Dear Cyrcatfran, Thank you very, very, very much for your renewed activity!!! Your ballet recordings are unique, invaluable and so enjoyable. I am enormously grateful that you continue to share with us, the ballet fans, your treasures. I hope that, little by little, your previous collection (so barbarously destroyed 2 months ago) will be restored - for our immense joy. Thank you again. Your mission is really apostolic.
Guillem is simply fantastic here! Her incredible strength and balance during the Rose Adagio is the best I’ve ever seen! I swear that if 100 dancers were on a stage, your eyes would always find and be fixed on her, even if she wasn’t the star bc her charisma shines out like a beacon! While I usually really enjoy Nureyev’s choreography on the big warhorses, one aspect of his work always bothers me: when he has a large group of corps dancers, he likes to have 2-3 rows of 10 facing the audience with every other one in each line throwing arms or legs in the opposite direction….it’s so dense with bodies that you can’t get a clear idea of what’s going on! He also likes the “dark” elements of the classic ballets drenched in darkness, as with Carabosse and her rats when they appear in the first act; all you can see is glittering around the fringes of a very dark person, and nothing else is visible. I really have to say that I prefer the “old” version of ‘Sleeping Beauty.’
Anche attorialita 'commediale in questo balletto che contempla quello che con un mio neologismo mi piace chiamare convolo aereo ed elanista della ballerina ottimamente indotto e tenuto dal partner con bilico di difficoltà massima ed eseguito con una non chalance esecutiva d'acchito sorprendente.Ottimo l'impadronimrnto elanista del proscenio a balzi in rotazioni aeree e sforbiciate aeree e traverse spettacolari da parte del ballerino a balzi falcati amplissimi ed. Ottimo impadronimento del proscenio direi imperativo a balzi ad ampie spaccate volanti spettacolari da parte della ballerina. Ottima la riconduzione dei passi all'euritmia melodica da parte di entrambi come se avessero immiato il tema musicale. Superlativi.Bighin Giulio Renzo. 😊😊😊😊😊😊😊😊😊😊
Une belle au bois dormant bien réveillée ! tout est parfait et beaucoup plus : autant de charme avec une telle technique, il n'y a que Sylvie Guillem pour ça ! Laurent Hilaire est son parfait partenaire et prince charmant ! pour moi, on ne fait pas mieux ....; Ce qu'ils arrivent à faire dans le pas de deux à la fin (après 2.05.20) en terme de vivacité et de complicité, c'est à peine croyable ....
Un'Aurora vivace e piena di vita. Bellissimo uso della dinamica e delle braccia. Contrariamente a quanti molti dicono non è affatto appiattita nella tecnica e nelle linee, ma le fa diventare "vive". Fantastica artista!
pffff ! c'est horrible, quand j'avais 7 ans je savais déjà qu'il ne fallait faire aucun bruit pendant un concert de musique classique ou un ballet ! une quinte de toux peut arriver mais la plupart des tousseurs s'éclaircissent juste la gorge et pourraient facilement s'en dispenser !
Is this POB? Do you possibly have further casting? Thank you for posting! I'm sorry for whatever happened to your collection, as Vassil Vasiliev mentions below). About 2/3 of mine is on VHS, so "lost" unless I can get them transferred to DVD! I was prepared to be satisfied with just bits and pieces of Guillem's Aurora so was thrilled to see the entire ballet posted. Thanks so much!
ce spectacle a été donné fin 1999, début 2000 (4, 7 et 11 janvier 2000 pour les représentations avec Sylvie Guillem). Si cela vous intéresse, il y a un site "memopera" où on peut trouver toutes les représentations de l'Opéra de Paris, par danseurs, ou par ballets ! et Voilà !
French ballerina in a french ballet based on a french tale danced the first time in Paris Opera. Later the Tchaicovsky version was a tribute to ancient french regim. Foreigner ?? You just don't like the french school of ballet.
