Abraham Kurien yes it's close to simhendramadhyamam because it is the shuddha madhyamam equivalent of simhendramadhyamam which is the 57th melakarta ragam. Keeravani is the 21st melakarta in the 72 melakarta scale of car natic music
Who am I to Comment on the Maestro's Rendition with Nice Alapana followed by the Song Simply Listen and Enjoy ! Amba vani nannadarincave Ragam Keeravani Adi Talam HN Muthiah Bhagavathar Krthi This is a Kruti in praise of Sarasvati the Goddess of learning, Muttaiah Bhagawatar praises her as transcendental Goddess capable of showering knowledge and proficiency in music. P ambA vANi nannAdarincavE Oh Mother vani, shower your mercy on me. AP shambarAri vairi sahOdari kambu gaLEsita kamalEshvari You are Kamaleswari seated on white lotus. Your beautiful neck is like conch. You are the sister of Manmadha's enemy, Siva. C paradEvi ninnu bhajiyincE bhaktulanu brOcE pankajAsani vara vINApANi vAgvilAsini harikEshapura alankAri rANi You are the transcendental Goddess seated on lotus. You protect your devotees. You hold excellent 'Veena' in your hands. Your speech is delightful and you are the beautiful queen of Harikesa pura. Raga Keeravani Aro S R2 G2 M1 P D1 N3 S Av S N3 D1 P M1 G2 R2 S A raga that adorns the classical system of music like a sparkling solitaire is Kiravani. It is unique, meditative, and calming, bringing forth devotion and deep peace. The 21st melakarta, Kiravani is a complete and harmonious raga, symmetric in Aarohana and Avarohana. In Western music, this corresponds to the harmonic minor scale. This scale is also prevalent in the Middle-East. The notes in this raga include Sadja, Chatusruti Rishabha, Sadharana Gandhara, Suddha Madhyama, Pancama, Suddha Dhaivata, and Kakali Nishada. In classical music, the popular compositions in Kiravani include ‘Kaligiyunde’ of Tyagaraja, ‘Brovu Brovu’ of Shyama Sastri, ‘Devi Neeye Thunai’ of Papanasam Sivan, ‘Varamulosagi’ of Patnam Subramanya Iyer, ‘Ambavani’ of Muthiah Bhagavathar, ‘Innamum Sandeha’ of Gopalakrishna Bharati, and ‘Velava Va’ of Koteeswara Iyer.
Its so close to simendramadhtyamam and rendered beautifully well..the violin is marvellously melodious too..
Abraham Kurien yes it's close to simhendramadhyamam because it is the shuddha madhyamam equivalent of simhendramadhyamam which is the 57th melakarta ragam. Keeravani is the 21st melakarta in the 72 melakarta scale of car natic music
Who am I to Comment on the Maestro's Rendition with Nice Alapana followed by the Song Simply Listen and Enjoy ! Amba vani nannadarincave Ragam Keeravani Adi Talam HN Muthiah Bhagavathar Krthi
This is a Kruti in praise of Sarasvati the Goddess of learning, Muttaiah Bhagawatar praises her as transcendental Goddess capable of showering knowledge and proficiency in music.
P ambA vANi nannAdarincavE
Oh Mother vani, shower your mercy on me.
AP shambarAri vairi sahOdari kambu gaLEsita kamalEshvari
You are Kamaleswari seated on white lotus. Your beautiful neck is like conch. You are the sister of Manmadha's enemy, Siva.
C paradEvi ninnu bhajiyincE bhaktulanu brOcE pankajAsani
vara vINApANi vAgvilAsini harikEshapura alankAri rANi
You are the transcendental Goddess seated on lotus. You protect your devotees. You hold excellent 'Veena' in your hands. Your speech is delightful and you are the beautiful queen of Harikesa pura.
Raga Keeravani Aro S R2 G2 M1 P D1 N3 S Av S N3 D1 P M1 G2 R2 S
A raga that adorns the classical system of music like a sparkling solitaire is Kiravani. It is unique, meditative, and calming, bringing forth devotion and deep peace. The 21st melakarta, Kiravani is a complete and harmonious raga, symmetric in Aarohana and Avarohana. In Western music, this corresponds to the harmonic minor scale. This scale is also prevalent in the Middle-East. The notes in this raga include Sadja, Chatusruti Rishabha, Sadharana Gandhara, Suddha Madhyama, Pancama, Suddha Dhaivata, and Kakali Nishada.
In classical music, the popular compositions in Kiravani include ‘Kaligiyunde’ of Tyagaraja, ‘Brovu Brovu’ of Shyama Sastri, ‘Devi Neeye Thunai’ of Papanasam Sivan, ‘Varamulosagi’ of Patnam Subramanya Iyer, ‘Ambavani’ of Muthiah Bhagavathar, ‘Innamum Sandeha’ of Gopalakrishna Bharati, and ‘Velava Va’ of Koteeswara Iyer.
6.50