One of my favorite sound design approaches is connecting lfos to envelopes Or in Ableton use SPLTTR to process the highs miss and lows and use envelopes And lfo to create waves that react to generated and reactive modifiers
Thanks.teaching is, an art n u get pol lakeing things, sound more technical than tvey r not knowingly n some just out of spite. Then u get ppl that make u want to try. A rare breed. Thanks
Could you please help me clear these three doubts? 1. Does the Filter Envelope add anything to a key being played like harmonics / frequencies or is it simply cutting off / filtering the frequencies? i.e. Can it make percussion instruments sound like piano keys with long release and short attack, because I've read that Amp envelope controls the volume, Pitch envelope changes the pitch/frequency and the Filter envelope changes the Timbre of the sound? 2. They say that an Envelope Filter is dynamic and it changes its cutoff frequency depending on the amplitude of the signal but isn't that the same for Amp and Pitch Envelopes as well? since they don't output the same volume or frequency for different signals / keys. 3. Please tell me if I'm wrong here: Pitch Envelope changes a key's default pitch ( go up or down by a certain amount in units of semitones ) whereas Filter Envelope makes ( two theories ) a. Make all the keys start from their default frequency and move it all the way up / down to the cutoff frequency and the distance between them is determined by the Envelope's amount. Negative Cutoff frequency means a note moves down the frequency spectrum to become duller. b. Make all the keys irrespective of their default frequency / pitch / notes / tones start at the cutoff freqeuency point and move it either up ( brighter ) or down ( duller ) by the Envelope's range. ( This sounds too dumb to be true but I need to confirm ). So which part of this process makes the Filter Envelope an automated dynamic filter. Seems like all three are automatic once the initial values are put in.
I think it's confusing to name "sustain" a phase or stage. It's a level and has nothing to do with time. Otherwise, fantastic and inspiring video, as always!
![8 Envelopes You MUST Know For Sound Design & Audio Programming [Synth #006]](/img/1.gif)
This has gotta be the best channel I've found on RUclips to learn the basics of synthesis. Thank you very much!
absolute godsend
The best guide on this topic I could find. Thanks!
Best explanation for Filter Envelope I've seen. Thank you for the visual, super helpful.
best video ever for LFO . thnaks it was very informative
Such a great series! So many sounds I always wanted to know how to make!
Woah these graphics and the explanation is amazing.
Great visual explanation!
Amazing video!!! Very helpful! What program are you using to connect modules in a virtual synthesizer?
Thanks! The white modular synth? That's VCV rack, and it's free!
That was handy thanks!
pretty accurate information. good job bro!
Amazing video! Thanks!
Thank you so much ! It really helped clearing up some stuff for me
One of my favorite sound design approaches is connecting lfos to envelopes
Or in Ableton use SPLTTR to process the highs miss and lows and use envelopes And lfo to create waves that react to generated and reactive modifiers
Nice idea! What do you mean by "waves that react to generated and reactive modifiers"? Do you have an example?
Great video!!!! 👏🏾😌
What a fantastic video.
This is a great explanation, thanks!
Great explanation! Thanks :)
Very useful series of videos💥, learnt more about sounds, thank u keep going
very very helpful ! thank you so much
my guy, you're so talented at making easily understood and enjoyable to watch content. very nice production value too. subscribed and thumbed up!
Thank you
thank you so much for your work!!
More tutorials like this 👍
Cant believe I didn't see this earlier! great quality my guy
Thanks.teaching is, an art n u get pol lakeing things, sound more technical than tvey r not knowingly n some just out of spite. Then u get ppl that make u want to try. A rare breed. Thanks
Thank you!!!
Great!!!
Could you please help me clear these three doubts?
1. Does the Filter Envelope add anything to a key being played like harmonics / frequencies or is it simply cutting off / filtering the frequencies?
i.e. Can it make percussion instruments sound like piano keys with long release and short attack, because I've read that Amp envelope controls the volume, Pitch envelope changes the pitch/frequency and the Filter envelope changes the Timbre of the sound?
2. They say that an Envelope Filter is dynamic and it changes its cutoff frequency depending on the amplitude of the signal but isn't that the same for Amp and Pitch Envelopes as well? since they don't output the same volume or frequency for different signals / keys.
3. Please tell me if I'm wrong here: Pitch Envelope changes a key's default pitch ( go up or down by a certain amount in units of semitones ) whereas Filter Envelope makes ( two theories )
a. Make all the keys start from their default frequency and move it all the way up / down to the cutoff frequency and the distance between them is determined by the Envelope's amount. Negative Cutoff frequency means a note moves down the frequency spectrum to become duller.
b. Make all the keys irrespective of their default frequency / pitch / notes / tones start at the cutoff freqeuency point and move it either up ( brighter ) or down ( duller ) by the Envelope's range. ( This sounds too dumb to be true but I need to confirm ).
So which part of this process makes the Filter Envelope an automated dynamic filter. Seems like all three are automatic once the initial values are put in.
Still don’t understand why the Filter Envelope Depth Knob is called “Freq CV” ?
👌
How named the white synth at beginning of video?
That must be VCV rack, that a simulation of a modular synth
I think it's confusing to name "sustain" a phase or stage. It's a level and has nothing to do with time. Otherwise, fantastic and inspiring video, as always!
Thank you!!!