Merci pour cette belle. Je sais que vous n'aimez pas trop Sylvie Guillem, mais ici je la trouve géniale. dans le pas de deux du dernier acte, la diagonale des poissons... la vitesse á laquelle elle arrache sa 2e jambe de terre.. fantastique.. trés peu le font ainsi , Même mes chères Aurélie Dupont et Dorothée Gilbert ne sont pas si agiles... La petite serie de déboulés finis arabesque avec le fameux tour enveloppé sur une seule pointe ( comme me l'avait enseigné Patrice Bart) ça aussi ça vaut la peine.. plus personne ne fait ça.... Son grand défaut á Guillem.. Ok, elle danse un peu trop perso... je suis d'accord.Mais quel panache !!!!!!!
![OhGeesy x Lefty Gunplay - What It Iz [Official Music Video]](http://i.ytimg.com/vi/L0yzW9t2ixk/mqdefault.jpg)
Благодарю всем Сердцем💖💖💖
Oh ... to be able to dance like Sylvie! Extraordinary. THANK YOU SO MUCH FOR POSTING THIS.
Dear Cyrcatfran,
Thank you very, very, very much for your renewed activity!!! Your ballet recordings are unique, invaluable and so enjoyable. I am enormously grateful that you continue to share with us, the ballet fans, your treasures. I hope that, little by little, your previous collection (so barbarously destroyed 2 months ago) will be restored - for our immense joy. Thank you again. Your mission is really apostolic.
A real shame. I agree
Guillem is simply fantastic here! Her incredible strength and balance during the Rose Adagio is the best I’ve ever seen! I swear that if 100 dancers were on a stage, your eyes would always find and be fixed on her, even if she wasn’t the star bc her charisma shines out like a beacon! While I usually really enjoy Nureyev’s choreography on the big warhorses, one aspect of his work always bothers me: when he has a large group of corps dancers, he likes to have 2-3 rows of 10 facing the audience with every other one in each line throwing arms or legs in the opposite direction….it’s so dense with bodies that you can’t get a clear idea of what’s going on! He also likes the “dark” elements of the classic ballets drenched in darkness, as with Carabosse and her rats when they appear in the first act; all you can see is glittering around the fringes of a very dark person, and nothing else is visible. I really have to say that I prefer the “old” version of ‘Sleeping Beauty.’
Si les cômméntaîres anglais étaient traduis en français ça serait supér,!!¡
Anche attorialita 'commediale in questo balletto che contempla quello che con un mio neologismo mi piace chiamare convolo aereo ed elanista della ballerina ottimamente indotto e tenuto dal partner con bilico di difficoltà massima ed eseguito con una non chalance esecutiva d'acchito sorprendente.Ottimo l'impadronimrnto elanista del proscenio a balzi in rotazioni aeree e sforbiciate aeree e traverse spettacolari da parte del ballerino a balzi falcati amplissimi ed. Ottimo impadronimento del proscenio direi imperativo a balzi ad ampie spaccate volanti spettacolari da parte della ballerina. Ottima la riconduzione dei passi all'euritmia melodica da parte di entrambi come se avessero immiato il tema musicale. Superlativi.Bighin Giulio Renzo. 😊😊😊😊😊😊😊😊😊😊
The way she quickly returned to that guy his sword when it got caught in her tutu….very suave!
Is that what happened ? I was trying to figure it out ! I wondered why I've not seen that in other productions !
Incredible confidence 👏
Thank you. Laurent and Guillam historically significant 😀
Une belle au bois dormant bien réveillée ! tout est parfait et beaucoup plus : autant de charme avec une telle technique, il n'y a que Sylvie Guillem pour ça ! Laurent Hilaire est son parfait partenaire et prince charmant ! pour moi, on ne fait pas mieux ....; Ce qu'ils arrivent à faire dans le pas de deux à la fin (après 2.05.20) en terme de vivacité et de complicité, c'est à peine croyable ....
L' adagio avec le sabre accroché à Sylvie ..... MDR !
42:50 omg prince's sword stuck in the tutu
Amazing how they manage to do as if nothing happened, she gives him back like "hey my prince you forgot this :3" and it's so funny and professional
@@ChloeV14 Yeees! She totally made it through the character and the scene.
As if the Rose Adagio isn't hard enough without mishaps! So smoothly dealt with by all three dancers!
Safety suspended in retro fusion
The guy had a shocking "Oh *^%!" look on his face. Love Sylvie just hands it to him casually.
Un'Aurora vivace e piena di vita. Bellissimo uso della dinamica e delle braccia. Contrariamente a quanti molti dicono non è affatto appiattita nella tecnica e nelle linee, ma le fa diventare "vive". Fantastica artista!
