Man.. if you listen to this with your earphones on, you can hear her taking breaths in... it raises the connection level between her and her audience.. awesome.
Whoever gave this pianist the permission to express herself through this wonderful composer deserves my praise. Every time I listen to her playing I enjoy hearing her spirit.
This - by original definition, is the RIGHT tempo, strictly speaking from the form of the piece and manuscript. Nothing has to do with moon, it had funeral vibes and was inspired by Mozart's Don Giovanni's part, when Commendatore is dying.
This is actually a very authentic tempo. When you listen to fortepianists (John Khouri, for example, on an 1833 Broadwood) this is the tempo they take. The tempo is marked Adagio Sostenuto....most people take it at a Largissimo. It's like the Chopin etudes...when you look at the tempi marked in the urtext there are no slow etudes, but people usually slow down 2 or 3 of them. The wonderful this is THIS IS ART. I like it, you don't, she does, he doesn't. Great! Plenty of room at the table.
Thank you for having revived this music that has been asleep for too long! Finally I hear the real moonlight, each harmonie is felt and has its own colour, so the succession of the hamornies in your interpretation makes real sense! For the first time, I've cried listening to this piece. Most moving interpretation i've ever heard.
Are you kidding me? She plays with immense passion. Okay, it's not the best interpretation, but it's HER interpretation, and everyone should have their own, right? it's very mighty of you to say you can play this better than her. This, in my opinion, is beautiful. I've had a masterclass on beethoven sonatas from her, and i know for a fact she plays with immense soul and passion.
fabulous - hey, I'm old and no classical music scholar (although I'm working on this very piece) but I like her playing -- lots. I bought this on iTunes -- all the sonatas-- and the new Yamaha really sings.
Judging from the comments, I have to add that many people who've left them don't actually play piano. This is a correct tempo. The majority of performances of this sonata are actually interpreted with the wrong and slower tempo, which could falsely create the perception that this particular performance is deviant.
대중을 대상으로 하는 예술가는 희소성(그 자체를 목표로 하는 것은 좋지 못하나.)이 있어야 하는데. 임현정씨가 합리적이며 감성에 와 닿고. 그 당시 상황에 맞는 해석을 찾아가는 것이 많이 도움이 되는 등. 진짜 좋은 예술가인 것 같네요. 우리들의 소중한 자산입니다. 고요한 느낌 해치지도 않고 . 그 고요함 속에 응축된 에너지(열정) 좋네요.
don´t watch her...just listen eyes closed...muses all around...real artist...authentic..."dives fearlessly into the composer´s emotions"...read her book - le son du silence - the sound of silence
Although I don't know what's the real speed that Beethoven originally intended, I assure that I DO feel much subtle in her play than other players who's been interpreting slow slow and slow.. It's so delicate..that i can even feel the turmoil swiping in Beethoven's heart. The moonlighting particle is falling onto the piano...
What a nice "Tempo". 오래전에 Wilhelm Backhaus 가 빠른 tempo 로 연주하는 이 곡을 들어 보았는데 이번에 거의 비슷한 (약간 더빠른) Tempo로 연주하는 임현정씨의 연주를 듣게 되었읍니다. 나는 개인적으로 이 연주에 동감하며, 충분한 impression이 있었다고 봅니다. 신선한 연주와 자신감 넘치는 연주자의 모습에 박수 갈채를 보냅니다. Canada 에서.
Would somebody please enlighten me and record themselves playing this exactly as Beethoven intended?there seems to be a lot of people here that are saying they can play it more "accurately" hj plays this with more feeling and fresher than anything iv heard in a long time.
I am so happy she plays this in the correct tempo like written in the manuscript by Beethoven. I even to my own horror seen some editions where they remove the Alla Breve marking by Beethoven in their score, which makes the tempo alot slower, and wrong. Its a disgrace upon Beethoven to change the score that radically to someone ones liking and spreading a false meme on this sonata as well. Hj Lim uses alot of rubato here which is unusual but somehow I like it. Beethoven also used alot of rubato but always had a strict sence of puls when he was playing piano pieces.
