Luigi Nono - …Sofferte onde serene… (1976)
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- Опубликовано: 15 сен 2024
- Luigi Nono - …Sofferte onde serene… (1976)
For Piano & Tape
Dedicated to Maurizio Pollini
Pf: Hidéki Nagano (live, 2015)
(source: • Luigi Nono, …. soffert... )
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sodelicious
A wonderful masterpiece which is a fitting epitaph for Maestro Pollini. RIP and travel well in your final journey.
Listen to this more than twice and like your first time hearing A Bramssymphony or a Mozart quintet you will start to discover a totally unique sound world . I had to see the sheet music .I wonder if the piece can be performed on one piano with 2 players . The taped piano behind the live player was a fabulous idea at the time 1970's .Was happy to see a filmed performance of this great music ! The experience rewards itself !!!
RIP maestro Pollini.
Un brano di una poesia ineffabile.
Lovely Music
Beautiful.
thanks for this!
Colorful. Could be less silent.
"Luigi, nono." Is what they said when this guy chose to become a composer and he sadly did not listen.
@@Whatismusic123 He GLADY did not listen.
This is too funny 🤣🤣🤣
C'est beau, inspirant, céleste…
Non mais, vous avez cru quoi ? c'est nul. Ne perdez pas votre temps, la vie est courte.
...when you transcribe the music produced by three cats walking on a piano.
Sorabj!!!!!!!!!!!!!!
Sorbj borj
Based Sorbj
Sorabji is much more melodic, though I hate to admit that.
yeah right... now write a tonal fugue
@emilianoturazzi I believe it is easy for those who endured hard work on mastering it. Atonality is also a storicized language, and sometimes more formalized and intellectual than anything previously composed. This composition by Berio is one that seems just an intellectual game, and an encouragement for the untalented to do whatever they want or feel to, which is great! I deem with great respect all the 20th century noise makers: they removed from our path the need of we having to do it. It's more a dialetical approach of how to do music: do the contrary of everything we learned from Palestrina, Bach, Mozart, Beethoven, Wagner etc. The first who did it (Schoenberg) was a genius. The others, on the other hand...
@emilianoturazzi My mistake about the composer. I see you are a musician, and so am I. You don't need to take my critics as personal. I find this music silly by itself, something suitable only for the hermetic environment of the academy. For the sense of hearing it is unpleasant, ugly and uninteresting. Could I find it at least courious one day? Of course! Trust me that I'm eager to understand things, and if there's something positive that I can say about this kind of music is that intrigues me, simply because it's beyond my human condition and experience to find any reason why to spend my time hearing it - and, as you can see, I keep trying. I know that I wasn't diplomatic and/or formal on my commentary, but I was sincere. I'm sorry if you felt offended. Trust me that I would love to read your considerations, they could widen my perspective. I wish you the best!
@@igordrmI think unpleasant and ugly belong in music, and can be enjoyed the same way that the category of the beautiful can be enjoyed (in other words I think the unpleasant and ugly is beautiful in itself). I dont really find this uninteresting. Although it does have a common charasterictic of „New Music“ of being drawn out in time, of taking a simple idea and extending it to the maximum, or of wheigtlessness of time. Maybe uninteresting in the same sense that Minimal/Ambient music could be called uninteresting. I guess that is one of the characteristics of this music which is the hardest to get into sometimes. If you want to check more stuff like this I recommend the quartet „Many, Many Cadences“ and „no time (at all)“ for 2 guitars
@emilianoturazzi you only believe it to be easy because you are completely blind to its intricacies. You have tons of knowledge you have zero understanding of.
@@igordrmstand on Giudecca, as I did one Xmas day and wait for the bells all over Venice start to ring out. This is not too far that experience but obviously transformed for reasons of structure. If Pollini was happy to promote this music who am I to say it’s not of measurable worth. Similarly Abbado with Il Canto Sospeso.
There’s a lot of music composed in the style of any tonal composer you can name which is, to quote you, an encouragement for the untalented to do whatever they want or feel to. I’ve come across symphonies allegedly inspired by Mozart but which lack the basic grasp of sonata form other than going through the keys. It takes a Mozart to create something as astounding technically and intellectually as the first movement of his fortieth symphony. A rough gear change of key into the development and then very much taking the scenic route by choice, and using the initial material as a diminishing source e of notes until you’re left with barely anything of the material from the exposition, and then segue seamlessly into the recapitulation returning to the original material before finally, and exhaustingly, reaching the home key.
Graduating cum laude (as so many of these hacks like to proclaim) does not mean much more than passing a curriculum ticking teacher’s boxes and licking their shoes. It does not guarantee much more. It certainly doesn’t mean they even achieve a cheap pastiche of that movement by Mozart.
gaybe