Boswell Sisters - Cheek to Cheek (good sound)
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- Опубликовано: 13 сен 2024
- The Boswell parents first settled in Kansas City, where Martha was born in 1905 and Connie in 1907. Helvetia was born in 1911 in Birmingham, Alabama.
Connie was involved in an accident that permanently injured her spine. As David McCain tells it, some kids put her in a coaster wagon that went down a hill and hit a telephone pole. Connie was thrown out. At first, she couldn't move at all. These were the days when infantile paralysis was a major threat and through the years it was reported that polio was the cause of Connie's disability.
In 1914 the family moved to New Orleans. Father Alfred Boswell, a one time circus performer, was appointed manager of the New Orleans branch of the Fleischman Yeast Company.
After Connie's accident, her mother focused on what other family members recall as a natural musical talent. "I couldn't play hopscotch," Connie said in a magazine interview, "so Mom started me on cello."
The other girls moved quickly into music as well. All three were trained in the classics by a German music professor in New Orleans, Otto Finck. Martha took piano, Connie continued on cello, and Vet studied violin, but their interest soon went beyond the classics. Vet learned the banjo and though Martha stayed mostly on piano she learned to play sax as well. Connie picked up the saxophone, piano, and guitar.
From the beginning, the girls worked together to keep Connie's paralysis from being noticeable. Initially, without even a wheelchair, Vet and Martha would carry Connie from place to place. "Their attitude was that everybody has a disability of some kind," says Vet's daughter Chica. "Some are just more noticeable than others. If you were sitting down next to Connie talking, you never even realized she couldn't walk.
The house on Camp Street became a popular gathering place. "They would have to roll up the rugs on Saturday night," says Holley Bendtsen, "and then all the young men would be courting the good looking three girls who wanted to play music. They would jam and people would dance."
"The biggest influence on Connie Boswell, who was the biggest influence on the Boswell sisters, was Mamie Smith," explains Bendtsen. "And Louis Armstrong. And Caruso. Those are the three influences she always named."
In 1925 they made their first recordings, "Nights When I'm Lonely" performed by the trio, and "Cryin' Blues" sung by Connie with Martha on piano.
Despite some offers, their father balked at the idea of the girls going on the road, but in 1928 he gave in and allowed them to go to Chicago. From there they embarked on a vaudeville tour that took them West to Oklahoma and Texas and finally to San Francisco. They met Harry Leedy who became their manager and eventually Connie's husband.
They went to Los Angeles where they got a full time radio job on station KFWB. "I'd solo," Connie said, "the three of us would sing, and then we'd have a half an hour of instrumentals."
In 1930 they made four sides for the OKeh label with Martha on piano. One of the tunes, the "Heebie Jeebies," had been done in 1926 by Louis Armstrong's Hot Five. Connie said she first heard the song coming out of a bar on Tchoupitoulas Street known as the "Tumble Inn." It was recorded twice by the Boswells and they considered it their lucky tune.
The sisters got work with the CBS Radio Network. They started with an unsponsored 15-minute sustaining program. The Boswells were so popular, says Bendtsen, that within a year there were eight groups trying to imitate them, five white and three black.
The Boswells were signed to a long term contract by Jack Kapp of Brunswick Records. They would do their Paramount shows, then recording sessions that ran from midnight to around 4 a.m. The same pattern continued when the girls began working for CBS. They worked with the men who would become the nation's top bandleaders of swing the era-Tommy and Jimmy Dorsey, Benny Goodman, Artie Shaw, and Bunny Berrigan among them.
It's hard to believe that nothing they did was written down. Connie was the primary arranger "but the sisters really did work together on it," says Chica. "I think it was Connie 40 per cent and Martha and Vet 30, 30." Glen Miller was the man who would put it on paper for the sidemen.
The trio broke up in 1936. Connie (then changed to Connee) wanted to get on with her own career, while Martha and Vet were ready to call it a day.
This guitarist is fantastic
It was Carl Kress.
I found this through a school assignment and I don't regret it one bit.
One of the best songs I've heard.
Sublime genius. The Bozzies have never been equaled. So sad that they did not stay together longer.
🌻 Que delícia de melodia e vozes na mesma sintonia, afinação perfeita❤
Merci beaucoup from Paris France 👍 👍 👍.