People who commenting on the tempo are clueless. In the original manuscript of the sonata Beethoven wrote "Alla Breve" which means you are counting 2 in a beat, which is practical sense means double the speed in my cases. Therefore the tempo you hear here, is the correct one. The normal slow motion tempo is wrong according to the original manuscript.
Most interesting and beautiful interpretation ever. She really captured Beethoven's spirit, the world is very lucky that Lim has made this integral with her revolutionary visions. Her Beethoven is the most powerful, expressif, revolutionary, a true beethovenian insight. This integral will emerge as the reference for all.
I've had a few thoughts on this newer way to do the Moonlight first movement. Beethoven marks this movement as an Adagio sostenuto in cut time rather than in common time. This means that the minims need to be the slow beats, not the crotchets or triplet quavers. Slowing the crotchets or triplet quavers disrupt the flow of the music. If the minims (and, for that matter, the semibreves), were the slow units, the notes in the top and bottom voices can form up into intelligible lines and phrases. Also, the triplet quavers can flow more freely and anticipate the stormy semiquaver arpeggios in the finale. At this speed the first movement can flow more naturally into the second movement. When it is played slow the movement feels disconnected from the rest of the sonata. The metrical structure of larger units can still allow the music to express its character fully. I'm not out to pontificate like the historically sensitive practitioners. Rather I've thought deeply about this music and have formed up some observations about the relationships between the elements. Andras Schiff is another pianist who has espoused this way of doing the Moonlight. Lim and Schiff are both trusting the inner logic of the music and they are not playing it as quacks who know zilch about the meaning of the music. I am also told that Beethoven was inspired by the music for the Commendatore's death in Don Giovanni. I know that correlations like this may not be solid but Beethoven must have made a memo of that passage when he was preparing to compose this movement. I can't help thinking that there are so many family likenesses in disparate passages of Beethoven's music that it would be good to acknowledge them as performers and even as listeners. The main theme in the slow movement of the Ninth Symphony bears a striking resemblance to the Pathetique sonata slow movement. It would also be good if we noted the links between the Choral Fantasy and the Ninth Symphony finale. The character of the music can still express itself fully. Again I'm not out to be a quack who ants to lead people into pluralistic ignorance and collective fallacy. I wish to highlight the links and family likenesses between similar passages. The historically sensitive performers (e.g. Gardiner) allow the family likenesses to be clearer. They wouldn't want to consciously start groundless fads with no evidence in fact.
Exceptional writing, concise and clear to read. This is actually the first time I've heard this movement performed in this way, and I find it quite refreshing. I myself play it more 'conventionally' and slowly, possibly because I hadn't heard of it any other way until now. Personally, I don't think there is anything wrong with her interpretation. She is clearly a brilliant pianist, and the faster than convention tempo in my opinion helps the piece have a stronger flow towards the end of this movement.
th415263 What a reassuring response I've got from you. I'm wondering if I might point you to the Andras Schiff lecture on the Guardian website. He talks and discusses all 32 sonatas and each sonata has its own link. The ECM Schiff Beethoven sonata cycle is rewarding listening in this repertoire.
th415263 Just to let you know, I've just had the chance to listen to the Artur Schnabel version of this movement. It is remarkably similar to Lim and Schiff. Schnabel understands the metrical superstructure and prioritises the minims and semibreves as the slow beats. He also plays the bass line marcato to define it clearly.
I really respect and admire HJ Lim's own interpretation of Moonlight. Some comments below criticize temp, rhythm, and bla bla..,but they are not worth being concerned too much. The critics even do not know the composer's mind or background. Anybody can easily criticize other's performance, but in some cases he/she can not play half of it, or is short of intelligence to understand the deep mind of the player.
