I still love that you were the only one with enough motivation to work on music during the trip. Side note, still wanting to redeem my voucher for a free franchise. Edit: would redeem for the ability to hear the music you wrote while there.
You have to use a computer screen to figure out how to make music without a computer screen. In the process of doing so, I discovered an extremely versatile DAW controller. It's those typing keyboards that have 62 to 102 keys. The more keys it has, the less it costs! I uninstalled Bitwig recently. I have forgotten why. I'll reinstall it and get reminded.
I watch a lot of synth/ music production videos. I’m guessing that’s why this video was suggested to me. It was both hilarious and informative. Subscribed
I never would have guessed that you weren't still there. You've really cracked the code for that seamless greenscreen. 😆 Seriously though, great video as always mate!
Nice review of everything. The midi controller is something I just went on a deep dive with - I ended up getting the faderport16 and I'm SUPER happy with it, instant productivity/efficiency boost. I seriously underestimated daw controllers for way too long, strongly recommend it to producers now.
hahaha headphones for dogs, also the part about staying out of jail hahaha I love this guy. Super funny. I also have those AKG's he is wearing or at least a variant of his model. Yeah, I'm a huge fan. "Casadilla's" I'm hungry already.
at this point who cares about a DAW controller we all know that the second we stop looking at all these products and just get going with the mouse and the screen, actual music gets made very quickly.
All these comments from satisfied new viewers. And you were humorous _and_ humble. This might be the big one, Weaver. 🚀 Sheeit, _I_ might even subscribe finally. 🤘
That is pointless …I have a osmoses and you need too try it too appreciate how expressive it is. Price wise I was in the first preorder batch and got mine before Xmas so I only paid $1079 :) Each key is a separate mpe controller so you can sustain a chord and then bend a melody on top ,it really is amazing.. The included synth engine is very very complex and I’ve not really scratched it yet,the presets on the whole are good but what’s really good is the osmose can add mpe too anything even if it’s not made for mpe . Honestly osmose is by far the best keyboard controller on the market,I’ve had ROLI and it blows ROLI away
@dtrelz music Hey! It's Kyle with Sweetwater! I've been trying to get a hold of you to see how those guitar picks are holding up for you and if you need anything else?
The title of this video made me laugh harder than any in recent to mid distant memory. How long is that? I have no idea but long enough that I can't remember the last time a title actually made me lol.
Funny how ‘this sampler plays back in stereo!’ Is somehow a big deal. In 2023. Ok, MPC been stereo playback since… always. 😂 TABLE STAKES, do you hear me Elektron & Teenage Engineering? (And Polyend until now)
I always think, out of reasoning that having the audio producer be able to go much higher than what we can hear is the frequency's we can hear being reproduced very easily, it being higher then leaving headroom... like speakers that go down to 30hz don't do a good job of 30hz... 40hz maybe, 50hz totally... so in my mind if it can go down to 10hz then I'm good to play 20hz and totally 30hz... but that's logic I made up in my own head to warrant it... but that spec doesn't not state the quality of the speakers audio... there is something to do with audio itself having more room when the limit is higher much like how eq in the lower section can effect how it sound in the higher... but still, think there are more important factors in good sound quality that isn't ever mentioned than the base frequency responses, I just assume it does play a role
I’m upgrading from the Nektar Panorama P1 to the new Nektar Panorama CS12 in July. Love all their products. They offer a lot of control over DAWS. The Nektar Aruba Pads are better than my MPC’s and Machine. Look in to it.
here in Berlin sure come to the spree river as shown with your tracker there it sounds best lol. even pretty sure you find guys here eating your tracker with mustard. by the way what is better compared to using ipad with a tracker software and aum? cheers
Nektar makes the deepest and best integrated controllers for over a decade. I have panorama p 4 for a long time and it maps into cubase so well, as well as other soft instruments.
