Do you know that there is a satanic ritual?, you are praising a satanic ritual. men are officially performing illuminati rituals. you curse all of the beliefs and you become a partner in them. Wake up, you are the devil's slave!.
@@Wonderduck1 Hey, don't get me wrong, as ridiculous as it may look to a fellow rigger or lighting technician, hanging as many fixtures as psychically possible on a big ass flown truss structure can be an absolute nightmare designing, programming, setting up and striking, but if a team can pull it off and utilize all of it efficiently in the effort of effectively giving the most unforgettable visual effects display the audience has ever seen... not only is that NOT a bad thing but it's incredibly impressive.
I've worked as a DJ in clubs (nothing too hard core as I've had a day job to pay the bills) and having a great light/EFX/sound team, really makes or breaks your set. I went and did a lighting course and got my pyrotechnics qualification, so that I could understand the process better. When you sit down with the whole club crew to understand the message/theme/vibe, you want to send out to your guests, you'd be surprised with the ideas that everyone can offer. This video is a testament to the background support team that brought it all together. Even the cleaners/sanitation crew play a role in making the entire night a success. Everyone deserves to be a part of the success....
@@marcschumacher18205 day course (3 day theory, 2 day practical) -cost $2K. Very easy to pass I then had to apply to a state government office for the licence which involved a criminal background check a few hundred dollars there. This took about 30- 45 days. Annual liability insurance on top of that.another $500 I then went and purchased some basic equipment ie Cobra wireless electronic firing systems $500 and some Fireworks show software $1000 ie it simulates your show on a laptop so you can add your music, fireworks product etc to see how it's going to look. What some fireworks operators that are just starting out is to get their basic course and then operate under an established firework company that already has firing hardware, show software, licenses and insurance. This way they get some experience up and can do basic shows. Once they get experience and time, then they can apply for their license. Most government offices stipulate that operators must have their license for a few years before they can move up to firing the bigger shells ie 6 inch, 8 inch etc. As you can imagine, the bigger mortar shells require larger safety distances away from the viewing public. You get to a point of diminishing returns ie there's no point firing 9 inch shells if the viewing public are that far away that they lose some of the "bang" factor. Part of the fireworks experience is feeling the sound hit you. This "sweet spot" is felt using 3, 4 and 5 inch shells. I've let off large 20 inch shells, but this was at a ski resort and it had to be let off on top of a mountain, and we'll away from the resort. It was great being part of the crew underneath it, but the wow factor wasn't as cool as a typical country fair where you set up on a showground and the public is only a few hundred feet away. Something to remember. Setting up a Fireworks show involves "a lot of iceberg and small tip" ie most shows rarely go over 15 minutes but to do this involves many hours of setting up. Typical New Years Eve shows take weeks of planning, days of rigging and just as many hours disassembling and cleaning. You'd be hard pressed finding a Fireworks crew that are in bed before 2am after a New Years Eve show. Also involving water barges, or any fancy Fireworks show adds to the logisticical complexity. Of course, being at "ground zero" watching a well planned, pryomusical go off above you and hearing the cheers of the crowd in the distance is one of the many experiences I'll take to the grave. I hope this information assists
@@marcschumacher1820 I guess each state or territory has its own licensing criteria. A quick Google search should sort you out. I've found it can be a small professional community where most of the senior pyros that have been in the business for 20 years or so, all know each other. Ergo, if you cultivate a good reputation, then more opportunities open up, whereas if you're out to screw people over, it comes back to bite you.(Like any endeavour really) I'm only a small player in that I'm not out to do an Olympics show as I have other business interests that are my primary focus, however, I do like to dabble here and there. One thing I have been getting into is nightime aerial drone shows -that complement the fireworks. Like any emerging technology, I can see the public appetite becoming more receptive to these due to the growing advantages PROS * Little to no noise -good in suburbs where pet disturbance is an issue * Individually tailored visuals ie customised business, school logos etc * No fire danger * Lower ongoing cost and setup. While the initial CAPEX is steep, the OPEX is pretty good *Faster set up and pack up * No rubbish/environmental damage -which corporate clients like *If you have solar running your business premises, you can market it as a "zero emissions" show ie solar charged up the drones. CONS * Not as grand a spectacle (everyone loves a big explosion) * Not as bright as a standard fireworks show * No smell of burnt gunpowder * More permissions required ie FAA flight restrictions in some areas etc * More expensive to scale ie customer sees you do a 300 drone show, so they want a 500 drone show next time * Can be technically embarrassing when the odd drone goes off course or fails to take off. Anyway, a bit of food for thought....all the best
100% agree, as a former lighting operator (& warm-up DJ), it's amazing how many clubs (even larger superclubs) don't really put enough effort into a good light show, which kills the vibe, especially when the DJ is doing a great job and the lighting operator has all these lights at their disposal, but just leaves it on a shutter chase and plays on their phone, or goes for an extended smoke.