Wonderful sound. Good performance. Why does the sound to small ? Bravo and good luck HJLim. Very excited, when everyone heard you Turkish March by Mozart.
this music breaths, feels, muses all around...strict tempo, strict academics and strict people are killing classical music, so those boring people let us love how she loves beethoven.
Impressive and it would seem as Beethoven himself wished it to be played and not slowly as is the norm in most modern performances of this music. As +Rodrigo Ruiz states in below comments ''Adagio sostenuto, which means "At ease and sustained", which points to a flowing, cantabile in which THE NOTES are sustained and not TIME.''
Ok. So people who praise her don't get constructive criticism for stating that they like her, so why do people who say that they do not like it do? I can state my opinion just like you can. Just like he can, she can, whatever. Speeding this repertoire takes away so much of what could be expressed in this. It's romantic. When you have a romantic moment, you want it to last forever. When she plays it, it's like she wants it to hurry up. Do you understand what I am getting at? Slow is not alwaysbad
월광 소나타 1악장의 아르페지오를 이렇게 치는 피아니스트는 임현정 피아니스타가 유일 한 것 같다. 거의 모든 피아니스트들이 화음의 각 음을 유연하게 연속성을 주지 않고 각 음을 딱딱 끊어서 연주 한다. 베트벤의 악보에 " 화음의 각 음을 딱 딱 끊어서 느리게 연주 하라"고 쓰여져 있을까? 그렇지 않을 것이다. 월광 소나타 연주는 임현정 피아니스의 연주가 단연 독보적이다. 임현정 피아니스트가 유럽인 이었거나 최소한 프랑스로 귀화 했다면 전세계 클래식 음악계에서의 그의 위상은 현실과 달라 졌을 것이다.
Qué inusual forma de interpretar este movimiento de la sonata! Sin embargo, es interesante. Además, la Srita LIM es una gran pianista. Es hermosa y tiene unas manos quizá mas largas que las de Valentina Lisitsa. Es joven y sin duda será una de las mejores de su generación.
J'aime cette interprétation comme j'aime énormément les contacts que Madame HJ Lim entretient avec la musique. Une musique pure libre de tous les éléments apportés par les différents maîtres. Je me réjouis d'avoir le plaisir d'assister à un concert de HJ Lim, de l'écouter et l'admirer! Merci à elle! Michel - ชล en thaïlandais
la beauté musicale le geste accompagnant digne d'une grande carriére de la volonté heureusement et la route que personne ne vous à indiquée si peut étre que vous faites des envieuses drapée dans la jalousie qui aurait pu étre fatale ce jour mais vous avez su passer au delà chapeau lim et bonne route
감사합니다. 개인적으로 이제야 이 곡에 맞는 템포와 분위기를 찾은 것 같아요! 그동안 들었던 월광소나타 1악장은 멜로디는 참 매력적인데 어딘가 좀 답답한 기분이 들어서 끝까지 듣지 못했거든요. 월광소나타라는 판에박힌 타이틀에 얽매여서였을까요? 그동안 그 틀 안에 갇혀서 자유롭게 곡을 들을 수 없었던 게 아닌가..라는 생각이 드네요. 이제는 그 틀을 지우고 곡 자체가 주는 울림이 얼마나 아름답고 가슴 떨리게 하는지를 느낄 수 있게 되어서 너무 기쁩니다..! 우연한 발견으로 잠못이루네요... 이런게 행운인가봐요🍀
Bro the people in this comment section don't know what Alla breve is. The tempo is literally "to the half note"! Which means HALF NOTE= 50 or so not quarter note, people are just used to hearing it wrong.
Second movement is the flower between the abysses. First movement is an abyss of despair. Must be played with tremendous anguish. Third movement is absolute rage and must be played with rage. In all three the pianist has to orchestrate voicings and not play choreds. The inner melody, sotto voce, complimentary all must sing as the different instruments and voices they are.