You can't hear fundamentals above 20khz... But say, you have a fundamental at 15013 hz, a harmonic at 23,751 hz and another harmonic at 30,026 hz... Then the phase interference would cause fluctuations in the fundamental which could change the timbre noticably :D ..not that any speaker is going to be able to create those frequencies xP
@@Weaverbeats That's what I thought.. ROLI also has a LUMI keys, which is a little keyboard with "real keys" but you still get the aftertouch and vibrato. It sucks though, honestly. The blocks square thing sucks too. The ROLI Seaboard though is so good
I've played the seaboard and owned the smaller one -- the ospressive is in an entirely different league, by far best thing out of namm this year, the team are really nice/dedicated, i was in pure joy playing it.
This Osmose does seem to be on another level than the ROLI gear, and the "spongy" keys seem to be an acquired taste. I don't remember the last time I saw a ROLI floor model at Guitar Center that _wasn't_ torn open like Beethoven (the composer _or_ the dog) attacked it.
got 2 pair of HP from Yamaha the HPH-MT5 and MT7 like the 5 a bit more because of the shape...so wireless 4ms...sounds got to me gotta try that with my RME set on 6ms Latency
I’ve liked every one of your videos (that Ive watched)… I believe I was promised a human brain. It’s something I’ve been wanting since early childhood, being that I’m an invertebrate. 💁🏻♂️ What I would like to know is: does it come in a liquid filled plastic bag? Or, did you just freeze dry it and grind it up to send in an envelope filled with weird grayish powder? Thanks!! 🐜
once you get more and more into gear, the "expensive" stuff becomes not that much in the grand scheme of things. especially with stuff like instruments.
@@crnkmnky good used stuff is the way to go. if it makes you $$ in the long run it's worth the extra up front. especially stuff like mics and preamps, stuff that lasts and sounds good winds up being expensive up front but you make up for it by getting a lot more years of use.
The Tracker Mini demonstration in this video isn't particularly impressive to me. I've been seeing a lot of people express great interest in the device but I haven't seen anyone (including in the demonstration in this video) do anything with it that can't be done with Koala Sampler on a smartphone. Maybe there are some other great features/functions that haven't effectively been demonstrated yet, but until then my thought is that $699 is far too steep a price to be able to record and playback samples. Again, Koala Sampler on a smartphone easily allows that and for only $8. 🤷🏻♂️
@@burgermind802 Understood. I just struggle to understand the $699 price tag of the Tracker Mini. Surely 32 "gamepad quality" buttons aren't enough to justify a $699 price tag.
Yeah, I don't get it either. If I'm gonna buy hardware, it's because I either want performance capabilities (MPC, SP404, or some kind of instrument) or because I want a simple, tactile, and therefore potentially faster workflow (Circuit, Digitakt). If I'm just programming anyway, why not use my phone or computer?
@@atomictraveller 😯 wow. I've literally spent hours chasing down your old VSTs, every time I do a fresh DAW installation. I think it started with some vague idea that your formant and syng plugins would help me with music experiments. Of course, I just ended up manically hoarding every single plugin I could find in -your website- the Wayback Machine. Compared to the current crop of vocal synths and voice-changing algorithms, my dream of _pop chart domination_ with a 'singing robot' seems rather quaint. My DAW has never played nicely with your VSTs, but they still hold a mystique for me because of how you described them. 🙏
@@crnkmnky wow, yeah basically most of the industry didn't want vst to be about making things freely available and potentiating public articulacy because they're all ma5ons. so my vst are a bunch of janky wrapped codes that host developers were free to blacklist. i eventually got banned from kvr by hink for using the word 'retarded' (to describe a process, not a person) because it looked like i was gonna come back and make some more. my experience of the vst industry is eg. waiting 15 years for the cepstrum formula until i found an engineering student noting it as (fft(log10(fft())) or waiting 3 years for chris kerry to make enough money to show me how to use the synthedit SDK (two lines) so i wouldn't affect his income. as soon as i gave up my website it was repopulated full of ads (with my biography page/name still up for a few years) and some decidedly distasteful looking web design. i made serious enemies, still got em. for me the good news is it all paid off, i got to see my dream of an empowered public in west papua, a decent culture able to represent themselves enough in media to not be overwhelmed by others. i don't want to say anything about the vst because trying to use things from the past is what ms and steinberg don't make money off of, so it would be difficult for people to go against that. hey cool! :)
The casiada seems like it'll be better to just start building your own modular system... osmosis a way better option for making actual music... ( probably didn't spell that properly)
Hate how long it took me to figure out wtf the stress nut even is. What does it have to do with music production? What is the correlation? Super confused what the hell this product is all about, you'd think they would make that clear in the first few milliseconds of seeing it in action? Just looks like a fidget toy. Not understanding the music production thing or the weird elusiveness surrounding it.
