I have been regularly listening to this concert ever since it was uploaded in RUclips. One of the rare and excellent RTPs. Must be preserved for future generation. Pranams to all artists. Gid bless them
.. it took me perhaps 20 years of listeing to Indian classical music in general to learn how to listen to and appreciate the Carnatic tradition ... compared to Hindustani classical music, a western person´s ears seem to be completely sealed for this ... thankfully, I somehow managed to unseal my ears and it has brought me a lot of joy & pleasure ..... and I thing I can sense something immensely ancient which I perhaps might, ot might not hear in one of my previous lives ... B-)
This is the most scholarly erudite concert I have ever heard in my life. The entire 2 hours 30 minutes is on Kamavardhini Raga Thana Pallavi in the praise of Lord Murugha and he has run away from Palani to just listen to these Gandharvas. After a very detailed exposition of Raga and Thana in the Pallavi, Vid Balamurali presents pallavi in 108 ragas complemented by Vid Akkarai Shubhalakshmi on the violin. has This is not just a concert. It is a daiva sabha in the presence of tumburu narada saraswathi ganapathi shiva panchayatana, vishnu panchayatana. None should miss this concert, from novice to learners to seasoned to experts to the musicians themselves, am submitting with humility. God bless them immensely for giving such an musical talent which I haven't heard till date.
When I suggest listening to such great recitals, i get a feed back that it is not easy to understand, appreciate, admire, since one should know the tala, raga, laya, and so on. I said, constantly listening also will educate the listener about these aspects over time. Also the music has soothing effect on the whole body, and as Dr BM Hegde says mind is not in the brain, mind is in the entire body, hence listening to this music is crucial for overall health.
This is the third concert I am watching of Vid Balamuralikrishna. Saraswathi lives in him, no not just him, in all the accompanists. Saraswathi is singing, saraswathi is on the violin, saraswathi is on the mrudangam, and saraswathi is on the ghatam. I do not know why go behind expensive allopathy treatment for calming mind and treating heart ailment due to stress, just listen to such concerts, even while doing any other work, these great artistes are contributing richly to health of thousands of listeners.
No amount of encomiums would be sufficient to describe the sheer brilliance of Balamurali Krishna Sir. Awestruck by his mastery over all the aspects of Carnatic music. Conceptualising such a thought is extraordinary and executing the same to perfection is beyond brilliance. PraNams to him as well as to the brilliant accompanying artists who were up to the challenge and ably contributed to the magnum opus.
Namaskaram to all the Vidhwans & Vidhushi. Out of world concert. Absolutely wonderful & I am unfit to make any more comments as all of them are top class artists as Sri.Sashkiran mentioned it is not easy to sing 108 ragas & Sri.Balamuralikrishna was at ease to change over the ragas , hearty congratulations & I would like to thank Sri.Sashikiran and all the artists for such a treat. May the Goddess Saraswati shower Her blessings and bless them all. Top class concert. Ofcourse everyday we are given great feast by each and every artists. Thank you 😊 and my humble Namaskaram.
Several years ago, KiranVali, Ravikiran's sister also gave a Pallavi concert with 108 ragas. That also was unbelievable. This recital is amazing. Identified many ragas but still 108 becomes very difficult to place all. Thanks for a wonderful concert. Starts with Vanaspathi Thyagaraja Krithi.
அரிதான ஒரு கச்சேரி பாலமுரளியின் அசாத்திய உழைப்பு மிக மிக நன்றா அமைந்த நிகழ்ச்சி ராகங்கள் காதில் ரீங்காரம் செய்து கொன்டு இருக்கின்றது. வயிலின் வாசிப்பு பிரமாதம். தாளவாத்தியத்தின் இரு ஜாம்பவான்கள்.அருமை தர்பாருக்கு பெருமை வாழ்த்கள் வாழ்க வளமுடன்
Came across this gem of a concert , no words to express my joy , 4 talented amazing genius in one stage and they creat Magic.Wish could be there live to see this concert , the people who could see this concer are blessed. I don't know much about raagas but this isn't Amazing. Thankyou.