There is a lot of controversy surrounding this piece. Believe it or not this is actually the tempo that it was intended to be played. A lot of pianists play it too slow.
Man.. if you listen to this with your earphones on, you can hear her taking breaths in... it raises the connection level between her and her audience.. awesome.
I was listening to it on my phone speaker and I'm listening to it on my earphones. Thank you.
Whoever gave this pianist the permission to express herself through this wonderful composer deserves my praise. Every time I listen to her playing I enjoy hearing her spirit.
This - by original definition, is the RIGHT tempo, strictly speaking from the form of the piece and manuscript. Nothing has to do with moon, it had funeral vibes and was inspired by Mozart's Don Giovanni's part, when Commendatore is dying.
천재가 시대를 잘못 만나면
불행해지기도 하는데
다행이도 임현정은 그의 세계를
받아줄 수 있는 시대와 나라에 태어나
마음껏 포부를 펼칠수 있을 것이다
연주할 작곡가의 모든 흔적, 심지어 작곡가 친구들의 일기까지 읽고 연구하는 임현정의 성정으로 볼 때 가장 베토벤스럽게 연주한 것으로 봄
엄청난 노력의 결과물이네요.. 피아노 음악이란 예술과 정성... 연주자의 혼을 담는 커다란 그릇...
정작 임현정이 올해 낸 책에서는 '베토벤스럽다'는 말자체가 어불성설임을 알수있음,,
Gfdgdfjfcjffudcudgu
Gfdchfchschgxucivdfu
템포가 문제가 아니라
어떻게 이곡을 가벼운 터치로 이리 잘 표현하지..
정말 가볍고 무겁고를 잘 배분하신다
This is actually a very authentic tempo. When you listen to fortepianists (John Khouri, for example, on an 1833 Broadwood) this is the tempo they take. The tempo is marked Adagio Sostenuto....most people take it at a Largissimo. It's like the Chopin etudes...when you look at the tempi marked in the urtext there are no slow etudes, but people usually slow down 2 or 3 of them.
The wonderful this is THIS IS ART. I like it, you don't, she does, he doesn't. Great! Plenty of room at the table.
Nothing I can say would describe how amazing this woman is. WOW -
지금껏 들어본 중ᆢ최고다 숲길에
부는 실바람같이ᆢ맑은 샘물에 뿌린
일곱 색깔같이ᆢ
Thank you for having revived this music that has been asleep for too long! Finally I hear the real moonlight, each harmonie is felt and has its own colour, so the succession of the hamornies in your interpretation makes real sense! For the first time, I've cried listening to this piece. Most moving interpretation i've ever heard.
K
@@bortunmariamihaejhsab5980o
Ln
Are you kidding me? She plays with immense passion. Okay, it's not the best interpretation, but it's HER interpretation, and everyone should have their own, right? it's very mighty of you to say you can play this better than her. This, in my opinion, is beautiful. I've had a masterclass on beethoven sonatas from her, and i know for a fact she plays with immense soul and passion.
fabulous - hey, I'm old and no classical music scholar (although I'm working on this very piece) but I like her playing -- lots. I bought this on iTunes -- all the sonatas-- and the new Yamaha really sings.
👍
임현정님 은 이시대에 이세계에서 최고의 아티스트입니다...
제가 가장 좋아하는 곡인데
이렇게 들을 수 있다니 , 블랙홀처럼 빨려들어갑니다.
I can not describe it.
only one word: amazing
Judging from the comments, I have to add that many people who've left them don't actually play piano. This is a correct tempo. The majority of performances of this sonata are actually interpreted with the wrong and slower tempo, which could falsely create the perception that this particular performance is deviant.
코로나로 많은 분들이 힘들어하시는데
임현정님의 연주로 위로받고
즐겁고 행복한 시간 보내요~~~~~
감사합니다 ^^
I had the chance to meet her in Switzerland, she is so natural and kind !