trackers are awesome, but i agree they may be pain in the ass in terms of user interface. but it was my first music production software (fasttracker 2 in this case, and later modplug tracker) so it was hard for me to switch to ableton from it :v
Ok, you seem familiar with trackers, so I'll ask you. If I'm looking for a portable device to make beats on the go, even if just rough ideas or demos, why should I choose the $599 Tracker Mini over the $8 Koala Sampler software that can be installed on a cheap (under $100) Android tablet? I'm kind of struggling to understand the $599 price tag.
@Nice one is an app. Hope this helps with the price difference. I started on impulse tracker. Personally I don't use tablets it phones for music making, and never would. If you like it have fun.
@@burgermind802 There's nothing state of the art or revolutionary about the Tracker Mini's hardware and it runs on software. So the hardware doesn't account for such a high price tag. Perhaps inflation, but not the hardware.
IKR? You could make an argument that anything associated with "show business" is evil to Christian fundamentalists. But these freaks will show up anywhere they can get a big audience.
The weird thing with a Polyend tracker, considering current state of technical progress, the thing that kills it despite this _inspiring video cut with a hipster dude with an acoustic guitar and stuff_ - the fact that it’s limited to *8* tracks (if i got it correctly from your description) sequencing. i mean, what is it - 2010? the thing is that all the inspiring sampling of metal structures around your hometown is available on a modern smartphone (mostly speaking of iOS devices), and by modern I don’t mean 2022 or 2023 flagship devices - easily doable with a 3-4 years old device, which are just about those $700 price tag at this moment - and the onboard mics are already pretty incredible on those (there are 3 for most devices, available to switch to each one through a audio recording software, with options to switch between omnidirectional, subcardioid, supercardiod picking patterns for all the different use niche cases). that’s just a hardware baseline in comparison with the new Tracker. but on the software side - that’s just incomparable. i mean, the onboard DAW on the tracker may be the smooothest and the most stable it can ever be, but 8 tracks limitation for arrangements? just for the comparison, those iOS devices had 8 tracks limitations back in 2010. and today most DAWs that are developed for this platform don’t impose any limitations on the track count and generally speaking are impressively well optimized for handling large progects of 30-40+ individual tracks with all the plugin-packed channel strips/aux sends/master processing and all the stuff essential, you know. so for the same 700 bucks i can get a 8-track sequencer that’s just by this fact is good enough only for some drafts or a smartphone/tablet that is capable of handling full production cycle top to bottom from recording to production, mixing and mastering _(with an added bonus that comes with, you know, an operating system - some streaming services, a bit of social media and internet loool)_ i mean, it’s a good idea, maybe even a nice device with a decent workflow - as long as it keeps its price at ~200 bucks or so, considering what mobile workflow can offer you in 2023. maybe they go for the trope that teenage engineering is following, just a little less outrageous one. if that’s the case, i guess you can say that they succeeded.
So cool of NAMM to have let Weaver have a whole filming setup with a table and everything to make a video for us right outside the convention center!
Does Poly want a Tracker?
bruh 🦜
Drake the kinda guy to say "This is the final straw AI"
I can totally hear it in his voice, and not just because I'm an AI. 😂
Baby Audio Crystalline is a fantastic sounding alternative to the plate reverbs and allows you to quantize the tails to avoid overlap. Cheaper too
I still love that you were the only one with enough motivation to work on music during the trip. Side note, still wanting to redeem my voucher for a free franchise. Edit: would redeem for the ability to hear the music you wrote while there.
You have to use a computer screen to figure out how to make music without a computer screen. In the process of doing so, I discovered an extremely versatile DAW controller. It's those typing keyboards that have 62 to 102 keys. The more keys it has, the less it costs! I uninstalled Bitwig recently. I have forgotten why. I'll reinstall it and get reminded.