I could see traces of Madurai Somu in this youngster,what a talent,we are really blessed to have so many young talents blossoming into future of carnatic music. Not heard such power packed pantuvarali in the recent past. Most of the singers do it at a reasonable range and leave, Balamurali touched the high and the low notes beautifully
simply superb. though I dont know the basics of carnatic music, it is fantastic. raagaalapana. I used to hear the raagam , taanam , pallavi broadcast on Tuesday by AIR, Vijayawada since my childhood. this is peculiar.
Master piece of KBMK. Akkarai Subbulakshmi 👏👏👍👍🙏🙏. Patri and Karthik extreme. Our ears and mind enlightened. Goddess Saraswati lives in these vidwans 🙏🙏 Please upload the list of ragas for our knowledge.
Excellent program.Kbmk is an extraordinarily talented vidhwan .And the violin,mrudhangam and gatam vidhwans are great.I enjoyed the concert .Thanks and pranams to all of them.
What a challenging concert 👏👌 mind boggling ,multi tasking and melodious concert of a Pallavi with a complex talam👍🏻 we are looking forward to your concert in Sydney next week..warm welcome to Balamurali Krishna..to Sydney 🙏 I took the liberty of sharing this clip on Sydney Music Circle site..🙏 I liked the idea of making it as a competition to identify the maximum number of ragas👍🏻 Great idea..pallavi Darbar is setting a real bench mark for the best performance by the talented artists who just do not stop by following the normal kachcheri padhdhathi ...instead they go an extra mile to enthral the audience. Wishing you all the best🙏💐
Since the contest got over a long time ago, can someone post a full list of the ragas here? I could identify a few of them, but I don't have any Carnatic music knowledge, just an avid listener. 😁
I hope carnatic musicians take a step back and experiment formats that elaborate a few ragas that are sung in slow and unhurried manner, bringing out all their emotions. The current trend is just not doing justice to the depth of our music. Forget the talam for some time. It being complex shouldn't be of first order importance. Further, singing so many different ragas one after the other for a minute or two is just pointless. I understand its called "innovation", but I am personally not a fan. The musicians themselves are all admired and no questioning their talent. Please explore the non-talam facets (lyrics for ex) and approach the ragas as slowly as possible. Each note of a raga has an emotion. The notes coming together conveys an emotion. Sorry to say, this does not convey any of those emotions that they are all capable of. Neelambari or Ahiri swaram in 1 min, Nattakurinji or Ranjani in a 2 min tanam. I dont know what more to say. There are precedents set by yesteryear vidwans like Flute Mali, TN Rajarathnam Pillai, GNB, etc. Don't ignore that legacy.
While I agree with you, RTP in a regular concert does meet the standard& format you are expecting. So, why not explore something new like this? This would enable more additions and changes.
@Raghul I agree with you but not in all aspects. I appreciate your views that Carnatic music is strongly based on the concept of melody (ragam) where alaps and renditions in vilamba kalam (slow tempo) has predominant scope. However, the scope of thalam cannot be forgotten at the same time. According to me, the blend of melody and rythm (ragam and thalam) together brings the whole aesthetics. For example, not all sangathis can be appropriate in a particular korvai or kanakku, even though the arithmetics is correct. I'm eager to listen to your further views on the same.
Kindly appreciate there are also non local language, non sanskrit listeners. Please do not be harsh in conveying your feelings. Please be benign. Help ever, hurt never.
I have been regularly listening to this concert ever since it was uploaded in RUclips. One of the rare and excellent RTPs. Must be preserved for future generation. Pranams to all artists. Gid bless them
.. it took me perhaps 20 years of listeing to Indian classical music in general to learn how to listen to and appreciate the Carnatic tradition ... compared to Hindustani classical music, a western person´s ears seem to be completely sealed for this ... thankfully, I somehow managed to unseal my ears and it has brought me a lot of joy & pleasure ..... and I thing I can sense something immensely ancient which I perhaps might, ot might not hear in one of my previous lives ... B-)
Wow, that's a wonderful experience! Thank you for sharing 😊
@@metalforlife4ever uh
This is the most scholarly erudite concert I have ever heard in my life. The entire 2 hours 30 minutes is on Kamavardhini Raga Thana Pallavi in the praise of Lord Murugha and he has run away from Palani to just listen to these Gandharvas. After a very detailed exposition of Raga and Thana in the Pallavi, Vid Balamurali presents pallavi in 108 ragas complemented by Vid Akkarai Shubhalakshmi on the violin. has This is not just a concert. It is a daiva sabha in the presence of tumburu narada saraswathi ganapathi shiva panchayatana, vishnu panchayatana. None should miss this concert, from novice to learners to seasoned to experts to the musicians themselves, am submitting with humility. God bless them immensely for giving such an musical talent which I haven't heard till date.
