just a generic anime rpg
Xeno has been anime since 1998.
And Xenosaga embraced its anime influences even more. You literally have two big breasted robot girls with giant Guns and insane fight scenes in this Trilogy. How much anime can you get? (Not to forget the Beach scenes that serve almost no purpose to the overall plot ;) )
@@boredgoddesstori6635hey take that back, the fucking sweet ass beach is the best part 😂😂
Just like Fate bro, it's "history" but with a lot of changes, gender swaps and fanservice, but beautiful and epic battles. These games are just entertainment, if you want philosophy go read Philosophy
Soo... Is it official now? That Yuriev is the biggest bad in all of Xeno?
No, he isn't even the final antagonist of Xenosaga. Wilhelm has orchestrated the entirety of human history since the death of Jesus. Yuriev pretty much exists only because he helped Wilhelm by conveniently bringing all the relics of gods to Michtam when Wilhelm needed them.
can he really be the biggest bad if he dies way before the final area?
@@markasscop he almost succeeded in hijacking the plot.
no it was wilhelm and now its wilhelm but even worse than we thought