So musical and intense. The best version I've ever heard.
Talentosa intérprete .Es un placer verla disfrutando cada una de las obras que ejecuta con maestría . Brava!!!
How come anyone can dislike this work of art?
거의 모든곡을 빠르게 치는데 왜 단 한번도 위화감을 느낀적이 없을까... 마치 이게 제대로된 템포야. 라고 설득된다...
다른 연주자들이 늘어지는 템포로 치고 있습니다. 듣기에 거부감이 없는 템포가 정상이 아니겠습니까?
이게 맞는 템포에요
대중을 대상으로 하는 예술가는 희소성(그 자체를 목표로 하는 것은 좋지 못하나.)이 있어야 하는데. 임현정씨가 합리적이며 감성에 와 닿고. 그 당시 상황에 맞는 해석을 찾아가는 것이 많이 도움이 되는 등. 진짜 좋은 예술가인 것 같네요. 우리들의 소중한 자산입니다. 고요한 느낌 해치지도 않고 . 그 고요함 속에 응축된 에너지(열정) 좋네요.
don´t watch her...just listen eyes closed...muses all around...real artist...authentic..."dives fearlessly into the composer´s emotions"...read her book - le son du silence - the sound of silence
Although I don't know what's the real speed that Beethoven originally intended, I assure that I DO feel much subtle in her play than other players who's been interpreting slow slow and slow.. It's so delicate..that i can even feel the turmoil swiping in Beethoven's heart. The moonlighting particle is falling onto the piano...
What a nice "Tempo".
오래전에 Wilhelm Backhaus 가 빠른 tempo 로 연주하는 이 곡을 들어 보았는데 이번에
거의 비슷한 (약간 더빠른) Tempo로 연주하는 임현정씨의 연주를 듣게 되었읍니다.
나는 개인적으로 이 연주에 동감하며, 충분한 impression이 있었다고 봅니다.
신선한 연주와 자신감 넘치는 연주자의 모습에 박수 갈채를 보냅니다.
Canada 에서.
죄송합니다. Wilhelm Backhaus 가 아니고 Glenn Gould 입니다.
정정 합니다.
혹시 김성훈 교수님이세요?
My favorite interpretation, it's like she's speaking to me...so intense and dramatic...
Would somebody please enlighten me and record themselves playing this exactly as Beethoven intended?there seems to be a lot of people here that are saying they can play it more "accurately" hj plays this with more feeling and fresher than anything iv heard in a long time.
I am so happy she plays this in the correct tempo like written in the manuscript by Beethoven. I even to my own horror seen some editions where they remove the Alla Breve marking by Beethoven in their score, which makes the tempo alot slower, and wrong. Its a disgrace upon Beethoven to change the score that radically to someone ones liking and spreading a false meme on this sonata as well.
Hj Lim uses alot of rubato here which is unusual but somehow I like it. Beethoven also used alot of rubato but always had a strict sence of puls when he was playing piano pieces.
최애 피아니스트~매순간 여운이 남는 연주
한국인임이 너무 자랑스럽습니다~~
J'adore et basta des redondantes critiques professionnelles ! Bravo HJ Lim.
오랜만에..제가 한창 클래식에 미쳐있던 그때의 그시절로 돌아가게 되었습니다. 잠시 5분 눈을 감고 있었지만 마치 고등학교 3년동안 매달 갔었던 클래식 공연장이 생각났고 그 시절 행복했던 클래식과의 추억이 소환되었던 진한 5분이였습니다.
People who commenting on the tempo are clueless. In the original manuscript of the sonata Beethoven wrote "Alla Breve" which means you are counting 2 in a beat, which is practical sense means double the speed in my cases.
Therefore the tempo you hear here, is the correct one. The normal slow motion tempo is wrong according to the original manuscript.
SpiralMon 03 correct, not correct.....who cares....sounds wonderful!
