thanks so much for finding that converter its the only one that made my videos look like they were when i filmed them. do you know if the converter will recieve 4k anytime soon
Just the 16-50. Closer stuff was with the Samsung 50-200, which for such a cheap lens, gives nice quality in 4k. Getting an adaptor for Xmas, so hoping to borrow my sons manual Nikon macro lens.
+Moon Leahcim On the downside; they do hog your storage space, but since you have to convert them to edit anyway, you may as well use prores. I keep the more compact h265 files and dump the prores after the edit. I like the reduction in contrast that the Rocky Mountains Movie Converter gives prores and despite the large prores file size, they edit at 4k in Premiere with ease.
Still so much beauty in this nasty cold season - you show it. Well done, lad!
Cheers!
thanks so much for finding that converter its the only one that made my videos look like they were when i filmed them. do you know if the converter will recieve 4k anytime soon
Mr. Nick Cannon It does do 4k. Just select 'Same as source' under resolution.
S lenses?
Just the 16-50. Closer stuff was with the Samsung 50-200, which for such a cheap lens, gives nice quality in 4k. Getting an adaptor for Xmas, so hoping to borrow my sons manual Nikon macro lens.
So you would suggest to convert to prores and not h264 for post processing in premiere?
+Moon Leahcim On the downside; they do hog your storage space, but since you have to convert them to edit anyway, you may as well use prores. I keep the more compact h265 files and dump the prores after the edit. I like the reduction in contrast that the Rocky Mountains Movie Converter gives prores and despite the large prores file size, they edit at 4k in Premiere with ease.