00:08 Ombilic Contact - The Atomic Crocus 02:37 Funky Axe - Spaghetti Head 05:03 Moldy Core - Celestaphone 07:56 Afgan (feat. Dead End) - Sensei D. 10:08 Apparte Me - Osvaldo Ferri 14:15 Coasting - A Band Called O 19:00 Rhythm Kung Fu - Banzai 21:52 Kumbayero - Roberto Conrado & Albert Verrechia 26:35 ? 29:49 Girl You Move Me - Cane and Able 32:20 Ma Chérie (feat. The Beat Shakers) - DJ Antoine 36:22 Running the Mardi Gras - Boco 39:29 Space N***a' - Rodney Trotter 43:25 Side a Side B Side - Deborah & The Puerto Ricans
Holy shit, this set is amazing! I'm definitely gonna sit on the porch, smoke and drink a beer watching the time go by with my wife with this as a soundtrack.
*Full correct tracklist:* 00:08 The Atomic Crocus - Ombilic Contact 02:37 Spaghetti Head - Funky Axe 05:03 Brian Eno & Snatch - R.A.F. 07:56 Gum Bisquit - Crazy Spider 10:08 The Spins - Valley Of The Temples 14:15 A Band Called O - Coasting 19:00 Banzaï - Rythm Kung Fu 21:52 Roberto Conrado & Albert Verrecchia - Kumbayero 26:35 Black Line - Myele 29:49 Cane & Able - Girl You Move Me 32:20 The Originals - Supernatural Voodoo Woman (Pt. II) 36:22 Boco - Running The Mardi Gras 39:29 Rodney Trotter's Egypt - Space N***a 43:25 Deborah & The Puerto Ricans - Side B Side A Side
@@BocaNejra Learning when not to beat-match is a big lesson all DJs need to learn. He's choosing a sequence that feels right to him in the moment. I drove around LA listening to this mix last night. Was awesome. Some times you need to just hear songs. The hardest work is spending over 3 decades collecting records, like Bill here.
@@DanielT1983 What about the amazing DJs who also spent 3 decades and even more collecting records plus they have the passion to learn the techniques to elevate the art? otherwise they are just snob record collectors. If you don't work the mixer and turntables, a playlist will serve equally well. Of course learning when not to beat match is important, then in those genres you can apply other MIXING techniques from your arsenal, from cutting, to scratching, beat juggling, fading out, extending breaks and intros, dropping on the one, you name it, but always on time, like a musician who plays turntables... it's about serving the music, the metrics, the tempo, energy and everything. If the music stops between songs, you are not using the mixer and you are not a DJ, you are not adding anything, just playing other people's music, an appropiation of the art's aesthetics or simply lack of respect to our culture and its history. We are no longer in the times of David Mancuso and The Loft. Francis Grasso, Walter Gibbons, Larry Levan and Grandmaster Flash already elevated the art 50 years ago, they were using the same type of music with less resources and technology, and still being creative in order to mix it so the flow would never stop and the DJs started telling continuous stories with their sets, there's no excuse now 5 decades after those events. Can't stand the snobism from nowadays. Go check the 45 King, Kenny Dope, Scratch Bastid or DJ Koco for a lesson on real DJ mixing with 7 inch singles.
The listing for the first track is actually a rap track that uses that as a background; can anyone identify the first track? (It looks like the jacket is "Smile at me" but I can't read the artist or find it on search.) Thanks!
32:20 is incorrectly named? it is not Ma Chérie (feat. The Beat Shakers) - DJ Antoine i tried shazamming it and nothing came up you may have edited something out and threw off the time code. if you have to edit to make it not get content matched you may want to consider deleting it in the editor and re encoding to mp4 because editing the mp4 directly often causes problems with the time codes as mp4 is not easily editable .
@@djhistorian a suggestion: if my analog journal is like deadliest catch where the people filming just put the videos into a box and floats them overseas from the crab fishing boats to the discovery channel like a message in a bottle or they are like was with baby jesus where he was floated in a basket down a river to another family or baby superman was put in a rocket and sent to earth before krypton exploded. and my analog journal just receives packages and puts the videos into their videos you may want to consider getting a 4k camera so you can clearly show the album cover or if you have a video text generator put the titles on screen. other things play the entire song if it is a multiple part song and make the transition a hard transition (no cross fading (youtube is not like radio where you would need a fcc license and the fee is so high that it causes djs to be so tight on money that they play gapless so it is ok to have gaps between songs and it will not cost you any more)).
Could you please not sample the RAF-radio-announcements in the second song? That's kinda tasteless. Even from a purely musical perspective it completely destroys the chill vibe you went for with this set.
@@cobaltno51Not really no. I've been playing that record since I bought it as a new release well over 40 years ago, on the radio, in clubs and no one has ever been offended by it, apart from you.