I heard today and was thrilled to the core.This will give me peaceful days and make me think of Vanaspathi for a long time
K B M. Like his magnetic voice. Really a high level musician. From B S Krishna Bangalore
When I suggest listening to such great recitals, i get a feed back that it is not easy to understand, appreciate, admire, since one should know the tala, raga, laya, and so on. I said, constantly listening also will educate the listener about these aspects over time. Also the music has soothing effect on the whole body, and as Dr BM Hegde says mind is not in the brain, mind is in the entire body, hence listening to this music is crucial for overall health.
Absolutely right Sir.🙏
Patri sir setting an example of how you should accompany an artist......The best 🔥🔥
This is the third concert I am watching of Vid Balamuralikrishna. Saraswathi lives in him, no not just him, in all the accompanists. Saraswathi is singing, saraswathi is on the violin, saraswathi is on the mrudangam, and saraswathi is on the ghatam. I do not know why go behind expensive allopathy treatment for calming mind and treating heart ailment due to stress, just listen to such concerts, even while doing any other work, these great artistes are contributing richly to health of thousands of listeners.
No amount of encomiums would be sufficient to describe the sheer brilliance of Balamurali Krishna Sir. Awestruck by his mastery over all the aspects of Carnatic music. Conceptualising such a thought is extraordinary and executing the same to perfection is beyond brilliance. PraNams to him as well as to the brilliant accompanying artists who were up to the challenge and ably contributed to the magnum opus.
Namaskaram to all the Vidhwans & Vidhushi. Out of world concert. Absolutely wonderful & I am unfit to make any more comments as all of them are top class artists as Sri.Sashkiran mentioned it is not easy to sing 108 ragas & Sri.Balamuralikrishna was at ease to change over the ragas , hearty congratulations & I would like to thank Sri.Sashikiran and all the artists for such a treat. May the Goddess Saraswati shower Her blessings and bless them all. Top class concert. Ofcourse everyday we are given great feast by each and every artists. Thank you 😊 and my humble Namaskaram.
Divine blessing ,,,,
Several years ago, KiranVali, Ravikiran's sister also gave a Pallavi concert with 108 ragas. That also was unbelievable. This recital is amazing. Identified many ragas but still 108 becomes very difficult to place all. Thanks for a wonderful concert. Starts with Vanaspathi Thyagaraja Krithi.
Marvelous. One of rarest of rare cut cherries. Hats of to all the great musicians
KBMK ... soulful rendering... even those who don't know the intrigues of carnatic music cannot miss the mastery of this person ....
These four maestros have given us unforgettable music in this Cutcheri. They have melded their music so beautifully . And , an excellent recording .
அரிதான ஒரு கச்சேரி பாலமுரளியின் அசாத்திய உழைப்பு மிக மிக நன்றா அமைந்த நிகழ்ச்சி
ராகங்கள் காதில் ரீங்காரம் செய்து கொன்டு இருக்கின்றது.
வயிலின் வாசிப்பு பிரமாதம்.
தாளவாத்தியத்தின் இரு ஜாம்பவான்கள்.அருமை தர்பாருக்கு பெருமை
வாழ்த்கள் வாழ்க வளமுடன்
Excellent performance ,one of the best i have heard . Very original and unique . All the best Balamurali - vaidyanathan 4F
@@trgowri6593 நன்றி வணக்கம்
சசிகிரன் சார் நீங்கள் இன்னும் பல பல நல்ல நிகழ்ச்சிகள் நடத்தி இசைக்கு பெருமை சேர்க்கவேண்டும் வாழ்த்துகள்
Sashikiran’s idea ofPallavDarbar has produced a genius!What energy, knowledge and execution in short notice! Eligible for guinness book of records
I totally agree withRukmini Srinivasan. I was fortunate to listen to it live. It was an incredible and awesome experience.
