This is what it’s really a chiaroscuro. On the book of Vasari on technique he describes what a really chiaroscuro is, the dark are thing glazes with Brown Van Dyck and Sandarac, the light are very thin tones not built up. Almost you see the canvas, the more and more glazes the dark gets darker and the image becomes 3-D. You are trying to build a 3-D in a flat surface. Most art historians never read that and don’t know what that technique means. I did a painting of my daughter and it’s so real. Not all the artists used a color background they use a white canvas mostly in Italy. Try with a white yeso canvas and glaze the darks. You can achieve the same with less work. ❤
This technique aligns more so with the Flemish and Dutch painters of the 16th-17th centuries. When looking at the works of artists like Rubens, Rembrandt, Van Dyck, Jordaens in person, you see a physical and 3-dimensional build up of the lights and thin, transparent shadows, as well as toned grounds. The impasto lights and transparent shadows further emphasis the light effect.
На цветной имприматуре ( тёмном фоне) легче добиваться объёма чем на белом холсте, потому что можно работать в две стороны: в сторону осветления и сторону утемнения.
Grisaille is one of the best techniques for painting with great detail, although the alla prima technique is very good for reproducing masters such as those of the new figuration of the London school.
Although this copy has captured the forms pretty accurately, however there are many of the finer subtleties present within the original that are lost. Which demonstrates how masterful the artist was painting the original portrait.
The warmness and the details of the skin, the alive look of the original.. great adaptation tho but with a bit too much light especially on the forhead.. @tranquility-soothingsleepm6077
Οπως κ να εχει.η εκτυπωση ειναι η βαση Με την τεχνολογια αυτο εχει γινει κατασταση Η βαση ομως απο μονη της δεν λεει κατι Βαση ειναι με τον ενα η τον αλλο τροπο Απο εκει κ περα το χρωμα οι φωτοσκιασεις κ πανω απ ολα η εκφραση ειναι εργο του ζωγραφουκ σε αυτο ο ζωγραφος ειναι εξαιρετικος εως κ μουσειακος Θερμα συγχαρητηρια στον υπεροχο ζωγραφο που μας παρουσιασε ενα πραγματικο εργο τεχνης Συντ εργ τεχνης του μουσειου της Αθηνας
old master tecnic is very range,,,itni asani se kisike hath nhi aa sakti apne prayash acha kiya lekin colour tone match nhi hue apne jo banaya vah original ki tulna me bshut light ho gaya use thoda our dul karne ki jarurat hai thanks
@@francoistourigny3006 I'd recommend not using zinc white at all in your process as it's known to be an unstable and weak pigment that leads to cracking
I believe if more new painters painted with a grisaille underpainting they would achieve more accuracy On the other hand if new painters has to painted like this, they would give up. I use grisaille when I paint complicated compositions. For portraiture, I do use this method. Too tedious and labor intensive.
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Great, Maestro. I mostly appreciate this tiny dimension because it gives an augmented value to the artwork. Well done.
This is what it’s really a chiaroscuro. On the book of Vasari on technique he describes what a really chiaroscuro is, the dark are thing glazes with Brown Van Dyck and Sandarac, the light are very thin tones not built up. Almost you see the canvas, the more and more glazes the dark gets darker and the image becomes 3-D. You are trying to build a 3-D in a flat surface. Most art historians never read that and don’t know what that technique means. I did a painting of my daughter and it’s so real. Not all the artists used a color background they use a white canvas mostly in Italy. Try with a white yeso canvas and glaze the darks. You can achieve the same with less work. ❤
This technique aligns more so with the Flemish and Dutch painters of the 16th-17th centuries. When looking at the works of artists like Rubens, Rembrandt, Van Dyck, Jordaens in person, you see a physical and 3-dimensional build up of the lights and thin, transparent shadows, as well as toned grounds. The impasto lights and transparent shadows further emphasis the light effect.
На цветной имприматуре ( тёмном фоне) легче добиваться объёма чем на белом холсте, потому что можно работать в две стороны: в сторону осветления и сторону утемнения.
Grisaille is one of the best techniques for painting with great detail, although the alla prima technique is very good for reproducing masters such as those of the new figuration of the London school.
Excellent Painting Mam
Absolutely love this!
Thank you so much for sharing
Have a good time❤
Great video, thanks for sharing
Très belle exécution bravos c'est un vrai plaisir que de suivre cette démo merci a vous 👍👍😍🤩
Although this copy has captured the forms pretty accurately, however there are many of the finer subtleties present within the original that are lost.
Which demonstrates how masterful the artist was painting the original portrait.
And what are these finer subtleties?
The warmness and the details of the skin, the alive look of the original.. great adaptation tho but with a bit too much light especially on the forhead.. @tranquility-soothingsleepm6077
Οπως κ να εχει.η εκτυπωση ειναι η βαση Με την τεχνολογια αυτο εχει γινει κατασταση Η βαση ομως απο μονη της δεν λεει κατι Βαση ειναι με τον ενα η τον αλλο τροπο Απο εκει κ περα το χρωμα οι φωτοσκιασεις κ πανω απ ολα η εκφραση ειναι εργο του ζωγραφουκ σε αυτο ο ζωγραφος ειναι εξαιρετικος εως κ μουσειακος Θερμα συγχαρητηρια στον υπεροχο ζωγραφο που μας παρουσιασε ενα πραγματικο εργο τεχνης Συντ εργ τεχνης του μουσειου της Αθηνας
Ok, really Nice
Love this
Nice music!
❤
멋져요 바로 구독합니다😊
Очень хорошо👏👏👏👏
Impressive. I’m curious how you drew before painting, was that with a brush or a pen/pencil?
Thanks! I cover the back of my drawing with charcoal and trace my lines onto the canvas
@ fascinating, thanks!
old master tecnic is very range,,,itni asani se kisike hath nhi aa sakti apne prayash acha kiya lekin colour tone match nhi hue apne jo banaya vah original ki tulna me bshut light ho gaya use thoda our dul karne ki jarurat hai thanks
Genial.
Paint the white canvas brown, and then white again, and brown again, why?
So you use white only, and creating the slight value shifts by thinning it more, or adding a touch of black?
Exactly, I alter the value by applying the lead white more transparently. No black needed
Can we use zinc white instead of lead white? thank you.
@@francoistourigny3006 I'd recommend not using zinc white at all in your process as it's known to be an unstable and weak pigment that leads to cracking
wher is the sec from 17 :45 to 17 :59
the best part 😢
needs more layers imo
I invite you to do a copy with more layers
I believe if more new painters painted with a grisaille underpainting they would achieve more accuracy
On the other hand if new painters has to painted like this, they would give up. I use grisaille when I paint complicated compositions. For portraiture, I do use this method. Too tedious and labor intensive.
هنر فرمودی! این که نقاشی نشد ! عکس را چاپ کردی و بعد رنگ کاری ! ها ها ها .
Music level seems a bit too high
Turn down for what!
Your right eye is out 🤔💕
ok like can you do it better
Да немго несогласованно с центрами зрачков, но это совсем незаметно для непрофессионала.
Your jumps were leaps and bounds