Thank you so much as an Iranian and Tombak player, I can aware you are one of the excellent players. Please continue you are so talented for this instrument.
the clay body and the pakistani thin body ones sound very close to a specific Tombak that was popular during the mid to late 20th century made with a metalic body. it was commonly used in folkloric music of Tehran and in variety shows. It is rather rare nowadays but sounds very sharp.
Thanks for compliment) Multiple body means that’s Tombak built from several pieces of wood, but usually this instrument are cheap and bad quality. For my opinion I prefer whole body , good quality walnut or mulberry.
Best way to learn Tombak is study with real teacher, there is a great Iranian Tombak player in India, U can ask him about classes: facebook.com/fakhroddin.ghaffari
Very well played, I didn't know that Tombak also has so many types, I wonder if there's anything like a standard Tombak instrument of one particular type? Is it the Persian variant that's the classical and standard? Just wondering; love from India 👍🇮🇳🙏
@@kirill_osherov that was my impression, the techniques are very distinct from darbuka and frame drum which is what I play. But there are almost no Iranians in the USA!
Hello. Thank you so much for these tutorials they are priceless. I have an issue with my tombak, it sounded beautiful in Iran but as soon as I bought it back to Europe it became more bassy and lost a lot of the clicking sound. How do you prepare your tombak for performances? Do you think I have to heat up the tombak with a blow dryer or just play on it more often?
@@kirill_osherov Last question do you wrap the electric pillow around the tombak or do you put the electric pillow on top of the skin? Many thanks. I bought a tombak not knowing these things and I'm self learning.
No doubt Kirill is good. But in what sense is he better than most Iranian maestros? Could you please elaborate a little? I am actually I interested in knowing the basis for your bald claim.
@@clifffff7630 when a traditional instrument is played by someone who's not of that ethnicity in this case Kiril, very enchanting nuances tend to occur. The polyrhytms he presents are so innovative seldom heard even from the new generation of zarb players. The segment "tombak from France" is simply "magnifique". Taste is subjective in music as we all enjoy various artists, however when it comes to technique Kirills effortless virtuosiry can not be denied. Btw how did you know I'm "bald"? ;-)
@@fabz1509 I used the adjective "bald" to convey that your statement was undisguised or blunt. Had I been under the impression that it had no supportive evidence (i.e. was overly confident and risky), I would have used the adjective "bold". Remember that I did not dismiss your argument (which I would have done had I considered it to be "bold"), but instead asked you to simply supply your underlying reasoning...
Я не очень хорош на русском, но я хотел спросить, какой из этих томбаков вам нравится, и почему? Я играю сам в течение 35 лет и имею собственное представление о том, как это должно звучать! Меня не устраивает то, что они звучат сейчас, и особенно толстые шкуры, такие как верблюд, (которых мы не использовали в Иране раньше ) не звучат хорошо! Они не поддерживают звуки базового и среднего диапазона! Поэтому я решил сделать их в соответствии со своими ожиданиями! Буду признателен за ваш вклад!
вы знаете к сажелению не возможно слушать иммино звук на ютубе или видео! качества очин мнияеца! я не слушал давид радман? он толка строить или играют томбак?? у мня запись на кассет есть но ни видео. играли с друзями. старе запись у мня нето где я в команда играл! нада искать их !!!
I am surprised i have never heard of it;considering that sound of it travels right into my heart. I love it. Thanks for sharing your experience.
Hats off mate. I am a Persian and a Tombak player
Kirill this was awesome, thanks for the demonstration.
Brilliant 👏👏👏
I love your playing
So much knowledge in those hands! Thanks for sharing your music with us 🙌💫
Thanks)
amazing video and playing !
Very good .....
Bravo ! I'm guitarist and also tombak french woman player, I enjoy a lot your music!
Thank U, take a look more fresh videos) It is more about music, this one more about demonstrating)
Very nice job 👏
Super
Отличное видео Кирилл, блестяще играете! Звук хороший очень, интересно конечно послушать разные тонбаки, керамический вообще впервые слышу.
Really nice kirill, well done! You have a better style of plying then some iranians, i love the integration of Indian & persian rythm 👌👌
beautiful
You got all these different kinds, respect i started to love this Tombak instrument, wish to find it in Egypt
Thank you so much as an Iranian and Tombak player, I can aware you are one of the excellent players. Please continue you are so talented for this instrument.
Thank U! Yes, I am continue even right now))))
nice very good
the clay body and the pakistani thin body ones sound very close to a specific Tombak that was popular during the mid to late 20th century made with a metalic body.
it was commonly used in folkloric music of Tehran and in variety shows.