He is a born genius
Yes,Sasikiran is also a genius to give birth to a brilliant musical genius.
To give birth I meant to bring forth a musical genius out in the public even at the young age
We were blessed to watch this live! Soulful and incredibly moving!! Thank you KBMK and team! God bless the artists!
Great musician of the classical music. God bless for a long healthy living of this stalvert.Also the team of artists on the stage.
Mesmerizing music 🎉
Came across this gem of a concert , no words to express my joy , 4 talented amazing genius in one stage and they creat Magic.Wish could be there live to see this concert , the people who could see this concer are blessed. I don't know much about raagas but this isn't Amazing. Thankyou.
Execellent performance by all artists ...
Nithya jaya mangalam...
Kudos to SUBHALAXMI, unbelievable performance! Kunnakkudi at his usual best,, balaram akkineni
Excellent concert !! Brilliant performance by each artists
I could see traces of Madurai Somu in this youngster,what a talent,we are really blessed to have so many young talents blossoming into future of carnatic music. Not heard such power packed pantuvarali in the recent past. Most of the singers do it at a reasonable range and leave, Balamurali touched the high and the low notes beautifully
Yes i have listened to somu who used to sing for 4 to 5 hours. Spell bound
violin is one step ahead and vocal is not less in class both are excellant
Master at work. The entire session.
Very pleasant sweet tunes 🎶🎼🎵🎶🎼🎵 🤗😇🤗
The attempt is lofty. Artists great, blessed are the rasika who enjoy the concert -
Really blessed to have heard such an excellent concert. Much more blessed are the performing maestro's-
simply superb. though I dont know the basics of carnatic music, it is fantastic. raagaalapana. I used to hear the raagam , taanam , pallavi broadcast on Tuesday by AIR, Vijayawada since my childhood. this is peculiar.
Very enjoyable! Hats off to KBMK & team
very enjoyable concert. already heard number of times. love to hear repeatedly. salutations to whole team. god bless you all.
Master piece of KBMK. Akkarai Subbulakshmi 👏👏👍👍🙏🙏. Patri and Karthik extreme. Our ears and mind enlightened. Goddess Saraswati lives in these vidwans 🙏🙏 Please upload the list of ragas for our knowledge.
Yes it's an experimental record that no Carnatic musician have done
Only he attempted it
Omg !!!!!!
What a knowledge !!!! 💜💜💜💜
Excellent program.Kbmk is an extraordinarily talented vidhwan .And the violin,mrudhangam and gatam vidhwans are great.I enjoyed the concert .Thanks and pranams to all of them.
Pranams to all. Excellent
Oh, what a concert!! Each artist is brilliantly contributing to greater heights!! God Bless them for their superb artistry!!
I'm blessed to listen to such an amazing concert.
Patri sir on fire🔥🔥
So nice, nothing to say . It can be a bench mark to any upcoming musician. God bless you all
Excellent panthuvarali by both violin and vocal artists
Outstanding.. Sangeetha Kalanidhi performance! 👏👏💐💐
vow excellent programme. No words to say. We are in another world. God bless the entire team. BM is capable of all the awards
Firework🙏🙏🙏❤❤❤
No comment,❤❤❤❤
Pathri sir ...🙏🙏
As usual superb Anna....its like lecdem....divine... rejuvenated experience
very complicated thalam - excellent talented all stalwarts on the stage
Fantastic kudos to the team
Mesmerising & Wonderful cutchery
With all genius artists
Great day in my life
EXCELLENT PERFORMANCE.
Excellent 🙏
Simply outstanding
Marvellous
Wow.A great RTP
Please announce name of raga and thala. kruti by. From B S Krishna Bangalore
kbmk is a midas and whatever he sings is extraordinary and a genius and he enjoys akkarai subbalakshmi on violin a great combination
Superb
I would request the one person who disliked, to kindly give an explanation
Leave it ... bcoz morons are everywhere...
A wonderful concert
Excellent
Can smone pls list all the ragas.
