I use the camera profile of my camera and then use the auto key. The result is very good and I can adjust what I don't like. For me, the auto key is a perfect start to begin with. You can adjust the setting to your own taste. So for me, it is a very useful way to start my edit. Toine.
Very thorough video. Do you know what has happened to 'edge aware' editing in camera raw? I use camera raw to edit equirectangular images for 360 photos which used to work well without creating a seam in the image where the two edges meet. Does this latest version not support edge-aware or am i missing something?
Very comprehensive overview of camera raw, but I don't think you said anything about the Point Color Tool. I use it all the time with my portraits to adjust skin tones. Maybe a video about this feature?
James may disagree with me, but I'd say you would primarily be using Adobe Camera Raw (ACR) for comprehensive raw image processing if you didn't want to use Lightroom Classic (LrC) or some other app for that. You probably wouldn't use both ACR and LrC on a particular image file, because as you can see in this video, there's almost total overlap between LrC's Develop module and ACR. People who have tested both on the same images say they get the same results (websearch it), not ACR producing better edited images than LrC or the other way around. So if you're happy working in LrC, you probably don't need to worry about Adobe Camera Raw. It's good to know ACR is there in case you have a Raw image file you want to use in Photoshop but don't want to import into LrC first for whatever reason. Familiar with LrC, you'll have little trouble figuring out how to proceed in ACR. (The biggest difference between the two is that ACR can't do all the things LrC can do in other modules besides Develop. Some of those can be done in Adobe Bridge.) Some people don't like having to deal with the catalog system in LrC and prefer to just open and edit their photo files in Photoshop. That's what they're used to, and they know how to work quickly. For them moving sliders in ACR is a faster way to do most of the raw image processing than messing with a lot of layers in PS to accomplish the same objectives. Once they've got the image looking pretty good in ACR, they can continue working in Photoshop with the extra things PS can do best; they click OK in ACR and the edited image opens as a layer in PS. (LrC users always have the option to Edit In > Adobe Photoshop with a Raw file imported into LrC first, and after finishing in Photoshop, the new edits can be saved back to LrC.)
Thank you for taking the time to put this together. Very comprehensive.
I use the camera profile of my camera and then use the auto key.
The result is very good and I can adjust what I don't like.
For me, the auto key is a perfect start to begin with.
You can adjust the setting to your own taste.
So for me, it is a very useful way to start my edit.
Toine.
Yes, I think auto is a good place to start.
This was so well explained and helpful
Very good and useful video
Very thorough video. Do you know what has happened to 'edge aware' editing in camera raw? I use camera raw to edit equirectangular images for 360 photos which used to work well without creating a seam in the image where the two edges meet. Does this latest version not support edge-aware or am i missing something?
Very comprehensive overview of camera raw, but I don't think you said anything about the Point Color Tool. I use it all the time with my portraits to adjust skin tones. Maybe a video about this feature?
Why i should using photoshop camera raw and not Lightroom? Are there any differences ?
James may disagree with me, but I'd say you would primarily be using Adobe Camera Raw (ACR) for comprehensive raw image processing if you didn't want to use Lightroom Classic (LrC) or some other app for that. You probably wouldn't use both ACR and LrC on a particular image file, because as you can see in this video, there's almost total overlap between LrC's Develop module and ACR. People who have tested both on the same images say they get the same results (websearch it), not ACR producing better edited images than LrC or the other way around. So if you're happy working in LrC, you probably don't need to worry about Adobe Camera Raw.
It's good to know ACR is there in case you have a Raw image file you want to use in Photoshop but don't want to import into LrC first for whatever reason. Familiar with LrC, you'll have little trouble figuring out how to proceed in ACR. (The biggest difference between the two is that ACR can't do all the things LrC can do in other modules besides Develop. Some of those can be done in Adobe Bridge.)
Some people don't like having to deal with the catalog system in LrC and prefer to just open and edit their photo files in Photoshop. That's what they're used to, and they know how to work quickly. For them moving sliders in ACR is a faster way to do most of the raw image processing than messing with a lot of layers in PS to accomplish the same objectives. Once they've got the image looking pretty good in ACR, they can continue working in Photoshop with the extra things PS can do best; they click OK in ACR and the edited image opens as a layer in PS. (LrC users always have the option to Edit In > Adobe Photoshop with a Raw file imported into LrC first, and after finishing in Photoshop, the new edits can be saved back to LrC.)
Why does your preset on the bottom profile say P3 and when you opened it is was in RGB?
Does not mention Adobe Bridge program? A preview program that loads direct into Adobe Camera Raw, mysterious left out!
Dude, where’s your Instagram gone!