Thank you thisIselisa, I always thought it was Kletzmer (although I could never find it), because a Brisbane Conservatorium brass band, played it sight unseen verbatim, and they said it was kletzmer..... I've wondered for years and now I know, cheers John Nobbs
That's an interesting question, Grace. I think you'd get a lot of different answers depending on who you asked. My experience with stomping is that, after the stomping music ends, the actor falls to the ground before rising back to their feet to begin the procession forward. I was taught this by someone who spent 20 years as a member of the SITI company, so that's my cultural lineage with the practice. Suzuki-San has likely changed his relationship with the practices many times, but I've never trained directly with him, so I can't speak to his current practice.
@@FuzzyErThanThou thanks mate. I think, maybe, seven years ago I just didn’t know how to reply to comments and was asking about the music like all the other comments. But your wisdom and insight here is also valuable!
The music is by RICARDO SANTOS the track is Shinnai-Nagashi from the album Holiday in Japan!
helpgull indeed! thanks to all of you
Beautiful... :-)
Thank you thisIselisa, I always thought it was Kletzmer (although I could never find it), because a Brisbane Conservatorium brass band, played it sight unseen verbatim, and they said it was kletzmer..... I've wondered for years and now I know, cheers John Nobbs
You don't need "the music", use music with a strong beat and you'll be fine. The music is not important, just stomp baby!
May I have the music of the stomping tadashi Suzuki exercises? please please pleaseeee:D
I have the same question! How can someone buy this music? Thanks for your help!
What song is this? I like it bad I used it be
what song is this?
Who is the composer of the music?
Is this actually correct?
That's an interesting question, Grace. I think you'd get a lot of different answers depending on who you asked. My experience with stomping is that, after the stomping music ends, the actor falls to the ground before rising back to their feet to begin the procession forward. I was taught this by someone who spent 20 years as a member of the SITI company, so that's my cultural lineage with the practice. Suzuki-San has likely changed his relationship with the practices many times, but I've never trained directly with him, so I can't speak to his current practice.
@@FuzzyErThanThou thanks mate. I think, maybe, seven years ago I just didn’t know how to reply to comments and was asking about the music like all the other comments. But your wisdom and insight here is also valuable!
Lol, gotcha. Well I hope you got some love for the music