Wrong or politically correct, to me this tempo does not appeal, and i will not buy the CD. Period. I'm sure HJ doesn't mind.
불멸의 연인에서 느꼈던 그 감정… 오롯이 느껴지는 연주입니다. 그 때 배토벤의 감정이 느껴지는 거 같아요. 좋은 연주 감사합니다. 복 받으실 거예요~~
first classical artist ever to debut at number 1 on both billboard and itunes.... gg
and she's still in her 20's..
덕분입니다
감사합니다
하루에도 몇번씩 찾아와
듣고 갑니다
부산에서 명천
Beautiful!
I love her way of interpretation of the music.
I love her period!!!!!
beautiful!
뉴스공장 듣고 찾아왔어요.^^ 잘들을께요.~~~♥
저두요 뉴공 홧팅
so good, soft & worm
Most interesting and beautiful interpretation ever. She really captured Beethoven's spirit, the world is very lucky that Lim has made this integral with her revolutionary visions. Her Beethoven is the most powerful, expressif, revolutionary, a true beethovenian insight. This integral will emerge as the reference for all.
I am so grateful I found you ! HJ you are so strong and beautiful 🖤💗🖤
Very wonderful playing!!!!!*****
I've had a few thoughts on this newer way to do the Moonlight first movement.
Beethoven marks this movement as an Adagio sostenuto in cut time rather than in common time. This means that the minims need to be the slow beats, not the crotchets or triplet quavers. Slowing the crotchets or triplet quavers disrupt the flow of the music. If the minims (and, for that matter, the semibreves), were the slow units, the notes in the top and bottom voices can form up into intelligible lines and phrases. Also, the triplet quavers can flow more freely and anticipate the stormy semiquaver arpeggios in the finale. At this speed the first movement can flow more naturally into the second movement. When it is played slow the movement feels disconnected from the rest of the sonata. The metrical structure of larger units can still allow the music to express its character fully.
I'm not out to pontificate like the historically sensitive practitioners. Rather I've thought deeply about this music and have formed up some observations about the relationships between the elements. Andras Schiff is another pianist who has espoused this way of doing the Moonlight. Lim and Schiff are both trusting the inner logic of the music and they are not playing it as quacks who know zilch about the meaning of the music.
I am also told that Beethoven was inspired by the music for the Commendatore's death in Don Giovanni. I know that correlations like this may not be solid but Beethoven must have made a memo of that passage when he was preparing to compose this movement.
I can't help thinking that there are so many family likenesses in disparate passages of Beethoven's music that it would be good to acknowledge them as performers and even as listeners. The main theme in the slow movement of the Ninth Symphony bears a striking resemblance to the Pathetique sonata slow movement. It would also be good if we noted the links between the Choral Fantasy and the Ninth Symphony finale. The character of the music can still express itself fully. Again I'm not out to be a quack who ants to lead people into pluralistic ignorance and collective fallacy. I wish to highlight the links and family likenesses between similar passages. The historically sensitive performers (e.g. Gardiner) allow the family likenesses to be clearer. They wouldn't want to consciously start groundless fads with no evidence in fact.
Exceptional writing, concise and clear to read. This is actually the first time I've heard this movement performed in this way, and I find it quite refreshing. I myself play it more 'conventionally' and slowly, possibly because I hadn't heard of it any other way until now.
Personally, I don't think there is anything wrong with her interpretation. She is clearly a brilliant pianist, and the faster than convention tempo in my opinion helps the piece have a stronger flow towards the end of this movement.
th415263 What a reassuring response I've got from you. I'm wondering if I might point you to the Andras Schiff lecture on the Guardian website. He talks and discusses all 32 sonatas and each sonata has its own link. The ECM Schiff Beethoven sonata cycle is rewarding listening in this repertoire.