What a challenging concert 👏👌 mind boggling ,multi tasking and melodious concert of a Pallavi with a complex talam👍🏻 we are looking forward to your concert in Sydney next week..warm welcome to Balamurali Krishna..to Sydney 🙏 I took the liberty of sharing this clip on Sydney Music Circle site..🙏 I liked the idea of making it as a competition to identify the maximum number of ragas👍🏻 Great idea..pallavi Darbar is setting a real bench mark for the best performance by the talented artists who just do not stop by following the normal kachcheri padhdhathi ...instead they go an extra mile to enthral the audience. Wishing you all the best🙏💐
Please can anybody upload all 108 ragams used. I could identify 80 of them
1:25:09 - that moment when it dawns on all of them how fiendishly convoluted this talam really is!
A memorable one BMK.
Since the contest got over a long time ago, can someone post a full list of the ragas here? I could identify a few of them, but I don't have any Carnatic music knowledge, just an avid listener. 😁
Yes please egar to know. 🙏🙏
Ananthanantham anandam
Sir👍
🙏 🌹
சசிகிரன் சார் பாலமுரளிக்கும் 108 காயத்திரி க்கும் 108 என்ன வேண்டுதலையா!!!!
What is the language ?
Violinist a formidable threat to KBMK ...Lol
She's a lioness... Super talented and confident!
@@Sowmya-Mohan
Who is the violinist, please?
Akkarai Subhalakshmi
She is an excellent vocalist too of Akkarai Sisters fame.
பாவம் பட்ரியும் கார்த்திக்கும்
🙏🔥👌👍
சசிகிரன் சார் மற்ற மொரு புதிய முயற்சி தாள வாத்தியகாரர்ள் இல்லாமல் பாடகரும் வயிலின் இருவரை மட்டும் வைத்து ஒரு தர்பார் நடத்துங்கள்.
This would be an excellent venture.
ikkaraikku Akarai pachaithan. Akkaraiyoda Violinkku edu inai illai, VOW
I hope carnatic musicians take a step back and experiment formats that elaborate a few ragas that are sung in slow and unhurried manner, bringing out all their emotions. The current trend is just not doing justice to the depth of our music. Forget the talam for some time. It being complex shouldn't be of first order importance. Further, singing so many different ragas one after the other for a minute or two is just pointless. I understand its called "innovation", but I am personally not a fan. The musicians themselves are all admired and no questioning their talent. Please explore the non-talam facets (lyrics for ex) and approach the ragas as slowly as possible. Each note of a raga has an emotion. The notes coming together conveys an emotion. Sorry to say, this does not convey any of those emotions that they are all capable of. Neelambari or Ahiri swaram in 1 min, Nattakurinji or Ranjani in a 2 min tanam. I dont know what more to say. There are precedents set by yesteryear vidwans like Flute Mali, TN Rajarathnam Pillai, GNB, etc. Don't ignore that legacy.
Super concert technically wonderful we have heard of great Vidvans perform Pallavi May God bless you
While I agree with you, RTP in a regular concert does meet the standard& format you are expecting. So, why not explore something new like this? This would enable more additions and changes.
Listen to KVN for true music....
@Raghul I agree with you but not in all aspects. I appreciate your views that Carnatic music is strongly based on the concept of melody (ragam) where alaps and renditions in vilamba kalam (slow tempo) has predominant scope. However, the scope of thalam cannot be forgotten at the same time. According to me, the blend of melody and rythm (ragam and thalam) together brings the whole aesthetics. For example, not all sangathis can be appropriate in a particular korvai or kanakku, even though the arithmetics is correct.
I'm eager to listen to your further views on the same.
Really getting goose bumps. Feel i am listening to some cencert 40+ years back
N
Feeling so stressed while hearing this...
Hahaha yeah coz the thalam is so complicated, you never know when it's gonna go wrong right? 😂
😁😁😁 udambu muzhukka moolaiya vechurpaar polarukku!!
Stop using English to introduce. use local language and sanskrith. have some self respect
Kindly appreciate there are also non local language, non sanskrit listeners. Please do not be harsh in conveying your feelings. Please be benign. Help ever, hurt never.
I did not feel comfortable listening after singing.. A very bad musician