Is it that crazy not to want national tragedies and traumas played over chill ambient set? why not use the jonestown tapes? why not create a funky beat matching 9/11 calls? why not autotune reports covering the bloody-sunday massacres? is that really an absurd thing to be "offended" about? not that would be illegitimate to use in art but in a set like this it seems...jarring?
00:08 Ombilic Contact - The Atomic Crocus
02:37 Funky Axe - Spaghetti Head
05:03 Moldy Core - Celestaphone
07:56 Afgan (feat. Dead End) - Sensei D.
10:08 Apparte Me - Osvaldo Ferri
14:15 Coasting - A Band Called O
19:00 Rhythm Kung Fu - Banzai
21:52 Kumbayero - Roberto Conrado & Albert Verrechia
26:35 ?
29:49 Girl You Move Me - Cane and Able
32:20 Ma Chérie (feat. The Beat Shakers) - DJ Antoine
36:22 Running the Mardi Gras - Boco
39:29 Space N***a' - Rodney Trotter
43:25 Side a Side B Side - Deborah & The Puerto Ricans
Four of these are wrong x
@@djhistorian Thanks for pointing it out. I used Shazam, didn't know the songs myself.
26:35 is Shewa (Original Disco Edit) · Max Marotto
@@seraphimberlinIt's not actually. It's this: BLACK-LINE - Myele. The one you mentioned samples it, though.
@@djhistorian 🤔
Great selection!
Funky as all get out, got me grooving in my office chair!
The opener is sublime. Totally digging it already.
Cool to see him here. Absolute legend and even if you're a seasoned DJ his books are well worth a read.
need more of this type of mix
YES
Track selection on point.
Lovin the pychedelic 60s- Pink Floydish vibes while working, great for focus.
Great DJ, fine mix !!
👏👏👏
Didn't know that stuff existed, thanks for the quality time
Cool. Cool. Cool. Groooovy. Poised set, much respect.
Wow some serious killer tunes. Lovin' it.
Holy shit, this set is amazing! I'm definitely gonna sit on the porch, smoke and drink a beer watching the time go by with my wife with this as a soundtrack.
Brutally cool. Thanks a bunch.
This is by far my favorite one!
This is a treasure!
Really loved this set. Love and light from New Mexico, USA.
Legendary!
so badass love it
Top notch as always
I get so much use from this channel. Thank you!
EXCELLENT!!!
thank you bill for this! a really nice set to enjoy with your morning coffee
Brilliant set!
dope show
i thought he was only going to use usb sticks since he sold his 13.000 strong record collection.Old habbits die hard,good for him!
E P I C !!!! Thank you!
Always enjoy some good jams :3
Great set Bill, i've had that Alessandra And The Atomic Crocus on my wants list for a while now. :)
This is groove as hell. Feel like I’m in the 70s doing cocaine.
Dope! Master Selecta Bill
Daaang, killer set
Psychedelic heaven's door officially opens at 14:15. 🔥
It's sooooo good. Do you know what the track is called?!
@@StudanskiCoasting - A Band Called “O”
Foi muito bom ouvir chapado 🍁🔥💚
embarcando agora
pode crer mirmao ! rsrs
Cool an different ❤
Wow!
Banger!
Está buenísimo!
Brillant 👌
Bill Brewster \o/
Well, shake my floor!
Crazy
*Full correct tracklist:*
00:08 The Atomic Crocus - Ombilic Contact
02:37 Spaghetti Head - Funky Axe
05:03 Brian Eno & Snatch - R.A.F.
07:56 Gum Bisquit - Crazy Spider
10:08 The Spins - Valley Of The Temples
14:15 A Band Called O - Coasting
19:00 Banzaï - Rythm Kung Fu
21:52 Roberto Conrado & Albert Verrecchia - Kumbayero
26:35 Black Line - Myele
29:49 Cane & Able - Girl You Move Me
32:20 The Originals - Supernatural Voodoo Woman (Pt. II)
36:22 Boco - Running The Mardi Gras
39:29 Rodney Trotter's Egypt - Space N***a
43:25 Deborah & The Puerto Ricans - Side B Side A Side
This is well tasty.
Saving 14:15 to sample later.
Playing 45 is hard work...
Not so much when you don't mix them and simply fade out between tracks like automatic playlists do XD.
@@BocaNejra Learning when not to beat-match is a big lesson all DJs need to learn. He's choosing a sequence that feels right to him in the moment. I drove around LA listening to this mix last night. Was awesome. Some times you need to just hear songs. The hardest work is spending over 3 decades collecting records, like Bill here.
