Budhaditya Mukherjee Performs Raag Darbari Kanada, Indian Music
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- Опубликовано: 25 май 2024
- #sitar #Budhaditya Mukherjee #music of india
This performance surpasses all and perches itself on the top layer of Darbar’s presentations because of the uncompromising way Pandit Budhaditya Mukherjee immerses himself into the awakening of the Ragas’ emotions and the way he delivers them as a representative of the Imdadkhani gharana.
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Learn more about the music:
“Pandit Mukherjee, according to me, is a musicians’ musician - someone who has transcended not just the disciplinary or performance stratum but has also established himself at an extraordinary level. This is why every musician looks up to and draws inspiration from him. It is perhaps an achievement in itself that in an epic setting like that of the Barbican Centre in London, an Indian classical musician like Pandit Mukherjee had performed Darbari Kanada which is considered as the king of all the ragas,” says Sandeep Virdee OBE, creative Director of Darbar.
It is also worthy to note that Pandit Mukherjee is perhaps the only representative of the Imdadkhani gharana who does not belong to its blood clan but has all the same established himself as a strong stake-holder of this gharana.
As an audience, here’s an interesting fact for you to know - Pandit Mukherjee has completely defied the time classification in performing these two ragas. He has reversed their order and yet, comfortably brought time down to its knees by establishing the spirit of both Darbari Kanada and Nand appositely. Notice his short, crisp introduction in the beginning of the concert where he speaks about the actual time of performing Darbari Kanada. Because of practical reasons related to the Barbican venue-hiring norms, the concert halls need to be deserted by 9:30 pm every Sunday. This obviously limits the possibility of the presentation of late-night and midnight Ragas such as Darbari Kanada. However, on that day, Pandit Mukherjee along with Pandit Shiv Kumar Sharma set a precedent by defying the time theory and presenting ragas much before their technical time of presentation.
Accompanying Pandit Mukherjee on the tabla is Soumen Nandy, a young and emerging tabla player in the Indian classical music scene, also from Kolkata. Nandy has done justice to his stage-time with a praiseworthy accompaniment and by filling in his solo portions with dexterity.
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Видеоклипы
What a masterpiece... Someone please like it so i can come back...
After Ustad Vilayat Khan it is Pandit Budhaditya Mukherjee who is the magician of this magnificient musical instrument.
Sad seeing our legends age 😢but what an incredible artist he is , truly blessed by Maa Saraswati 🙏🏽🤍🪷
This is an absolute sweet raag. All ragas of asavari are sweet, but darbari hits different
Good evening sir jee. I like, love and appreciate your sitar wadan, the reason is your clarity of each swara and balanced performance in both the hands. I have attended many of your concerts also I have many LP records of your recitation. ❤🎉❤🎉❤
Many many thanks
Wishes ur a great fan🎉
Incredible!!
Mesmerizing ❤
Divine.
Very.very
Top
One
Amazing ❤
Beautiful ❤❤❤
Jewel
🙏🙏🙏
❤
🙏🙏🙏🙏🙏🙏🙏🙏
❤️❤️❤️❤️❤️❤️❤️🙏🙏🙏🙏🙏
🙏
🙏🤲🙏
Who is accompanying on तबला
H
It might not be appropriate because of traditional sensitivity. But is pandit BM jee not better than ustad vilayat khan? Please comment 🙏🏽
Don't compare ur eyes
From.vadsnt
Naik.hbl.