Wow--that's fantastic! I play snare/set myself--that syncopation is incredible, and the licks would be hard to do vertically, let alone horizontally. So fun to watch! Thanks!
It's what I've heard referred to (and what I've been taught myself) as a "Cookie Cutter" grip. The person who first told me about it taught at MCM and also at an independent open group that I was in, and its basically allowing the hand to stay tension-free by still maintaining a grip on the stick/mallet but allowing the fingers to open to certain angles that facilitate different heights (3", 6", 9", 12", 15"). That's how he's getting a bit more 'outward' motion with his wrist turns, which gives just a tad more velocity behind the mallet for rebound without having to get so much arm motion involved. I was taught it for quads, but similar principles apply to bass since it's also matched grip seeking the same tone from hand to hand.
![Quando Rondo - Life Goes On [Official Music Video]](http://i.ytimg.com/vi/eIf3fhMXAow/mqdefault.jpg)
thank you for blessing us with all the bass content
Smoking!! Lord. Thank y'all for your efforts and commitment -HB
This bass line goes hard every year and I am all for it
Wow--that's fantastic! I play snare/set myself--that syncopation is incredible, and the licks would be hard to do vertically, let alone horizontally. So fun to watch! Thanks!
Nice video 🤩
Gottla love the "On the waterfront Hannum tribute"
This is another dimension!!
Basstastic
Interesting to see #2 letting his fingers release off the stick way more than anyone else.
I don't think he's actually releasing his fingers. I think he's just getting them more involved in the stroke instead of just wrist+arm.
It's what I've heard referred to (and what I've been taught myself) as a "Cookie Cutter" grip.
The person who first told me about it taught at MCM and also at an independent open group that I was in, and its basically allowing the hand to stay tension-free by still maintaining a grip on the stick/mallet but allowing the fingers to open to certain angles that facilitate different heights (3", 6", 9", 12", 15").
That's how he's getting a bit more 'outward' motion with his wrist turns, which gives just a tad more velocity behind the mallet for rebound without having to get so much arm motion involved.
I was taught it for quads, but similar principles apply to bass since it's also matched grip seeking the same tone from hand to hand.
Well Cadets are gone so i guess that visual was up for grabs.
I’d wager it’s less of a steal and more of a tribute.
Tons of bass lines (including mine) did it as a tribute
9:05
They play a lot of notes, but the writing has too few grooves & it's not musical.
skill issue
grooves doesnt mean musical
writing is abstract... needs phrasing to be musical
@@CrunchMunch-j9x never heard of abstract bass drum writing lol
By virtue of them playing, it's musical, no?