Ferrania P33!
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- Опубликовано: 12 сен 2024
- My first time out with this new panchromatic film from Film Ferrania. I used my K1000, and metred using its built in metre. I shot it at its box speed of 160 to see how well shadows would hold up.
#ferraniap33 #pentaxk1000 #d76filmdeveloper
(if anyone recognises my intro scene with the repetitive runner, let me know which movie it is from!)
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/ @analogueandy8x10
Wouldn't be interesting to arrange a house tour inside your special house? Also enjoy your humor and darkroom techniques/tips. Thanks
I've been dying to get in there for the past 20 years!
Interesting and informative video. I have seen several videos on this film but so far only this one gives the kind of information that users need. I was impressed with it and think that Ferrania may be onto a winner here. Just a pity that Ferrania only gives times for D76 but frankly a new film like this from a very small company needs personal testing anyway
What's your main developer?
Very thorough video on P33, including development data and developer. Would you think P33 would be good for studio flash portraits????? Thank you
It's not my area of expertise, but I would say, why not? It has really nice tonalities.
Intro as Monty Python 😂😮😅😊
I was just going to say the same thing, but you beat me to it.
Yeah, that was brilliant!
One of my other buddies was going to try some clip testing in Pyro 510, so, hopefully there will be more dev times and developers soon.
Interesting when it will be 120mm. I try to stay at 120 or 4x5.
Should I assume you added a few stops for each shot taken with the red filter? Just curious.
I relied on the in-camera metre, and adjusted exposure so that the "needle" was in the middle. Any scenes that were back lit (my tree, for example) I added a half stop. The increase for the filter was always around 2.5 stops. I should have metred with my handheld spot metre so that I could get better shadows, but I'll reserve that for when Ferrania produces P33 in 120, and my RB67.
Photrioでカーボンプロセスを調べていたら辿り着きました。過去日本に住んでいたんですね
はい!ふく12ねんかんすんでいました。おくさんはくるめしから。。。こどもたちはそこでいまれました。よくにほんにいきます!カーボントランスファーをやく15ねんかんしています。。。🙂
I am also a fan of hp5.
I'm torn between PQ universal and d-19 after reading the forum, why did you choose d-19?
Thanks.
@@AtelierGeisha I usually only use D-19 with HP5 when I want to print it in carbon transfer. Films need to be developed to a long density range/contrast, as you know. But when the development time is extended for HP5, using conventional developers, the base + fog increases so much more than most other conventional films, rendering it an impractical choice for carbon transfer. But not if you use a non-conventional developer like D-19, or even DK-50. How is your carbon transfer printing coming? Drop me an email sometime. You can find it in the description in the "About" tab...🙂
How long wait for 4x5, too?...... I'm witing new book; Dont like Green Fixer, Andy I am....
Green fixer is okay on St. Patrick's Day! 😁
I find the red filter sucks all the contrast out in your shots. Id probably leave it off for this film.
What is P33? How does it compare to P30?
Keep in mind it was my first outing with this film, and I wasn't shooting it at its optimum EI (I stated in the video that I've been preferring it at EI 80). What image are you basing that on? The weeping willow shot is quite contrasty, as well as several others... I did compare it to P30, and showed characteristic curve differences. 😉
@@analogueandy8x10 Just on the images of the two south lawn buildings where it just looked flat to me. It darkened the images quite a bit.
@@braxus351WThey look completely fine to me, other than a bit less detail in the shadows compared to unfiltered (that was me and not the film), and darkening of blue sky... which the filter would do to any conventional pan B/W film...