Never saw them LIVE😒....I GET GOOSE BUMPS ...just watching the video...WOW to see that ..FEEL the sounds...WOULD SELL MY SOUL...just to DANCE n SEE .n.FEEL the Beat... 💥💯⚡❤️❤️❤️❤️❤️😎
Much underrated video, 2.3m views and just 18k likes. These shows are epic and set the tone for the whole night, music is just a part of the experience. If the lights and fireworks suck you go back home without fully blown away like you should
absolut fantastisch. Ich stelle mir das aber in einem Club vor. Da würde diese Lightshow zu sehr dominieren und von der Musik ablenken. Aber als Solo- Kunstwerk betrachtet ist es absolut außergewöhnlich
I like how at 4:00 when the lights flash, you get this sort of reflection off of the crowd, but I then understood that it was light coming from their cellphones they were recording with
The camera recording this is at the perfect vantage point, back far enough for experiencing the entirety of the visuals from the lighting designer's vision and board operator's prospective... Which, honestly that's where I feel they went wrong with this design. The rig is so big and so centralized above the audience, they can't even experience the totality of the overall effect it creates. I just can't imagine it even looking that great to the majority of the crowd standing directly underneath it. I mean, anyone that has to be anywhere even remotely close to such an insanely concentrated amount of high output lighting equipment is guaranteed to be excruciatingly overwhelmed and utterly blinded. How are they supposed to enjoy the amazing effects it's creating, when they can't even glance at it without adequate eye protection and having to strain their neck for a decent view? ¯\_(ツ)_/¯
you wanna' see lights? watch the endymion & partystarter sets from this same qlimax. the sfx team pushes the equipment to it's limits, you aint never seen a lightshow like those sets.
Best lighting rig and cueing I've seen in ages. What the hell is a that rotating beast?This lighting is up there with the Pink Floyd live show featuring te transforming mirror ball. It makes me a bit uncomfortable watching that suspended load over the crowd . What a master piece. F**ck Yeah. .
Persolan libre listo para salir de fiesta llebame te acompañio me guta la musica loca y electronica 100 +++🤸♀️🤾♂️🏌♀️🏃♂️🧎♂️🧍♀️⛷️🏌♂️🏄♀️Hoy el frio del la noche sesiente mas por la falta deseres sercanos los balores de cada persona son pueatos a extrema realida solo los balietexs saldran de esa prueva todo o nada aca ❤🖤⚜️🇦🇷
Wow excelente trabajo de ingeniería que digo excelente un perfecto trabajo...en donde fue este evento de que se trata quien se presentó ... alguien vme puede decir
Es un evento de la empresa Q DANCE busca el canal en youtube y te daras cuenta de los magnificos eventos que hace esta empresa. Y este evento se llama QLIMAX es del año 2014, pero cada año se realiza, por lo que puedes buscar qlimax 2015,2016 etc. Buenisimos sets. Y Bienvenido al mundo del HARDSTYLE
nossaaaaaaaaaaaaa que de más 😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍 espero que eu um dia eu esteja em um nessa bala 😍😍😍😍😍😍😍
on 4.35 is a fault in the program. you see a couple movingheads shine red. en the step after again. i dont think it was ment to be. but a great show. nice work for the programmers.
José akdemir Evoist If you look in the description, you can see that credit has been given to Evoist for the original footage, with a link to his RUclips page.
This was literally just a showcase of the amount of cool equipment they were able to pack into each one of those giant flying dumbbells.
Equipment yes, but variations, not even close:
/watch?v=hUu9gne2KyU&t=3257s
You say this like it's a bad thing.
Do you know that there is a satanic ritual?, you are praising a satanic ritual. men are officially performing illuminati rituals. you curse all of the beliefs and you become a partner in them. Wake up, you are the devil's slave!.
@@Wonderduck1 Hey, don't get me wrong, as ridiculous as it may look to a fellow rigger or lighting technician, hanging as many fixtures as psychically possible on a big ass flown truss structure can be an absolute nightmare designing, programming, setting up and striking, but if a team can pull it off and utilize all of it efficiently in the effort of effectively giving the most unforgettable visual effects display the audience has ever seen... not only is that NOT a bad thing but it's incredibly impressive.
@@pakan357 Who said anything about variations?