@@DanielT1983 What about the amazing DJs who also spent 3 decades and even more collecting records plus they have the passion to learn the techniques to elevate the art? otherwise they are just snob record collectors. If you don't work the mixer and turntables, a playlist will serve equally well. Of course learning when not to beat match is important, then in those genres you can apply other MIXING techniques from your arsenal, from cutting, to scratching, beat juggling, fading out, extending breaks and intros, dropping on the one, you name it, but always on time, like a musician who plays turntables... it's about serving the music, the metrics, the tempo, energy and everything. If the music stops between songs, you are not using the mixer and you are not a DJ, you are not adding anything, just playing other people's music, an appropiation of the art's aesthetics or simply lack of respect to our culture and its history. We are no longer in the times of David Mancuso and The Loft. Francis Grasso, Walter Gibbons, Larry Levan and Grandmaster Flash already elevated the art 50 years ago, they were using the same type of music with less resources and technology, and still being creative in order to mix it so the flow would never stop and the DJs started telling continuous stories with their sets, there's no excuse now 5 decades after those events. Can't stand the snobism from nowadays. Go check the 45 King, Kenny Dope, Scratch Bastid or DJ Koco for a lesson on real DJ mixing with 7 inch singles.
@@djstuc Sorry mate, I'm not a DJ but a dancer who appreaciates good music and DJs and been involved with the culture for years.
nice
Great set, can you post the setlist please?
Hit It 🖖😎 🔥🔥🔥🔥
he said in an interview that he sold all his vinyl 25.000 records....... so where they coming from
I kept a few, incl. a small box of 45s.
What's that red velvet vinyl brush on MAJ's videos? It seems to have "ALPHA" written on it. I'm not happy with mine.
1. Usyk
2. Fury
3. Wilder
4. Zhang
5. AJ
clean af :) still think that r2r should be rolling xP
The listing for the first track is actually a rap track that uses that as a background; can anyone identify the first track? (It looks like the jacket is "Smile at me" but I can't read the artist or find it on search.) Thanks!
The Atomic Crocus- Ombilic Contact
@@allroads3911 Thank you!!
Does anyone know the 3rd song ?
Brian Eno and Snatch - RAF
What's the song at 7:56?😭😭😭
Gum Bisquit - Crazy Spider
q are technics really the best turntables for this mixer and setup?
This was viiiiiiibe 🌈
Maybe Discogs next, Jah?
Chupez!!!!.
Tracklist?
32:20 is incorrectly named? it is not Ma Chérie (feat. The Beat Shakers) - DJ Antoine
i tried shazamming it and nothing came up
you may have edited something out and threw off the time code.
if you have to edit to make it not get content matched you may want to consider deleting it in the editor and re encoding to mp4 because editing the mp4 directly often causes problems with the time codes as mp4 is not easily editable .
See above
@@djhistorian when i looked that song on youtube it was not the same song
@@ejonesss OK that's just as I transitioned to a new track. That one is Supernatural Voodoo Woman by the Originals (Pt. 2)
@@djhistorian a suggestion: if my analog journal is like deadliest catch where the people filming just put the videos into a box and floats them overseas from the crab fishing boats to the discovery channel like a message in a bottle or they are like was with baby jesus where he was floated in a basket down a river to another family or baby superman was put in a rocket and sent to earth before krypton exploded.
and my analog journal just receives packages and puts the videos into their videos you may want to consider getting a 4k camera so you can clearly show the album cover or if you have a video text generator put the titles on screen.
other things play the entire song if it is a multiple part song and make the transition a hard transition (no cross fading (youtube is not like radio where you would need a fcc license and the fee is so high that it causes djs to be so tight on money that they play gapless so it is ok to have gaps between songs and it will not cost you any more)).
@@ejonesssThank you for this sage advice. I shall bear it in mind next time I'm disappointing you.
Eno/Byrne legacy
😸 AAAAAA Kumbayero
The mixing was all over the place, but the tracks were solid!
Jesus christ
Could you please not sample the RAF-radio-announcements in the second song? That's kinda tasteless. Even from a purely musical perspective it completely destroys the chill vibe you went for with this set.
Tell that to Brian Eno, he did it x
@@djhistorian does that change the fact that this is still in bad taste?
@@cobaltno51Not really no. I've been playing that record since I bought it as a new release well over 40 years ago, on the radio, in clubs and no one has ever been offended by it, apart from you.
Relax amigo, it's not your set. I hope you are free to play whatever you want.
Is it that crazy not to want national tragedies and traumas played over chill ambient set? why not use the jonestown tapes? why not create a funky beat matching 9/11 calls? why not autotune reports covering the bloody-sunday massacres? is that really an absurd thing to be "offended" about? not that would be illegitimate to use in art but in a set like this it seems...jarring?
32:00 PLZ！
🙏🏻
CANE & ABLE - Girl, You Move Me (PT 1) (Get the album version; it's longer, it's cut in half on the 45)