I watch a lot of synth/ music production videos. I’m guessing that’s why this video was suggested to me. It was both hilarious and informative. Subscribed
I never would have guessed that you weren't still there. You've really cracked the code for that seamless greenscreen. 😆 Seriously though, great video as always mate!
I’ve really come to enjoy your channel homie. Keep it up!
Nice review of everything. The midi controller is something I just went on a deep dive with - I ended up getting the faderport16 and I'm SUPER happy with it, instant productivity/efficiency boost. I seriously underestimated daw controllers for way too long, strongly recommend it to producers now.
The osmose expressive E is the mariah carey of the synth world...sometimes it sounds beautiful but often it's just a case of excessive trills
hahaha headphones for dogs, also the part about staying out of jail hahaha I love this guy. Super funny. I also have those AKG's he is wearing or at least a variant of his model. Yeah, I'm a huge fan. "Casadilla's" I'm hungry already.
Made the same face u did @ about 6:48 lol. Subscribed
I've never seen your videos before. I love this. The entire stress nut segment had me crying. Subbed.
I really could eat a cascadia! U got me crying out here 🎉😂
Bitwig is Ableton supercharged. It’s staggering.
at this point who cares about a DAW controller we all know that the second we stop looking at all these products and just get going with the mouse and the screen, actual music gets made very quickly.
Glen Fucker... Priceless!😂
11:31 70$ for a 3d printed nut? Wtf are those guys drinking?? lmfao
Champagne 🥂
Nut juice
Reverb that sounds like a compressor💰
Weaver has the funniest videos in the game 😂
Goddamn it. I can't say it any other way than "Casca-dia" now. Thanks.
🌮
i already pooped my pants today
Ong
Prepooped em
A lot of the “external controlling of your daw” stuff that I’ve been seeing recently can all be done with the Ableton Push.
... which is an "external controlling of your DAW" thing, so no surprise there 😂
Considering I am indeed embarrassing my toilet bowl right now, touché... touché
All these comments from satisfied new viewers. And you were humorous _and_ humble.
This might be the big one, Weaver. 🚀
Sheeit, _I_ might even subscribe finally. 🤘
Imagine integrating a breath controller with the Osmose.
That is pointless …I have a osmoses and you need too try it too appreciate how expressive it is.
Price wise I was in the first preorder batch and got mine before Xmas so I only paid $1079 :)
Each key is a separate mpe controller so you can sustain a chord and then bend a melody on top ,it really is amazing..
The included synth engine is very very complex and I’ve not really scratched it yet,the presets on the whole are good but what’s really good is the osmose can add mpe too anything even if it’s not made for mpe .
Honestly osmose is by far the best keyboard controller on the market,I’ve had ROLI and it blows ROLI away
new to your channel, this seems pretty honest which I like.
thanks for the best namm recap !
Right ! Quesadillas 😂
Nice to see Glen!
I chuckled at his cameo
"Stress Nutt" 😂😂😂😂
Seeing Sweetwater get shit on warms my heart.
Why?
@dtrelz music Hey! It's Kyle with Sweetwater! I've been trying to get a hold of you to see how those guitar picks are holding up for you and if you need anything else?
@@destroy_television Lol!!
@@destroy_television 🥴😂🤣
The title of this video made me laugh harder than any in recent to mid distant memory. How long is that? I have no idea but long enough that I can't remember the last time a title actually made me lol.
I been trying to take a dump all morning! Thank you for this video
Funny how ‘this sampler plays back in stereo!’ Is somehow a big deal. In 2023. Ok, MPC been stereo playback since… always. 😂 TABLE STAKES, do you hear me Elektron & Teenage Engineering? (And Polyend until now)
I love this dude! It’s Glenn Fucker, er, I mean Fricker…
My DAW cintroller is a korg nanokontrolstudio. 8 tracks, markers, jog wheel, cost $99 bucks
Good on Benn
Yeah, I even tried to do a Bluetooth adapter out of my interface, and it was so far behind
The Haken fingerboard is like 5K so $1.8k is a pretty great deal by comparison.
I will wait for the behringer cascadia-1 to come out.