Yi Peng Li I'll have a look at it now! Thank you very much indeed.
th415263 Just to let you know, I've just had the chance to listen to the Artur Schnabel version of this movement. It is remarkably similar to Lim and Schiff. Schnabel understands the metrical superstructure and prioritises the minims and semibreves as the slow beats. He also plays the bass line marcato to define it clearly.
I noticed that when Rockmonimov plays elegie I seem to hear hidden harmonies. I don't know much about it but I wonder if this applies here.
this is extradonary..thank much h lim..great..beethoven would be proud of u.:)..
Moonlight Sonata est l'un de mes morceaux préférés, j'adore ton interprétation, je me réjouis de t'entendre jouer après-demain :)
I really respect and admire HJ Lim's own interpretation of Moonlight. Some comments below criticize temp, rhythm, and bla bla..,but they are not worth being concerned too much. The critics even do not know the composer's mind or background. Anybody can easily criticize other's performance, but in some cases he/she can not play half of it, or is short of intelligence to understand the deep mind of the player.
Still gorgeous after 10 years..
너무 그윽하고 평온하고 행복해요💙♥️
This is AMAZING !!!
오래전부터 유수피아니스트의 피아노곡을.그러나 이제는 오로지 ms.Lim 연주만 듣게되네요.
Loved this playing, thanks for video. Heard about H.J. Lim on radio 4 19/7/12
Very beautifully done.
Wonderful sound. Good performance. Why does the sound to small ? Bravo and good luck HJLim. Very excited, when everyone heard you Turkish March by Mozart.
감사합니다
덕분입니다
this music breaths, feels, muses all around...strict tempo, strict academics and strict people are killing classical music, so those boring people let us love how she loves beethoven.
This is sublime
항상응원합니다
Just ordered her complete Beethoven sonatas from Amazon. Won't sleep a wink until they arrive.
You are the best. I am so proud of you.
It's nice to see someone playing something other than a Steinway!
Muy bien. Muy buena interpretación
다른 연주자의 월광소나타는 밤의 깊은 호수가 무서웠는데 임현정의 연주는 비애에 젖어 부드럽고 감미로웁습니다
도입부에서 압도한는 그무엇
임현정이 치니까 다르네요
감사합니다....이런 소리를 들려주심에 감사합니다...❤
It is good to hear it again.
Thank you.
Impressive and it would seem as Beethoven himself wished it to be played and not slowly as is the norm in most modern performances of this music.
As +Rodrigo Ruiz states in below comments ''Adagio sostenuto, which means "At ease and sustained", which points to a flowing, cantabile in which THE NOTES are sustained and not TIME.''
Ok. So people who praise her don't get constructive criticism for stating that they like her, so why do people who say that they do not like it do? I can state my opinion just like you can. Just like he can, she can, whatever. Speeding this repertoire takes away so much of what could be expressed in this. It's romantic. When you have a romantic moment, you want it to last forever. When she plays it, it's like she wants it to hurry up. Do you understand what I am getting at? Slow is not alwaysbad
It is very Fantasic and Realistic
When someone can play such a familiar piece and seems like I’m hearing it for the first time.
perfect!
월광 소나타 1악장의 아르페지오를 이렇게 치는 피아니스트는 임현정 피아니스타가 유일 한 것 같다. 거의 모든 피아니스트들이 화음의 각 음을 유연하게 연속성을 주지 않고 각 음을 딱딱 끊어서 연주 한다. 베트벤의 악보에 " 화음의 각 음을 딱 딱 끊어서 느리게 연주 하라"고 쓰여져 있을까? 그렇지 않을 것이다. 월광 소나타 연주는 임현정 피아니스의 연주가 단연 독보적이다. 임현정 피아니스트가 유럽인 이었거나 최소한 프랑스로 귀화 했다면 전세계 클래식 음악계에서의 그의 위상은 현실과 달라 졌을 것이다.
