When the rhythm hits you like a truck
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- Опубликовано: 7 сен 2024
- Stravinsky's iconic Rite of Spring. Most would mention its extraordinary reimagining of rhythm and its place in the musical discourse; rhythm, after all, has always been in service of the melody but Stravinsky seems to blatantly flip the hierarchy - melody is nowhere to be found and rhythm takes the lead. Indeed, this is most obvious with the violent ostinatos in the strings at the beginning where the accents are rhythmically displaced to throw off the listener and yet, this rhythm becomes a motif in itself - whenever the accented ostinato comes back, Stravinsky either takes individual rhythmic cells (e.g dum-DUM-dum-DUM) or simply restates the phrase again in its entirety. (00:51) Other interesting rhythmic points would be 1. the flexibility in rhythmic variation at 00:34 where you get essentially the same descending chromatic motif but slight changes in rhythm between triplets and duplets. 2. the various rhythmic fragmentation of the same motif which is then stretched by simple addition (seen at 00:58 with the melody in bassoons) which is a technique we see best exemplified in a movement of Stravinsky's previous ballet, Petrushka, Danse Russe.
Stravinsky's genius in orchestration helps to create different textural layers that enable us to separate motivic ideas more clearly as well. Notice how the ostinato is always given the same orchestration, in the lower registers of the strings with accents backed up by horns, the trumpets are mostly given these accentuated sharp triplet motifs on a different sonority plane while the lower double reeds are favoured in terms of important and distinct motifs.
Perhaps the most interesting facet of composition to me would be the way this movement is constructed because, like many of the composers at the time, Stravinsky was looking to move away from the traditional methods of motivic development. His solution was to continuously piece together different pieces of textures in a seemingly mosaic-like form, cutting directly to distinct motifs even before fully developing one of them, or even squarely superposing different motifs to create a rich sonic landscape. This block-like compositional form manifests itself fully in his Symphonies of Wind Instruments and perhaps served as inspiration to Messiaen later on.
Recording(Boulez): • "LE SACRE DU PRINTEMPS...
don't think it's right to say locrian - IS used minor tetrachords for much of the melodic material, very common in russian folk music. these then interact with octatonic/chromatic subsets. worth digging out Taruskin and van den Toorn, they did a good job analysing it
@@LawrenceDunn101 Thanks for the info! That makes much more sense
Agree. The melody itself could be in "locrian" sort of, but one the Eb quintal harmony, it throws off the perception
at first i thought it was just a thumbnail of an inexperienced student's composition because the left hand part is E major but written as an F flat major chord but then i realized the context was rite of spring
@@Annihilator_5024 🤣
literally the same thing as a beginner's composition though so you were right
@@lolbruh1170😐
@Annihilator_5024 omg it u woah
@@lolbruh1170Hi wim, now you're using alt accounts for your bait comments? 😊
Stravinsky doesn’t just write music - he conjures fantastical characters, landscapes, complete narratives in sound.
Moments like this are the reason I listen to classical music
@@oritdrimer4354 absolutely!
Le Sacre gets a lot better towards the end though. I don't get why people feel like this particular transition is so remarkable. It is but the tip of the iceberg of Stravinsky's genius.
The flute and clarinet passage at 0:42 is one of my favourite textures in any piece ever!
Brilliant orchestration! Had to check out what he did there to have such an effect
This is my favorite part in Rite of spring! 🥰🥰🥰🥰 I love Stravinsky!! 😍😍
Stravinsky loved bassoons, bassoons love stravinsky
Played this with the conservatory orchestra in college. The professor conducted the entire piece from memory - no score during performance. Blew me away!
At 1:14 a string player does their accent at the wrong place ahah
@@Trumpyfilip sharp ears 😄
holy spot
Metal 🔥
Unfortunately I've used that title already 😆
One of my favorites!
I never really noticed the similarity between the beginning and ending parts of this video, thanks for painting them both blue
Not too similar in terms of the intervals used but it is interesting how this falling gesture is used as a cadential movement!
One of the greatest!
Dance of the Adolescents... Stravinsky had at least 2 phases in his compositional life. Avant Garde and Classical. This work is from his earlier avant-garde days. Even from the thumbnail I knew which piece this would be. But I have an MM in musicology and wrote a couple papers on him in college. 😉
Also "Primitavist" or "Dada-ist." But I'm a Renaissance expert. ;) Still Love Stravinsky though. :D
i am absolutely in love with this piece help meeeeeee
@@dedede5586 no one can help you now...
@@skylarlimex thank you for this great analysis btw!!
Muito bom. Gostei. Obrigado.
I was shocked by this video❤❤
Love this break down. A piece I loved enough to transcribe for solo piano and pour 2 years into memorizing! It's always fun to see new RUclips content on it.
@@AaronPetitPianoTutorials I watched that and it's absolutely legendary. Brilliant work, you should've commented with your main channel.
The rhythm hits like a truck? Trucks are scared of Stravinsky.
Great analysis by the way!
I do not tend to like Stravinsky, but I listened to this while finishing The Lord of the Flies a while back and it was perfect.
@@jtbasener8740 That's an amazing pairing, I've never made that connection before!
stravinsky
Rite of Spring!!!
Exquisite video as always!
@@twanswagten thanks so much!
The Jaws theme, but the original, more prog metal version.
Rite of Spring is brilliant start to end, but this section and the Spring Rounds soon after are some of my favorite bits.
Exactly my experience of this music
Thank-you for sharing. I never viewed music in this way. (yea... I am a hack), But I love music.
Great analysis! I'd love to see more Stravinsky, Ravel and Scriabin. Also, have you considered Messiaen?
@@pgbpriuvnri I'd love to do some messiaen in the future...
The Tertadoodle of the Hinky Spunky has several Locrian variants of the boing boing which leads to a most efficient expelliarmus.
Vaguely reminded of the ostinato in Blind Bigger Brother from The Simpsons: Hit & Run
If you think this is crazy, wait till you see the dancing
In fact, rhythmic accents are provided by horns playing in unison with strings, their timbre is simply submerged into strings’ one so we hear only accents
@@user-wn1dd8ls2u Yes, but the strings also have accents written in
I always loose the 2/4 feeling at 1:01, even with the score!
motif x is also in the ostinato😮
@@dmachine07 I wonder if he'd composed it with that intention, I think Stravinsky is quite intuitive as a composer
@@skylarlimex Probably
This is from Tom and Jerry
What if you don't like being hit by a truck?
Am i being hunted down or something?
song name plssss 😭😭😭😢
The rite of spring. This is specifically the second piece
Stravinsky, he destroys elegantly the established musical canon, but some of his melodies are very nice although brief.
@@JJLemire I wouldn't use the word elegantly in this case 🤣
Ah, another random 15 seconds of some symphony from 1938 John Williams ripped off for an entire billion dollar movie soundtrack.
nah
1. 1913, not 1938
2. Ballet, not symphony
3. "Lesser artists borrow; great artists steal" - direct quote from the person who wrote this music.
Funnily enough, I first heard the rites of spring when I was 17 and was repulsed by it . About 25 years later I heard john Williams saying that when he first heard it he was blown away. When I went back to listen again, all I could hear was James Bond ! It was a good gate way tho- I see now how great it is.
@@TheSlowPianist nobody cares
@@davidbeddoe6670 Same could be said of your original comment.