The best ever, the one and only Sylvie guillem
Ah les tousseurs ! 😊
pffff ! c'est horrible, quand j'avais 7 ans je savais déjà qu'il ne fallait faire aucun bruit pendant un concert de musique classique ou un ballet ! une quinte de toux peut arriver mais la plupart des tousseurs s'éclaircissent juste la gorge et pourraient facilement s'en dispenser !
Quel casting ! Grandiose
Merci
Wowwwwww. Je meurs. Que c'est beau!!!. Merci d'avoir posté.
Thank You Cyrcatfran Sylvie and Laurant -- such a gift
Merci beaucoup!!!❤❤❤
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Она великолепна!
太美了。
Is this POB? Do you possibly have further casting? Thank you for posting! I'm sorry for whatever happened to your collection, as Vassil Vasiliev mentions below). About 2/3 of mine is on VHS, so "lost" unless I can get them transferred to DVD! I was prepared to be satisfied with just bits and pieces of Guillem's Aurora so was thrilled to see the entire ballet posted. Thanks so much!
Yes this is Opéra de Paris, at 6:35 the lilac fairy is Marie-Agnès Gillot
#백조하얀백조주역이랑흑조검정백조주역이요
#지젤연하늘색상주역이랑아이보리색상주역요감사합니다
#Grishko Korea Ballrerina 🇰🇷
Magnifique! C'est filmé en quelle année?
ce spectacle a été donné fin 1999, début 2000 (4, 7 et 11 janvier 2000 pour les représentations avec Sylvie Guillem). Si cela vous intéresse, il y a un site "memopera" où on peut trouver toutes les représentations de l'Opéra de Paris, par danseurs, ou par ballets ! et Voilà !
Merci beaucoup! Bravo!!)))
Mille, mille mercis !
Иностранные балерины танцуют, будто гимнастические движения исполняют. Никто меня не задевает за душу. Стараются. Техничны иногда. Но всё не то.
French ballerina in a french ballet based on a french tale danced the first time in Paris Opera. Later the Tchaicovsky version was a tribute to ancient french regim. Foreigner ?? You just don't like the french school of ballet.
Merci pour cette belle. Je sais que vous n'aimez pas trop Sylvie Guillem, mais ici je la trouve géniale. dans le pas de deux du dernier acte, la diagonale des poissons... la vitesse á laquelle elle arrache sa 2e jambe de terre.. fantastique.. trés peu le font ainsi , Même mes chères Aurélie Dupont et Dorothée Gilbert ne sont pas si agiles... La petite serie de déboulés finis arabesque avec le fameux tour enveloppé sur une seule pointe ( comme me l'avait enseigné Patrice Bart) ça aussi ça vaut la peine.. plus personne ne fait ça.... Son grand défaut á Guillem.. Ok, elle danse un peu trop perso... je suis d'accord.Mais quel panache !!!!!!!
c'est qui qui "n'aime pas trop Sylvie Guillem"?!
Hitler hung- dragons we hang paintings
Department of national movement of artist
Only Sylvie can make ballet look so effortless
50:40 Aurora variation
1:26:52 Aurora variation
very hard to watch anybody else in this these days
Relocate our belonging to restroom to enjoying a good cup of coffee
@@sharifprice2303 Wait….you drink coffee in the bathroom??
Who are the fairies?
Marie-Agnès Gillot (Lilac Fairy)
Isabelle Ciaravola (1st variation)
Géraldine Wiart, Myriam Kamionka (2d variation)
Mélanie Hurel (3d variation)
Miteki Kudo (4th Variation)
Virginie Rousselière (5th variation)
소변1😊
13교시꺼..
오후수업 꺼...
오후수업꺼
오후수업^^
물마시고톡
오전수업0교시꺼
Who is florine??
Delphine Moussin
Танцует хорошо, но некоторая излишняя четкость нарушает внутренний строй. Последний аttitude и вовсе корявый!
대변1/소변1보고톡해요엄마딸이요😊
Is this Nureyev's choreography?
Yes, it's POB version
@@cyrcatfrancyrcatfran7868Preciosa coreografía, y bellos bailarines,, 🌹🌹🌹🌹🌹