@@mercymallari1060 The John ones date from around November-December 1966 which was when the song was recorded, and the Paul one was just to showcase him working on the drum part with Ringo, even if the picture is from May 1967.
What I find most interesting is how imperfect the individual parts are... the guitar in particular is out of tune and sloppy when solo, but fits perfectly in the full mix. That would never fly today, everything is so perfect and bland. Probably also explains why modern music doesn't compare.
This was the one I was waiting for - not disappointed - THANKS SO MUCH! John created just an amazing musical/verbal/surreal song that was then crafted into an amazing sound recording by him and his 3 bandmates (not with a little help from) but also with George Martin, the other EMI studio staff and talented musicians on the more traditional and classical instruments. While the focus is always obviously going to be on John's work here, George Martin's contribution really needs to be acknowledged - the suggestions to John, the marrying of 2 seperate recordings, the scoring for the non-rock and roll instruments (that cello part towards the end is from another planet), and I suppose just knocking the whole damn thing into it's final recording - if he should ever be considered for the 5th Beatle, this recording is the DNA. Again RBS - great work!!!
Wow! I’m usually not a huge fan of this song, but this is amazing! I love the instrumental! The only reason I’m not a fan is because I think it’s highly overplayed
RUclips has a new thumbnail tester. It tests which thumbnails the public is more likely to click on, that's why you see it change. I've just fixed this one for Strawberry Fields as more people clicked on this thumbnail than the other two I made.
One of my favorite Beatles tracks ever.
Also, when is Penny Lane gonna come out?
Just started work on it, but sooner than later!
@@rbstemsOh ok, also, why did you use a few photos of John and Paul without their mustaches?
@@mercymallari1060 The John ones date from around November-December 1966 which was when the song was recorded, and the Paul one was just to showcase him working on the drum part with Ringo, even if the picture is from May 1967.
@@rbstemsOh ok, also, on Take 26 and Final Mix, what percussions did John, Paul, George, and Ringo played?
Amazing work on this one
I've been looking forward to you deconstructing Strawberry Fields. Killer job!
A brilliant deconstruction of a brilliant song
What I find most interesting is how imperfect the individual parts are... the guitar in particular is out of tune and sloppy when solo, but fits perfectly in the full mix. That would never fly today, everything is so perfect and bland. Probably also explains why modern music doesn't compare.
SO TRUE !! Even when I was a kid I noticed this... But it was and still ...All OK!!
Mais de 50 minutos extraídos de uma música com nem cinco minutinhos.
Parabéns pelo conteúdo!
um brasileiro!
Amazing Job, Thankyou ❤
Excellent Work . Thank You Again for all your Beatles Deconstructions.
I’ve studied Paul’s bass parts for years. This is definitely one of his weirdest and most amazing. I had no idea he was playing chords.
This was the one I was waiting for - not disappointed - THANKS SO MUCH! John created just an amazing musical/verbal/surreal song that was then crafted into an amazing sound recording by him and his 3 bandmates (not with a little help from) but also with George Martin, the other EMI studio staff and talented musicians on the more traditional and classical instruments. While the focus is always obviously going to be on John's work here, George Martin's contribution really needs to be acknowledged - the suggestions to John, the marrying of 2 seperate recordings, the scoring for the non-rock and roll instruments (that cello part towards the end is from another planet), and I suppose just knocking the whole damn thing into it's final recording - if he should ever be considered for the 5th Beatle, this recording is the DNA. Again RBS - great work!!!
This and I Am The Walrus. His orchestration is wonderful on both.
Genius thank you! That opening Mellotron always gives me shivers...so great hearing all the constituent parts in their full glory!
45:04 George looks like Captain Haddock from Tintin
Wow! I’m usually not a huge fan of this song, but this is amazing! I love the instrumental! The only reason I’m not a fan is because I think it’s highly overplayed
Really appreciate your seperation of certain takes to include their entire performance rather than the solely cut version!
One of my favorites
One of my favorites songs ever, great job, we needed that! thx
You've really outdone yourself on the isolations with this one. well done!
Great job on deconstructing one of my favorite tracks!
Love Me Do Oct 1962
Strawberry Fields Forever Feb 1967
A quantum leap unparalleled.
John wrote a brilliant song, but this truly was a team effort - including George Martin!
The BS-reformer algorithm seems to be best to extract vocals. I recently did two mixes that were not possible with the other algorithms.
Yes it's quite good, I use it within the Colab of MDX23 all the time.
Very good ❤ thanks
7:21 I always thought that guitar was a little out of tune. Here I can tell it is. Still works. Maybe better than if in tune.
Why did RUclips detect a random song called Eric B. Is President?
No idea, I would have disputed it if the video wasn't already demonetized for the actual use of Strawberry Fields Forever.
Strawberrie Fields forever by the Beatles classic song from the sixties sixty years ago good film 📽️
Awesome !
Awesome
Why do you keep changing the Thumbnail for Strawberry Fields Forever?
RUclips has a new thumbnail tester. It tests which thumbnails the public is more likely to click on, that's why you see it change. I've just fixed this one for Strawberry Fields as more people clicked on this thumbnail than the other two I made.
@@rbstemsOh ok
Cranberry sauce
That's what buried Paul
How works The MDX23?
Bro, this destroyed you?! 🌚