I always think, out of reasoning that having the audio producer be able to go much higher than what we can hear is the frequency's we can hear being reproduced very easily, it being higher then leaving headroom... like speakers that go down to 30hz don't do a good job of 30hz... 40hz maybe, 50hz totally... so in my mind if it can go down to 10hz then I'm good to play 20hz and totally 30hz... but that's logic I made up in my own head to warrant it... but that spec doesn't not state the quality of the speakers audio... there is something to do with audio itself having more room when the limit is higher much like how eq in the lower section can effect how it sound in the higher... but still, think there are more important factors in good sound quality that isn't ever mentioned than the base frequency responses, I just assume it does play a role
Heads up, the Regency free synth in this video is not compatible with Apple Silicone. It needs some Apple certificate love which is a PITA to acquire.
😒 Developers need a certificate to run their _music_ code on Apple hardware? Gross.
I have the AIAIAI Wireless+ Headphones in the shopping cart. They have low latency, too, and cost 2/3 of the Yamaha.
Everything ai goddamn
The Cascadia joke made me chuckle...
I’m upgrading from the Nektar Panorama P1 to the new Nektar Panorama CS12 in July. Love all their products. They offer a lot of control over DAWS. The Nektar Aruba Pads are better than my MPC’s and Machine. Look in to it.
here in Berlin sure come to the spree river as shown with your tracker there it sounds best lol. even pretty sure you find guys here eating your tracker with mustard. by the way what is better compared to using ipad with a tracker software and aum? cheers
Wow. Your title is very accurate.
If you don't say kidding, it's a lie.
Nektar makes the deepest and best integrated controllers for over a decade. I have panorama p 4 for a long time and it maps into cubase so well, as well as other soft instruments.
You should have run up to Glen Fricker like: GLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEN!!!!!!!!!!!!!!!!!!!!! That would have been funny
You can't hear fundamentals above 20khz... But say, you have a fundamental at 15013 hz, a harmonic at 23,751 hz and another harmonic at 30,026 hz... Then the phase interference would cause fluctuations in the fundamental which could change the timbre noticably :D
..not that any speaker is going to be able to create those frequencies xP
Actually there are some that can go that high
Great video and lovely products.
Jokes on you I shit myself already
Your should try Bitwig awesome daw. Similar to Ableton with off the hook modulation.
I want that NAMM show sign!
of course theres people rapping, its a convention
FYI that intellijel modular is cheaper than buying all the modules indivudually
You say the Quesacadia is small.
I'd say it looks DENSE
Frig jen bordan
Have you played a ROLI Seaboard before? To me, that is the best MPE controller. If you have, how does it compare to the expressive?
havent tried it, but from what other people tell me the keys dont feel as nice
@@Weaverbeats That's what I thought.. ROLI also has a LUMI keys, which is a little keyboard with "real keys" but you still get the aftertouch and vibrato. It sucks though, honestly. The blocks square thing sucks too. The ROLI Seaboard though is so good
I've played the seaboard and owned the smaller one -- the ospressive is in an entirely different league, by far best thing out of namm this year, the team are really nice/dedicated, i was in pure joy playing it.
This Osmose does seem to be on another level than the ROLI gear, and the "spongy" keys seem to be an acquired taste.
I don't remember the last time I saw a ROLI floor model at Guitar Center that _wasn't_ torn open like Beethoven (the composer _or_ the dog) attacked it.
I am actually on the toilet watching this
The yahmaha headphones are WAY overpriced. even the aiaiai garbage headphones are overpriced at $350 or whatever the ridiculous price is
thanks for the warning, i was able to avoid a messy situation by watching this video from the comfort of my motel room toilet
Super plate looks so dope
Haha I like this guy
got 2 pair of HP from Yamaha the HPH-MT5 and MT7 like the 5 a bit more because of the shape...so wireless 4ms...sounds got to me gotta try that with my RME set on 6ms Latency
That Osmos seems cheap af when you consider you could pay double that for a mid-tier Yamaha or Moog.
Whatever you want
I'd eat up that Cascadia but I have a polyend tracker and I love the fm sampling. It's not on the mini so idk
Damn. Need new pants.
Whatever you want down below
"Sweetwater" sounds like a religious cult.