Considering that my first introduction to this piece was as a midi file in a video game, I think this rendition is pretty freakin' good. :D
감동적이에요 멋집니다^^♥
Qué inusual forma de interpretar este movimiento de la sonata! Sin embargo, es interesante. Además, la Srita LIM es una gran pianista. Es hermosa y tiene unas manos quizá mas largas que las de Valentina Lisitsa. Es joven y sin duda será una de las mejores de su generación.
J'aime cette interprétation comme j'aime énormément les contacts que Madame HJ Lim entretient avec la musique. Une musique pure libre de tous les éléments apportés par les différents maîtres. Je me réjouis d'avoir le plaisir d'assister à un concert de HJ Lim, de l'écouter et l'admirer! Merci à elle! Michel - ชล en thaïlandais
Maravilhoso!
la beauté musicale le geste accompagnant digne d'une grande carriére de la volonté heureusement et la route que personne ne vous à indiquée si peut étre que vous faites des envieuses drapée dans la jalousie qui aurait pu étre fatale ce jour mais vous avez su passer au delà chapeau lim et bonne route
안녕하세요 개그맨 허둥구단 허동환과 함께하는 봉카TV 입니다~~어릴때 많이 듣고 치던 음악 잘듣고 갑니다~~화이팅입니다.~~ ^^
Extraordinaire
감사합니다. 개인적으로 이제야 이 곡에 맞는 템포와 분위기를 찾은 것 같아요!
그동안 들었던 월광소나타 1악장은 멜로디는 참 매력적인데 어딘가 좀 답답한 기분이 들어서 끝까지 듣지 못했거든요. 월광소나타라는 판에박힌 타이틀에 얽매여서였을까요? 그동안 그 틀 안에 갇혀서 자유롭게 곡을 들을 수 없었던 게 아닌가..라는 생각이 드네요.
이제는 그 틀을 지우고 곡 자체가 주는 울림이 얼마나 아름답고 가슴 떨리게 하는지를 느낄 수 있게 되어서 너무 기쁩니다..! 우연한 발견으로 잠못이루네요... 이런게 행운인가봐요🍀
연주를 들으니...지상의 천국에 존재하는듯 하다...
lush interpretation
임현정님의 Beethoven Piano Sonatas 연주들중 이 곡이 특히 조회수가 높은 것은
아마도 대부분의 구독자들이 이 곡이 비교적 덜 빠른 편이라 (Adagio sostenuto)
보다 편하게 듣는 게 아닌가 하는 추측을 해봅니다.
정말 연주해보고 싶은곡입니다~
hermoso ♥
Is it Spanish??
Wow,,,SPEECHLESS !!!
Amazing ... ... ...
Bro the people in this comment section don't know what Alla breve is. The tempo is literally "to the half note"! Which means HALF NOTE= 50 or so not quarter note, people are just used to hearing it wrong.
once it's gone you'll realize how important it is
감사합니다
축복받으세요
온 몸에 전율이......쫙~~~~올라오네요 물 흐르듯이
Second movement is the flower between the abysses. First movement is an abyss of despair. Must be played with tremendous anguish. Third movement is absolute rage and must be played with rage. In all three the pianist has to orchestrate voicings and not play choreds. The inner melody, sotto voce, complimentary all must sing as the different instruments and voices they are.
Kpunkt. You are utterly right!
Wonderful, brave and fresh.
The people who don't get this should just stick to their Daniel Barenboim and Claudio Arrau records.
편안하다 못해 위태로움마저 느껴지는 대담한 해석입니다..
듣기에 따라 호불호가 갈리겠지만..
I wonder how she will play the 3rd mvt. I really want to hear it!
There is a lot of controversy surrounding this piece. Believe it or not this is actually the tempo that it was intended to be played. A lot of pianists play it too slow.
Elle joue aussi bien qu'elle est belle. J'adore
Je vous conseille de lire son livre sur son parcours quel courage je l'admire
..singolare..anche la presa ritmica...brava!!