I've worked as a DJ in clubs (nothing too hard core as I've had a day job to pay the bills) and having a great light/EFX/sound team, really makes or breaks your set.
I went and did a lighting course and got my pyrotechnics qualification, so that I could understand the process better.
When you sit down with the whole club crew to understand the message/theme/vibe, you want to send out to your guests, you'd be surprised with the ideas that everyone can offer.
This video is a testament to the background support team that brought it all together.
Even the cleaners/sanitation crew play a role in making the entire night a success. Everyone deserves to be a part of the success....
@AB How difficult was it to get the pyrotechnics certification?
@@marcschumacher18205 day course (3 day theory, 2 day practical) -cost $2K. Very easy to pass
I then had to apply to a state government office for the licence which involved a criminal background check a few hundred dollars there. This took about 30- 45 days. Annual liability insurance on top of that.another $500
I then went and purchased some basic equipment ie Cobra wireless electronic firing systems $500 and some Fireworks show software $1000 ie it simulates your show on a laptop so you can add your music, fireworks product etc to see how it's going to look.
What some fireworks operators that are just starting out is to get their basic course and then operate under an established firework company that already has firing hardware, show software, licenses and insurance. This way they get some experience up and can do basic shows.
Once they get experience and time, then they can apply for their license.
Most government offices stipulate that operators must have their license for a few years before they can move up to firing the bigger shells ie 6 inch, 8 inch etc.
As you can imagine, the bigger mortar shells require larger safety distances away from the viewing public. You get to a point of diminishing returns ie there's no point firing 9 inch shells if the viewing public are that far away that they lose some of the "bang" factor. Part of the fireworks experience is feeling the sound hit you. This "sweet spot" is felt using 3, 4 and 5 inch shells. I've let off large 20 inch shells, but this was at a ski resort and it had to be let off on top of a mountain, and we'll away from the resort. It was great being part of the crew underneath it, but the wow factor wasn't as cool as a typical country fair where you set up on a showground and the public is only a few hundred feet away.
Something to remember. Setting up a Fireworks show involves "a lot of iceberg and small tip" ie most shows rarely go over 15 minutes but to do this involves many hours of setting up.
Typical New Years Eve shows take weeks of planning, days of rigging and just as many hours disassembling and cleaning.
You'd be hard pressed finding a Fireworks crew that are in bed before 2am after a New Years Eve show.
Also involving water barges, or any fancy Fireworks show adds to the logisticical complexity.
Of course, being at "ground zero" watching a well planned, pryomusical go off above you and hearing the cheers of the crowd in the distance is one of the many experiences I'll take to the grave.
I hope this information assists
@@RPAS1234 we were discussing it at theatre tech training yesterday and it was like 50 shows as an apprentice or something like that for pyro.
@@marcschumacher1820 I guess each state or territory has its own licensing criteria. A quick Google search should sort you out. I've found it can be a small professional community where most of the senior pyros that have been in the business for 20 years or so, all know each other. Ergo, if you cultivate a good reputation, then more opportunities open up, whereas if you're out to screw people over, it comes back to bite you.(Like any endeavour really)
I'm only a small player in that I'm not out to do an Olympics show as I have other business interests that are my primary focus, however, I do like to dabble here and there.
One thing I have been getting into is nightime aerial drone shows -that complement the fireworks. Like any emerging technology, I can see the public appetite becoming more receptive to these due to the growing advantages
PROS
* Little to no noise -good in suburbs where pet disturbance is an issue
* Individually tailored visuals ie customised business, school logos etc
* No fire danger
* Lower ongoing cost and setup. While the initial CAPEX is steep, the OPEX is pretty good
*Faster set up and pack up
* No rubbish/environmental damage -which corporate clients like
*If you have solar running your business premises, you can market it as a "zero emissions" show ie solar charged up the drones.
CONS
* Not as grand a spectacle (everyone loves a big explosion)
* Not as bright as a standard fireworks show
* No smell of burnt gunpowder
* More permissions required ie FAA flight restrictions in some areas etc
* More expensive to scale ie customer sees you do a 300 drone show, so they want a 500 drone show next time
* Can be technically embarrassing when the odd drone goes off course or fails to take off.
Anyway, a bit of food for thought....all the best
100% agree, as a former lighting operator (& warm-up DJ), it's amazing how many clubs (even larger superclubs) don't really put enough effort into a good light show, which kills the vibe, especially when the DJ is doing a great job and the lighting operator has all these lights at their disposal, but just leaves it on a shutter chase and plays on their phone, or goes for an extended smoke.