I’ve liked every one of your videos (that Ive watched)… I believe I was promised a human brain. It’s something I’ve been wanting since early childhood, being that I’m an invertebrate. 💁🏻♂️ What I would like to know is: does it come in a liquid filled plastic bag? Or, did you just freeze dry it and grind it up to send in an envelope filled with weird grayish powder? Thanks!! 🐜
Whatever u want
Icon makes dirt cheap midi stuff in china. Like the type to make akai seem stainless steel
I get the impression you spent more time with post-production of this video than you did with products at NAMM...
It ain't about the products. It's about the friends you made along the way.™
Expressive E for $1800 is NOT bad at all.
once you get more and more into gear, the "expensive" stuff becomes not that much in the grand scheme of things. especially with stuff like instruments.
Yeah, my limit for hardware instruments is now at $300. $90 max for used effects hardware. Long way to go…
@@crnkmnky good used stuff is the way to go. if it makes you $$ in the long run it's worth the extra up front. especially stuff like mics and preamps, stuff that lasts and sounds good winds up being expensive up front but you make up for it by getting a lot more years of use.
Sweetwater was bought by another company much like how guitar center was. They were amazing. But this new entity seems to be some bullshit.
I JUST SHIT MY PANTS
See and people didn't believe me
I unsubscribed but after this video I subscribed again
He was right
Could go for a cascadia myself. Mmmm
I usually like some guac with my Cascadilla
The Tracker Mini demonstration in this video isn't particularly impressive to me. I've been seeing a lot of people express great interest in the device but I haven't seen anyone (including in the demonstration in this video) do anything with it that can't be done with Koala Sampler on a smartphone.
Maybe there are some other great features/functions that haven't effectively been demonstrated yet, but until then my thought is that $699 is far too steep a price to be able to record and playback samples. Again, Koala Sampler on a smartphone easily allows that and for only $8.
🤷🏻♂️
If you like the app, have fun using it. Not everyone wants to make music on their phone or tablet. I personally prefer using dedicated hardware.
@@burgermind802
Understood. I just struggle to understand the $699 price tag of the Tracker Mini. Surely 32 "gamepad quality" buttons aren't enough to justify a $699 price tag.
Yeah, I don't get it either. If I'm gonna buy hardware, it's because I either want performance capabilities (MPC, SP404, or some kind of instrument) or because I want a simple, tactile, and therefore potentially faster workflow (Circuit, Digitakt). If I'm just programming anyway, why not use my phone or computer?
@@aneveningwithebola2727
Right
I'd be happy if someone came out with a decent 4 or 8 track cassette recorder instead of all this cold sounding digital junk
what's that lovely lounge organ song i hear everyone playing at 17:54?
pls pls pls
you knwo it's all just the same old stuff.
@@crnkmnky oh thank you.. i thought it was esquivel..
Wii Shop Channel theme by Kazumi Totaka 🎶
@@crnkmnky i'm in my 50s and have made my own vst for over 20 years, i was like dat hot. tysm
@@atomictraveller 😯 wow. I've literally spent hours chasing down your old VSTs, every time I do a fresh DAW installation.
I think it started with some vague idea that your formant and syng plugins would help me with music experiments. Of course, I just ended up manically hoarding every single plugin I could find in -your website- the Wayback Machine.
Compared to the current crop of vocal synths and voice-changing algorithms, my dream of _pop chart domination_ with a 'singing robot' seems rather quaint.
My DAW has never played nicely with your VSTs, but they still hold a mystique for me because of how you described them. 🙏
@@crnkmnky wow, yeah basically most of the industry didn't want vst to be about making things freely available and potentiating public articulacy because they're all ma5ons. so my vst are a bunch of janky wrapped codes that host developers were free to blacklist. i eventually got banned from kvr by hink for using the word 'retarded' (to describe a process, not a person) because it looked like i was gonna come back and make some more.
my experience of the vst industry is eg. waiting 15 years for the cepstrum formula until i found an engineering student noting it as (fft(log10(fft())) or waiting 3 years for chris kerry to make enough money to show me how to use the synthedit SDK (two lines) so i wouldn't affect his income.
as soon as i gave up my website it was repopulated full of ads (with my biography page/name still up for a few years) and some decidedly distasteful looking web design. i made serious enemies, still got em.