It is rather rare nowadays but sounds very sharp.
Thanks for letting me know 🙏
Fabulous
بسیار خوب.🌹
You are amazing
Какой-то запредельно-крутой уровень!
Спасибо!
Respect.
Взорвал мне мозг! ))) Браво!
I am su surprised! Respect!!!!
Long a live 👍
All these sound so beautiful, superb technique.
May I ask what a multiple body is?
Thanks for sharing.
Thanks for compliment)
Multiple body means that’s Tombak built from several pieces of wood, but usually this instrument are cheap and bad quality. For my opinion I prefer whole body , good quality walnut or mulberry.
@@kirill_osherov Thanks!
God do I love this instrument!
Кирилл, очень круто!
Muito bom. Parabéns. Obrigado.
Amazing composition technique and video!!! Only it would work better if the introduction talk was with some more energy
Good student-level playing, for sure.
all life is studying...
Incredible video and compilation. I am a percussionist from India and would love to source the Tombak. Any pointers ?
Best way to learn Tombak is study with real teacher, there is a great Iranian Tombak player in India, U can ask him about classes:
facebook.com/fakhroddin.ghaffari
pro
آفرین درود بر تو 👏👏👏👏
Very well played, I didn't know that Tombak also has so many types, I wonder if there's anything like a standard Tombak instrument of one particular type? Is it the Persian variant that's the classical and standard? Just wondering; love from India 👍🇮🇳🙏
@@kirill_osherov oh, I see! Thanks bro👍
Звук действительно крутой. Иногда смотришь игру, а звук как ложкой по батарее).
👍👍👍👍👍👍dravo
عالیه
Excellent playing! How did you learn Tonbak in Russia?
I studied with Pedram Khavarzamini in Europe, not in Russia)
It is impossible to learn Tombak without Iranian teacher …
@@kirill_osherov that was my impression, the techniques are very distinct from darbuka and frame drum which is what I play. But there are almost no Iranians in the USA!
@@my-spinning-wheel There are Pejman Hadadi and Pezham Akhavass , they are great masters
@@kirill_osherov I will investigate, thank you!
Hello. Thank you so much for these tutorials they are priceless. I have an issue with my tombak, it sounded beautiful in Iran but as soon as I bought it back to Europe it became more bassy and lost a lot of the clicking sound. How do you prepare your tombak for performances? Do you think I have to heat up the tombak with a blow dryer or just play on it more often?
I use electric pillow, U can but it is Pharmacy shop.
@@kirill_osherov thank you 🙏
@@kirill_osherov Last question do you wrap the electric pillow around the tombak or do you put the electric pillow on top of the skin? Many thanks. I bought a tombak not knowing these things and I'm self learning.
@@prosper7452 I put it on the pillow.
Skin side should be up side down
you are the Tommy Cash of Zarb
Superb & very creative patterns better than most pros from Iran.
No doubt Kirill is good. But in what sense is he better than most Iranian maestros? Could you please elaborate a little? I am actually I interested in knowing the basis for your bald claim.
@@clifffff7630 when a traditional instrument is played by someone who's not of that ethnicity in this case Kiril, very enchanting nuances tend to occur. The polyrhytms he presents are so innovative seldom heard even from the new generation of zarb players. The segment "tombak from France" is simply "magnifique".
Taste is subjective in music as we all enjoy various artists, however when it comes to technique Kirills effortless virtuosiry can not be denied.
Btw how did you know I'm "bald"? ;-)
@@fabz1509 I used the adjective "bald" to convey that your statement was undisguised or blunt. Had I been under the impression that it had no supportive evidence (i.e. was overly confident and risky), I would have used the adjective "bold". Remember that I did not dismiss your argument (which I would have done had I considered it to be "bold"), but instead asked you to simply supply your underlying reasoning...
Я не очень хорош на русском, но я хотел спросить, какой из этих томбаков вам нравится, и почему? Я играю сам в течение 35 лет и имею собственное представление о том, как это должно звучать! Меня не устраивает то, что они звучат сейчас, и особенно толстые шкуры, такие как верблюд, (которых мы не использовали в Иране раньше ) не звучат хорошо! Они не поддерживают звуки базового и среднего диапазона! Поэтому я решил сделать их в соответствии со своими ожиданиями! Буду признателен за ваш вклад!
вы знаете к сажелению не возможно слушать иммино звук на ютубе или видео! качества очин мнияеца! я не слушал давид радман? он толка строить или играют томбак?? у мня запись на кассет есть но ни видео. играли с друзями. старе запись у мня нето где я в команда играл! нада искать их !!!
Om här någon arab kan ni lika tack