I get goosebumps all over from this awesome show
Never saw them LIVE😒....I GET GOOSE BUMPS ...just watching the video...WOW to see that ..FEEL the sounds...WOULD SELL MY SOUL...just to DANCE n SEE .n.FEEL the Beat... 💥💯⚡❤️❤️❤️❤️❤️😎
Much underrated video, 2.3m views and just 18k likes. These shows are epic and set the tone for the whole night, music is just a part of the experience. If the lights and fireworks suck you go back home without fully blown away like you should
Hey..... 18,001 now. I did my part.
Maybe some people don't want to support satanism
@@thatgreenslime9517wut?
All credit goes to lighting and well trained sound engineers❤🔥🔥🔥🔥
This has to be one of the best openings to a gig I've ever seen.
Otro mundo. otra cosa. otro nivel
saludos desde chile lindo a todos lis CJ's...
Best Qlimax opening Show ever
Awesome ever seen such a beautiful show
absolut fantastisch. Ich stelle mir das aber in einem Club vor. Da würde diese Lightshow zu sehr dominieren und von der Musik ablenken. Aber als Solo- Kunstwerk betrachtet ist es absolut außergewöhnlich
Me encanto al principio como se vio el audio e iluminación se la rifaron la verdad
The best... 💕👌👌👌🎶🎼🤗
At 4:00 you can see the latency of the phone cameras.
Wow xD
Yeah you usually can whenever theres lots going on, specially time syc'd stage lights
I guess so, I'm not really accustomed to watch show videos and I found this particular exemple pretty obvious. =)
you usually see it during strobes, there is a bit where the LD was a little off in the middle. but that is forgivable
فتحكدعلاماتالويبواكلصفحاته=رقمتليفوو068180279098
I like how at 4:00 when the lights flash, you get this sort of reflection off of the crowd, but I then understood that it was light coming from their cellphones they were recording with
SiMoS MCmuffin omg I just noticed that
latency: 368ms
yea... thats fckin sad. Stop bringing ur phones to events like this ppl.
@@92Ranger4 *month late for this comment* he's an idiot lol let idiots stay as idiots
@@plasmatic433 Me too!
Still the best Qlimax opener of all time
Thanks all from this Night🎶💕🌴🔊😎
Una puesta en escena magnífica, saludos desde Santander amigos/as
The camera recording this is at the perfect vantage point, back far enough for experiencing the entirety of the visuals from the lighting designer's vision and board operator's prospective... Which, honestly that's where I feel they went wrong with this design. The rig is so big and so centralized above the audience, they can't even experience the totality of the overall effect it creates.
I just can't imagine it even looking that great to the majority of the crowd standing directly underneath it. I mean, anyone that has to be anywhere even remotely close to such an insanely concentrated amount of high output lighting equipment is guaranteed to be excruciatingly overwhelmed and utterly blinded. How are they supposed to enjoy the amazing effects it's creating, when they can't even glance at it without adequate eye protection and having to strain their neck for a decent view?
¯\_(ツ)_/¯
I have goosebumps !
Impresionante espectáculo saludos!!!!!!
That one just incredible
Eventos como estos, realmente pocos, pero muy pocos en el mundo
The biggest of all editions
Pienso que esos eventos son de otro mundo algo demasiado fuerte para alimentar a un ser con las energías de los que van .
The chills ❤️ ❤️
Lightshow is amazing
Yeah I like it so much
guitaris fingerstyle indonesia
ruclips.net/video/PI8lsM3U88o/видео.html
SONG - Technoboy & Tuneboy & Isaac - Digital Nation
I really hope they had more lights for the rest of the show, that was a killer intro none the less
This was just the intro, they got the whole stage covered at this point, the stage was even more killer
you wanna' see lights? watch the endymion & partystarter sets from this same qlimax. the sfx team pushes the equipment to it's limits, you aint never seen a lightshow like those sets.
wow great video.
Awesome!!!!!!!!!!!!!!!!!!!!!!!!!!!
Excelente espectáculo de luces
that lighting rig is insane
Just amazing 😉
Best lighting rig and cueing I've seen in ages. What the hell is a that rotating beast?This lighting is up there with the Pink Floyd live show featuring te transforming mirror ball.
It makes me a bit uncomfortable watching that suspended load over the crowd . What a master piece. F**ck Yeah. .
they are a lot of moving trusses, it's not much complicated, but the effect is so awesome
With good music it must be spectacular
desde Santiago mexquititlan barrio sexto los lokillos de la 57 #120 y 300 del estado de Querétaro para todo el mundo
mistrzostwo swiata
Persolan libre listo para salir de fiesta llebame te acompañio me guta la musica loca y electronica 100 +++🤸♀️🤾♂️🏌♀️🏃♂️🧎♂️🧍♀️⛷️🏌♂️🏄♀️Hoy el frio del la noche sesiente mas por la falta deseres sercanos los balores de cada persona son pueatos a extrema realida solo los balietexs saldran de esa prueva todo o nada aca ❤🖤⚜️🇦🇷
BEST of THE QLIMA×!
