...transposed down, why? I newer have had heard so complementary, vibrant and stirring duet like Philippe Jaroussky and Nuria Rial. Nuria and Philippe duets from Theatro di Amore/L'Arpeggiata are amazing...
Trasposto perché la parte di Amina è molto acuta e scomoda, recitativi compresi, e Jaroussky non è un soprano, è un’estensione troppo tesa per il suo falsetto.
So now the sport for the score nerds is to hear howmuch and where Jaroussky;s part is transposed down? :D OMG: 6.27 I hear Ogni Vento! Rial does it gorgeous!
Handel used the music of Fillide’s aria Fiamma bella for Agrippina’s aria Ogni vento Act III Scene XX; and Fillide’s aria È un foco, quel d'amore is the same, word for word, as Poppea’s aria of the same name in Agrippina Act I Scene XVII.
Plus the "non si puo dar un cor" for Cleopatra's aria "Tu la mia stella sei" in Giulio Cesare. And the "se vago rio" in Rinaldo, I don't remember who sings it but the lyrics are different. Händel was apparently a big fan of recycling ♻
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Incontro pieno di emozione, ammirevole interpretazione!
Outstanding performance!
Bravi!!!
Великолепно!!
It sounds like Handel reused bits of "Siete assai superbe, o stelle" from Rodrigo in "Fermati, non fuggir!"
...transposed down, why? I newer have had heard so complementary, vibrant and stirring duet like Philippe Jaroussky and Nuria Rial. Nuria and Philippe duets from Theatro di Amore/L'Arpeggiata are amazing...
Trasposto perché la parte di Amina è molto acuta e scomoda, recitativi compresi, e Jaroussky non è un soprano, è un’estensione troppo tesa per il suo falsetto.
The timestamps don't split the recitativos from the arias.
What is the different in overture between the hwv83 and hwv7a?
Absolutely gorgeous. Is there any possibility of downloading this score on pdf?
IMLSP
So now the sport for the score nerds is to hear howmuch and where Jaroussky;s part is transposed down? :D
OMG: 6.27 I hear Ogni Vento! Rial does it gorgeous!
...And when you're going to sing as good as him...Sure that your voice is more loud than him.
Handel used the music of Fillide’s aria Fiamma bella for Agrippina’s aria Ogni vento Act III Scene XX; and Fillide’s aria È un foco, quel d'amore is the same, word for word, as Poppea’s aria of the same name in Agrippina Act I Scene XVII.
Plus the "non si puo dar un cor" for Cleopatra's aria "Tu la mia stella sei" in Giulio Cesare. And the "se vago rio" in Rinaldo, I don't remember who sings it but the lyrics are different. Händel was apparently a big fan of recycling ♻
omg he totally recycled that Overture for Faramondo! haha
It's the overture of Rinaldo
Oh yes, sorry, the second part is!