for me the good news is it all paid off, i got to see my dream of an empowered public in west papua, a decent culture able to represent themselves enough in media to not be overwhelmed by others. i don't want to say anything about the vst because trying to use things from the past is what ms and steinberg don't make money off of, so it would be difficult for people to go against that. hey cool! :)
3:40 my Galaxy buds latency is like 1 week
The casiada seems like it'll be better to just start building your own modular system... osmosis a way better option for making actual music... ( probably didn't spell that properly)
Hate how long it took me to figure out wtf the stress nut even is. What does it have to do with music production? What is the correlation? Super confused what the hell this product is all about, you'd think they would make that clear in the first few milliseconds of seeing it in action? Just looks like a fidget toy. Not understanding the music production thing or the weird elusiveness surrounding it.
10:47 can't believe massive hater didn't hate on his guitar being out of tune 😢
I did shit my pants.
Whatever you want... down below ;)
trackers are awesome, but i agree they may be pain in the ass in terms of user interface. but it was my first music production software (fasttracker 2 in this case, and later modplug tracker) so it was hard for me to switch to ableton from it :v
Ok, you seem familiar with trackers, so I'll ask you.
If I'm looking for a portable device to make beats on the go, even if just rough ideas or demos, why should I choose the $599 Tracker Mini over the $8 Koala Sampler software that can be installed on a cheap (under $100) Android tablet?
I'm kind of struggling to understand the $599 price tag.
@Nice one is an app. Hope this helps with the price difference. I started on impulse tracker. Personally I don't use tablets it phones for music making, and never would. If you like it have fun.
@@burgermind802
There's nothing state of the art or revolutionary about the Tracker Mini's hardware and it runs on software. So the hardware doesn't account for such a high price tag.
Perhaps inflation, but not the hardware.
@@dugnice idk, maybe if you got spare 600$? im not here to advertise product
@@dugnice yeah, i know, i would buy one long time ago if I be able to do so.
6:07
What are they doing at NAMM🤨
IKR? You could make an argument that anything associated with "show business" is evil to Christian fundamentalists. But these freaks will show up anywhere they can get a big audience.
...Behringer hurry up...
The weird thing with a Polyend tracker, considering current state of technical progress, the thing that kills it despite this _inspiring video cut with a hipster dude with an acoustic guitar and stuff_ - the fact that it’s limited to *8* tracks (if i got it correctly from your description) sequencing. i mean, what is it - 2010? the thing is that all the inspiring sampling of metal structures around your hometown is available on a modern smartphone (mostly speaking of iOS devices), and by modern I don’t mean 2022 or 2023 flagship devices - easily doable with a 3-4 years old device, which are just about those $700 price tag at this moment - and the onboard mics are already pretty incredible on those (there are 3 for most devices, available to switch to each one through a audio recording software, with options to switch between omnidirectional, subcardioid, supercardiod picking patterns for all the different use niche cases).
that’s just a hardware baseline in comparison with the new Tracker.
but on the software side - that’s just incomparable. i mean, the onboard DAW on the tracker may be the smooothest and the most stable it can ever be, but 8 tracks limitation for arrangements? just for the comparison, those iOS devices had 8 tracks limitations back in 2010. and today most DAWs that are developed for this platform don’t impose any limitations on the track count and generally speaking are impressively well optimized for handling large progects of 30-40+ individual tracks with all the plugin-packed channel strips/aux sends/master processing and all the stuff essential, you know.
so for the same 700 bucks i can get a 8-track sequencer that’s just by this fact is good enough only for some drafts or a smartphone/tablet that is capable of handling full production cycle top to bottom from recording to production, mixing and mastering _(with an added bonus that comes with, you know, an operating system - some streaming services, a bit of social media and internet loool)_
i mean, it’s a good idea, maybe even a nice device with a decent workflow - as long as it keeps its price at ~200 bucks or so, considering what mobile workflow can offer you in 2023.
maybe they go for the trope that teenage engineering is following, just a little less outrageous one. if that’s the case, i guess you can say that they succeeded.
I saw a keyboard yesterday for 1.900 that had pretty realistic sound.
Which one was it?