It was a good show very cool lights.
I love it
Espectacular 😍
A otro Nivel 😎👌
Cool cool cool.. Perfect
absolutely amazing
Q chingoneria de Audio e iluminación viva el estado de México
Donde fue eso
@@carlosdjfinish200 en el azteca
@@guillermolopez3304 no digas mamadas no fue ahí xdxs
@@guillermolopez3304 todavía me acuerdo de esto jaja no digas mamadas todavía xd
amazing
😊😊
Nossaaaaa😍😍
whats the name of the song that start at 5:10?
wow đỉnh thực sự
Super
Wow excelente trabajo de ingeniería que digo excelente un perfecto trabajo...en donde fue este evento de que se trata quien se presentó ... alguien vme puede decir
Es un evento de la empresa Q DANCE busca el canal en youtube y te daras cuenta de los magnificos eventos que hace esta empresa. Y este evento se llama QLIMAX es del año 2014, pero cada año se realiza, por lo que puedes buscar qlimax 2015,2016 etc. Buenisimos sets. Y Bienvenido al mundo del HARDSTYLE
not really a fan of this type of music , but that intro though, had such an awesome vibe too it. Something sinister, something epic!
Qlimax always have incredible shows
Brutal en el minuto 5:11 💪💪💪💪💪
awesome show!
6:40 thoo... fucking chills!
Alguien sabe como se llama la cansion del minuto 5:10 por fas sean amables
Technoboy & Tuneboy & Isaac - Digital nation
@@sogmaproductions
Muchas grasias estube mucho tiempo buscando esta cansion grasias a ti la encontré
This is devilish
oh my god ang galing
Me encanta 🤩🤩🤩👍🏼👍🏼👍🏼👍🏼👍🏼
Genial Perfekt Super
Very amazing this lightshow😍😍😍
I love this bc it lights my whole house up lol 😂
I love """" QLIMAX"""""
It's an awesome show
3:33 słychać naszych :)
Ijin nyimak bosq👍👍👍👍👍❤❤❤❤❤👌
The refrain "In my house" comes from a song from the 90s. Which song is it? Does anybody know it?
Simply EPIC. 🔥
nossaaaaaaaaaaaaa que de más 😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍 espero que eu um dia eu esteja em um nessa bala 😍😍😍😍😍😍😍
expectacular
Sangat keren intronya, serasa nonton film
anyone know the name of the intro song? Like the big buildup with the dramatic inception horns?
Exelente eeeeeeee lo máximo...
El poder y la iluminacion majestuoso despues de esto queeeee.
Alguien me podrá pasar el nombre dela primera canción de precentacion
pinches luces perron
Luar biasa
2 million de dolares espectacular
Very Particular, perfect
nice visuals.
HOLA 🖐️ AQUÍ 🇪🇸 UN AMIGO 🖐️ ÉXITOS 🙏🙏
AMAZING INTRO!@!!!!!!
Gread Job - Best Regards form Germany - Light Designer C2
Ogień 🕺
wow is great
on 4.35 is a fault in the program. you see a couple movingheads shine red. en the step after again. i dont think it was ment to be. but a great show. nice work for the programmers.
Waoo
nice😍
cool video
Killer🔥🤩🤩🤩🤩
E Brazil poha!!!🤙
Hello song name 05:00+ time ?
5:36 is so fucking hype
El futuro se hizo presente.. en ese evento...
Exelent efects 😃
nice - you have used my recordings.
Thank you for taking the time to record this in such good quality.... looking forward to more in the future. :)
Grtz
Sogma
Sogma Productions Evoist sogma, you kinda know this is sarcastic right ?
File Copyright
José akdemir Evoist If you look in the description, you can see that credit has been given to Evoist for the original footage, with a link to his RUclips page.
Sogma Productions thank you, nice gesture.
in this case, it would also have been no problem for me.
keep up the good work.
Alguém tem o nome da música que tocou aí no final
Fucking awesome!!!! Everything on point!!!
Name of track at 4:54 please ;)
Isaac - Digital Nation
+E4gleDk TNT ft. Isaac
That was the first version, this is remixed with DJ Isaac, Technoboy and tuneboy, and its called Digital Nation, like i stated 11 months ago
renzodurrrr i
@@E4gleDk tnxz