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Georg Druschetzky - Oboe Concerto in C-major

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  • Опубликовано: 19 май 2013
  • Georg Druschetzky
    Work: Oboe Concerto in C-major
    Oboe: Jan Adamus
    Orchestra: Pardubice Chamber Philharmonic Orchestra
    Conductor: Petr Altrichter

Комментарии • 28

  • @wq6737
    @wq6737 5 лет назад +3

    Sehr schön, ähnelt in vielen Passagen auch Haydn hat trotzdem auch wieder Italienisches Flair und militärische Straffheit und Rhythmus. Ein sehr gelungenes Konzert mit einem schönen und ruhenden Andante.

  • @ecureuilvigilant4315
    @ecureuilvigilant4315 6 лет назад +8

    Excellent moment musical. Concerto à la fois "très enlevé" et mélodieux. Merci pour ce partage.

  • @pascalmayer9421
    @pascalmayer9421 Год назад +1

    Georg Druschetzky, en tchèque Jiří Družecký, né le 7 avril 1745 à Jemníky et mort le 21 juin 1819 à Buda, est un compositeur et hautboïste bohémien.

  • @jeanpierrebreuer4295
    @jeanpierrebreuer4295 2 года назад +2

    for those not familiar with the composer (1745-1819)

  • @hussainsaibo9692
    @hussainsaibo9692 5 лет назад +6

    How can I ever tire of listening to such lovely music ? And the painting conveys just the right mood for the musuyc. By whom ?

    • @johnlawrence2757
      @johnlawrence2757 3 года назад +1

      Yes: frustrating when the post doesn’t identify the picture.
      Looks Italian to me, 18 th century

    • @charlesopels9676
      @charlesopels9676 2 года назад

      @Sys Dia THANK YOU!!!

    • @dietrichvoorgang376
      @dietrichvoorgang376 9 месяцев назад

      Cornelia, Mother of the Gracchi, Pointing to Her Children as Her Treasures by Angelika Kauffmann (1780-1790)

  • @angeloignarro947
    @angeloignarro947 10 лет назад +14

    0:00- 1st mov't
    9:44- 2nd mov't
    17:21- 3rd mov't

  • @65attila
    @65attila 7 лет назад +6

    Quite beautiful.

  • @Teona1212
    @Teona1212 11 лет назад +11

    Wonderful work. I love oboe.

    • @oldones59
      @oldones59 Год назад

      Give Dvorak's Ninth Symphony a listen. I have a CD with an old recording of it, with the CSO, Fritz Reiner conducting. When Ray Still and his oboe come in during the Largo movement, it's so beautiful that it always brings tears to my eyes.

  • @PiscaCPT
    @PiscaCPT 10 лет назад +5

    Bravo! Cheers from Brazil

  • @brianknapp8645
    @brianknapp8645 8 лет назад +15

    I hear many similarities to the music of Mozart and the Wranitskys. A very Czech and symphonic concerto as well. Definitely a delight to the ear!

  • @HenkVeenstra666
    @HenkVeenstra666 6 лет назад +5

    Timpani and oboe, both instruments used by millitairy musicians. Great combination.

  • @Seekthetruth3000
    @Seekthetruth3000 3 года назад +1

    The music and the painting are beautiful.

  • @theopaopa1
    @theopaopa1 4 года назад +1

    very nice music, thank you very much !

  • @emiliololli9007
    @emiliololli9007 3 года назад +1

    I would say very beautiful.

  • @jasonwalker79
    @jasonwalker79 Год назад

    ruclips.net/video/bK0M_WruomU/видео.html this is the 2nd movement on my channel

  • @xespir3
    @xespir3 5 лет назад +2

    El 2º movimiento es la PAZ .Asi en mayúsculas

  • @StuartSimon
    @StuartSimon 7 лет назад +3

    I'm missing something. The music starts in C major. The oboe's first solo should begin in C major and end in G major. But the oboe enters by simply entering while the orchestra is in G major and electing to stay there and present new material (rather than going back to C major to elaborate on the orchestra's opening theme). The first movement is completely devoid of thematic material shared between orchestra and soloist.

    • @HenkVeenstra666
      @HenkVeenstra666 6 лет назад +2

      The motives of the orchestra are supposed to contrast that of the solo oboe.

  • @stenfjord1
    @stenfjord1 5 лет назад +1

    The first oboe entrance in the first movement sounds like it is entering halfway through its solo. Where is the A Theme statement? No wonder we haven't heard of Druschetzky.

    • @richardcleaver5440
      @richardcleaver5440 3 года назад +6

      Fortunately, the composers of the time didn't worry about composition teachers 250 years later insisting on some schematic "correct form" for their music. I would guess, based on how much I like how the oboe enters, he felt it made more sense to move the music forward in this way--like how Aristotle suggested a story should begin "in the middle of the action" to convey urgency.