Can't get enough of these N'Orleans gals. Sublime.
Simplemente maravillosas, un clasico
I love these three so much. It makes me sad because whenever i ask people, nobody seems to know them. Only one person, my dad. But he didnt know any of their songs, and its probably because he knows a ton about music more than average
Well, I know them, love their songs and harmony singing. Don't worry there are still some of us around.
Wunderschön ❤
without a doubt the best girl trio
Absolutely. Thank you for listening.
Essa é uma das minhas músicas favoritas dos últimos tempos, simplesmente sensacional 💞💞💞💞💞
Greatness is forever
The forerunners to the Andrew Sisters! Same great voices!
Better
They don't have Patty.
I like it here 🖤
I looked down at the comments after posting and the word sublime appears quite a few times. Glad to be in such agreeable company!
Lovely. Connie's story and the goodness of those surrounding her, is so inspiring.
Like their harmony. Great voices. Glad to find out about them. Thanks.
They were the best at what they did. There are many uploads of them on RUclips. On my channel, there are at least 2 complete albums. Thank you for listening.
The blending is sublime
I agree absolutely. Thank you for listening.
This is really original ! 🙏🙏🙏👏👏👏
Love it. They were super. Thanks for sharing.
You are welcome. Thanks for listening.
One of the major influences on Ella!
Also an influence on Donald Fagan from the brilliant Steely Dan.
I love this! I hope you have a good day
Wonderful. Marvelous!
'S wonderful! 'S marvelous!
You should care for me!
'S awfully nice! 'S paradise!
'S what I love to see!
Cole Porter
Sorry, I got sidetracked. The Boswell's certainly were wonderful and marvelous. Thank you for listening.
Excelente!.
👏👏👏👏👏
I agree. Thank you for listening.
The sisters was that group or about 5 years Connie had a solo thing in New York for years before she I was fortunate to meet one of the sisters a snug harbor in New Orleans
👍🏻👍🏻👍🏻👍🏻💯
Amazing !
Thanks
omg i love this song😭😭I wish that i was born at 1930s
same here
i really dont think you want to be born around the time ww2 is right around the corner
"Greatest Generation" is right but they lived through sorrow and pain practically their entire lives.
Then you'd be too young to enjoy this music, dummy.
@@kokostale3080 - That, and during the Great Depression....and for those living in the Great Plains region of the US - during the Dust Bowl...and for those living in Europe - having to deal with Fascism.
A decade of wonderful harmony. Yes, would that it lasted longer.
Marriage called.
That would figure as they were all gorgeous
Can't recall the title right now, but this was covered in one of the Fred Astaire and Ginger Roberts movies, but I think that version was a single person singing.
shoutout to Steven universe for introducing me to these gems
La versión original.... anterior a la de Fred Astaire..!! Gracias!!
de nada
War.... war never changes.
This is sublime, and probably the most technically accomplished version ever made.
Any idea who is the guitarist with the delicate touch in the 1st chorus? Eddie Lang had already passed on by 1935. It sounds like George van Eps, but that's only a guess.
It seems that I already answered this. Is that correct?
@@2ndviolinist I cant seem to find any reference here, unless the comment is hidden.
10/8/35 The Boswell Sisters (v) Russ Case, Ed Wade (tpt) Will Bradley (tbn) Artie Shaw (cl, as) Martha Boswell (p) Carl Kress (g) Dick Cherwin (b) Stan King (d) New York
60029-A Top Hat, White Tie And Tails (Berlin) 3:07 Decca 754B [BSC5]
60030-A Cheek To Cheek (Berlin) 2:54 Decca 574A, [A], [BSC5]
@@An_Cat_Dubh Thank you, ACD.
@@phaasch
I just discovered this song and the Boswell Sisters music in general and I agree with you.
No disrespect to any other singer that covered this song but I do not even feel the need to hear any other version. Beautiful song that I will continously wear out going forward and introduce to younger people.
I played this song for my 80 year old father today and he told me this used to play on Hit Parade back home in Guyana.
He hadn't heard this song in over half a century. But pleasantly enough the song and lyrics immediately came back to him. 😃
✌🙃
What year is this recording?
1935.....i believe the original is Fred Astaire
Wings of Pegasus brought me here🙂